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Café Terrace At Night
''Café Terrace at Night'' is an 1888 oil painting by the Dutch artist Vincent van Gogh. It is also known as ''The Cafe Terrace on the Place du Forum'', and, when first exhibited in 1891, was entitled ''Coffeehouse, in the evening'' (''Café, le soir''). Van Gogh painted ''Café Terrace at Night'' in Arles, France, in mid-September 1888. The painting is not signed, but described and mentioned by the artist in three letters. Visitors to the site can stand at the north eastern corner of the ''Place du Forum'', where the artist set up his easel. The site was refurbished in 1990 and 1991 to replicate van Gogh's painting. He looked south towards the artificially lit terrace of the popular coffee house, as well as into the enforced darkness of the ''rue du Palais'' which led up to a building structure (to the left, not pictured) and, beyond this structure, the tower of a former church which is now ''Musée Lapidaire''. Towards the right, Van Gogh indicated a lighted shop and some bran ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vincent Van Gogh
Vincent Willem van Gogh (; 30 March 185329 July 1890) was a Dutch Post-Impressionist painter who posthumously became one of the most famous and influential figures in Western art history. In a decade, he created about 2,100 artworks, including around 860 oil paintings, most of which date from the last two years of his life. They include landscapes, still lifes, portraits and self-portraits, and are characterised by bold colours and dramatic, impulsive and expressive brushwork that contributed to the foundations of modern art. Not commercially successful, he struggled with severe depression and poverty, eventually leading to his suicide at age thirty-seven. Born into an upper-middle class family, Van Gogh drew as a child and was serious, quiet, and thoughtful. As a young man, he worked as an art dealer, often traveling, but became depressed after he was transferred to London. He turned to religion and spent time as a Protestant missionary in southern Belgium. He drifte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japonism
''Japonisme'' is a French term that refers to the popularity and influence of Japanese art and design among a number of Western European artists in the nineteenth century following the forced reopening of foreign trade with Japan in 1858. Japonisme was first described by French art critic and collector Philippe Burty in 1872. While the effects of the trend were likely most pronounced in the visual arts, they extended to architecture, landscaping and gardening, and clothing. Even the performing arts were affected; Gilbert & Sullivan's ''The Mikado'' is perhaps the best example. From the 1860s, ''ukiyo-e,'' Japanese woodblock prints, became a source of inspiration for many Western artists. These prints were created for the commercial market in Japan. Although a percentage of prints were brought to the West through Dutch trade merchants, it was not until the 1860s that ukiyo-e prints gained popularity in Europe. Western artists were intrigued by the original use of color and co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symbolist
Symbolism was a late 19th-century art movement of French and Belgian origin in poetry and other arts seeking to represent absolute truths symbolically through language and metaphorical images, mainly as a reaction against naturalism and realism. In literature, the style originates with the 1857 publication of Charles Baudelaire's '' Les Fleurs du mal''. The works of Edgar Allan Poe, which Baudelaire admired greatly and translated into French, were a significant influence and the source of many stock tropes and images. The aesthetic was developed by Stéphane Mallarmé and Paul Verlaine during the 1860s and 1870s. In the 1880s, the aesthetic was articulated by a series of manifestos and attracted a generation of writers. The term "symbolist" was first applied by the critic Jean Moréas, who invented the term to distinguish the Symbolists from the related Decadents of literature and of art. Etymology The term ''symbolism'' is derived from the word "symbol" which derives fro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Yellow House (painting)
''The Yellow House'' ( nl, Het gele huis), alternatively named ''The Street'' ( nl, De straat), is an 1888 oil painting by the 19th-century Dutch Post-Impressionist painter Vincent van Gogh. The house was the right wing of 2 Place Lamartine, Arles, France, where, on May 1, 1888, van Gogh rented four rooms. He occupied two large ones on the ground floor to serve as an atelier (workshop) and kitchen, and on the first floor, two smaller ones facing Place Lamartine. The window on the first floor nearest the corner with both shutters open is that of van Gogh's guest room, where Paul Gauguin lived for nine weeks from late October 1888. Behind the next window, with shutters nearly closed, is van Gogh's bedroom. The two small rooms at the rear were rented by van Gogh at a later time. Van Gogh indicated that the restaurant where he used to have his meals was in the building painted pink, close to the left edge of the painting (28 Place Lamartine). It was run by Widow Venissac, who was al ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Interior Of A Restaurant In Arles
''Interior of a Restaurant in Arles'' is a colored oil painting by Dutch artist Vincent van Gogh on an industrially primed canvas of size 25 ''(Toile de 25 figure)'' in Arles, France, late August, 1888. Accurately dating ''Interior of a Restaurant in Arles'' has been difficult, largely because van Gogh never mentioned it in any existing letter. Pierre Leprohon placed it in late August, 1888, due in part to the blossoming sunflowers; this has been generally accepted by authorities such as 20th century van Gogh scholar Jan Hulsker.Hulsker p. 356 It is one of two studies van Gogh created of the restaurant, the other being ''Interior of the Restaurant Carrel in Arles''. Long assumed to be a view from inside the Hotel Carrel, de la Faille remarks they were probably the interior of the restaurant next to the Yellow House''. Genesis While certainly a representation of diners in Arles (regardless of the cafe), in his article ''Van Gogh's Last Supper: Transforming "the guise of obser ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Essenes
The Essenes (; Hebrew: , ''Isiyim''; Greek: Ἐσσηνοί, Ἐσσαῖοι, or Ὀσσαῖοι, ''Essenoi, Essaioi, Ossaioi'') were a mystic Jewish sect during the Second Temple period that flourished from the 2nd century BCE to the 1st century CE. The Jewish historian Josephus records that Essenes existed in large numbers, thousands lived throughout Roman Judaea. They were fewer in number than the Pharisees and the Sadducees, the other two major sects at the time. The Essenes lived in various cities but congregated in communal life dedicated to voluntary poverty, daily immersion, and asceticism (their priestly class practiced celibacy). Most scholars claim they seceded from the Zadokite priests. The Essenes have gained fame in modern times as a result of the discovery of an extensive group of religious documents known as the Dead Sea Scrolls, which are commonly believed to be the Essenes' library. These documents preserve multiple copies of parts of the Hebrew Bible unt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Émile-Louis Burnouf
Émile-Louis Burnouf (; 26 August 1821, in Valognes – January 1907, in Paris) was a leading nineteenth-century Orientalist and racialist author of Aryanism. He was a professor at the ''faculté des lettres'' at Nancy University, then principal of the French School at Athens from 1867–1875. He was also the author of a Sanskrit-French dictionary. Biography Émile was the nephew of Jean-Louis Burnouf, a famous philologist, and cousin of Eugène Burnouf, the founder of Buddhist studies in the West. Following in their footsteps, Émile sought to connect Buddhist and Hindu thought to Western European classical culture. In doing so, he claimed to have rediscovered the early Aryan belief-system. Burnouf believed that only Aryan and Semitic peoples were truly religious in temperament. Science has proved that the original tendency of the Aryan peoples is pantheism, while monotheism proper is the constant doctrine of Semitic populations. These are surely the two great beds in w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boccaccio
Giovanni Boccaccio (, , ; 16 June 1313 – 21 December 1375) was an Italian writer, poet, correspondent of Petrarch, and an important Renaissance humanist. Born in the town of Certaldo, he became so well known as a writer that he was sometimes simply known as "the Certaldese" and one of the most important figures in the European literary panorama of the fourteenth century. Some scholars (including Vittore Branca) define him as the greatest European prose writer of his time, a versatile writer who amalgamated different literary trends and genres, making them converge in original works, thanks to a creative activity exercised under the banner of experimentalism. His most notable works are ''The Decameron'', a collection of short stories which in the following centuries was a determining element for the Italian literary tradition, especially after Pietro Bembo elevated the Boccaccian style to a model of Italian prose in the sixteenth century, and '' On Famous Women''. He wr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Carlyle
Thomas Carlyle (4 December 17955 February 1881) was a Scottish essayist, historian and philosopher. A leading writer of the Victorian era, he exerted a profound influence on 19th-century art, literature and philosophy. Born in Ecclefechan, Dumfriesshire, Carlyle attended the University of Edinburgh where he excelled in mathematics, inventing the Carlyle circle. After finishing the arts course, he prepared to become a minister in the Burgher Church while working as a schoolmaster. He quit these and several other endeavours before settling on literature, writing for the ''Edinburgh Encyclopædia'' and working as a translator. He found initial success as a disseminator of German literature, then little-known to English readers, through his translations, his ''Life of'' '' Friedrich Schiller'' (1825), and his review essays for various journals. His first major work was a novel entitled '' Sartor Resartus'' (1833–34). After relocating to London, he became famous with his ''French ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Émile Bernard (painter)
Émile Henri Bernard (28 April 1868 – 16 April 1941) was a French Post-Impressionist painter and writer, who had artistic friendships with Vincent van Gogh, Paul Gauguin and Eugène Boch, and at a later time, Paul Cézanne. Most of his notable work was accomplished at a young age, in the years 1886 through 1897. He is also associated with Cloisonnism and Synthetism, two late 19th-century art movements. Less known is Bernard's literary work, comprising plays, poetry, and art criticism as well as art historical statements that contain first-hand information on the crucial period of modern art to which Bernard had contributed. Biography Émile Henri Bernard was born in Lille, France, in 1868. As in his younger years his sister was sick, Émile was unable to receive much attention from his parents; he therefore stayed with his grandmother, who owned a laundry in Lille, employing more than twenty people. She was one of the greatest supporters of his art. The family moved to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boats Du Rhône
''Boats du Rhône'' is a series of two sketches (a small one in a letter, the other very large and detailed with and three oil paintings, listed below, created by the Dutch artist Vincent van Gogh while living in Arles, France, during August, 1888. Genesis Van Gogh described his intention in a letter written August 13, 1888: Painted a few hundred metres behind his Yellow House, where the railway yard abuts the Rhône river, he had written his brother Theo two weeks earlier: A series was created, as argued by the Van Gogh Museum's curators Leo Jansen, Hans Luijten and Nienke Bakker, because van Gogh "split the subject he describes here into two, perhaps because he realised that a high vantage point and a sunset are very hard to reconcile in a single composition." They conclude, "We do not know exactly when the latter two studies were made; there may be a connection with a lette697 in which Van Gogh says he has painted a sunset." A leading 20th century van Gogh scholar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eugène Delacroix
Ferdinand Victor Eugène Delacroix ( , ; 26 April 1798 – 13 August 1863) was a French Romantic artist regarded from the outset of his career as the leader of the French Romantic school.Noon, Patrick, et al., ''Crossing the Channel: British and French Painting in the Age of Romanticism'', p. 58, Tate Publishing, 2003. In contrast to the Neoclassical perfectionism of his chief rival Ingres, Delacroix took for his inspiration the art of Rubens and painters of the Venetian Renaissance, with an attendant emphasis on colour and movement rather than clarity of outline and carefully modelled form. Dramatic and romantic content characterized the central themes of his maturity, and led him not to the classical models of Greek and Roman art, but to travel in North Africa, in search of the exotic. Friend and spiritual heir to Théodore Géricault, Delacroix was also inspired by Lord Byron, with whom he shared a strong identification with the "forces of the sublime", of nature in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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