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Catterino Cavos
Catterino Albertovich Cavos (: Catarino Camillo Cavos; russian: Катери́но Альбе́ртович Ка́вос) (October 30, 1775 – May 10 ( OS April 28), 1840), born Catarino Camillo Cavos, was an Italian composer, organist and conductor settled in Russia. He played an important role in the history of Russian opera and was the father of Alberto Cavos.Ardoin, John. (2001). "Valery Gergiev and the Kirov: A Story of Survival", pp. 10-11 Portland, OR: Amadeus Press. Cavos is celebrated in Russian musical history as the man who composed the opera ''Ivan Susanin'' in 1815, 20 years before Mikhail Glinka's opera of the same name.Taruskin, Richard (1996). "Stravinsky and the Russian Traditions: A Biography of the Works Through Mavra, Volume 1" p. 426 Oxford: Oxford University Press The plot, based on an episode from Russian history, tells the story of the Russian peasant and patriotic hero Ivan Susanin who sacrifices his life for the Tsar by leading astray a group of ...
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Catterino Cavos
Catterino Albertovich Cavos (: Catarino Camillo Cavos; russian: Катери́но Альбе́ртович Ка́вос) (October 30, 1775 – May 10 ( OS April 28), 1840), born Catarino Camillo Cavos, was an Italian composer, organist and conductor settled in Russia. He played an important role in the history of Russian opera and was the father of Alberto Cavos.Ardoin, John. (2001). "Valery Gergiev and the Kirov: A Story of Survival", pp. 10-11 Portland, OR: Amadeus Press. Cavos is celebrated in Russian musical history as the man who composed the opera ''Ivan Susanin'' in 1815, 20 years before Mikhail Glinka's opera of the same name.Taruskin, Richard (1996). "Stravinsky and the Russian Traditions: A Biography of the Works Through Mavra, Volume 1" p. 426 Oxford: Oxford University Press The plot, based on an episode from Russian history, tells the story of the Russian peasant and patriotic hero Ivan Susanin who sacrifices his life for the Tsar by leading astray a group of ...
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St Mark's Basilica
The Patriarchal Cathedral Basilica of Saint Mark ( it, Basilica Cattedrale Patriarcale di San Marco), commonly known as St Mark's Basilica ( it, Basilica di San Marco; vec, Baxéłega de San Marco), is the cathedral church of the Catholic Church, Catholic Patriarchate of Venice; it became the episcopal seat of the Patriarch of Venice in 1807, replacing the earlier cathedral of San Pietro di Castello (church), San Pietro di Castello. It is dedicated to and holds the Relic#Christianity, relics of Mark the Evangelist, Saint Mark the Evangelist, the patron saint of the city. The church is located on the eastern end of Piazza San Marco, Saint Mark's Square, the former political and religious centre of the Republic of Venice, and is attached to the Doge's Palace. Prior to the Fall of the Republic of Venice, fall of the republic in 1797, it was the chapel of the Doge of Venice, Doge and was subject to his jurisdiction, with the concurrence of the procurators of Saint Mark ''de supra' ...
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Ruslan And Lyudmila (opera)
''Ruslan and Lyudmila'' ( rus, Руслан и Людмила, Ruslán i Lyudmíla, link=no ) is an opera in five acts (eight tableaux) composed by Mikhail Glinka between 1837 and 1842. The opera is based on the 1820 poem of the same name by Alexander Pushkin. The Russian libretto was written by Valerian Shirkov, Nestor Kukolnik and N. A. Markevich, among others. Pushkin's death in the famous duel prevented him from writing the libretto himself as planned. Today, the best-known music from the opera is its overture. Performance history The premiere took place in Saint Petersburg on 27 November(Old Style) 1842 at the Bolshoi Kamenniy Teatr. The initial lack of enthusiasm for this Russian-inspired production has been attributed to the Saint Petersburg's audience's growing taste at the time for Italian opera, which was so pronounced that in 1843, Tsar Nicholas I established an Italian opera company in the Bolshoi Kamenniy Teatr, and the Russian opera company lost its home. Four year ...
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Fevey
''Fevey'' is an opera by Vasily Pashkevich to a Russian libretto by Catherine II of Russia. Empress Catherine II had literary ambitions and wrote nine opera librettos. This one, an allegorical fairy tale, was called ''The Story of Tsarevich Fevey'' (Russian: ''Сказка о царевиче Февее''. Аллегорическая сказка). She asked Vasili Pashkevich, a Russian composer of Polish origin, to set it to music. This is the first example of a Russian fairytale opera, a genre that eventually flourished in the 19th century. The plot of the opera is quite absurd, used as an instruction for the heir of her throne. However the intention was to amuse the audience, because people who cheer have no evil. The premiere took place on April 30 S April 19 1786 at the Hermitage Theatre in St Petersburg. The lavish opera production evoked widespread admiration. Discography *Russkoe barokko - Zolotaya klassika (CD) Label(s): RCD Music RCD 30649 Year of production: 2003 ...
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Catherine The Great
, en, Catherine Alexeievna Romanova, link=yes , house = , father = Christian August, Prince of Anhalt-Zerbst , mother = Joanna Elisabeth of Holstein-Gottorp , birth_date = , birth_name = Princess Sophie of Anhalt-Zerbst , birth_place = Stettin, Pomerania, Prussia, Holy Roman Empire(now Szczecin, Poland) , death_date = (aged 67) , death_place = Winter Palace, Saint Petersburg, Russian Empire , burial_date = , burial_place = Saints Peter and Paul Cathedral, Saint Petersburg , signature = Catherine The Great Signature.svg , religion = Catherine II (born Sophie of Anhalt-Zerbst; 2 May 172917 November 1796), most commonly known as Catherine the Great, was the reigning empress of Russia from 1762 to 1796. She came to power following the overthrow of her husband, Peter III. Under her long reign, inspired by the ideas of the Enlightenment, Russia experienced a renaissance of culture and sciences, which led to the founding of m ...
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Libretto
A libretto (Italian for "booklet") is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or Musical theatre, musical. The term ''libretto'' is also sometimes used to refer to the text of major liturgical works, such as the Mass (liturgy), Mass, requiem and sacred cantata, or the story line of a ballet. ''Libretto'' (; plural ''libretti'' ), from Italian, is the diminutive of the word ''wiktionary:libro#Italian, libro'' ("book"). Sometimes other-language equivalents are used for libretti in that language, ''livret'' for French works, ''Textbuch'' for German and ''libreto'' for Spanish. A libretto is distinct from a synopsis or scenario of the plot, in that the libretto contains all the words and stage directions, while a synopsis summarizes the plot. Some ballet historians also use the word ''libretto'' to refer to the 15 to 40 page books which were on sale to 19th century ballet audiences in Paris and contained a ve ...
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Ivan Krylov
Ivan Andreyevich Krylov (russian: Ива́н Андре́евич Крыло́в; 13 February 1769 – 21 November 1844) is Russia's best-known fabulist and probably the most epigrammatic of all Russian authors. Formerly a dramatist and journalist, he only discovered his true genre at the age of 40. While many of his earlier fables were loosely based on Aesop's and La Fontaine's, later fables were original work, often with a satirical bent. Life Ivan Krylov was born in Moscow, but spent his early years in Orenburg and Tver. His father, a distinguished military officer, resigned in 1775 and died in 1779, leaving the family destitute. A few years later Krylov and his mother moved to St. Petersburg in the hope of securing a government pension. There, Krylov obtained a position in the civil service, but gave it up after his mother's death in 1788. His literary career began in 1783, when he sold to a publisher the comedy “The coffee-grounds fortune teller” (''Kofeynitsa'') that ...
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John Warrack
John Hamilton Warrack (born 1928, in London) is an English music critic, writer on music, and oboist. Warrack is the son of Scottish conductor and composer Guy Warrack. He was educated at Winchester College (1941-6) and then at the Royal College of Music (1949–52). In the early 1950s he was a freelance oboist, playing mostly with the Boyd Neel Orchestra and Sadler's Wells Orchestra. From 1954 until 1961 he was music critic for ''The Daily Telegraph'', and from 1961 until 1972 he was music critic for ''The Sunday Telegraph''. From 1978 until 1983 he served as the Artistic Director of the Leeds Festival. From 1984 until 1993 he taught on the music faculty at the University of Oxford. He is the author of ''Six Great Composers'' (1955); ''Carl Maria von Weber'' ( Hamish Hamilton, 1968, 2nd ed. Cambridge UP, 1976), the standard study of Weber in English; ''German Opera: From the Beginnings to Wagner'' (2001) and the co-author of ''The Concise Oxford Dictionary of Opera'' (1964, wi ...
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Rusalka
In Slavic folklore, the rusalka (plural: rusalky/rusalki; ; pl, rusałka}) is a typically feminine entity, often malicious toward mankind and frequently associated with water, with counterparts in other parts of Europe, such as the French Melusine and the Germanic Nixie (water spirit), Nixie. Folklorists have proposed a variety of origins for the entity, including that they may originally stem from Slavic paganism, where they may have been seen as benevolent spirits. Rusalki appear in a variety of media in modern popular culture, particularly in Slavic language-speaking countries, where they frequently resemble the concept of the mermaid. In northern Russia, the rusalka was also known by various names such as the Vodyanoy #Vodyanitsa, vodyanitsa (or vodyaniha/vodyantikha; russian: водяни́ца, водяни́ха, водянти́ха ; Literal meaning, lit. "she from the water" or "the water maiden"), kupalka (russian: купа́лка; "bather"), shutovka (russian: шу ...
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Tetralogy
A tetralogy (from Greek τετρα- ''tetra-'', "four" and -λογία ''-logia'', "discourse") is a compound work that is made up of four distinct works. The name comes from the Attic theater, in which a tetralogy was a group of three tragedies followed by a satyr play, all by one author, to be played in one sitting at the Dionysia as part of a competition. Examples Literature * Tetrateuch is a sometime name for the first four books of the Bible. The Tetrateuch plus Deuteronomy are collectively referred to as the Pentateuch. * ''Tintitives'' by Antiphon of Rhamnus; the author was an orator, and ''Tintitives'' is a kind of textbook for students. Each book consists of four speeches: the prosecutor's opening speech, the first speech for the defense, the prosecutor's reply, and the defendant's conclusion. Three of his tetralogies are known to have survived. * The traditional arrangement of the works of Plato into nine tetralogies, including some doubtful works, and the letters as ...
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Smolny Convent
Smolny Convent or Smolny Convent of the Resurrection (''Voskresensky'', Russian: Воскресенский новодевичий Смольный монастырь), located on Ploschad Rastrelli (Rastrelli Square), on the left bank of the River Neva in Saint Petersburg, Russia, consists of a cathedral (''sobor'') and a complex of buildings surrounding it, originally planned as a convent. History This Russian Orthodox convent was built to house Elizabeth, the daughter of Peter the Great. After she was disallowed succession to the throne, she opted to become a nun. However, her Imperial predecessor, Ivan VI, was overthrown during a coup d'état (carried out by the royal guards in 1741). Elizabeth decided against entering monastic life and accepted the offer of the Russian throne. Work on the convent continued with her royal patronage. The convent's main church ('' catholicon'' or ''sobor''), a blue-and-white building, is considered to be one of the architectural masterp ...
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Bolshoi Kamenny Theatre
The Saint Petersburg Imperial Bolshoi Kamenny Theatre (The Big Stone Theatre of Saint Petersburg, russian: Большой Каменный Театр) was a theatre in Saint Petersburg. It was built in 1783 to Antonio Rinaldi's Neoclassical design as the Kamenny (i.e., Stone) Theatre; Giovanni Paisiello’s opera ''Il mondo della luna'' was performed at the opening on 24 September. It was rebuilt in 1802 according to the designs of the architect Thomas de Thomon and renamed the Bolshoi, but burned down in 1811. The building was restored in 1818, and modified between 1826 and 1836 by Alberto Cavos to accommodate more modern machinery. Until 1886, the Bolshoi Kamenny Theatre was principal theatre for both the Imperial Ballet and the Imperial Russian Opera. In 1886 the building was declared unsafe and, at the behest of the theatre director Ivan Vsevolozhsky, the ballet and opera performances moved to the Imperial Mariinsky Theatre, where they have remained ever since. The Imp ...
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