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Sofia Fuoco
Sofia Fuoco (16 January 1830, Milan, the Kingdom of Lombardy–Venetia — 16 June 1916, Carate Urio, the Province of Como) — Italian ballerina. Was born as Maria Brambilla; her stage name, ''Fuoco'' (the mother's family name, given because there was more than one "Maria Brambilla" at the dance school) means ″Fire″ in Italian. Biography Brambilla was born in Milan. She began to study ballet with Carlo Blasis in c. 1837 and later became one of his so-called ''Pleiades dancers''. In 1839 at age of nine she made her first stage appearance in the Teatro alla Scala. In 1843 when she was only thirteen she was named the ''prima ballerina assoluta'' of the theater. Same year she was the first one who danced '' Giselle'' in Milan. In 1846 she danced in Perrot's ''Pas de Quatre'' staged in La Scala by Filippo Taglioni. In 1846, age sixteen, she was invited to the Paris National Theatre to replace Carlotta Grisi. Choreographer Joseph Mazilier was going to stage his new ballet ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Milan
Milan ( , , Lombard: ; it, Milano ) is a city in northern Italy, capital of Lombardy, and the second-most populous city proper in Italy after Rome. The city proper has a population of about 1.4 million, while its metropolitan city has 3.26 million inhabitants. Its continuously built-up urban area (whose outer suburbs extend well beyond the boundaries of the administrative metropolitan city and even stretch into the nearby country of Switzerland) is the fourth largest in the EU with 5.27 million inhabitants. According to national sources, the population within the wider Milan metropolitan area (also known as Greater Milan), is estimated between 8.2 million and 12.5 million making it by far the largest metropolitan area in Italy and one of the largest in the EU.* * * * Milan is considered a leading alpha global city, with strengths in the fields of art, chemicals, commerce, design, education, entertainment, fashion, finance, healthcar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph Mazilier
Joseph Mazilier (1 March 1801 in Marseilles – 19 May 1868 in Paris) was a 19th-century French dancer, balletmaster and choreographer. He was born as ''Giulio Mazarini''. He was most noted for his ballets ''Paquita'' (1844) and '' Le Corsaire'' (1856). He created the role of James in ''La Sylphide'' with Marie Taglioni. Marie Guy-Stéphan debuted in ''Aelia et Mysis'' at the Paris Opéra when she moved in 1853 to Paris. Ballets *'' La Gypsy'' (1839) *''La Vendetta'' (1839) *'' Le Diable Amoureux'' (1840) *''Lady Henrietta, or the Servant of Greenwich'' (''Lady Henriette, ou la Servante de Greenwich'') (1944) *'' Le Diable à Quatre'' (1845) *''Paquita'' (1846) *''Betty'' (1846) *''Griseldis, ou les Cinq sens'' (1848) *''Vert-vert'' (''Green-Green'') (1851) *''Orfa'' (1852) *''Aelia et Mysis, ou l'Atellane'' (1853) *''Jovita, ou les Boucaniers'' (1853) *''La Fonti'' (1855) *'' Le Corsaire'' (1856) *''Les Elfes'' (1856) *'' Marco Spada ou La Fille du Bandit'' (1857) *''Une fête ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
19th-century Italian Ballet Dancers
The 19th (nineteenth) century began on 1 January 1801 (Roman numerals, MDCCCI), and ended on 31 December 1900 (Roman numerals, MCM). The 19th century was the ninth century of the 2nd millennium. The 19th century was characterized by vast social upheaval. Slavery was abolitionism, abolished in much of Europe and the Americas. The Industrial Revolution, First Industrial Revolution, though it began in the late 18th century, expanding beyond its British homeland for the first time during this century, particularly remaking the economies and societies of the Low Countries, the Rhineland, Northern Italy, and the Northeastern United States. A few decades later, the Second Industrial Revolution led to ever more massive urbanization and much higher levels of productivity, profit, and prosperity, a pattern that continued into the 20th century. The Gunpowder empires, Islamic gunpowder empires fell into decline and European imperialism brought much of South Asia, Southeast Asia, and almost ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian Ballerinas
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marinade * Italian or Italian-A, alternative names for the Ping-Pong virus, an extinct computer virus See also * * * Italia (other) * Italic (other) * Italo (other) * The Italian (other) * Italian people (other) Italian people may refer to: * in terms of ethnicity: all ethnic Italians, in and outside of Italy * in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teatro Argentina
The Teatro Argentina (directly translating to "Theatre Argentina") is an opera house and Theater (structure), theatre located in Largo di Torre Argentina, a square in Rome, Italy. One of the oldest theatres in Rome, it was constructed in 1731 and inaugurated on 31 January 1732Plantamura, 10 with ''Berenice'' by Domenico Sarro. It is built over part of the curia section of the Theatre of Pompey. This curia was the location of the assassination of Julius Caesar. History The theatre was commissioned by the Sforza-Cesarini family and designed by the architect Gerolamo Theodoli, with the auditorium laid out in the traditional horseshoe shape. Duke Francesco Sforza-Cesarini, who ran the Argentina Theatre from 1807 to 1815, was a "theatre fanatic" who continued until his death to run up debts. Rossini's ''The Barber of Seville'' was given its premiere here on 20 February 1816, just after Duke Francesco's death and, in the 19th century, the premieres of many notable operas took place in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ramón María Narváez
Ramón María Narváez y Campos, 1st Duke of Valencia (5 August 180023 April 1868) was a Spanish general and statesman who served as Prime Minister on several occasions during the reign of Isabella II. He was also known in Spain as ''El Espadón de Loja'', "The Big Sword of Loja". Biography He was born at Loja, Granada, a son of José María de Narváez y Porcel, 1st Count of Cañada Alta, and wife María Ramona de Campos y Mateos. He entered the army at an early age, and saw active service under Francisco Espoz y Mina in Catalonia in 1822. He was in his sympathies a Conservative, and could not fully support the Radical opposition to Ferdinand VII, whom he served after his restoration. When the king died in 1833, Narváez became one of the Conservative supporters of Isabel II. He achieved great popularity by his victory over Miguel Gómez Damas, the Carlist general, at the Battle of Majaceite near Arcos de la Frontera, in November 1836. After clearing La Mancha of brigand ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
José De Salamanca, Marquis Of Salamanca
José de Salamanca y Mayol, 1st Marquis of Salamanca and Grandee of Spain (23 May 1811 – 21 January 1883) was a Spanish nobleman, politician and businessman. He served as Finance Minister of Spain and briefly as ''de facto'' prime minister in 1847.José María Salamanca Mayol (1811–1883) (Marqués de Salamanca) Base documental d'Història Contemporània de Catalunya. Retrieved 3 March 2010. Prominent during the reign of , he was responsible for an extension to the city of ; the [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marie Guy-Stéphan
Marie-Antoinette Guy-Stéphan (18 November 1818 - 20 August 1873) was a French dancer who triumphed at Spanish theaters between 1843 and 1851. Richard Ford, travel writer, arrived in Spain in 1830 and wrote about the rivalry between Guy-Stéphan and Maria Brambilla, specialist in Donizetti and first dancer of La Scala. She debuted in Madrid in 1840 and around 1844 danced the title role for the first production of ''Giselle'' in Spain. She performed in numerous works by Marius Petipa and was often partnered with him. In the beginning of 1850s in Madrid's ''Teatro del Circo'' she has a rivaling with Sofia Fuoco. Guy-Stéphan was a favourite of Marquis de Salamanca so when Fuoco became a favorite dancer of general Narvaez theatrical rivalry turned into a political one. Those who preferred the government (and Fuoco) were wearing red carnation flowers in the buttonhole while the supporters of Marquis de Salamanca (and Guy-Stéphan) demonstrated their notion by wearing white ones. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teatro Del Circo
Teatro may refer to: * Theatre * Teatro (band) Teatro, Italian for "theatre", is a vocal group signed to the Sony BMG music label. The members of Teatro are Jeremiah James, Andrew Alexander, Simon Bailey and Stephen Rahman-Hughes. Band members Jeremiah James Jeremiah James was born in ups ..., musical act signed to Sony BMG * ''Teatro'' (Willie Nelson album), 1998 * ''Teatro'' (Draco Rosa album), 2008 {{disambiguation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paris Opera Ballet
The Paris Opera Ballet () is a French ballet company that is an integral part of the Paris Opera. It is the oldest national ballet company, and many European and international ballet companies can trace their origins to it. It is still regarded as one of the four most prominent ballet companies in the world, together with the Bolshoi Ballet in Moscow, the Mariinsky Ballet in Saint Petersburg and the Royal Ballet in London.Pourquoi les ballets de l'Opéra de Paris font partie des spectacles favoris des fêtes article by Martine Robert, 27 December 2013, Les Echos. The position of director of dance is currently vacant, but [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théophile Gautier
Pierre Jules Théophile Gautier ( , ; 30 August 1811 – 23 October 1872) was a French poet, dramatist, novelist, journalist, and art and literary critic. While an ardent defender of Romanticism, Gautier's work is difficult to classify and remains a point of reference for many subsequent literary traditions such as Parnassianism, Symbolism, Decadence and Modernism. He was widely esteemed by writers as disparate as Balzac, Baudelaire, the Goncourt brothers, Flaubert, Pound, Eliot, James, Proust and Wilde. Life and times Gautier was born on 30 August 1811 in Tarbes, capital of Hautes-Pyrénées département (southwestern France). His father was Jean-Pierre Gautier,See "Cimetières de France et d'ailleurs – La descendance de Théophile Gautier", landrucimetieres.fr/ref> a fairly cultured minor government official, and his mother was Antoinette-Adelaïde Cocard. The family moved to Paris in 1814, taking up residence in the ancient Marais district. Gautier's education comm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pointe
Pointe technique ( ) is the part of classical ballet technique that concerns ''pointe work'', in which a ballet dancer supports all body weight on the tips of fully extended feet within pointe shoes. A dancer is said to be ''en pointe'' () when the dancer's body is supported in this manner, and a fully extended vertical foot is said to be ''en pointe'' when touching the floor, even when not bearing weight. Pointe technique resulted from a desire for female dancers to appear weightless and sylph-like. Although both men and women are capable of pointe work, it is most often performed by women. Extensive training and practice are required to develop the strength and technique needed for pointe work. Typically, dance teachers consider factors such as age, experience, strength and alignment when deciding whether to allow a dancer to begin pointe work. Technique Pointe technique encompasses both the mechanical and artistic aspects of pointe work. In particular, it is concerned with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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