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Casimir Delavigne
Jean-François Casimir Delavigne (4 April 179311 December 1843) was a French poet and dramatist. Life and career Delavigne was born at Le Havre, but was sent to Paris to be educated at the Lycée Napoleon. He read extensively. When, on 20 March 1811 the empress Marie Louise gave birth to a son, named in his cradle as king of Rome, the event was celebrated by Delavigne in a ''Dithyrambe sur la naissance du roi de Rome'', which obtained him a sinecure in the revenue office. Citations: * Sainte-Beuve, ''Portraits littéraires'', vol. v. * A. Favrot, ''Étude sur Casimir Delavigne'' (1894) * F. Vuacheux, ''Casimir Delavigne'' (1893) About this time he competed twice for an academy prize, but without success. Inspired by the Battle of Waterloo in 1815, he wrote two impassioned poems, the first entitled ''Waterloo'', the second, ''Devastation du muse'', both written in the heat of patriotic enthusiasm, and teeming with popular political allusions. A third, less successful poem, ''Su ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Daniel François Esprit Auber
Daniel-François-Esprit Auber (; 29 January 178212 May 1871) was a French composer and director of the Paris Conservatoire. Born into an artistic family, Auber was at first an amateur composer before he took up writing operas professionally when the family's fortunes failed in 1820. He soon established a professional partnership with the librettist Eugène Scribe that lasted for 41 years and produced 39 operas, most of them commercial and critical successes. He is mostly associated with opéra-comique and composed 35 works in that genre. With Scribe he wrote the first French grand opera, ''La muette de Portici, La Muette de Portici'' (The Dumb Woman of Portici) in 1828, which paved the way for the large-scale works of Giacomo Meyerbeer. Auber held two important official musical posts. From 1842 to 1871 he was director of France's premier music academy, the Paris Conservatoire, which he expanded and modernised. From 1852 until the fall of the Second French Empire, Second Empire in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stanisław Moniuszko
Stanisław Moniuszko (; May 5, 1819 – June 4, 1872) was a Polish composer, conductor and teacher. He wrote many popular art songs and operas, and his music is filled with patriotic folk themes of the peoples of the former Polish–Lithuanian Commonwealth (mainly Poles, Lithuanians and Belarusians). He is generally referred to as "the father of Polish national opera". Since the 1990s Stanisław Moniuszko is being recognized in Belarus as an important figure of Belarusian culture. Life Moniuszko was born into a noble landowning family in Ubiel, Minsk Governorate (now Belarus). He initially took piano lessons with his mother and then continued his musical education in Warsaw, Minsk, and in Berlin under Carl Friedrich Rungenhagen. In 1858 he was appointed conductor at the Warsaw Opera and later became professor at the Warsaw Conservatory. He died in Warsaw, Congress Poland and was buried at Powązki Cemetery. Works For a complete list, see List of compositions by S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Il Paria
(''The Outcast'') is an opera in two acts by Gaetano Donizetti from a libretto by Domenico Gilardoni, based on ''Le Paria'' by Casimir Delavigne and Michele Carafa's ''Il paria'' with a libretto by Gaetano Rossi. Completed in the winter of 1828, it was first performed on 12 January 1829 at the Teatro San Carlo, Naples. The opera had modest success, with six performances and Donizetti was not satisfied. In a letter to his father he announced his intentions to revise it,Verzino, Edward Clement (19 January 1829)"Contribution to a biography of Gaetano Donizetti; letters and unpublished documents" "Ho dato l'opera e fui chiamato fuori, io però dico che ho sbagliato in qualche sito, e lo proverò coll'aggiustarla: mi conosco!" Bergamo: Carnazzi, 1896, p. 50 but the idea was abandoned. The scholar William Ashbrook, has called this work "Donizetti's finest achievement up to this point",Ashbrook 1982, pp. 309—312 praising the adhesion of the vocal writing to the dramatic situations ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Isaac Nathan
Isaac Nathan (15 January 1864) was an English composer, musicologist, journalist and self-publicist, who has been called the "father of Australian music". Early success Isaac Nathan was born around 1791 in the English city of Canterbury to a ''hazzan'' ( Jewish cantor) born in Poland, Menahem Monash "Polack" (the Pole), and his English Jewish wife, Mary (Lewis) Goldsmid (1779–1842). He was initially destined for his father's career and went to the school of Solomon Lyon in Cambridge. Showing an enthusiasm for music, he was apprenticed to the London music publisher Domenico Corri. He also claimed to have had five years of voice lessons with Corri, who had studied with Nicola Porpora. In 1813 he conceived the idea of publishing settings of tunes from synagogue usage and persuaded Lord Byron to provide the words for these. The result was the poet's famous ''Hebrew Melodies''. Nathan's setting of these remained in print for most of the century. The ''Hebrew Melodies'' used, for t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don John Of Austria (opera)
''Don John of Austria'' is a ballad opera in three acts by Isaac Nathan to a libretto by Jacob Levi Montefiore. It is the first opera to be written, composed and produced in Australia. Quote from the opera's title page: :The plot is taken and many scenes are literal translations from Casimir Delavigne's celebrated comedy of "Don John of Austria" (Don Juan d'Autriche). Performance history It premiered on 3 May 1847 at the Royal Victoria Theatre, Sydney and enjoyed a successful run of six performances. It has been produced only twice since: two performances (12 and 14 September 1997) at Spitalfields, London, by Spitalfields Market Opera with The Chelsea Opera Group directed by Philip Parr and conducted by Alexander Briger, and semi-staged performances on 18 and 20 October 2007in two actsat the City Recital Hall, Angel Place, Sydney, also conducted by Briger. Nathan's original orchestration has been lost and Nathan's great-great-great grandson, the conductor Sir Charles Mack ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Encyclopædia Britannica Eleventh Edition
The ''Encyclopædia Britannica'' Eleventh Edition (1910–1911) is a 29-volume reference work, an edition of the '' Encyclopædia Britannica''. It was developed during the encyclopaedia's transition from a British to an American publication. Some of its articles were written by the best-known scholars of the time. This edition of the encyclopaedia, containing 40,000 entries, has entered the public domain and is easily available on the Internet. Its use in modern scholarship and as a reliable source has been deemed problematic due to the outdated nature of some of its content. Modern scholars have deemed some articles as cultural artifacts of the 19th and early 20th centuries. Background The 1911 eleventh edition was assembled with the management of American publisher Horace Everett Hooper. Hugh Chisholm, who had edited the previous edition, was appointed editor in chief, with Walter Alison Phillips as his principal assistant editor. Originally, Hooper bought the rights t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fromental Halévy
Jacques-François-Fromental-Élie Halévy, usually known as Fromental Halévy (; 27 May 179917 March 1862), was a French composer. He is known today largely for his opera ''La Juive''. Early career Halévy was born in Paris, son of the cantor Élie Halfon Halévy, who was the secretary of the Jewish community of Paris and a writer and teacher of Hebrew, and a French Jewish mother. The name Fromental (meaning 'oat grass'), by which he was generally known, reflects his birth on the day dedicated to that plant: 7 Prairial in the French Revolutionary calendar, which was still operative at that time. He entered the Conservatoire de Paris at the age of nine or ten (accounts differ), in 1809, becoming a pupil and later protégé of Cherubini. After two second-place attempts, he won the Prix de Rome in 1819: his cantata subject was ''Herminie''. As he had to delay his departure to Rome because of the death of his mother, he was able to accept the first commission that brought him ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Germain Delavigne
Louis Marie Germain Delavigne (1 February 1790 – 3 November 1868) was a French playwright and librettist. Delavigne was born in Giverny to Louis-Augustin-Anselme Delavigne, a surveyor of the French royal forests, and his wife. He was the brother of Casimir Delavigne (1793–1843) who was also destined for a theatrical career. A frequent collaborator of Eugène Scribe, Delavigne was involved in the creation of the libretti of two of the earliest grand operas, Daniel Auber's ''La muette de Portici'' (1828) and Giacomo Meyerbeer's ''Robert le diable'' (1831). Amongst his later libretti were those for Fromental Halévy's '' Charles VI'' (1843) (co-authored with his brother Casimir) and Charles Gounod's ''La nonne sanglante'' (1854).Smith (n.d.). Delavigne died at Montmorency, Val-d'Oise Montmorency () is a commune in the northern suburbs of Paris, France. It is located from the center of Paris. Montmorency was the fief of the Montmorency family, one of the oldest and most ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles VI (opera)
''Charles VI'' is an 1843 French grand opera in five acts with music composed by Fromental Halevy and a libretto by Casimir Delavigne and his brother Germain Delavigne. The number "Guerre aux tyrans!" ("War on the tyrants!") achieved separate fame as a song of political protest. Performance history The opera was first presented on 15 March 1843 by the Paris Opera at the Salle Le Peletier. It continued to be performed there, and in a revised form beginning on 4 October 1847, up to 1848, and was revived again in 1850, receiving a total of 61 performances. Lajarte 1878p. 172Chouquet 1873pp. 404–405 Beginning on 5 April 1870 it was produced at the Théâtre Lyrique with Rosine Bloch in the role of Odette and was given there a total of 22 times. ''Charles VI'' was also performed in French in Brussels (beginning on 2 October 1845), The Hague (25 April 1846), New Orleans (22 April 1847), Buenos Aires (4 May 1854), Batavia (27 April 1866), Barcelona (29 April 1871), Mexico (19 Januar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Poland
Poland, officially the Republic of Poland, is a country in Central Europe. It is divided into 16 administrative provinces called voivodeships, covering an area of . Poland has a population of over 38 million and is the fifth-most populous member state of the European Union. Warsaw is the nation's capital and largest metropolis. Other major cities include Kraków, Wrocław, Łódź, Poznań, Gdańsk, and Szczecin. Poland has a temperate transitional climate and its territory traverses the Central European Plain, extending from Baltic Sea in the north to Sudeten and Carpathian Mountains in the south. The longest Polish river is the Vistula, and Poland's highest point is Mount Rysy, situated in the Tatra mountain range of the Carpathians. The country is bordered by Lithuania and Russia to the northeast, Belarus and Ukraine to the east, Slovakia and the Czech Republic to the south, and Germany to the west. It also shares maritime boundaries with Denmark a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Warszawianka (1831)
"Warszawianka 1831 roku", "La Varsovienne" ("The Varsovian 1831") is a Polish patriotic song written by Casimir François Delavigne with music by Karol Kurpiński. History The song was written in support of the November Uprising of 1830–1831. The French poet Casimir Delavigne was fascinated and inspired by the news of the uprising making its way to Paris and wrote the words, which were translated into Polish by the historian, journalist, and poet (great-uncle of novelist Henryk Sienkiewicz). It contains several stylistic allusions to "La Marseillaise" in the lyrics e.g. ''Aux armes, citoyens'' (in "La Varsovienne": ''Polonais, à la baïonnette''). The song was performed for the first time on 5 April 1831 at the National Theatre in Warsaw and immediately started to enjoy great popularity. The song is sometimes confused with a later Polish revolutionary song of the same name (often referred to in Polish as "Warszawianka 1905 roku" or ‘the Varsovienne of 1905’, sometim ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
