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Cascando (play)
''Cascando'' is a radio play by Samuel Beckett. It was written in French in December 1961, subtitled ''Invention radiophonique pour musique et voix'', with music by the Franco-Romanian composer Marcel Mihalovici. It was first broadcast on France Culture on 13 October 1963 with Roger Blin (''L'Ouvreur'') and Jean Martin (''La Voix''). The first English production was on 6 October 1964 on BBC Radio 3 with Denys Hawthorne (Opener) and Patrick Magee (Voice). “The play was originally to be called ''Calando'', a musical term meaning 'diminishing in tone' (equivalent to '' diminuendo or decrescendo''), but Beckett changed it when ORTF officials pointed out that ''calendos'' was the slang word for camembert in French."Bair, D., ''Samuel Beckett: A Biography'' (London: Vintage, 1990), p 574 The term ‘''cascando''’ (‘cascades’) involves the decrease of volume and the deceleration of tempo.'' ''Cascando'' is also the title of a 1936 poem by Beckett. Structure “Beckett ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cascando
''Cascando'' is a radio play by Samuel Beckett. It was written in French in December 1961, subtitled ''Invention radiophonique pour musique et voix'', with music by the Franco-Romanian composer Marcel Mihalovici. It was first broadcast on France Culture on 13 October 1963 with Roger Blin (''L'Ouvreur'') and Jean Martin (''La Voix''). The first English production was on 6 October 1964 on BBC Radio 3 with Denys Hawthorne (Opener) and Patrick Magee (Voice). “The play was originally to be called ''Calando'', a musical term meaning 'diminishing in tone' (equivalent to '' diminuendo or decrescendo''), but Beckett changed it when ORTF officials pointed out that ''calendos'' was the slang word for camembert in French."Bair, D., ''Samuel Beckett: A Biography'' (London: Vintage, 1990), p 574 The term ‘''cascando''’ (‘cascades’) involves the decrease of volume and the deceleration of tempo.'' ''Cascando'' is also the title of a 1936 poem by Beckett. Structure “Beckett first ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Stevens
George Cooper Stevens (December 18, 1904 – March 8, 1975) was an American film director, film producer, producer, screenwriter and cinematographer.Obituary ''Variety Obituaries, Variety'', March 12, 1975, page 79. Films he produced were nominated for the Academy Award for Best Motion Picture six times while he had five nominations as Academy Award for Best Director, Best Director, winning twice. Among his most notable films are ''Swing Time (film), Swing Time'' (1936), ''Gunga Din (film), Gunga Din'' (1939) and the five movies for which he was nominated for Best Director: ''The More the Merrier (film), The More the Merrier'' (1943); ''A Place in the Sun (1951 film), A Place in the Sun'' (1951), for which he won the Best Director Oscar; ''Shane (film), Shane'' (1953), ''Giant (1956 film), Giant'' (1956), for which he won the Best Director Oscar, and ''The Diary of Anne Frank (1959 film), The Diary of Anne Frank'' (1959). Biography Film career Stevens was born on December 18, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Embers
''Embers'' is a radio play by Samuel Beckett. It was written in English in 1957. First broadcast on the BBC Third Programme on 24 June 1959, the play won the RAI prize at the Prix Italia awards later that year. Donald McWhinnie directed Jack MacGowran – for whom the play was specially written – as "Henry", Kathleen Michael as "Ada" and Patrick Magee as "Riding Master" and "Music Master". The play was translated into French by Beckett himself and Robert Pinget as ''Cendres'' and was published in 1959 by . The first stage production was by the French Graduate Circle of Edinburgh, Edinburgh Festival, 1977." The most recent version of ''Embers'' was broadcast in 2006 on BBC Radio 3 and directed by Stephen Rea. The cast included Michael Gambon as Henry, Sinéad Cusack as Ada, Rupert Graves, Alvaro Lucchesi and Carly Baker. This production was rebroadcast on BBC Radio 3 on 16 May 2010 as part of a double bill with a 2006 production of ''Krapp's Last Tape''. Opinions vary ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rough For Radio I
''Rough for Radio I'' is a short radio play by Samuel Beckett, written in French in 1961 and first published in '' Minuit'' 5 in September 1973 as ''Esquisse radiophonique''. Its first English publication as ''Sketch for Radio Play'' was in ''Stereo Headphones'' 7 (spring 1976). It first appeared under its current title in ''Ends and Odds'' (Grove 1976, Faber 1977). "Plans for a BBC production, with Humphrey Searle providing the music, were made soon after the publication of the original French version but came to nothing and a later BBC proposal to produce the play without music was rejected by Beckett in the late 1970s. According to the Beckett estate the French version was produced by ORTF (Office de Radiodiffusion Télévision Française) in 1962, although Beckett himself seems later to have forgotten about this production."Fox, C., âSquare Dances an introduction to the music of Richard Rijnvos€™ in ''The Musical Times'' winter 1999 (volume 140, number 1869) A complete run of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Krapp's Last Tape
''Krapp's Last Tape'' is a 1958 one-act play, in English, by Samuel Beckett. With a cast of one man, it was written for Northern Irish actor Patrick Magee (actor), Patrick Magee and first titled "Magee monologue". It was inspired by Beckett's experience of listening to Magee reading extracts from ''Molloy (novel), Molloy'' and ''From an Abandoned Work'' on the BBC Third Programme in December 1957. It is considered to be among Beckett’s major dramas. History First publication In a letter to a London bookseller Jake Schwartz on 15 March 1958, Beckett wrote that he had "'four states, in typescript, with copious notes and dirty corrections, of a short stage monologue I have just written (in English) for Pat Magee. This was composed on the machine from a tangle of old notes, so I have not the Manuscript, MS to offer you." According to Ackerley and Gontarski, "It was first published in ''Evergreen Review'' 2.5 (summer 1958), then in ''Krapp's Last Tape and Embers'' (Faber, 1959), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stirrings Still
''Stirrings Still'' is the final prose piece by Samuel Beckett,Peter Boxall. Still Stirrings : Beckett's Prose from ''Texts for Nothing'' to ''Stirrings Still''. In ''The New Cambridge Companion to Samuel Beckett'' (Dirk Van Hulle, ed.), pp. 33-47 (Cambridge University Press; 2015) written 1986–89 to give his American publisher, Barney Rosset, something to publish. First published in a signed limited edition, it was later republished in the posthumous edition ''As The Story Was Told'' (1990). The piece was published in its entirety in ''The Guardian'' on 3 March 1989. This edition also included a review of the limited edition by Frank Kermode, and a piece on the history of the work's publication by John Calder. In 2004, members of Binghamton University's English Department founded a scholarly journal An academic journal or scholarly journal is a periodical publication in which scholarship relating to a particular academic discipline is published. Academic journals serve as per ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metaphor
A metaphor is a figure of speech that, for rhetorical effect, directly refers to one thing by mentioning another. It may provide (or obscure) clarity or identify hidden similarities between two different ideas. Metaphors are often compared with other types of figurative language, such as antithesis, hyperbole, metonymy, and simile. One of the most commonly cited examples of a metaphor in English literature comes from the "All the world's a stage" monologue from '' As You Like It'': All the world's a stage, And all the men and women merely players; They have their exits and their entrances And one man in his time plays many parts, His Acts being seven ages. At first, the infant... :—William Shakespeare, '' As You Like It'', 2/7 This quotation expresses a metaphor because the world is not literally a stage, and most humans are not literally actors and actresses playing roles. By asserting that the world is a stage, Shakespeare uses points of comparison between the world an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Franz Kafka
Franz Kafka (3 July 1883 – 3 June 1924) was a German-speaking Bohemian novelist and short-story writer, widely regarded as one of the major figures of 20th-century literature. His work fuses elements of realism and the fantastic. It typically features isolated protagonists facing bizarre or surrealistic predicaments and incomprehensible socio-bureaucratic powers. It has been interpreted as exploring themes of alienation, existential anxiety, guilt, and absurdity. His best known works include the short story "The Metamorphosis" and novels ''The Trial'' and '' The Castle''. The term ''Kafkaesque'' has entered English to describe absurd situations, like those depicted in his writing. Kafka was born into a middle-class German-speaking Czech Jewish family in Prague, the capital of the Kingdom of Bohemia, then part of the Austro-Hungarian Empire, today the capital of the Czech Republic. He trained as a lawyer and after completing his legal education was employed full-ti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Writer's Block
Writer's block is a condition, primarily associated with writing, in which an author is either unable to produce new work or experiences a creative slowdown. Mike Rose found that this creative stall is not a result of commitment problems or the lack of writing skills. The condition ranges from difficulty in coming up with original ideas to being unable to produce a work for years. Writer's block is not solely measured by time passing without writing. It is measured by time passing without productivity in the task at hand. History Throughout history, writer's block has been a documented problem.Clark, Irene. "Invention." ''Concepts in Composition: Theory and Practice in the Teaching of Writing''. 2nd ed. New York: Routledge, 2012. Professionals who have struggled with the affliction include authors such as F. Scott Fitzgerald and Joseph Mitchell, comic strip cartoonist Charles M. Schulz,Downey, Bill. ''Right Brain – Write ON!''. Englewood Cliffs: Prentice-Hall, Inc. 1984. c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Repetition Compulsion
Repetition compulsion is the unconscious tendency of a person to repeat a traumatic event or its circumstances. This may take the form of symbolically or literally re-enacting the event, or putting oneself in situations where the event is likely to occur again. Repetition compulsion can also take the form of dreams in which memories and feelings of what happened are repeated, and in cases of psychosis, may even be hallucinated. As a "key component in Freud's understanding of mental life, 'repetition compulsion' ... describes the pattern whereby people endlessly repeat patterns of behaviour which were difficult or distressing in earlier life". Freud Sigmund Freud's use of the concept of "repetition compulsion" (german: Wiederholungszwang) was first defined in the article of 1914, ''Erinnern, Wiederholen und Durcharbeiten'' ("Remembering, Repeating and Working-Through"). Here he noted how "the patient does not ''remember'' anything of what he has forgotten and repressed, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Footfalls
''Footfalls'' is a play by Samuel Beckett. It was written in English, between 2 March and December 1975 and was first performed at the Royal Court Theatre as part of the Samuel Beckett Festival, on May 20, 1976 directed by Beckett himself. Billie Whitelaw, for whom the piece had been written, played May whilst Rose Hill voiced the mother. Synopsis The play is in four parts. Each opens with the sound of a bell. After this the lights fade up to reveal an illuminated strip along which a woman, May, paces back and forth, nine steps within a one-metre stretch. In each part, the light will be somewhat darker than in the preceding one. Therefore, it is darkest when the strip is lit up without May at the very end. Correspondingly, the bell gets slightly softer each time. Beckett introduced a "Dim spot on face during halts at R ightand L eft so that May's face would be visible during her monologues.Ackerley, C. J. and Gontarski, S. E., (Eds.) ''The Faber Companion to Samuel Beckett ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leitmotif
A leitmotif or leitmotiv () is a "short, recurring musical phrase" associated with a particular person, place, or idea. It is closely related to the musical concepts of ''idée fixe'' or ''motto-theme''. The spelling ''leitmotif'' is an anglicization of the German ''Leitmotiv'' (), literally meaning "leading motif", or "guiding motif". A musical motif has been defined as a "short musical idea ... melodic, harmonic, or rhythmic, or all three", a salient recurring figure, musical fragment or succession of notes that has some special importance in or is characteristic of a composition: "the smallest structural unit possessing thematic identity." In particular, such a motif should be "clearly identified so as to retain its identity if modified on subsequent appearances" whether such modification be in terms of rhythm, harmony, orchestration or accompaniment. It may also be "combined with other leitmotifs to suggest a new dramatic condition" or development. The technique is no ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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