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Casa De Pilatos
La Casa de Pilatos (Pilate's House) is an Andalusian palace in Seville, Spain, which serves as the permanent residence of the Dukes of Medinaceli. It is an example of an Italian Renaissance building with Mudéjar elements and decorations. It is considered the prototype of the Andalusian palace. The Casa de Pilatos has around 150 different 1530s azulejo (Spanish glazed tile) designs made by the brothers Diego and Juan Pulido, one of the largest azulejo collections in the world. History The construction of this palace, which is adorned with precious azulejo tiles and well-kept gardens, was begun in 1483 by Pedro Enríquez de Quiñones, Adelantado Mayor of Andalucía, and his wife Catalina de Rivera, founder of the Casa de Alcalá, and completed by Pedro's son Fadrique Enríquez de Rivera (first Marquis of Tarifa), whose pilgrimage to Jerusalem in 1519 led to the building being given the name "Pilate's House". On 20 October 1520, Don Fadrique returned from a trip through Europe and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ministerio De Cultura Y Deporte
The Ministry of Culture and Sport (MCD) is the department of the Government of Spain responsible for the promotion, protection and dissemination of the Spanish historical heritage, national museums, art, books, reading and literary creation, of cinematographic and audiovisual activities and of national archives and libraries. It is also responsible for the promotion and dissemination of culture in Spanish, as well as the promotion of cultural cooperation and, in coordination with the Ministry of Foreign Affairs, European Union and Cooperation, of international relations in the field of culture. Likewise, the MCD is responsible for the proposal and execution of the government' policy on sport. The MCD is headed by the Culture Minister, a Cabinet member who is appointed by the Monarch on advice of the Prime Minister. Like the Ministry of Agriculture, it does not have any Secretariat of State and is organized through a General Secretariat (with the rank of undersecretariat) and th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fresco
Fresco (plural ''frescos'' or ''frescoes'') is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster, the painting becomes an integral part of the wall. The word ''fresco'' ( it, affresco) is derived from the Italian adjective ''fresco'' meaning "fresh", and may thus be contrasted with fresco-secco or secco mural painting techniques, which are applied to dried plaster, to supplement painting in fresco. The fresco technique has been employed since antiquity and is closely associated with Italian Renaissance painting. The word ''fresco'' is commonly and inaccurately used in English to refer to any wall painting regardless of the plaster technology or binding medium. This, in part, contributes to a misconception that the most geographically and temporally common wall painting technology was the painting into wet lime plaster. Even in appar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sebastiano Del Piombo
Sebastiano del Piombo (; c. 1485 – 21 June 1547) was an Italian painter of the High Renaissance and early Mannerism, Mannerist periods famous as the only major artist of the period to combine the colouring of the Venetian School (art), Venetian school in which he was trained with the monumental forms of the Roman school. He belongs both to the painting school of his native city, Venice, where he made significant contributions before he left for Rome in 1511, and that of Rome, where he stayed for the rest of his life, and whose style he thoroughly adopted. Born Sebastiano Luciani, after coming to Rome he became known as ''Sebastiano Veneziano'' or ''Viniziano'' ("Sebastian the Venetian"), until in 1531 he became the Keeper of the Seals#Papacy, Keeper of the Seal to the Papacy, and so got the nickname ''del Piombo'' ("of the Lead") thereafter, from his new job title of ''piombatore''. Friends like Michelangelo and Ariosto called him ''Fra Bastiano'' ("Brother Bastian"). Never a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pietà
The Pietà (; meaning "pity", "compassion") is a subject in Christian art depicting the Virgin Mary cradling the dead body of Jesus after his body was removed from the cross. It is most often found in sculpture. The Pietà is a specific form of the Lamentation of Christ in which Jesus is mourned by the Virgin Mary alone. Context and development Pietà is one of the three common artistic representations of a sorrowful Virgin Mary, the other two being Mater Dolorosa (Mother of Sorrows) and Stabat Mater (the mother was standing). The other two representations are most commonly found in paintings, rather than sculpture, although combined forms exist. The Pietà developed in Germany (where it is called the "Vesperbild") about 1300, reached Italy about 1400, and was especially popular in Central European Andachtsbilder. Many German and Polish 15th-century examples in wood greatly emphasise Christ's wounds. The Deposition of Christ and the Lamentation or Pietà form the 13th of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mocárabe
Muqarnas ( ar, مقرنص; fa, مقرنس), also known in Iranian architecture as Ahoopāy ( fa, آهوپای) and in Iberian architecture as Mocárabe, is a form of ornamented vaulting in Islamic architecture. It is the archetypal form of Islamic architecture, integral to the vernacular of Islamic buildings that originated in the Abbasid Empire. The muqarnas structure originated from the squinch. Sometimes called "honeycomb vaulting" or "stalactite vaulting", the purpose of muqarnas is to create a smooth, decorative zone of transition in an otherwise bare, structural space. This structure gives the ability to distinguish between the main parts of a building, and serve as a transition from the walls of a room into a domed ceiling. Muqarnas is significant in Islamic architecture because its elaborate form is a symbolic representation of universal creation by God. Muqarnas architecture is featured in domes, half-dome entrances, iwans and apses. The two main types of muqarnas ar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Plateresque
Plateresque, meaning "in the manner of a silversmith" (''plata'' being silver in Spanish), was an artistic movement, especially architectural, developed in Spain and its territories, which appeared between the late Gothic and early Renaissance in the late 15th century, and spread over the next two centuries. It is a modification of Gothic spatial concepts and an eclectic blend of Mudéjar, Flamboyant Gothic and Lombard decorative components, as well as Renaissance elements of Tuscan origin.Bozal, Valeriano; ''Art history in Spain: From the origins to the Enlightenment'', pp. 157, 165. Ed Akal (1978). . Examples of this syncretism are the inclusion of shields and pinnacles on facades, columns built in the Renaissance neoclassical manner, and facades divided into three parts (in Renaissance architecture they are divided into two). It reached its peak during the reign of Charles V, Holy Roman Emperor,Arellano, Fernando; ''The Hispanic American Art'', pp. 13–14. Ed. Universidad Ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italica
Italica ( es, Itálica) was a Roman town founded by Italic settlers in Hispania; its site is close to the town of Santiponce, part of the province of Seville in modern-day Spain. It was founded in 206 BC by Roman general Scipio as a settlement for his Italic veterans and named after them. As time progressed, Italica grew attracting new settlers from the Italian peninsula and also with the children of Roman soldiers and native women of Iberia. A branch of the Gens Ulpia from the Umbrian city of Tuder (the ''Ulpi Traiani'') and a branch of the gens Aelia from the Picenian city of Atri (the ''Aelii Hadriani'') were either among the original founders of Italica or among the later Italic settlers that moved into the town (at any time between the third century BC and first century AD), as these were the respective ''stirpes'' of the Roman emperors Trajan and Hadrian, who were born in Italica. According to some authors, Italica was also the birthplace of Theodosius. History Found ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bornos
Bornos is a town and municipality located in the province of Cádiz, Spain , image_flag = Bandera de España.svg , image_coat = Escudo de España (mazonado).svg , national_motto = ''Plus ultra'' (Latin)(English: "Further Beyond") , national_anthem = (English: "Royal March") , i .... Demographics References External links Bornos- Sistema de Información Multiterritorial de Andalucía Municipalities of the Province of Cádiz {{Andalusia-geo-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Crest (heraldry)
A crest is a component of a heraldic display, consisting of the device borne on top of the helm. Originating in the decorative sculptures worn by knights in tournaments and, to a lesser extent, battles, crests became solely pictorial after the 16th century (the era referred to by heraldists as that of "paper heraldry"). A normal heraldic achievement consists of the shield, above which is set the helm, on which sits the crest, its base encircled by a circlet of twisted cloth known as a torse. The use of the crest and torse independently from the rest of the achievement, a practice which became common in the era of paper heraldry, has led the term "crest" to be frequently but erroneously used to refer to the arms displayed on the shield, or to the achievement as a whole. Origin The word "crest" derives from the Latin ''crista'', meaning "tuft" or "plume", perhaps related to ''crinis'', "hair". Crests had existed in various forms since ancient times: Roman officers wore fans of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gothic Architecture
Gothic architecture (or pointed architecture) is an architectural style that was prevalent in Europe from the late 12th to the 16th century, during the High and Late Middle Ages, surviving into the 17th and 18th centuries in some areas. It evolved from Romanesque architecture and was succeeded by Renaissance architecture. It originated in the Île-de-France and Picardy regions of northern France. The style at the time was sometimes known as ''opus Francigenum'' (lit. French work); the term ''Gothic'' was first applied contemptuously during the later Renaissance, by those ambitious to revive the architecture of classical antiquity. The defining design element of Gothic architecture is the pointed or ogival arch. The use of the pointed arch in turn led to the development of the pointed rib vault and flying buttresses, combined with elaborate tracery and stained glass windows. At the Abbey of Saint-Denis, near Paris, the choir was reconstructed between 1140 and 1144, draw ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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