Catarina Or La Fille Du Bandit
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Catarina Or La Fille Du Bandit
''Catarina ou la Fille du bandit'' is a ballet in three acts and four scenes, with libretto and choreography by Jules Perrot and music by Cesare Pugni. The libretto is based on an incident in the life of the Italian painter Salvator Rosa. The work was first presented by the Ballet of Her Majesty's Theatre on 3 March 1846 in London, England, with Lucile Grahn (as Catarina, leader of the bandits), Louis-François Gosselin (as Salvator Rosa), and Jules Perrot (as the Lieutenant Diavolino). Revivals *Restaging by Jules Perrot for the Ballet of the Teatro alla Scala, with Giacomo Panizza revising Cesare Pugni's original score and Giovanni Bajetti. First presented on 9 January 1847 in Milan, Italy, with Fanny Elssler (as Catarina, leader of the bandits), Effisio Catte (as Salvator Rosa), and Jules Perrot (as the Lieutenant Diavolino). *Restaging by Jules Perrot for the Imperial Ballet, with Cesare Pugni revising his original score. First presented at the Imperial Bolshoi Kamenny Theatre ...
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Catarina -Act I-Scene I -Lucile Grahn -London -1846
__NOTOC__ Catarina may refer to: People * Catarina (given name) Places * Catarina, Masaya in Nicaragua * Catarina, San Marcos in Guatemala * Catarina, Texas in the United States * Santa Catarina Barahona in Guatemala * Santa Catarina Ixtahuacan in Guatemala * Santa Catarina Mita in Guatemala * Santa Catarina Palopó in Guatemala * Santa Catarina (Caldas da Rainha) in Portugal * Santa Catarina (island) in Brazil * Santa Catarina (state) in Brazil * Santa Catarina, Cape Verde * Santa Catarina, Nuevo León in Mexico Other uses * ''Catarina or La Fille du Bandit'', Jules Perrot's 1846 ballet * Cyclone Catarina, a South Atlantic tropical cyclone * Misión Santa Catarina Virgen y Mártir, a Spanish mission * ''Santa Catarina'' (ship), a Portuguese carrack that was seized by the Dutch East India Company See also *Catherina (and similar spellings) Catherina is a feminine given name. Notable people with the name include: * Dona Catherina of Kandy (died 1613), ruling Queen of Kandy ...
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Julian Calendar
The Julian calendar, proposed by Roman consul Julius Caesar in 46 BC, was a reform of the Roman calendar. It took effect on , by edict. It was designed with the aid of Greek mathematicians and astronomers such as Sosigenes of Alexandria. The calendar became the predominant calendar in the Roman Empire and subsequently most of the Western world for more than 1,600 years until 1582, when Pope Gregory XIII promulgated a minor modification to reduce the average length of the year from 365.25 days to 365.2425 days and thus corrected the Julian calendar's drift against the solar year. Worldwide adoption of this revised calendar, which became known as the Gregorian calendar, took place over the subsequent centuries, first in Catholic countries and subsequently in Protestant countries of the Western Christian world. The Julian calendar is still used in parts of the Eastern Orthodox Church and in parts of Oriental Orthodoxy as well as by the Berbers. The Julian calenda ...
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Riccardo Drigo
Riccardo Eugenio Drigo ( ru. Риккардо Эудженьо Дриго) (30 June 18461 October 1930) was an Italian composer of ballet music and Italian opera, a theatrical conductor, and a pianist. Drigo is most noted for his long career as kapellmeister and Director of Music of the Imperial Ballet of Saint Petersburg, Russia, for which he composed music for the original works and revivals of the choreographers Marius Petipa and Lev Ivanov. Drigo also served as Chef d'orchestre for Italian opera performances of the orchestra of the Imperial Mariinsky Theatre. During his career in Saint Petersburg, Drigo conducted the premieres and regular performances of nearly every ballet and Italian opera performed on the Tsarist stage. Drigo is equally noted for his original full-length compositions for the ballet as well as his large catalog of supplemental music written ad hoc for insertion into already-existing works. Drigo is also noted for his adaptations of already-existing sco ...
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Enrico Cecchetti
Enrico Cecchetti (; 21 June 1850 – 13 November 1928) was an Italian ballet dancer, mime, and founder of the Cecchetti method. The son of two dancers from Civitanova Marche, he was born in the costuming room of the ''Teatro Tordinona'' in Rome. After an illustrious career as a dancer in Europe, he went to dance for the Imperial Ballet in St. Petersburg, Russia, where he further honed his skills. Cecchetti was praised for his agility and strength in his performances, as well as his technical abilities in dance. By 1888, he was widely accepted as the greatest ballet virtuoso in the world. After an esteemed career in Russia, originating such roles as both the Bluebird and Carabosse in Petipa's masterpiece, '' The Sleeping Beauty'', he turned to teaching. Some of his students included other notable dancers of the Imperial Ballet, such as: Anna Pavlova, Léonide Massine, and Vaslav Nijinsky. While in London in 1920, he provided instruction to the American ballerina Ruth Page and ...
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Pavel Gerdt
Pavel Andreyevich Gerdt (russian: Па́вел Андре́евич Ге́рдт), also known as Paul Gerdt (near Saint Petersburg, Russia, 22 November 1844 – Vamaloki, Finland, 12 August 1917), was the ''Premier Danseur Noble'' of the Imperial Ballet, the Bolshoi Kamenny Theatre, and the Mariinsky Theatre for 56 years, making his debut in 1860, and retiring in 1916.Gerdt Family, in: The International Encyclopedia of Dance, Oxford University Press, 1998/2005 His daughter Elisaveta Gerdt was also a prominent ballerina and teacher. Gerdt studied under Christian Johansson, Alexander Pimenov (a pupil of the legendary Charles Didelot), and with Jean-Antoine Petipa ( Marius Petipa's father, a master of the old pantomime and a student of Auguste Vestris). He was known as the "Blue Cavalier" of the Saint Petersburg stage, creating the roles of nearly every lead male character throughout the latter half of the 19th century, among them Prince Désiré in '' The Sleeping Beauty'' and Pri ...
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Marius Petipa
Marius Ivanovich Petipa (russian: Мариус Иванович Петипа), born Victor Marius Alphonse Petipa (11 March 1818), was a French ballet dancer, pedagogue and choreographer. Petipa is one of the most influential ballet masters and choreographers in ballet history. Marius Petipa is noted for his long career as ''Premier maître de ballet'' (''First Ballet Master'') of the St. Petersburg Imperial Theatres, making him Ballet Master and principal choreographer of the Imperial Ballet (today known as the Mariinsky Ballet), a position he held from 1871 until 1903. Petipa created over fifty ballets, some of which have survived in versions either faithful to, inspired by, or reconstructed from the original. Among these works, he is most noted for ''The Pharaoh's Daughter'' (1862); ''Don Quixote'' (1869); ''La Bayadère'' (1877); '' Le Talisman'' (1889); '' The Sleeping Beauty'' (1890); ''The Nutcracker'' (choreographed jointly with Lev Ivanov) (1892); ''Le Réveil de Flor ...
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Elena Andreianova
Elena Ivanovna Andreïanova , sometimes spelt Yelena Andreyanova (Russian Елена Ивановна Андреянова), 13 July 1819 St. Petersburg - 28 October 1857 Paris, was a Russian ballerina. She is considered to be the outstanding Russian ballerina of the romantic genre, but her life was one full of tragedy. Biography Little is known about her childhood. At ten-years of age she entered the St. Petersburg Drama school. Among her teachers were Philippe Taglioni and his daughter Marie Taglioni. She graduated in 1837, and joined the Mariinsky ballet troop where she was the first Russian dancer to interpret the title roles in Giselle (1842), La Peri (1844 ) and Paquita (1847). She became the mistress of the Director of the Imperial Theater, Alexander Guedeonov. Antagonism developed between Guedenov and Andreianova when guest French ballerinas Marie Taglioni and Fanny Elssler, were given some of her parts and got acclaim from audiences instead of her. To pl ...
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Odessa
Odesa (also spelled Odessa) is the third most populous city and municipality in Ukraine and a major seaport and transport hub located in the south-west of the country, on the northwestern shore of the Black Sea. The city is also the administrative centre of the Odesa Raion and Odesa Oblast, as well as a multiethnic cultural centre. As of January 2021 Odesa's population was approximately In classical antiquity a large Greek settlement existed at its location. The first chronicle mention of the Slavic settlement-port of Kotsiubijiv, which was part of the Grand Duchy of Lithuania, dates back to 1415, when a ship was sent from here to Constantinople by sea. After a period of Lithuanian Grand Duchy control, the port and its surroundings became part of the domain of the Ottomans in 1529, under the name Hacibey, and remained there until the empire's defeat in the Russo-Turkish War of 1792. In 1794, the modern city of Odesa was founded by a decree of the Russian empress Catherine t ...
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Catarina -Polka -1846
__NOTOC__ Catarina may refer to: People * Catarina (given name) Places * Catarina, Masaya in Nicaragua * Catarina, San Marcos in Guatemala * Catarina, Texas in the United States * Santa Catarina Barahona in Guatemala * Santa Catarina Ixtahuacan in Guatemala * Santa Catarina Mita in Guatemala * Santa Catarina Palopó in Guatemala * Santa Catarina (Caldas da Rainha) in Portugal * Santa Catarina (island) in Brazil * Santa Catarina (state) in Brazil * Santa Catarina, Cape Verde * Santa Catarina, Nuevo León in Mexico Other uses * ''Catarina or La Fille du Bandit'', Jules Perrot's 1846 ballet * Cyclone Catarina, a South Atlantic tropical cyclone * Misión Santa Catarina Virgen y Mártir, a Spanish mission * ''Santa Catarina'' (ship), a Portuguese carrack that was seized by the Dutch East India Company See also *Catherina (and similar spellings) Catherina is a feminine given name. Notable people with the name include: * Dona Catherina of Kandy (died 1613), ruling Queen of Kandy ...
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Sofia Fuoco
Sofia Fuoco (16 January 1830, Milan, the Kingdom of Lombardy–Venetia — 16 June 1916, Carate Urio, the Province of Como) — Italian ballerina. Was born as Maria Brambilla; her stage name, ''Fuoco'' (the mother's family name, given because there was more than one "Maria Brambilla" at the dance school) means ″Fire″ in Italian. Biography Brambilla was born in Milan. She began to study ballet with Carlo Blasis in c. 1837 and later became one of his so-called ''Pleiades dancers''. In 1839 at age of nine she made her first stage appearance in the Teatro alla Scala. In 1843 when she was only thirteen she was named the ''prima ballerina assoluta'' of the theater. Same year she was the first one who danced '' Giselle'' in Milan. In 1846 she danced in Perrot's ''Pas de Quatre'' staged in La Scala by Filippo Taglioni. In 1846, age sixteen, she was invited to the Paris National Theatre to replace Carlotta Grisi. Choreographer Joseph Mazilier was going to stage his new ballet ...
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Warsaw
Warsaw ( pl, Warszawa, ), officially the Capital City of Warsaw,, abbreviation: ''m.st. Warszawa'' is the capital and largest city of Poland. The metropolis stands on the River Vistula in east-central Poland, and its population is officially estimated at 1.86 million residents within a greater metropolitan area of 3.1 million residents, which makes Warsaw the 7th most-populous city in the European Union. The city area measures and comprises 18 districts, while the metropolitan area covers . Warsaw is an Alpha global city, a major cultural, political and economic hub, and the country's seat of government. Warsaw traces its origins to a small fishing town in Masovia. The city rose to prominence in the late 16th century, when Sigismund III decided to move the Polish capital and his royal court from Kraków. Warsaw served as the de facto capital of the Polish–Lithuanian Commonwealth until 1795, and subsequently as the seat of Napoleon's Duchy of Warsaw. Th ...
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Grand Theatre, Warsaw
The Grand Theatre in Warsaw ( pl, Teatr Wielki w Warszawie), known in full as the Grand Theatre–National Opera, is a theatre and opera complex situated on the historic Theatre Square in central Warsaw, Poland. The Warsaw Grand Theatre is home to the Polish National Ballet and is one of the largest theatrical venues in the world, with a seating capacity of over 2,000. The Warsaw Grand Theatre was inaugurated on 24 February 1833 with a production of Rossini's ''The Barber of Seville''. After the building's bombing and near-complete destruction in World War II, it was rebuilt and reopened on 19 November 1965 after having been closed for over twenty years. The original building was designed in a neoclassical style by architects Antonio Corazzi and Chrystian Piotr Aigner, and later restored by Bohdan Pniewski. History From 1833 The Theatre was built on Theatre Square between 1825 and 1833, replacing the former building of Marywil, from Polish classicist designs by the Italian a ...
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