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Rough For Radio I
''Rough for Radio I'' is a short radio play by Samuel Beckett, written in French in 1961 and first published in '' Minuit'' 5 in September 1973 as ''Esquisse radiophonique''. Its first English publication as ''Sketch for Radio Play'' was in ''Stereo Headphones'' 7 (spring 1976). It first appeared under its current title in ''Ends and Odds'' (Grove 1976, Faber 1977). "Plans for a BBC production, with Humphrey Searle providing the music, were made soon after the publication of the original French version but came to nothing and a later BBC proposal to produce the play without music was rejected by Beckett in the late 1970s. According to the Beckett estate the French version was produced by ORTF (Office de Radiodiffusion Télévision Française) in 1962, although Beckett himself seems later to have forgotten about this production."Fox, C., Square Dances an introduction to the music of Richard Rijnvos in ''The Musical Times'' winter 1999 (volume 140, number 1869) A complete run of ...
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Samuel Beckett
Samuel Barclay Beckett (; 13 April 1906 – 22 December 1989) was an Irish novelist, dramatist, short story writer, theatre director, poet, and literary translator. His literary and theatrical work features bleak, impersonal and tragicomic experiences of life, often coupled with black comedy and nonsense. It became increasingly minimalist as his career progressed, involving more aesthetic and linguistic experimentation, with techniques of repetition and self-reference. He is considered one of the last modernist writers, and one of the key figures in what Martin Esslin called the Theatre of the Absurd. A resident of Paris for most of his adult life, Beckett wrote in both French and English. During the Second World War, Beckett was a member of the French Resistance group Gloria SMH (Réseau Gloria). Beckett was awarded the 1969 Nobel Prize in Literature "for his writing, which—in new forms for the novel and drama—in the destitution of modern man acquires its elevation". He ...
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Need
A need is dissatisfaction at a point of time and in a given context. Needs are distinguished from wants. In the case of a need, a deficiency causes a clear adverse outcome: a dysfunction or death. In other words, a need is something required for a safe, stable and healthy life (e.g. air, water, food, land, shelter) while a want is a desire, wish or aspiration. When needs or wants are backed by purchasing power, they have the potential to become economic demands. Basic needs such as air, water, food and protection from environmental dangers are necessary for an organism to live. In addition to basic needs, humans also have needs of a social or societal nature such as the human need to socialise or belong to a family unit or group. Needs can be objective and physical, such as the need for food, or psychical and subjective, such as the need for self-esteem. The concept of "unmet need" arises in relation to needs in a social context which are not being fulfilled. Needs and wants are ...
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Catastrophe (play)
''Catastrophe'' is a short play by Samuel Beckett, written in French in 1982 at the invitation of A.I.D.A. (Association Internationale de Défense des Artistes) and “ rst produced in the Avignon Festival (21 July 1982) … Beckett considered it ‘massacred.’” It is one of his few plays to deal with a political theme and, arguably, holds the title of Beckett's most optimistic work. Beckett "wrote the short play ''Catastrophe'' about control and censorship" and dedicated it to the Czech dramatist Václav Havel, who was in prison at the time. Havel wrote a play called ''Mistake'' "as a response to the one Beckett had written in solidarity." "In February 1984, in one of the most significant milestones in the history of ''Index on Censorship'', both plays were published for the first time." In January 2022, after almost 38 years, in 50th birthday celebration of ''Index'', they asked "Iranian playwright Reza Shirmarz to write his own response to Beckett's ''Catastrophe''." Shirmarz ...
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Background Music
Background music (British English: piped music) is a mode of musical performance in which the music is not intended to be a primary focus of potential listeners, but its content, character, and volume level are deliberately chosen to affect behavioral and emotional responses in humans such as concentration, relaxation, distraction, and excitement. Listeners are uniquely subject to background music with no control over its Loudness, volume and content. The range of responses created are of great variety, and even opposite, depending on numerous factors such as, setting, culture, audience, and even time of day. Background music is commonly played where there is no audience at all, such as empty hallways and restrooms and fitting rooms. It is also used in artificial space, such as music played while on hold during a telephone call, and virtual space, as in the ambient sounds or thematic Video game music, music in video games. It is typically played at low volumes from multiple small ...
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Intermezzo
In music, an intermezzo (, , plural form: intermezzi), in the most general sense, is a composition which fits between other musical or dramatic entities, such as acts of a play or movements of a larger musical work. In music history, the term has had several different usages, which fit into two general categories: the opera intermezzo and the instrumental intermezzo. Renaissance intermezzo The Renaissance intermezzo was also called the intermedio. It was a masque-like dramatic piece with music, which was performed between the acts of a play at Italian court festivities on special occasions, especially weddings. By the late 16th century, the intermezzo had become the most spectacular form of dramatic performance, and an important precursor to opera. The most famous examples were created for Medici weddings in 1539, 1565, and 1589. In Baroque Spain the equivalent entremés or paso was a one-act comic scene, often ending in music and dance, between ''jornadas'' (acts) of a play.Le ...
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Embers
''Embers'' is a radio play by Samuel Beckett. It was written in English in 1957. First broadcast on the BBC Third Programme on 24 June 1959, the play won the RAI prize at the Prix Italia awards later that year. Donald McWhinnie directed Jack MacGowran – for whom the play was specially written – as "Henry", Kathleen Michael as "Ada" and Patrick Magee as "Riding Master" and "Music Master". The play was translated into French by Beckett himself and Robert Pinget as ''Cendres'' and was published in 1959 by . The first stage production was by the French Graduate Circle of Edinburgh, Edinburgh Festival, 1977." The most recent version of ''Embers'' was broadcast in 2006 on BBC Radio 3 and directed by Stephen Rea. The cast included Michael Gambon as Henry, Sinéad Cusack as Ada, Rupert Graves, Alvaro Lucchesi and Carly Baker. This production was rebroadcast on BBC Radio 3 on 16 May 2010 as part of a double bill with a 2006 production of ''Krapp's Last Tape''. Opinions vary ...
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Barry McGovern
Barry McGovern (born 1948) is an Irish stage, film and television actor. He was educated at Castleknock College, Dublin. Background McGovern is a former member of the RTÉ Players and the Abbey Theatre Company. He has worked in theatre, film, radio and television, as well as written music for many shows, and co-written two musicals and directed plays and operas. He is known internationally for his award-winning one-man Beckett shows ''I'll Go On'' and ''Watt'' which the Gate Theatre presented at the 1985 and 2010 Dublin Theatre Festival respectively. McGovern revived "I'll Go On" for a run at the Kirk Douglas Theatre in Culver City for L.A.'s Center Theatre Group in 2014. Filmography Reviews *(on his one man show "I'll Go On") **"McGovern illuminates the accessibility of the novels, their Irishness and their brilliant, bitter humour...brilliant" - ''The New York Times'' **"Barry McGovern's dazzling one-man performance…makes for wicked, compulsive fun" - ''The Irish Times'' ...
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Words And Music (play)
Samuel Beckett wrote the radio play, ''Words and Music'' between November and December 1961. It was recorded and broadcast on the BBC Third Programme on 13 November 1962. Patrick Magee played Words and Felix Felton, Croak. Music was composed especially by John S. Beckett. The play first appeared in print in '' Evergreen Review'' 6.27 (November–December 1962). Beckett himself translated the work into French under the title ''Paroles et Musique'' ('' Minuit'', 1966). While John Fletcher considered ''Words and Music'' the weakest of Beckett's radio plays, Hugh Kenner considered it arguably the most moving work ever done for radio and Vivian Mercier praised it as one of Beckett's most powerful works along with ''Cascando'' (1961). Synopsis The play takes place in what Katharine Worth describes as "an unidentified ‘listening’ space," another of Beckett’s "skullscapes." The only specific location mentioned is "the tower" – perhaps a folly(?) – so the scene may well be i ...
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Canon (fiction)
In fiction, canon is the material accepted as officially part of the story in an individual universe of that story by its fan base. It is often contrasted with, or used as the basis for, works of fan fiction. The alternative terms mythology, timeline, universe and continuity are often used, with the first of these being used especially to refer to a richly detailed fictional canon requiring a large degree of suspension of disbelief (e.g. an entire imaginary world and history), while the latter two typically refer to a single arc where all events are directly connected chronologically. Other times, the word can mean "to be acknowledged by the creator(s)". Origin The use of the word "canon" originated in reference to a set of texts derived from Biblical canon, the set of books regarded as scripture, as contrasted with non-canonical Apocrypha. The term was first used by analogy in the context of fiction to refer to the Sherlock Holmes stories and novels, written by Sir Arthur Co ...
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Dialogue In Writing
Dialogue, in literature, is a verbal exchange between two or more characters (but can also involve strategic use of silence). If there is only ''one'' character talking aloud, it is a monologue. Identifiers ''"This breakfast is making me sick," George said.'' The ''George said'' is the identifier. ''Said'' is the verb most writers use because reader familiarity with ''said'' prevents it from drawing attention to itself. Although other verbs such as ''ask'', ''shout'', or ''reply'' are acceptable, some identifiers get in the reader's way. For example: ''"Hello," he croaked nervously, "my name's Horace."'' ''"What's yours?" he asked with as much aplomb as he could muster.'' Another example is: ''"My name is Peg, what's yours?" I asked.'' ''"My name is William, but my friends call me Will," said Will.'' Stephen King, in his book '' On Writing'', expresses his belief that ''said'' is the best identifier to use. King recommends reading a novel by Larry McMurtry, who he claims has m ...
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Breech Birth
A breech birth is when a baby is born bottom first instead of head first, as is normal. Around 3–5% of pregnant women at term (37–40 weeks pregnant) have a breech baby. Due to their higher than average rate of possible complications for the baby, breech births are generally considered higher risk. Breech births also occur in many other mammals such as dogs and horses, see veterinary obstetrics. Most babies in the breech position are delivered via caesarean section because it is seen as safer than being born vaginally. Doctors and midwives in the developing world often lack many of the skills required to safely assist women giving birth to a breech baby vaginally. Also, delivering all breech babies by caesarean section in developing countries is difficult to implement as there are not always resources available to provide this service. OB-GYNs do not recommend home births if a breech birth is expected, even when attended by a medical professional. Cause With regard to the ...
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Cultural References To Pigs
Pigs, widespread in societies around the world since neolithic times, have been used for many purposes in art, literature, and other expressions of human culture. In classical times, the Romans considered pork the finest of meats, enjoying sausages, and depicting them in their art. Across Europe, pigs have been celebrated in carnivals since the Middle Ages, becoming specially important in Medieval Germany in cities such as Nuremberg, and in Early Modern Italy in cities such as Bologna. In literature, both for children and adults, pig characters appear in allegories, comic stories, and serious novels. In art, pigs have been represented in a wide range of media and styles from the earliest times in many cultures. Pig names are used in idioms and animal epithets, often derogatory, since pigs have long been linked with dirtiness and greed, while places such as Swindon are named for their association with swine. The eating of pork is forbidden in Islam and Judaism, but pigs are sacr ...
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