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Zeena Parkins
Zeena Parkins (born 1956) is an American composer and multi-instrumentalist active in experimental, free improvised, contemporary classical, and avant-jazz music; she is known for having "reinvented the harp". Parkins performs on standard harps, several custom electric harps, piano, and accordion. She is a 2019 Guggenheim Fellow and professor in the Music Department at Mills College. Life and career Born in 1956 in Detroit, Michigan, Parkins studied at Bard College and moved to New York City in 1984. Her work ranges from solo performance to large ensembles. Besides standard and electric harps, her work also incorporates Foley, field recordings, analog synthesizers, samplers, oscillators and homemade instruments. She has recorded six solo harp records and recorded and performed with Björk, Matmos, Ikue Mori, Fred Frith, Tom Cora, Christian Marclay, Yoko Ono, John Zorn (including in Cobra performances), Chris Cutler, Pauline Oliveros, Nels Cline, Elliott Sharp, Lee Ranald ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Detroit
Detroit ( , ; , ) is the largest city in the U.S. state of Michigan. It is also the largest U.S. city on the United States–Canada border, and the seat of government of Wayne County. The City of Detroit had a population of 639,111 at the 2020 census, making it the 27th-most populous city in the United States. The metropolitan area, known as Metro Detroit, is home to 4.3 million people, making it the second-largest in the Midwest after the Chicago metropolitan area, and the 14th-largest in the United States. Regarded as a major cultural center, Detroit is known for its contributions to music, art, architecture and design, in addition to its historical automotive background. ''Time'' named Detroit as one of the fifty World's Greatest Places of 2022 to explore. Detroit is a major port on the Detroit River, one of the four major straits that connect the Great Lakes system to the Saint Lawrence Seaway. The City of Detroit anchors the second-largest regional economy in t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electric Harp
The electric harp is an instrument based on its acoustic original. There are both solid-body and hollow body electro-acoustic models available. True electric harps have a solid body versus a hollow body electro-acoustic harp, which can be played either acoustically or electronically. A true electric solid-body harp cannot be played acoustically since it has no hollow soundbox, and must be amplified when played. Early models Alan Stivell writes in his book ''Telenn, la harpe bretonne'' of his first dreams of electric harps going back to the late 1950s. He designed and had made a solid body (after different electric-acoustic harps) electric harp at the turn of the 1970s–80s, about the same time as Rudiger Oppermann. Alan Stivell later (early 80s) had a meeting with Joel Garnier who decided to create a model. Alan Stivell went on independently to design and have different single models been made with Leo Goas-Straajer (before the Camac–Alan Stivell last experiment). Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christian Marclay
Christian Marclay (born January 11, 1955) is a visual artist and composer. He holds both American and Swiss nationality. Marclay's work explores connections between sound, noise, photography, video, and film. A pioneer of using gramophone records and turntables as musical instruments to create sound collages, Marclay is, in the words of critic Thom Jurek, perhaps the "unwitting inventor of turntablism." His own use of turntables and records, beginning in the late 1970s, was developed independently of but roughly parallel to hip hop's use of the instrument.European Graduate School Biography . Retrieved 25 June 2011. Early life and education Christian Marclay was born on January 11, 1955, in[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tom Cora
Thomas Henry Corra (September 14, 1953 – April 9, 1998), better known as Tom Cora, was an American cellist and composer, best known for his improvisational performances in the field of experimental jazz and rock. He recorded with John Zorn, Butch Morris, and the Ex, and was a member of Curlew, Third Person and Skeleton Crew. Biography Tom Cora was born in Yancey Mills, Virginia, United States. He made his musical debut as drummer on a local television program and in the mid-1970s he played guitar for a Washington, D.C. jazz club house band. He took up the cello while an undergraduate at the University of Virginia and studied with cellist Pablo Casals' student Luis Garcia-Renart and later with vibraphonist Karl Berger. During this time he formed his own group, the Moose Skowron Tuned Metal Ensemble and began constructing instruments for it. In 1979 Cora moved to New York City, where he worked with Shockabilly guitarist Eugene Chadbourne, introducing the cello to the honky t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fred Frith
Jeremy Webster "Fred" Frith (born 17 February 1949) is an English multi-instrumentalist, composer, and improviser. Probably best known for his guitar work, Frith first came to attention as one of the founding members of the English avant-rock group Henry Cow. He was also a member of the groups Art Bears, Massacre, and Skeleton Crew. He has collaborated with a number of prominent musicians, including Robert Wyatt, Derek Bailey, the Residents, Lol Coxhill, John Zorn, Brian Eno, Mike Patton, Lars Hollmer, Bill Laswell, Iva Bittová, Jad Fair, Kramer, the ARTE Quartett, and Bob Ostertag. He has also composed several long works, including ''Traffic Continues'' (1996, performed 1998 by Frith and Ensemble Modern) and ''Freedom in Fragments'' (1993, performed 1999 by Rova Saxophone Quartet). Frith produces most of his own music, and has also produced many albums by other musicians, including Curlew, the Muffins, Etron Fou Leloublan, and Orthotonics. He is the subject of Nicolas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Matmos
Matmos is an experimental electronic music duo originally from San Francisco but now residing in Baltimore. M. C. (Martin) Schmidt and Drew Daniel are the core members, but they frequently include other artists on their records and in their performances, including notably J Lesser. Apart from releasing twelve full-length studio albums and numerous collaborative works, Matmos is also well known for their collaboration with Icelandic singer and musician Björk, both on studio recordings and live tours. After being signed to Matador Records for nine years, Matmos signed with Thrill Jockey in 2012. The name ''Matmos'' refers to the seething lake of evil slime beneath the city Sogo in the 1968 film '' Barbarella''. Notable work In 1998, Matmos remixed the Björk single Alarm Call. Subsequently, Matmos worked with Björk on her albums ''Vespertine'' (2001) and ''Medúlla'' (2004), as well as her ''Vespertine'' and ''Greatest Hits'' tours. In November 2004, Matmos spent 97 hours in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Björk
Björk Guðmundsdóttir ( , ; born 21 November 1965), known mononymously as Björk, is an Icelandic singer, songwriter, composer, record producer, and actress. Noted for her distinct three-octave vocal range and eccentric persona, she has developed an eclectic musical style over her four-decade career that has drawn on electronic, pop, experimental, trip hop, classical, and avant-garde music. Born and raised in Reykjavík, Björk began her music career at the age of 11 and gained international recognition as the lead singer of the alternative rock band the Sugarcubes, by the age of 21. After the band's breakup in 1992, Björk embarked on a solo career, coming to prominence with albums such as ''Debut'' (1993), ''Post'' (1995), and ''Homogenic'' (1997), while collaborating with a range of artists and exploring a variety of multimedia projects. Her other albums include ''Vespertine'' (2001), ''Medúlla'' (2004), '' Volta'' (2007), '' Biophilia'' (2011), ''Vulnicura'' (2015), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oscillator
Oscillation is the repetitive or periodic variation, typically in time, of some measure about a central value (often a point of equilibrium) or between two or more different states. Familiar examples of oscillation include a swinging pendulum and alternating current. Oscillations can be used in physics to approximate complex interactions, such as those between atoms. Oscillations occur not only in mechanical systems but also in dynamic systems in virtually every area of science: for example the beating of the human heart (for circulation), business cycles in economics, predator–prey population cycles in ecology, geothermal geysers in geology, vibration of strings in guitar and other string instruments, periodic firing of nerve cells in the brain, and the periodic swelling of Cepheid variable stars in astronomy. The term ''vibration'' is precisely used to describe a mechanical oscillation. Oscillation, especially rapid oscillation, may be an undesirable phenomenon in pro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sampler (musical Instrument)
A sampler is an electronic or digital musical instrument which uses sound recordings (or " samples") of real instrument sounds (e.g., a piano, violin, trumpet, or other synthesizer), excerpts from recorded songs (e.g., a five-second bass guitar riff from a funk song) or found sounds (e.g., sirens and ocean waves). The samples are loaded or recorded by the user or by a manufacturer. These sounds are then played back by means of the sampler program itself, a MIDI keyboard, sequencer or another triggering device (e.g., electronic drums) to perform or compose music. Because these samples are usually stored in digital memory, the information can be quickly accessed. A single sample may often be pitch-shifted to different pitches to produce musical scales and chords. Often samplers offer filters, effects units, modulation via low frequency oscillation and other synthesizer-like processes that allow the original sound to be modified in many different ways. Most samplers have Mult ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Analog Synthesizer
An analog (or analogue) synthesizer is a synthesizer that uses analog circuits and analog signals to generate sound electronically. The earliest analog synthesizers in the 1920s and 1930s, such as the Trautonium, were built with a variety of vacuum-tube (thermionic valve) and electro-mechanical technologies. After the 1960s, analog synthesizers were built using operational amplifier (op-amp) integrated circuits, and used potentiometers (pots, or variable resistors) to adjust the sound parameters. Analog synthesizers also use low-pass filters and high-pass filters to modify the sound. While 1960s-era analog synthesizers such as the Moog used a number of independent electronic modules connected by patch cables, later analog synthesizers such as the Minimoog integrated them into single units, eliminating patch cords in favour of integrated signal routing systems. History 1900–1920 The earliest mention of a "synthetic harmoniser" using electricity appears to be in 1906, cre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Field Recording
Field recording is the term used for an audio recording produced outside a recording studio, and the term applies to recordings of both natural and human-produced sounds. It also applies to sound recordings like electromagnetic fields or vibrations using different microphones like a passive magnetic antenna for electromagnetic recordings or contact microphones. For underwater field recordings, a field recordist uses hydrophones to capture the sounds and/or movements of whales, or other aquatic organisms. These recordings are very useful for sound designers. Field recording of natural sounds, also called phonography (a term chosen to illustrate its similarities to photography), was originally developed as a documentary adjunct to research work in the field, and foley work for film. With the introduction of high-quality, portable recording equipment, it has subsequently become an evocative artform in itself. In the 1970s, both processed and natural phonographic recordings, (p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Foley (film Production)
In filmmaking, Foley is the reproduction of everyday sound effects that are added to films, videos, and other media in post-production to enhance audio quality. These reproduced sounds, named after sound-effects artist Jack Foley, can be anything from the swishing of clothing and footsteps to squeaky doors and breaking glass. Foley sounds are used to enhance the auditory experience of the movie. Foley can also be used to cover up unwanted sounds captured on the set of a movie during filming, such as overflying airplanes or passing traffic.Singer, Philip R. "Art Of Foley". Marblehead Publishing Co. Web. 1 July 2010. Places where the Foley process takes place are often referred to as a Foley stage or Foley studio. Foley artists recreate the realistic ambient sounds that the film portrays. The props and sets of a film often do not react the same way acoustically as their real life counterparts, requiring filmmakers to Foley the sounds. The best Foley art is so well integrated i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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