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Chaucer's Influence On Fifteenth-century Scottish Literature
Chaucer's influence on 15th-century Scottish literature began towards the beginning of the century with King James I of Scotland. This first phase of Scottish "Chaucerianism" was followed by a second phase, comprising the works of Robert Henryson, William Dunbar, and Gavin Douglas. At this point, England has recognised Scotland as an independent state following the end of the Wars of Scottish Independence in 1357. Because of Scottish history and the English’s recent involvement in that history, all of these writers are familiar with the works of Geoffrey Chaucer. Phases of Scottish Chaucerianism The first phase of Scottish Chaucerianism James I and his work The Kingis Quair represent the first phase of Chaucerianism, which purposefully and directly imitates the works of Chaucer while preserving the Scottish author’s own uniqueness. The second phase of Scottish Chaucerianism The poems Robert Henryson, William Dunbar, and Gavin Douglas represent the second phase of Chau ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
King James I Of Scotland
James I (late July 139421 February 1437) was King of Scots from 1406 until his assassination in 1437. The youngest of three sons, he was born in Dunfermline Abbey to King Robert III of Scotland, Robert III and Annabella Drummond. His older brother David, Duke of Rothesay, died under suspicious circumstances during detention by their uncle, Robert Stewart, Duke of Albany, Robert, Duke of Albany. James' other brother, Robert, died young. Fears surrounding James's safety grew through the winter of 1405/6 and plans were made to send him to France. In February 1406, James was forced to take refuge in the castle of the Bass Rock in the Firth of Forth after his escort was attacked by supporters of Archibald, 4th Earl of Douglas. He remained at the castle until mid-March, when he boarded a vessel bound for France. On 22nd March, English pirates captured the ship and delivered the prince to Henry IV of England. The ailing Robert III died on 4 April and the 11-year-old James, now the uncr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scots Language
Scots ( endonym: ''Scots''; gd, Albais, ) is an Anglic language variety in the West Germanic language family, spoken in Scotland and parts of Ulster in the north of Ireland (where the local dialect is known as Ulster Scots). Most commonly spoken in the Scottish Lowlands, Northern Isles and northern Ulster, it is sometimes called Lowland Scots or Broad Scots to distinguish it from Scottish Gaelic, the Goidelic Celtic language that was historically restricted to most of the Scottish Highlands, the Hebrides and Galloway after the 16th century. Modern Scots is a sister language of Modern English, as the two diverged independently from the same source: Early Middle English (1150–1300). Scots is recognised as an indigenous language of Scotland, a regional or minority language of Europe, as well as a vulnerable language by UNESCO. In the 2011 United Kingdom census, 2011 Scottish Census, over 1.5 million people in Scotland reported being able to speak Scots. As there are ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
15th Century In Scotland
15 (fifteen) is the natural number following 14 and preceding 16. Mathematics 15 is: * A composite number, and the sixth semiprime; its proper divisors being , and . * A deficient number, a smooth number, a lucky number, a pernicious number, a bell number (i.e., the number of partitions for a set of size 4), a pentatope number, and a repdigit in binary (1111) and quaternary (33). In hexadecimal, and higher bases, it is represented as F. * A triangular number, a hexagonal number, and a centered tetrahedral number. * The number of partitions of 7. * The smallest number that can be factorized using Shor's quantum algorithm. * The magic constant of the unique order-3 normal magic square. * The number of supersingular primes. Furthermore, * 15 is one of two numbers within the ''teen'' numerical range (13-19) not to use a single-digit number in the prefix of its name (the first syllable preceding the ''teen'' suffix); instead, it uses the adjective form of five (' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anglic Language
The Anglo-Frisian languages are the Anglic (History of the English language, English, History of the Scots language, Scots, and Yola language, Yola) and Frisian languages, Frisian varieties of the West Germanic languages. The Anglo-Frisian languages are distinct from other West Germanic languages due to several sound changes: besides the Ingvaeonic nasal spirant law, which is present in Low German as well, Anglo-Frisian brightening and phonological history of Old English#Palatalization, palatalization of are for the most part unique to the modern Anglo-Frisian languages: * English ''cheese'', Scots ' and West Frisian language, West Frisian ', but Dutch language, Dutch ', Low German ', and German language, German ' * English ''church'', and West Frisian ', but Dutch ', Low German ', ', and German ', though Scots ' * English ''sheep'', Scots ' and West Frisian ', but Dutch (pl. ), Low German , German (pl. ) The grouping is usually implied as a separate branch in regards to the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eneados
The ''Eneados'' is a translation into Middle Scots of Virgil's Latin ''Aeneid'', completed by the poet and clergyman Gavin Douglas in 1513. Description The title of Gavin Douglas' translation "Eneados" is given in the heading of a manuscript at Cambridge University, which refers to the "twelf bukis of Eneados." The title of the first printed edition (London, 1553) was ''The xiii Bukes of Eneados of the famose Poete Virgill''. The work was the first complete translation of a major classical text in the Scots language and the first successful example of its kind in any Anglic language. In addition to Douglas's version of Virgil's ''Aeneid'', the work also contains a translation of the "thirteenth book" written by the fifteenth-century poet Maffeo Vegio as a continuation of the ''Aeneid''. Douglas supplied original prologue verses for each of the thirteen books, and a series of concluding poems. There is also an incomplete commentary, covering only part of the first book, written as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aeneid
The ''Aeneid'' ( ; la, Aenē̆is or ) is a Latin Epic poetry, epic poem, written by Virgil between 29 and 19 BC, that tells the legendary story of Aeneas, a Troy, Trojan who fled the Trojan_War#Sack_of_Troy, fall of Troy and travelled to Italy, where he became the ancestor of the Ancient Rome, Romans. It comprises 9,896 lines in dactylic hexameter. The first six of the poem's twelve books tell the story of Aeneas' wanderings from Troy to Italy, and the poem's second half tells of the Trojans' ultimately victorious war upon the Latins (Italic tribe), Latins, under whose name Aeneas and his Trojan followers are destined to be subsumed. The hero Aeneas was already known to Greco-Roman legend and myth, having been a character in the ''Iliad''. Virgil took the disconnected tales of Aeneas' wanderings, his vague association with the foundation of Ancient Rome, Rome and his description as a personage of no fixed characteristics other than a scrupulous ''pietas'', and fashioned th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The House Of Fame
''The House of Fame'' (''Hous of Fame'' in the original spelling) is a Middle English poem by Geoffrey Chaucer, probably written between 1374 and 1385, making it one of his earlier works. It was most likely written after ''The Book of the Duchess'', but its chronological relation to Chaucer's other early poems is uncertain. ''The House of Fame'' is over 2,005 lines long in three books and takes the form of a dream vision composed in octosyllabic couplets. Upon falling asleep the poet finds himself in a glass temple adorned with images of the famous and their deeds. With an eagle as a guide, he meditates on the nature of fame and the trustworthiness of recorded renown. This allows Chaucer to contemplate the role of the poet in reporting the lives of the famous and how much truth there is in what can be told. Synopsis The work begins with a poem in which Chaucer speculates on the nature and causes of dreams. He claims that he will tell his audience about his "wonderful" dream "in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Merchant's Tale
"The Merchant's Tale" ( enm, The Marchantes Tale) is one of Geoffrey Chaucer's ''Canterbury Tales''. In it Chaucer subtly mocks antifeminist literature like that of Theophrastus ("Theofraste"). The tale also shows the influence of Boccaccio (''Decameron'': 7th day, 9th taleThe ninth tale of Book VII of the Decameron. See Summary of Decameron tales), Deschamps' , by Guillaume de Lorris (translated into English by Chaucer), Andreas Capellanus, Statius, and Cato. The tale is found in Persia in the Bahar Danush, in which the husband climbs a date tree instead of a pear tree. It could have arrived in Europe through the '' One Thousand and One Nights'', or perhaps the version in book VI of the '' Masnavi'' by Rumi. Though several of the tales are sexually explicit by modern standards, this one is especially so. Larry Benson remarks: The naming of the characters in this Tale is riddled with satirical nomenclature: Januarie, the main character, is named in conjunction with his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wife Of Bath
"The Wife of Bath's Tale" ( enm, The Tale of the Wyf of Bathe) is among the best-known of Geoffrey Chaucer's ''The Canterbury Tales, Canterbury Tales''. It provides insight into the role of women in the Late Middle Ages and was probably of interest to Chaucer himself, for the character is one of his most developed ones, with her Prologue twice as long as her Tale. He also goes so far as to describe two sets of clothing for her in his General Prologue. She holds her own among the bickering pilgrims, and evidence in the manuscripts suggests that although she was first assigned a different, plainer tale—perhaps the one told by the The Shipman's Tale, Shipman—she received her present tale as her significance increased. She calls herself both Alison (name), Alyson and Alys in the prologue, but to confuse matters these are also the names of her 'gossib' (a close friend or gossip), whom she mentions several times, as well as many female characters throughout ''The Canterbury Tales'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Troilus And Criseyde
''Troilus and Criseyde'' () is an epic poem by Geoffrey Chaucer which re-tells in Middle English the tragic story of the lovers Troilus and Criseyde set against a backdrop of war during the siege of Troy. It was written in '' rime royale'' and probably completed during the mid-1380s. Many Chaucer scholars regard it as the poet's finest work. As a finished long poem it is more self-contained than the better known but ultimately unfinished ''The Canterbury Tales''. This poem is often considered the source of the phrase: "all good things must come to an end" (3.615). Although Troilus is a character from Ancient Greek literature, the expanded story of him as a lover was of Medieval origin. The first known version is from Benoît de Sainte-Maure's poem ''Roman de Troie'', but Chaucer's principal source appears to have been Boccaccio, who re-wrote the tale in his ''Il Filostrato''. Chaucer attributes the story to a "Lollius" (whom he also mentions in ''The House of Fame''), although ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhyme Royal
Rhyme royal (or rime royal) is a rhyming stanza form that was introduced to English poetry by Geoffrey Chaucer. The form enjoyed significant success in the fifteenth century and into the sixteenth century. It has had a more subdued but continuing influence on English verse in more recent centuries. Form The rhyme royal stanza consists of seven lines, usually in iambic pentameter. The rhyme scheme is ABABBCC. In practice, the stanza can be constructed either as a tercet and two couplets (ABA BB CC) or a quatrain and a tercet (ABAB BCC). This allows for variety, especially when the form is used for longer narrative poems. Thanks to the form's spaciousness compared to quatrains, and the sense of conclusion offered by the couplet of new rhyme in the sixth and seventh lines, it is thought to have a cyclical, reflective quality. History Introduction and success Chaucer first used the rhyme royal stanza in his long poems ''Troilus and Criseyde'' and the ''Parlement of Foules'', wr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Henryson
Robert Henryson (Middle Scots: Robert Henrysoun) was a poet who flourished in Scotland in the period c. 1460–1500. Counted among the Scots ''makars'', he lived in the royal burgh of Dunfermline and is a distinctive voice in the Northern Renaissance at a time when the culture was on a cusp between medieval and renaissance sensibilities. Little is known of his life, but evidence suggests that he was a teacher who had training in law and the humanities, that he had a connection with Dunfermline Abbey and that he may also have been associated for a period with Glasgow University. His poetry was composed in Middle Scots at a time when this was the state language. His writing consists mainly of narrative works. His surviving body of work amounts to almost 5000 lines. Works Henryson's surviving canon consists of three long poems and around twelve miscellaneous short works in various genres. The longest poem is his '' Morall Fabillis,'' a tight, intricately structured set of thi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
