''Die verwandelten Weiber, oder Der Teufel ist los, erster Teil'' (''The Metamorphosed Wives, or The Devil to Pay, Part 1'') is a three-act german: comische Oper by the German composer
Johann Adam Hiller
Johann Adam Hiller (25 December 1728, in Wendisch-Ossig, Saxony – 16 June 1804, in Leipzig) was a German composer, conductor and writer on music, regarded as the creator of the Singspiel, an early form of German opera. In many of these operas ...
, incorporating 14 musical numbers from the popular farce ''Der Teufel ist los'' by .
The
libretto
A libretto (Italian for "booklet") is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or Musical theatre, musical. The term ''libretto'' is also sometimes used to refer to the t ...
was by
Christian Felix Weiße
Christian Felix Weiße (1726–1804) was a German writer and pedagogue. Weiße was among the leading representatives of the Enlightenment in Germany and is regarded as the founder of German children's literature.
Life
Weiße was born as twin on ...
(1726–1804) based on the
ballad opera The ballad opera is a genre of English stage entertainment that originated in the early 18th century, and continued to develop over the following century and later. Like the earlier '' comédie en vaudeville'' and the later ''Singspiel'', its dist ...
''
The Devil to Pay, or The Wives Metamorphos'd'' by
Charles Coffey
Charles Coffey (late 17th century – 13 May 1745) was an Irish playwright, opera librettist and arranger of music from Westmeath.
Following the initial failure of his ballad opera '' The Beggar’s Wedding'' (Dublin, Smock Alley Theatre, 24 Ma ...
(1731), and an
opéra comique
''Opéra comique'' (; plural: ''opéras comiques'') is a genre of French opera that contains spoken dialogue and arias. It emerged from the popular '' opéras comiques en vaudevilles'' of the Fair Theatres of St Germain and St Laurent (and to a l ...
text by
Michel-Jean Sedaine
Michel-Jean Sedaine (2 June 1719 – 17 May 1797) was a French dramatist and librettist, especially noted for his librettos for '' opéras comiques'', in which he took an important and influential role in the advancement of the genre from th ...
using the same material.
Performance history
The opera was first performed at the theatre in Quandt's Court,
Leipzig
Leipzig ( , ; Upper Saxon: ) is the most populous city in the German state of Saxony. Leipzig's population of 605,407 inhabitants (1.1 million in the larger urban zone) as of 2021 places the city as Germany's eighth most populous, as wel ...
on 28 May
1766, conducted by the composer.
Roles
References
Further reading
*Bauman, Thomas (1992), "Verwandelten Weiber, Die" in ''
The New Grove Dictionary of Opera
''The New Grove Dictionary of Opera'' is an encyclopedia of opera, considered to be one of the best general reference sources on the subject. It is the largest work on opera in English, and in its printed form, amounts to 5,448 pages in four volu ...
'', ed.
Stanley Sadie
Stanley John Sadie (; 30 October 1930 – 21 March 2005) was an influential and prolific British musicologist, music critic, and editor. He was editor of the sixth edition of the '' Grove Dictionary of Music and Musicians'' (1980), which was publ ...
(London)
{{DEFAULTSORT:Verwandelten Weiber
German-language operas
1766 operas
Singspiele
Operas by Johann Adam Hiller
Operas based on plays
Operas