|
Catherine Jauniaux
Catherine Jauniaux is a Belgian avant-garde singer. She has been described as a "one-woman-orchestra", a "human sampler", and "one of the best kept secrets in the world of improvised music". Her solo album, ''Fluvial'' (1983) is regarded as one of her most accomplished works. She was married to the late American experimental cellist and composer Tom Cora. Biography Catherine Jauniaux began her career as an actress in Belgium at the age of 15. During the late 1970s and early 1980s, she sang with several experimental rock groups, including Aksak Maboul and The Work. In 1983 she teamed up with The Work's Tim Hodgkinson (ex-Henry Cow) in London to record her first solo album, ''Fluvial''. Jauniaux and Hodgkinson wrote most of the tracks for the album, which are "imagined folk songs" that include elements of "contemporary art song, African singing, Native American legends, and alien nursery rhymes". The album centres on Jauniaux's voice with additional instrumentation by Hodgkinson, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Avant-garde Music
Avant-garde music is music that is considered to be at the forefront of innovation in its field, with the term "avant-garde" implying a critique of existing aesthetic conventions, rejection of the status quo in favor of unique or original elements, and the idea of deliberately challenging or alienating audiences. Avant-garde music may be distinguished from experimental music by the way it adopts an extreme position within a certain tradition, whereas experimental music lies outside tradition. Distinctions Avant-garde music may be distinguished from experimental music by the way it adopts an extreme position within a certain tradition, whereas experimental music lies outside tradition. In a historical sense, some musicologists use the term "avant-garde music" for the radical compositions that succeeded the death of Anton Webern in 1945,Paul Du Noyer (ed.), "Contemporary", in the ''Illustrated Encyclopedia of Music: From Rock, Pop, Jazz, Blues and Hip Hop to Classical, Folk, Worl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zeena Parkins
Zeena Parkins (born 1956) is an American composer and multi-instrumentalist active in experimental, free improvised, contemporary classical, and avant-jazz music; she is known for having "reinvented the harp". Parkins performs on standard harps, several custom electric harps, piano, and accordion. She is a 2019 Guggenheim Fellow and professor in the Music Department at Mills College. Life and career Born in 1956 in Detroit, Michigan, Parkins studied at Bard College and moved to New York City in 1984. Her work ranges from solo performance to large ensembles. Besides standard and electric harps, her work also incorporates Foley, field recordings, analog synthesizers, samplers, oscillators and homemade instruments. She has recorded six solo harp records and recorded and performed with Björk, Matmos, Ikue Mori, Fred Frith, Tom Cora, Christian Marclay, Yoko Ono, John Zorn (including in Cobra performances), Chris Cutler, Pauline Oliveros, Nels Cline, Elliott Sharp, Lee Ranald ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Crammed Discs
Crammed Discs is an independent record label whose output blends world music, rock, pop, and electronica. Based in Brussels, Belgium, Crammed was founded in 1980 by Marc Hollander of Aksak Maboul and has since released around 375 albums and 275 singles, working with artists from all over the world (from Western Europe and the US to the Balkans and North & Central Africa, from South America to the Middle East and Japan). Crammed Discs is run by Marc Hollander (A&R) with Hanna Gorjaczkowska (artist development, marketing, distribution & art direction) and Vincent Kenis (producer, director of the Congotronics Series). Marc Hollander and Crammed Discs received the WOMEX award in 2004 at the World Music Expo international music trade fair, for being "one of the seminal players on the world music field". However, the label has always systematically worked with electronic music, indie pop and rock artists, and "doesn't see itself as a ''world music label'': it just happens to enjoy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Onze Danses Pour Combattre La Migraine
''Onze Danses Pour Combattre la Migraine'' ( en, Eleven Dances for Fighting Migraines) is the debut album by Belgian avant-rock band Aksak Maboul. It was largely the work of one of the band's co-founders, Marc Hollander and was credited to Marc Hollander/Aksak Maboul. It was released on LP in 1977 on a Belgian independent record label, Kamikaze Records, and later re-released twice on Hollander's own Crammed Discs label: on LP in 1981, and on CD in 2003. Content and reception ''Onze Danses Pour Combattre la Migraine'' comprises 17 tracks that draw on a mix of musical forms, cultures and genres. With drum machines and looping organ lines, they shuffle between improvised jazz, ethnic music, electronics and classical music. It is largely an instrumental album with snatches of singing and voices. After the success of Aksak Maboul's second album, ''Un Peu de l'Âme des Bandits'' (1980), ''Onze Danses Pour Combattre la Migraine'' "became a cult album in its own right." The Gibraltar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Glossolalia
Speaking in tongues, also known as glossolalia, is a practice in which people utter words or speech-like sounds, often thought by believers to be languages unknown to the speaker. One definition used by linguists is the fluid vocalizing of speech-like syllables that lack any readily comprehended meaning, in some cases as part of religious practice in which some believe it to be a divine language unknown to the speaker."Glossolalian", ''A Dictionary of Psychology''. Edited by Andrew M. Colman. Oxford University Press 2009Oxford Reference Online Retrieved 5 August 2011. Glossolalia is practiced in Pentecostal and charismatic Christianity, as well as in other religions. Sometimes a distinction is made between "glossolalia" and "xenolalia" or "xenoglossy", which specifically relates to the belief that the language being spoken is a natural language previously unknown to the speaker. Etymology ''Glossolalia'' is a borrowing of the grc-gre, γλωσσολαλία, glossolalía, wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dada
Dada () or Dadaism was an art movement of the European avant-garde in the early 20th century, with early centres in Zürich, Switzerland, at the Cabaret Voltaire (Zurich), Cabaret Voltaire (in 1916). New York Dada began c. 1915, and after 1920 Dada flourished in Paris. Dadaist activities lasted until the mid 1920s. Developed in reaction to World War I, the Dada movement consisted of artists who rejected the logic, reason, and aestheticism of modern capitalist society, instead expressing nonsense, irrationality, and anti-bourgeois protest in their works. The art of the movement spanned visual, literary, and sound media, including collage, sound poetry, cut-up technique, cut-up writing, and sculpture. Dadaist artists expressed their discontent toward violence, war, and nationalism, and maintained political affinities with Radical politics, radical left-wing and far-left politics. There is no consensus on the origin of the movement's name; a common story is that the German artis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chanson
A (, , french: chanson française, link=no, ; ) is generally any lyric-driven French song, though it most often refers to the secular polyphonic French songs of late medieval and Renaissance music. The genre had origins in the monophonic songs of troubadours and trouvères, though the only polyphonic precedents were 16 works by Adam de la Halle and one by Jehan de Lescurel. Not until the '' ars nova'' composer Guillaume de Machaut did any composer write a significant number of polyphonic chansons. A broad term, the word "chanson" literally means "song" in French and can thus less commonly refers to a variety of (usually secular) French genres throughout history. This includes the songs of chansonnier, ''chanson de geste'' and Grand chant; court songs of the late Renaissance and early Baroque music periods, ''air de cour''; popular songs from the 17th to 19th century, ''bergerette'', ''brunette'', ''chanson pour boire'', ''pastourelle'', and vaudeville; art song of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frankfurt
Frankfurt, officially Frankfurt am Main (; Hessian: , "Frank ford on the Main"), is the most populous city in the German state of Hesse. Its 791,000 inhabitants as of 2022 make it the fifth-most populous city in Germany. Located on its namesake Main River, it forms a continuous conurbation with the neighboring city of Offenbach am Main and its urban area has a population of over 2.3 million. The city is the heart of the larger Rhine-Main metropolitan region, which has a population of more than 5.6 million and is Germany's second-largest metropolitan region after the Rhine-Ruhr region. Frankfurt's central business district, the Bankenviertel, lies about northwest of the geographic center of the EU at Gadheim, Lower Franconia. Like France and Franconia, the city is named after the Franks. Frankfurt is the largest city in the Rhine Franconian dialect area. Frankfurt was a city state, the Free City of Frankfurt, for nearly five centuries, and was one of the most import ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christian Marclay
Christian Marclay (born January 11, 1955) is a visual artist and composer. He holds both American and Swiss nationality. Marclay's work explores connections between sound, noise, photography, video, and film. A pioneer of using gramophone records and turntables as musical instruments to create sound collages, Marclay is, in the words of critic Thom Jurek, perhaps the "unwitting inventor of turntablism." His own use of turntables and records, beginning in the late 1970s, was developed independently of but roughly parallel to hip hop's use of the instrument.European Graduate School Biography . Retrieved 25 June 2011. Early life and education Christian Marclay was born on January 11, 1955, in[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Otomo Yoshihide
is a Japanese composer and multi-instrumentalist. He mainly plays guitar, turntables, and electronics. He first came to international prominence in the 1990s as the leader of the experimental rock group Ground Zero, and has since worked in a variety of contexts, ranging from free improvisation to noise music, noise, jazz, avant-garde and contemporary classical music, contemporary classical. He is also a pioneering figure in the Electroacoustic improvisation, EAI-scene, and is featured on important records on labels like Erstwhile Records. He has composed music for many films, television dramas, and commercials. In 2017, Otomo became the 2nd Guest Artistic Director of The Sapporo International Art Festival 2017. Biography Early years Otomo was born in Yokohama in 1959, but due to his father's job, moved to Fukushima, Fukushima, Fukushima when he was nine years old. In high school, he frequented Jazz kissa, jazz cafés and started his own band. After entering university, he be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heiner Goebbels
Heiner Goebbels (born 17 August 1952) is a German composer, conductor and professor at Justus-Liebig-University in Gießen and artistic director of the International Festival of the Arts Ruhrtriennale 2012–14. His composition ''Stifters Dinge'' (2007) received five votes in a 2017 ''Classic Voice'' poll of the greatest works of art music since 2000, and writers for ''The Guardian'' ranked his composition ''Hashirigaki'' (2000) the ninth greatest classical composition of the same period. Biography Goebbels was born in Neustadt an der Weinstraße. He studied sociology and music in Frankfurt am Main,Program for Pacific Musicworks / Seattle Chamber Players performance of Heiner Goebbels ''Songs of Wars I Have Seen'', On the Boards, Seattle, 4–6 March 2010. and has composed for ensemble and for large orchestra. He has created several prize-winning radio plays, staged concerts, and, since the early 1990s, music theatre works, which have been invited to the most important theatr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louis Sclavis
Louis Sclavis (born 2 February 1953) is a French jazz musician. He performs on clarinet, bass clarinet, and soprano saxophone in a variety of contexts, including avant-garde jazz, free jazz, free improvisation and contemporary classical. Life and career He was born in Lyon, France. Sclavis played with the Henri Texier Quartet. He has won numerous awards, including: the PRIX DJANGO REINHARDT “best French jazz musician” (1988); First Prize in the Barcelona Biennale (1989); the British Jazz award at the Midem for “Best Foreign Artist” (1990/91); the DJANGO D’OR “Best French jazz record of the year” (1993); and the GRAND PRIX SACEM 2009. He was one of the first to combine jazz with French folk music, working most prominently with the hurdy-gurdy player Valentin Clastrier. Discography * ''Ad Augusta Per Argustia'' (Nato, 1981) * ''Clarinettes'' (Label Bleu, 1985) * ''Chine'' (Ida, 1987) * ''Chamber Music'' (Ida, 1989) * ''Ellington on the Air'' (Ida, 1991) * ''Ro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
