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Champu
Champu or Chapu-Kavya ( Devanagari: चम्पू-काव्य) is a genre of literary composition in Indian literature. The word 'Champu' means a combination of poetry and prose. A ''champu-kavya'' consists of a mixture of prose (Gadya-Kavya) and poetry passages (Padya-Kavya), with verses interspersed among prose sections. We can see champu-kavya right from the Vedic period. Ithareya Brahmans Harishchandropakyana is the main example, that it is originated from Vedic period. Champu-kavya is seen in 2nd century AD, on rock inscription of Rudradaman, at Junagadh. It is also seen in Ramayana, Mahabharata, Puranas, and the other Mahakavyas and was a later development in the style of writing. Works in Champu style Kannada Adikavi Pampa, the ''Adikavi'', one of the greatest Kannada poets of all time and one among the ''ratnatrayaru'', pioneered this style when he wrote his classical works, ''Vikramarjuna Vijaya'' (Pampa Bharata) and '' Adipurana'' in it, around 940 CE ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baladeba Ratha
''Kabisurjya'' Baladeba Ratha (alternatively spelled ''Kabisurya, Kavisurya Baladev Rath,'' ; c. 1789 – 1845) was an Indian poet who wrote in the Odia language, and a composer and musician of Odissi music, most known as poet-composer of the ''Champu''. Kabisurjya has composed hundreds of songs in the tradition of Odissi music, employing unique traditional ragas & talas. His magnum opus ''Kisorachandrananda Champu'' is a cornerstone of the Odissi music repertoire & Kabisurjya is widely renowned for his masterful compositions. He wrote in both Sanskrit and Odia. His works are known for their devotional quotient and he is the credited founder of the Dhumpa Sangita tradition. Early life He was born in Bada Khemundi ''(presently Digapahandi)'', Ganjam, Odisha. Baladeva Ratha's mother died when he was ten years old. He was brought up by his maternal grand father, Tripurari Hota in Athagada (who also taught him Sanskrit and Odia literature). He married at the age of 15. After his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baladev Rath
''Kabisurjya'' Baladeba Ratha (alternatively spelled ''Kabisurya, Kavisurya Baladev Rath,'' ; c. 1789 – 1845) was an Indian poet who wrote in the Odia language, and a composer and musician of Odissi music, most known as poet-composer of the ''Champu''. Kabisurjya has composed hundreds of songs in the tradition of Odissi music, employing unique traditional ragas & talas. His magnum opus ''Kisorachandrananda Champu'' is a cornerstone of the Odissi music repertoire & Kabisurjya is widely renowned for his masterful compositions. He wrote in both Sanskrit and Odia. His works are known for their devotional quotient and he is the credited founder of the Dhumpa Sangita tradition. Early life He was born in Bada Khemundi ''(presently Digapahandi)'', Ganjam, Odisha. Baladeva Ratha's mother died when he was ten years old. He was brought up by his maternal grand father, Tripurari Hota in Athagada (who also taught him Sanskrit and Odia literature). He married at the age of 15. After his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Telugu Literature
Telugu literature is the body of works written in the Telugu language. It consists of poems, short stories, novels, plays, and song lyrics, among others. There is some indication that Telugu literature dates at least to the middle of the first millennium, the first extant works are from the 11th century when the Mahabharata was first translated to Telugu from Sanskrit by Nannaya. The language experienced a golden age under the patronage of the Vijayanagara king-poet Krishnadevaraya. Historiography There are various sources available for information on early Telugu writers. Among these are the prologues to their poems, which followed the Sanskrit model by customarily giving a brief description of the writer, a history of the king to whom the book is dedicated, and a chronological list of the books he published. In addition, historical information is available from inscriptions that can be correlated with the poems; there are several grammars, treatises, and anthologies that pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ramayana
The ''Rāmāyana'' (; sa, रामायणम्, ) is a Sanskrit literature, Sanskrit Indian epic poetry, epic composed over a period of nearly a millennium, with scholars' estimates for the earliest stage of the text ranging from the 8th to 4th centuries BCE, and later stages extending up to the 3rd century CE. ''Ramayana'' is one of the two important epics of Hinduism, the other being the ''Mahabharata, Mahābhārata''. The epic, traditionally ascribed to the Maharishi Valmiki, narrates the life of Sita, the Princess of Janakpur, and Rama, a legendary prince of Ayodhya city in the kingdom of Kosala. The epic follows his fourteen-year exile to the forest urged by his father King Dasharatha, on the request of Rama's stepmother Kaikeyi; his travels across forests in the South Asia, Indian subcontinent with his wife Sita and brother Lakshmana, the kidnapping of Sita by Ravana – the king of Lanka, that resulted in war; and Rama's eventual return to Ayodhya to be crowned kin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sanskrit Literature
Sanskrit literature broadly comprises all literature in the Sanskrit language. This includes texts composed in the earliest attested descendant of the Proto-Indo-Aryan language known as Vedic Sanskrit, texts in Classical Sanskrit as well as some mixed and non-standard forms of Sanskrit. Literature in the older language begins with the composition of the Ṛg·veda between about 1500 and 1000 BCE, followed by other Vedic works right up to the time of the grammarian Pāṇini around 6th or 4th century BCE (after which Classical Sanskrit texts gradually became the norm). Vedic Sanskrit is the language of the extensive liturgical works of the Vedic religion, while Classical Sanskrit is the language of many of the prominent texts associated with the major Indian religions, especially Hinduism, but also Buddhism, and Jainism. Some Sanskrit Buddhist texts are also composed in a version of Sanskrit often called Buddhist Hybrid Sanskrit or Buddhistic Sanskrit, which contains ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Telugu Language
Telugu (; , ) is a Dravidian language spoken by Telugu people predominantly living in the Indian states of Andhra Pradesh and Telangana, where it is also the official language. It is the most widely spoken member of the Dravidian language family and one of the twenty-two scheduled languages of the Republic of India. It is one of the few languages that has primary official status in more than one Indian state, alongside Hindi and Bengali. Telugu is one of six languages designated as a classical language (of India) by the Government of India. Telugu is also a linguistic minority in the states of Karnataka, Tamil Nadu, Maharashtra, Gujarat, Chhattisgarh, Orissa, West Bengal, and the union territories of Puducherry and Andaman and Nicobar Islands. It is also spoken by members of the Telugu diaspora spread across countries like United States, Australia, United Kingdom, Canada, New Zealand in the Anglosphere; Myanmar, Malaysia, South Africa, Mauritius; and the Arabian Gulf count ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nannayya
Nannaya ''Bhattaraka'' (sometimes spelled Nannayya or Nannaiah; ca. 11th century) was a Telugu poet and the author of the first '' Andhra Mahabharatam'', a Telugu retelling of the Sanskrit-language ''Mahabharata''. This work, which is rendered in the Champu style, is chaste and polished and of a high literary merit. Nannaya is the first of the three earliest known Telugu poets, called the '' Kavitrayam'' ("trinity of poets"). The advanced and well-developed language used by Nannaya suggests that prior Telugu literature other than royal grants and decrees must have existed before him. However, these presumed works are now lost, and Nannaya is considered the first poet (''adi kavi'') of Telugu language. Legends also credit him with writing the Sanskrit-language ''Andhra-shabda-chintamani'', said to be the first work on Telugu grammar, but these legends are historically inaccurate, and the text is an imagnary work. Grammar Some legends credit Nannaya with writing ''Andhra- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vikramarjuna Vijaya
''Vikramarjuna Vijaya'' (Kannada- ವಿಕ್ರಮಾರ್ಜುನ ವಿಜಯ) (''victory of the mighty Arjuna''), also known as Pampa Bharatha is a classic work of the 10th century Jain poet Pampa (902–975 AD). It is a Kannada version of the great epic, the ''Mahabharata'' of Vyasa. Pampa choose the Arjuna, the central figure of the Pandava Clan, as the hero of his epic. This work differs from ''Mahabharata'' in several aspects, one of them being Arjuna crowned the king, subhadra the queen, after Kurukshetra war, instead of Yudhishthira, and Draupadi respectively. A court poet of Chalukya king Arikesari II, a Rashtrakuta feudatory, he is most known for his epics, ''Vikramarjuna Vijaya'' (Pampa Bharata) and '' Adipurana'', both written in '' Champu'' style, which he created and served as the model for all future works in Kannada. The works of Jain writers Adikavi Pampa, Sri Ponna and Ranna, collectively called the "three gems of Kannada literature", heralded the age of c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Odia Literature
Odia literature is literature written in the Odia language, mostly from the Indian state of Odisha. The modern Odia language is mostly formed from Tadbhava words with significant Sanskrit (Tatsama) influences, along with loanwoards from Desaja, English, Hindustani (Hindi/Urdu), Persian, and Arabic. Its earliest written texts date from around 1000 CE. The earliest Odia newspaper was '' Utkala Deepika'', first published on August 4, 1866. Historians have divided Odia literature into five main stages: Old Odia (800 AD to 1300 AD), Early Medieval Odia (1300 AD to 1500 AD), Medieval Odia (1500 AD to 1700 AD), Late Medieval Odia (1700 AD to 1850 AD) and Modern Odia (1870 AD to present). Further subdivisions, as seen below, more precisely chart the language's development. 4th century BC The creativity and development of the Odia language and literature can be seen in its spoken forms, such as folk tales, and in written forms, such as rock edicts and manuscripts. Songs sung to m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indian Literature
Indian literature refers to the literature produced on the Indian subcontinent until 1947 and in the Republic of India thereafter. The Republic of India has 22 officially recognised languages. The earliest works of Indian literature were orally transmitted. Sanskrit literature begins with the oral literature of the Rig Veda, a collection of literature dating to the period 1500–1200 BCE. The Sanskrit epics ''Ramayana'' and ''Mahabharata'' were subsequently codified and appeared towards the end of the 2nd millennium BCE. Classical Sanskrit literature developed rapidly during the first few centuries of the first millennium BCE, as did the Pāli Canon and Tamil Sangam literature. In the medieval period, literature in Kannada and Telugu appeared in the 9th and 10th centuries respectively. Later, literature in Marathi, Gujarati, Bengali, Assamese, Odia, and Maithili appeared. Thereafter literature in various dialects of Hindi, Persian and Urdu began to appear as we ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Odissi Music
music () is a genre of classical music in India, originated from the eastern state of Odisha. The traditional ritual music for the service of Lord Jagannatha, Odissi music has a history spanning over two thousand years, authentic ''sangita-shastra''s or treatises, unique Ragas & Talas and a distinctive style of rendition. The various aspects of Odissi music include ''odissi prabandha, chaupadi, chhānda, champu, chautisa, janāna, mālasri, bhajana, sarimāna, jhulā, kuduka, koili, poi, boli,'' and more. Presentation dynamics are roughly classified into four: ''raganga'', ''bhabanga, natyanga'' and ''dhrubapadanga''. Some great composer-poets of the Odissi tradition are the 12th-century poet Jayadeva, Balarama Dasa, ''Atibadi'' Jagannatha Dasa, Dinakrusna Dasa, ''Kabi Samrata'' Upendra Bhanja, Banamali Dasa, ''Kabisurjya'' Baladeba Ratha and ''Kabikalahansa'' Gopalakrusna Pattanayaka. According to Bharata Muni's ''Natya Shastra'', Indian classical music has four significan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prahlādacharita
Prahlādacharitam (or Prahlādacharita) is a Sanskrit Kavya, written in ''Champu'' style by the Sanskrit scholar ''Darsanakalanidhi'' Rama Varma Parikshith Thampuran (former Maharaja of Cochin). It is the story of Asura prince Prahlāda, who was a beloved devotee of Vishnu and to save him Vishnu takes the Avatar of Narasimha. See also *Mani Madhava Chakyar Guru Mani Madhava Chakyar (IAST: ''Māṇi Mādhava Cākyār'') (15 February 1899 – 14 January 1990) was a celebrated master performance artist and Sanskrit scholar from Kerala, India, considered to be the greatest Chakyar Koothu and Kood ... Sanskrit poetry History of Kochi {{Poem-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
