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Charlotte Bournonville
Charlotte Helene Frederikke Bournonville (1832–1911) was a Danish opera singer and actress. Daughter of the celebrated Danish ballet master, August Bournonville, she first sang in Stockholm in 1857 before joining the Royal Danish Theatre in Copenhagen two years later. She is also remembered for giving singing lessons to the daughters of King Christian IX. In appreciation of her services, the king elevated her to the status of Kongelig Kammersanger (Royal Chamber Singer) in 1863. Biography Born on 29 November 1832 in Copenhagen, Charlotte Bournonville was the daughter of August Bournonville and Helena Fredrika Håkansson. She received singing lessons from Carl Helsted in Copenhagen, Arlet in Vienna and Giovanni Battista Lamperti in Milan. In early 1857, she appeared in concerts in Paris before being engaged by the Royal Theatre in Stockholm in July where she appeared in several concerts and played Fides in Meyerbeer's opera '' Profeten''. She performed in Hamburg and Frankf ...
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Charlotte Bournonville
Charlotte Helene Frederikke Bournonville (1832–1911) was a Danish opera singer and actress. Daughter of the celebrated Danish ballet master, August Bournonville, she first sang in Stockholm in 1857 before joining the Royal Danish Theatre in Copenhagen two years later. She is also remembered for giving singing lessons to the daughters of King Christian IX. In appreciation of her services, the king elevated her to the status of Kongelig Kammersanger (Royal Chamber Singer) in 1863. Biography Born on 29 November 1832 in Copenhagen, Charlotte Bournonville was the daughter of August Bournonville and Helena Fredrika Håkansson. She received singing lessons from Carl Helsted in Copenhagen, Arlet in Vienna and Giovanni Battista Lamperti in Milan. In early 1857, she appeared in concerts in Paris before being engaged by the Royal Theatre in Stockholm in July where she appeared in several concerts and played Fides in Meyerbeer's opera '' Profeten''. She performed in Hamburg and Frankf ...
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Hamburg
(male), (female) en, Hamburger(s), Hamburgian(s) , timezone1 = Central (CET) , utc_offset1 = +1 , timezone1_DST = Central (CEST) , utc_offset1_DST = +2 , postal_code_type = Postal code(s) , postal_code = 20001–21149, 22001–22769 , area_code_type = Area code(s) , area_code = 040 , registration_plate = , blank_name_sec1 = GRP (nominal) , blank_info_sec1 = €123 billion (2019) , blank1_name_sec1 = GRP per capita , blank1_info_sec1 = €67,000 (2019) , blank1_name_sec2 = HDI (2018) , blank1_info_sec2 = 0.976 · 1st of 16 , iso_code = DE-HH , blank_name_sec2 = NUTS Region , blank_info_sec2 = DE6 , website = , footnotes ...
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Danish Stage Actresses
Danish may refer to: * Something of, from, or related to the country of Denmark People * A national or citizen of Denmark, also called a "Dane," see Demographics of Denmark * Culture of Denmark * Danish people or Danes, people with a Danish ancestral or ethnic identity * A member of the Danes, a Germanic tribe * Danish (name), a male given name and surname Language * Danish language, a North Germanic language used mostly in Denmark and Northern Germany * Danish tongue or Old Norse, the parent language of all North Germanic languages Food * Danish cuisine * Danish pastry, often simply called a "Danish" See also * Dane (other) * * Gdańsk * List of Danes * Languages of Denmark The Kingdom of Denmark has only one official language, Danish, the national language of the Danish people, but there are several minority languages spoken, namely Faroese, German, and Greenlandic. A large majority (about 86%) of Danes also s ... {{disambiguation Language ...
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19th-century Danish Actresses
The 19th (nineteenth) century began on 1 January 1801 ( MDCCCI), and ended on 31 December 1900 ( MCM). The 19th century was the ninth century of the 2nd millennium. The 19th century was characterized by vast social upheaval. Slavery was abolished in much of Europe and the Americas. The First Industrial Revolution, though it began in the late 18th century, expanding beyond its British homeland for the first time during this century, particularly remaking the economies and societies of the Low Countries, the Rhineland, Northern Italy, and the Northeastern United States. A few decades later, the Second Industrial Revolution led to ever more massive urbanization and much higher levels of productivity, profit, and prosperity, a pattern that continued into the 20th century. The Islamic gunpowder empires fell into decline and European imperialism brought much of South Asia, Southeast Asia, and almost all of Africa under colonial rule. It was also marked by the collapse of the large ...
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Fredensborg
Fredensborg () is a railway town located in Fredensborg Municipality, North Zealand, some 30 kilometres north of Copenhagen, Denmark. It is most known for Fredensborg Palace, one of the official residences of the Danish Royal Family. As of 1 January 2022, the town had a population of 8,965. History The earliest settlement in the area was the village of Asminderød. The town of Fredensborg emerged outside Fredensborg Palace, which was completed in 1722. The name, which means the Palace of Peace," commemorates the termination of the Great Northern War. Fredensborg Station opened on the new North Line in 1868. Fredensborg Palace and surroundings Fredensborg Palace is mainly used by the Danish Royal Family in spring and autumn. Many of the houses that line the street which leads up to the main entrance to the palace are listed. This is also the location of Store Kro, a historic inn which reopened in 2014. Other landmarks Asminderød Church dates from the 12th century. The curren ...
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Asminderød Church
Asminderød Church ( Danish: Asminderød Kirke) is a parish church in Asminderød, now part of Fredensborg, Fredensborg Municipality som 40 km north of central Copenhagen, Denmark. History A small Romanesque church was built at the site in the first half of the 12th century. It was later in the century expanded westwards. The thick granite walls indicate that they may already then have carried a tower. The current tower and the cross vaulted ceiling of the nave date from the 15th century. The porch on the north side of the church was constructed in the first half of the 13th century and the chancel was expanded to its current size in around 1500. The southern side nave was constructed in brick in 1736. The small sacresty was added in 1839. Interior and furnishings The pulpit dates from the late 16th century, save the canopy which is from 1630. The pews are partly from the same period as the pulpit and partly constructed to a similar design in 1736. The south wall of the side nav ...
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Josephine Zinck
Josephine Amalie Zinck née Lund (1829–1919) was a Danish mezzo-soprano singer who performed in concerts at Copenhagen's Musikforeningen from the age of 18 and in operas at the Royal Danish Theatre from 1858. Biography Born in Copenhagen on 19 January 1829, Josephine Amalie Lund was the daughter of Jørgen Andersen Lund (1774-1862) and Ane Christine Rasmussen (ca. 1802-68). In 1861, she married the singing prompter August Zinck (1831–85). Josephine Lund's impressive singing voice was discovered while she was at school when her singing teacher encouraged her to perform on stage. She was later trained under the opera singer Peter Schram and the composer and music teacher Edvard Helsted. In 1851, she began singing in concerts at the Musikforeningen where she was acclaimed for her interpretation of songs from '' Così fan tutte'' and, in 1854, for playing the mother in the first performance of Niels Gade's '' Elverskud''. She sang lieder by Schubert and Schumann together with ...
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La Dame Blanche
''La dame blanche'' ( English: ''The White Lady'') is an opéra comique in three acts by the French composer François-Adrien Boieldieu. The libretto was written by Eugène Scribe and is based on episodes from no fewer than five works of the Scottish writer Sir Walter Scott, including his novels ''Guy Mannering'' (1815), ''The Monastery'' (1820), and ''The Abbot'' (1820). Elizabeth Forbes: "La dame blanche", ''Grove Music Online'' ed. L. Macy (Accessed February 19, 2009)(subscription access)/ref> The opera has typical elements of the Romantic in its Gothic mode, including an exotic Scottish locale, a lost heir, a mysterious castle, a hidden fortune, and a ghost, in this case benevolent. The work was one of the first attempts to introduce the fantastic into opera and is a model for works such as Giacomo Meyerbeer's ''Robert le diable'' (1831) and Charles Gounod's ''Faust'' (1859). The opera's musical style also heavily influenced later operas like ''Lucia di Lammermoor'', ''I p ...
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Faust (opera)
''Faust'' is an opera in five acts by Charles Gounod to a French libretto by Jules Barbier and Michel Carré from Carré's play ''Faust et Marguerite'', in turn loosely based on Johann Wolfgang von Goethe's ''Faust, Part One''. It debuted at the Théâtre Lyrique on the Boulevard du Temple in Paris on 19 March 1859, with influential sets designed by Charles-Antoine Cambon and Joseph Thierry, Jean Émile Daran, Édouard Desplechin, and Philippe Chaperon. Performance history The original version of Faust employed spoken dialogue, and it was in this form that the work was first performed. The manager of the Théâtre Lyrique, Léon Carvalho cast his wife Caroline Miolan-Carvalho as Marguerite and there were various changes during production, including the removal and contraction of several numbers. The tenor Hector Gruyer was originally cast as Faust but was found to be inadequate during rehearsals, being eventually replaced by a principal of the Opéra-Comique, Joseph-Th ...
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Ivar Hallström
Ivar Christian Hallström, born Stockholm, 5 June 1826, died in that city on 11 April 1901 was a Swedish composer, particularly of opera.Wiklund A. Ivar Christian Hallström. In: ''The New Grove Dictionary of Opera.'' Macmillan, London and New York, 1997. Life Although he learnt the piano, Hallström was self-taught as a composer. He studied law in Uppsala and in 1853 was appointed librarian to Prince Oscar which assisted him in advancing his career as a composer. His operas in collaboration with the librettist Frans Hedberg launched his operatic career, where he was particularly able to use Swedish folk tunes effectively. Hallström introduced a flavour of Gallic wit into his light operas, many of them based on French libretti. Fourteen operatic works survive. He was one of the founding members of Sällskapet Idun, a men's association founded in Stockholm in 1862. After many years neglect, Hallström’s operas were revived, in Umeå in 1986 with ''Bergtagna'', seen also at ...
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Le Maçon
' (French for ''The Mason'') is an ''opéra comique'' in three acts by Daniel Auber to a libretto by Eugène Scribe and Germain Delavigne. It premiered at the Opéra-Comique Salle Feydeau in Paris on 3 May 1825. It was to become Auber's first enduring success.Robert Letellier, Letellier, Robert Ignatius, ed. ''Daniel-François-Esprit Auber: 'Le Maçon''. Cambridge Scholars Publishing, 2011. Among the original cast was the tenor Antoine Ponchard. Synopsis ''Le maçon'' is set in Paris, in the Faubourg Saint-Antoine, around 1820. Act 1 Roger, a stonemason, mason, and his bride Henriette (the sister of his friend Baptiste, a locksmith) are rejoicing at their wedding. An officer, Léon de Mérinville, whose life was once saved by Roger, arrives at the wedding reception. He explains that he is on his way to a nearby château to release Irma, a young Greek girl who is being held against her will by some Turks. Two figures in muffled in cloaks arrive, and secretly abduct Roger and ...
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Les Diamants De La Couronne
''Les diamants de la couronne'' (''The Crown Diamonds'') is an ''opéra comique'' by the French composer Daniel Auber, first performed by the Opéra-Comique at the second Salle Favart in Paris on 6 March 1841. The libretto (in three acts) is by Auber's regular collaborator, Eugène Scribe with the help of Jules-Henri Vernoy de Saint-Georges. Performance history The opera was performed at the Opéra-Comique 379 times up to 1889, under the title ''Les diamants de la reine'', and was revived in Marseilles on 20 March 1896. Outside France it was first performed in Brussels on 25 November 1841, New Orleans on 31 March 1842, Munich on 15 July 1842 (in a German translation by V. A. Swoboda), Prague on 13 August 1842 (in German), Hamburg on 29 October 1842 (in German), Riga in 1843 (in German), Amsterdam in 1843 (in French), Berlin at the Hofoper on 11 February 1843 (in German), Copenhagen on 17 February 1843 (in a Danish translation by T. H. Reynoldson), New York City on 14 July 1843 ...
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