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Singspiele
A Singspiel (; plural: ; ) is a form of German-language music drama, now regarded as a genre of opera. It is characterized by spoken dialogue, which is alternated with ensembles, songs, ballads, and arias which were often strophic, or folk-like. Singspiel plots are generally comic or romantic in nature, and frequently include elements of magic, fantastical creatures, and comically exaggerated characterizations of good and evil. __TOC__ History Some of the first Singspiele were miracle plays in Germany, where dialogue was interspersed with singing. By the early 17th century, miracle plays had grown profane, the word "Singspiel" is found in print, and secular Singspiele were also being performed, both in translated borrowings or imitations from English and Italian songs and plays, and in original German creations. In the 18th century, some Singspiele were translations of English ballad operas. In 1736, the Prussian ambassador to England commissioned a translation of the ballad ope ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Verwandelten Weiber
''Die verwandelten Weiber, oder Der Teufel ist los, erster Teil'' (''The Metamorphosed Wives, or The Devil to Pay, Part 1'') is a three-act german: comische Oper by the German composer Johann Adam Hiller, incorporating 14 musical numbers from the popular farce ''Der Teufel ist los'' by . The libretto was by Christian Felix Weiße (1726–1804) based on the ballad opera '' The Devil to Pay, or The Wives Metamorphos'd'' by Charles Coffey (1731), and an opéra comique text by Michel-Jean Sedaine using the same material. Performance history The opera was first performed at the theatre in Quandt's Court, Leipzig on 28 May 1766, conducted by the composer. Roles References Further reading *Bauman, Thomas (1992), "Verwandelten Weiber, Die" in ''The New Grove Dictionary of Opera'', ed. Stanley Sadie Stanley John Sadie (; 30 October 1930 – 21 March 2005) was an influential and prolific British musicologist, music critic, and editor. He was editor of the sixth edition of the '' G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mahagonny-Songspiel
''Mahagonny, ein Songspiel'', or ''Mahagonny, a song-play'', was written by composer Kurt Weill and dramatist Bertolt Brecht and first performed with that title and description in 1927. Elisabeth Hauptmann contributed the words to two of its songs. Just under half an hour in length, the work can be thought of as a staged or scenic cantata. By the end of 1929, however, ''Mahagonny'' had grown into a two-hour opera with the title ''Aufstieg und Fall der Stadt Mahagonny'', or ''Rise and Fall of the City of Mahagonny''. This was premiered in March 1930. Today the cantata and the opera are considered separately, the latter holding a place in the repertory, the former being an occasional piece staged in small theaters or programmed as an outgrowth of a song recital when resources permit. For this reason the shorter work is ''informally'' referred to as ''Das kleine Mahagonny'', or ''The Little Mahagonny'', or as ''Mahagonny-Songspiel''. Background Weill was commissioned in the spring to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kurt Weill
Kurt Julian Weill (March 2, 1900April 3, 1950) was a German-born American composer active from the 1920s in his native country, and in his later years in the United States. He was a leading composer for the stage who was best known for his fruitful collaborations with Bertolt Brecht. With Brecht, he developed productions such as his best-known work, ''The Threepenny Opera'', which included the ballad "Mack the Knife". Weill held the ideal of writing music that served a socially useful purpose,Kurt Weill Cjschuler.net. Retrieved on August 22, 2011. ''''. He also wrote several works for the concert hall and a number of works on Jewish themes. He became a United States citizen on August 27, 1943.
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Liebe Und Eifersucht
''Liebe und Eifersucht'' (''Love and Jealousy'') is a ''Singspiel'', an opera with spoken dialogue, in three acts by the German composer and author E. T. A. Hoffmann, composed in 1807 on his own libretto based on the translation by August Wilhelm Schlegel of a play by Calderón. The opera was first published by Schott in 1999, and premiered at the 2008 Ludwigsburger Schlossfestspiele. History The author Ernst Theodor Amadeus Hoffmann was interested in music, wanted originally to become a musician, and added Amadeus to his names in honour of Mozart. He composed one successful opera in 1816, ''Undine'', which became a major influence on the development of German Romantic opera. He wrote his own libretto for the earlier work ''Liebe und Eifersucht'', based on August Wilhelm Schlegel's translation of a play by Pedro Calderón de la Barca, ''La banda y la flor'' (''The Scarf and the Flower''). Hoffmann composed the opera in 1807. The opera was not performed in Hoffmann's lifetime. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Magic Flute
''The Magic Flute'' (German: , ), K. 620, is an opera in two acts by Wolfgang Amadeus Mozart to a German libretto by Emanuel Schikaneder. The work is in the form of a ''Singspiel'', a popular form during the time it was written that included both singing and spoken dialogue. The work premiered on 30 September 1791 at Schikaneder's theatre, the Freihaus-Theater auf der Wieden in Vienna, just two months before the composer's premature death. Still a staple of the opera repertory, its popularity was reflected by two immediate sequels, Peter Winter's ''Das Labyrinth oder Der Kampf mit den Elementen. Der Zauberflöte zweyter Theil'' (1798) and a fragmentary libretto by Johann Wolfgang von Goethe titled ''The Magic Flute Part Two''. The allegorical plot was influenced by Schikaneder and Mozart's interest in Freemasonry and concerns the initiation of Prince Tamino. Enlisted by the Queen of the Night to rescue her daughter Pamina from the high priest Sarastro, Tamino comes to a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Der Schauspieldirektor
' (''The Impresario''), K. 486, is a comic ''singspiel'' by Wolfgang Amadeus Mozart, set to a German libretto by Gottlieb Stephanie, an Austrian ''Schauspieldirektor''. Originally, it was written because of "the imperial command" of the Holy Roman Emperor Joseph II who had invited 80 guests to a private luncheon. It is regarded as "a parody on the vanity of singers", who argue over status and pay. Mozart, who describes it as "comedy with music" wrote it as his entry in a musical competition which was given a private performance hosted on 7 February 1786 by Joseph II at the Schönbrunn Palace in Vienna.Opera Glass on opera.stanford.edu This competition pitted a German ''singspiel'', presented at one end of the room, against a competing Italian opera, the Italian entry being |
Die Entführung Aus Dem Serail
' () ( K. 384; ''The Abduction from the Seraglio''; also known as ') is a singspiel in three acts by Wolfgang Amadeus Mozart. The German libretto is by Gottlieb Stephanie, based on Christoph Friedrich Bretzner's ''Belmont und Constanze, oder Die Entführung aus dem Serail''. The plot concerns the attempt of the hero Belmonte, assisted by his servant Pedrillo, to rescue his beloved Constanze from the seraglio of Pasha Selim. The work premiered on 16 July 1782 at the Vienna Burgtheater, with the composer conducting. Origins The company that first sponsored the opera was the ''Nationalsingspiel'' ("national Singspiel"), a pet project (1778–1783) of the Austrian emperor Joseph II. The Emperor had set up the company to perform works in the German language (as opposed to the Italian opera style widely popular in Vienna). This project was ultimately given up as a failure, but along the way it produced a number of successes, mostly a series of translated works. Mozart's opera emerged ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zaide
''Zaide'' (originally, ''Das Serail'') is an unfinished German-language opera, K. 344, written by Wolfgang Amadeus Mozart in 1780. Emperor Joseph II, in 1778, was in the process of setting up an opera company for the purpose of performing German opera. One condition required of the composer to join this company was that he should write a comic opera. At Salzburg in 1779 Mozart began work on a new opera (now known as ''Zaide'' although Mozart did not give it such a title). It contains spoken dialogue, which also classifies it as a ''Singspiel'' (literally, "singing play"). Only the arias and ensembles from the first two acts were composed. Missing are an overture and third act. It was popular at the time for operas to depict the rescue of enslaved Westerners from Muslim courts, since Muslim pirates were preying on Mediterranean shipping, particularly to obtain slaves for various purposes. This story portrays Zaide's effort to save her beloved, Gomatz. Mozart was composing f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bastien Und Bastienne
' (''Bastien and Bastienne''), K. 50 (revised in 1964 to K. 46b) is a one-act singspiel, a comic opera, by Wolfgang Amadeus Mozart. ' was one of Mozart's earliest operas, written in 1768 when he was only twelve years old. It was allegedly commissioned by Viennese physician and 'magnetist' Dr. Franz Mesmer (who himself would later be parodied in ''Così fan tutte'') as a satire of the 'pastoral' genre then prevalent, and specifically as a parody of the opera ''Le devin du village'' by Jean-Jacques Rousseau. The German libretto is by Friedrich Wilhelm Weiskern, Johann Heinrich Friedrich Müller and Johann Andreas Schachtner, based on ' by Justine Favart and Harny de Guerville. After its supposed premiere in Mesmer's garden theater (that is only corroborated by an unverified account of Nissen), it was not revived again until 1890. It is not clear whether this piece was performed in Mozart's lifetime. The first known performance was on 2 October 1890 at Architektenhaus in Berlin. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wolfgang Amadeus Mozart
Wolfgang Amadeus Mozart (27 January 17565 December 1791), baptised as Joannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the Classical period. Despite his short life, his rapid pace of composition resulted in more than 800 works of virtually every genre of his time. Many of these compositions are acknowledged as pinnacles of the symphonic, concertante, chamber, operatic, and choral repertoire. Mozart is widely regarded as among the greatest composers in the history of Western music, with his music admired for its "melodic beauty, its formal elegance and its richness of harmony and texture". Born in Salzburg, in the Holy Roman Empire, Mozart showed prodigious ability from his earliest childhood. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty. His father took him on a grand tour of Europe and then three trips to Italy. At 17, he was a musician at the Salzburg court b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Troupe
Troupe may refer to: General *Comedy troupe, a group of comedians *Dance troupe, a group of dancers **Fire troupe, a group of fire dancers *Troupe system, a method of playing role-playing games *Theatrical troupe, a group of theatrical performers People with the surname Troupe *Ben Troupe (born 1982), American football player *Quincy Troupe (born 1939), American poet and journalist *Ron Troupe, a fictional journalist in the ''Superman'' comics *Tom Troupe (born 1928), American actor and journalist See also *List of dance companies *List of improvisational theatre companies Improvisational theatre companies, also known as improv troupes or improv groups, are the primary practitioners of improvisational theater. Modern companies exist around the world and at a range of skill levels. Most groups make little or no mon ... * Troup (other) * {{disambiguation, surname ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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