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Daniel François Esprit Auber
Daniel-François-Esprit Auber (; 29 January 178212 May 1871) was a French composer and director of the Paris Conservatoire. Born into an artistic family, Auber was at first an amateur composer before he took up writing operas professionally when the family's fortunes failed in 1820. He soon established a professional partnership with the librettist Eugène Scribe that lasted for 41 years and produced 39 operas, most of them commercial and critical successes. He is mostly associated with opéra-comique and composed 35 works in that genre. With Scribe he wrote the first French grand opera, ''La Muette de Portici'' (The Dumb Woman of Portici) in 1828, which paved the way for the large-scale works of Giacomo Meyerbeer. Auber held two important official musical posts. From 1842 to 1871 he was director of France's premier music academy, the Paris Conservatoire, which he expanded and modernised. From 1852 until the fall of the Second Empire in 1870 he was director of the imperial chapel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rue Saint-Lazare
The Rue Saint-Lazare is a street in the 8th and 9th arrondissements of Paris, France. It starts at 9 Rue Bourdaloue and 1 Rue Notre-Dame-de-Lorette, and ends at Place Gabriel-Péri and Rue de Rome. History This street already existed in 1700 under the name of rue des Porcherons or rue d'Argenteuil, and connected the villages of Roule and Ville-L’Évêque to the village of Porcherons. In 1734 it was still only lined with few buildings. The present name dates from 1770 and comes from the Maison Saint-Lazare toward which it led (via the rues Lamartine, Bleue, and Paradis) and which had been used as a leprosarium since the Middle Ages; it was converted into the Prison Saint-Lazare in 1793. It stood at the current location of no 117 rue du Faubourg-Saint-Denis, in the 10th arrondissement. A ministerial decision of 12 Fructidor V (29 August 1797) fixed the minimum width of the street at 10 meters. This width was increased to 11 meters by a royal decree of 3 August 1838. An order o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Libretto
A libretto (Italian for "booklet") is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or Musical theatre, musical. The term ''libretto'' is also sometimes used to refer to the text of major liturgical works, such as the Mass (liturgy), Mass, requiem and sacred cantata, or the story line of a ballet. ''Libretto'' (; plural ''libretti'' ), from Italian, is the diminutive of the word ''wiktionary:libro#Italian, libro'' ("book"). Sometimes other-language equivalents are used for libretti in that language, ''livret'' for French works, ''Textbuch'' for German and ''libreto'' for Spanish. A libretto is distinct from a synopsis or scenario of the plot, in that the libretto contains all the words and stage directions, while a synopsis summarizes the plot. Some ballet historians also use the word ''libretto'' to refer to the 15 to 40 page books which were on sale to 19th century ballet audiences in Paris and contained a ve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eugène De Planard
Eugène de Planard (full name: François-Antoine-Eugène de Planard; ; 4 February 1783 – 13 November 1853) was a 19th-century French playwright. He collaborated with Daniel-François-Esprit Auber, Ferdinand Hérold (''Le Pré-aux-clercs'', 1832), Adolphe Adam (''Le Farfadet'', 1852), Nicolas-Charles Bochsa, Michele Enrico Carafa, Jacques-Fromental Halévy (''L’Éclair'', 1835), George Onslow et Ambroise Thomas (''Le Caïd'', 1849 ; ''Le Carnaval de Venise'', 1852). His daughter Eugénie (1818–1874) married the dramatist and librettist Adolphe de Leuven (1802–1884). Works (selection) * 1832 : ''Le Pré-aux-clercs'', opéra comique in three acts after Prosper Mérimée, music by Ferdinand Hérold, Opéra-Comique (15 December) * 1835 : ''L’Éclair'', opéra-comique in three acts with Jules-Henri Vernoy de Saint-Georges, music by Jacques-Fromental Halévy, Opéra-Comique (16 December) * 1837 : ''La Double Échelle'', opéra comique in one act, music by Ambroise Thoma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luigi Cherubini
Luigi Cherubini ( ; ; 8 or 14 SeptemberWillis, in Sadie (Ed.), p. 833 1760 – 15 March 1842) was an Italian Classical and Romantic composer. His most significant compositions are operas and sacred music. Beethoven regarded Cherubini as the greatest of his contemporaries. His operas were heavily praised and interpreted by Rossini. Early years Cherubini was born Maria Luigi Carlo Zenobio Salvatore Cherubini in Florence in 1760. There is uncertainty about his exact date of birth. Although 14 September is sometimes stated, evidence from baptismal records and Cherubini himself suggests the 8th is correct. Perhaps the strongest evidence is his first name, Maria, which is traditional for a child born on 8 September, the feast-day of the Nativity of the Virgin. His instruction in music began at the age of six with his father, Bartolomeo, '' maestro al cembalo'' ("Master of the harpsichord", in other words, ensemble leader from the harpsichord). Considered a child prodigy, Cherubini st ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacques-Michel Hurel De Lamare
Jacques-Michel Hurel de Lamare (1 May 1772 – 27 March 1823) was a noted French cellist. Lamare was born in Paris, to a poor family. He studied music at a very young age, entering the Institute of the Pages of the Royal Music at age 7, and turning to study of the cello, with Jean-Louis Duport, at age 15. He returned home upon the outbreak of the French Revolution in 1789. In 1794, Lamare became cellist at the Théâtre Feydeau in Paris, where he developed a reputation as a soloist. He soon thereafter became a professor at the newly founded Conservatoire de Paris, while continuing to perform with the Feydeau. On the strength of his reputation as a performer, he decided to leave both positions, and embark on a tour giving performances abroad. From 1801 through 1809 he toured Germany and Russia, living mainly in Berlin, St. Petersburg, and Moscow. In Berlin, he became acquainted in particular with Prince Louis Ferdinand of Prussia. Lamare returned to France in 1809, traveling thro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Napoleonic Wars
The Napoleonic Wars (1803–1815) were a series of major global conflicts pitting the French Empire and its allies, led by Napoleon I, against a fluctuating array of European states formed into various coalitions. It produced a period of French domination over most of continental Europe. The wars stemmed from the unresolved disputes associated with the French Revolution and the French Revolutionary Wars consisting of the War of the First Coalition (1792–1797) and the War of the Second Coalition (1798–1802). The Napoleonic Wars are often described as five conflicts, each termed after the coalition that fought Napoleon: the Third Coalition (1803–1806), the Fourth (1806–1807), the Fifth (1809), the Sixth (1813–1814), and the Seventh (1815) plus the Peninsular War (1807–1814) and the French invasion of Russia (1812). Napoleon, upon ascending to First Consul of France in 1799, had inherited a republic in chaos; he subsequently created a state with stable financ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
