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Music In Rome
The culture of music in Rome is intensely active. The venues for live music include: * Teatro dell'Opera di Roma, is a theater built in the 1880s in the "building boom" to expand the capital of the new nation-state of Italy. The theater has hosted the premieres of many famous works, including ''Tosca'' and ''Cavalleria rusticana'', and other memorable events such as Visconti's staging of ''The Marriage of Figaro''. The theater has a permanent orchestra, choir and ballet company, and today also includes a multimedia historical archive. * The Accademia Nazionale di Santa Cecilia, an academy authorized by Pope Gregory XIII in 1566, has remained one of the most prestigious musical organizations in the world. ** The Orchestra dell'Accademia Nazionale di Santa Cecilia is a permanent orchestra associated with the academy, and over the years has found a home in various auditoriums in the city, the most recent move (2003) being to the premises of the Parco della Musica, a vast new auditori ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rome
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Teatro Dell'Opera Di Roma
The Teatro dell'Opera di Roma (Rome Opera House) is an opera house in Rome, Italy. Originally opened in November 1880 as the 2,212 seat ''Costanzi Theatre'', it has undergone several changes of name as well modifications and improvements. The present house seats 1,600. Original Teatro Costanzi: 1880 to 1926 The Teatro dell'Opera was originally known as the ''Teatro Costanzi'' after the contractor who built it, (1819–1898). It was financed by Costanzi, who commissioned the Milanese architect Achille Sfondrini (1836–1900), a specialist in the building and renovation of theatres. The opera house was built in eighteen months, on the site where the house of Heliogabalus stood in ancient times, and was inaugurated on 27 November 1880 with a performance of ''Semiramide'' by Gioachino Rossini. Designing the theatre, Sfondrini paid particular attention to the acoustics, conceiving the interior structure as a "resonance chamber", as is evident from the horseshoe shape in particular. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tosca
''Tosca'' is an opera in three acts by Giacomo Puccini to an Italian libretto by Luigi Illica and Giuseppe Giacosa. It premiered at the Teatro dell'Opera di Roma, Teatro Costanzi in Rome on 14 January 1900. The work, based on Victorien Sardou's 1887 French-language dramatic play, ''La Tosca'', is a melodramatic piece set in Rome in June 1800, with the Kingdom of Naples's control of Rome threatened by Napoleon's Campaigns of 1800 in the French Revolutionary Wars#Italy, invasion of Italy. It contains depictions of torture, murder, and suicide, as well as some of Puccini's best-known lyrical arias. Puccini saw Sardou's play when it was touring Italy in 1889 and, after some vacillation, obtained the rights to turn the work into an opera in 1895. Turning the wordy French play into a succinct Italian opera took four years, during which the composer repeatedly argued with his librettists and publisher. ''Tosca'' premiered at a time of unrest in Rome, and its first performance was delayed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cavalleria Rusticana
''Cavalleria rusticana'' (; Italian for "rustic chivalry") is an opera in one act by Pietro Mascagni to an Italian libretto by Giovanni Targioni-Tozzetti and Guido Menasci, adapted from an 1880 short story of the same name and subsequent play by Giovanni Verga. Considered one of the classic ''verismo'' operas, it premiered on 17 May 1890 at the Teatro Costanzi in Rome. Since 1893, it has often been performed in a so-called ''Cav/Pag'' double-bill with ''Pagliacci'' by Ruggero Leoncavallo. Composition history In July 1888 the Milanese music publisher Edoardo Sonzogno announced a competition open to all young Italian composers who had not yet had an opera performed on stage. They were invited to submit a one-act opera which would be judged by a jury of five prominent Italian critics and composers. The best three would be staged in Rome at Sonzogno's expense. Mascagni heard about the competition only two months before the closing date and asked his friend Giovanni Targioni-Tozze ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luchino Visconti
Luchino Visconti di Modrone, Count of Lonate Pozzolo (; 2 November 1906 – 17 March 1976) was an Italian filmmaker, stage director, and screenwriter. A major figure of Italian art and culture in the mid-20th century, Visconti was one of the fathers of cinematic neorealism, but later moved towards luxurious, sweeping epics dealing with themes of beauty, decadence, death, and European history, especially the decay of the nobility and the bourgeoisie. He was the recipient of many accolades, including the Palme d'Or and the Golden Lion, and many of his works are regarded as highly-influential to future generations of filmmakers. Born to a Milanese noble family, Visconti explored artistic proclivities from an early age, working as an assistant director to Jean Renoir. His 1943 directorial debut, ''Ossessione,'' was condemned by the Fascist regime for its unvarnished depictions of working-class characters resorting to criminality, but is today renowned as a pioneering work of Ital ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Marriage Of Figaro
''The Marriage of Figaro'' ( it, Le nozze di Figaro, links=no, ), K. 492, is a ''commedia per musica'' (opera buffa) in four acts composed in 1786 by Wolfgang Amadeus Mozart, with an Italian libretto written by Lorenzo Da Ponte. It premiered at the Burgtheater in Vienna on 1 May 1786. The opera's libretto is based on the 1784 stage comedy by Pierre Beaumarchais, '' La folle journée, ou le Mariage de Figaro'' ("The Mad Day, or The Marriage of Figaro"). It tells how the servants Figaro and Susanna succeed in getting married, foiling the efforts of their philandering employer Count Almaviva to seduce Susanna and teaching him a lesson in fidelity. Considered one of the greatest operas ever written, it is a cornerstone of the repertoire and appears consistently among the top ten in the Operabase list of most frequently performed operas. In 2017, BBC News Magazine asked 172 opera singers to vote for the best operas ever written. ''The Marriage of Figaro'' came in first out of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Accademia Nazionale Di Santa Cecilia
The Accademia Nazionale di Santa Cecilia ( en, National Academy of St Cecilia) is one of the oldest musical institutions in the world, founded by the papal bull ''Ratione congruit'', issued by Sixtus V in 1585, which invoked two saints prominent in Western musical history: Gregory the Great, for whom the Gregorian chant is named, and Saint Cecilia, the patron saint of music. Since 2005 it has been headquartered at the Renzo Piano designed Parco della Musica in Rome. It was founded as a "congregation", or "confraternity", and over the centuries has grown from a forum for local musicians and composers to an internationally acclaimed academy active in music scholarship (with 100 prominent music scholars forming the body of the Accademia), music education (in its role as a conservatory) and performance (with an active choir and a symphony orchestra, the Orchestra dell'Accademia Nazionale di Santa Cecilia). The category of alumni of the associated conservatory (which in 1919 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pope Gregory XIII
Pope Gregory XIII ( la, Gregorius XIII; it, Gregorio XIII; 7 January 1502 – 10 April 1585), born Ugo Boncompagni, was head of the Catholic Church and ruler of the Papal States from 13 May 1572 to his death in April 1585. He is best known for commissioning and being the namesake for the Gregorian calendar, which remains the internationally accepted civil calendar to this day. Early biography Youth Ugo Boncompagni was born the son of Cristoforo Boncompagni (10 July 1470 – 1546) and of his wife Angela Marescalchi in Bologna, where he studied law and graduated in 1530. He later taught jurisprudence for some years, and his students included notable figures such as Cardinals Alexander Farnese, Reginald Pole and Charles Borromeo. He had an illegitimate son after an affair with Maddalena Fulchini, Giacomo Boncompagni, but before he took holy orders, making him the last Pope to have left issue. Career before papacy At the age of 36 he was summoned to Rome by Pope Paul III (1534 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orchestra Dell'Accademia Nazionale Di Santa Cecilia
The Orchestra dell'Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) is an Italian symphony orchestra based in Rome. Resident at the Parco della Musica, the orchestra primarily performs its Rome concerts in the Sala Santa Cecilia. History The orchestra was founded in 1908 as the first Italian orchestra to devote itself exclusively to symphonic repertoire. Bernardino Molinari was the orchestra's first music director, serving from 1912 to 1944. Subsequent music directors included Franco Ferrara (1944–1945), Fernando Previtali (1953–1973), and Igor Markevitch (1973–1975). The orchestra was noted for its recordings of Italian opera for the Decca label with such singers such as Renata Tebaldi and Carlo Bergonzi under Tullio Serafin. Thomas Schippers had been named the next music director to succeed Markevitch, but Schippers died in December 1977 before he could formally assume the post. The music directorship of the orchestra remained vac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parco Della Musica
Parco della Musica is a public music complex in Rome, Italy, with three concert halls and an outdoor theater in a park setting. It was designed by Italian architect Renzo Piano. Jürgen Reinhold of Müller-BBM was in charge of acoustics for the halls; Franco Zagari was landscape architect for the outdoor spaces. Parco della Musica lies where the 1960 Summer Olympic Games were held, somewhat north of Rome's ancient center, and is home to most of the facilities of the Accademia Nazionale di Santa Cecilia. The halls are: ''Sala Santa Cecilia'', with about 2800 seats; ''Sala Sinopoli'', in memory of conductor Giuseppe Sinopoli, seating about 1200 people; and ''Sala Petrassi'', in memory of Goffredo Petrassi, with 700 seats. Structurally separated for sound-proofing, they are nonetheless joined at the base by a continuous lobby. Their outer architectural form has led to nicknames such as “the blobs,” “the beetles,” “the turtles” and “the computer mouses”.) The outdoor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Accademia Filarmonica Romana
The Accademia Filarmonica Romana is a musical institution based in Rome, Italy. It was established in 1821 by a group of upper class amateur musicians led by the Marquis Raffaele Muti Papazzurri (1801–1858) in order to encourage the performance of chamber music and symphony, and to perform in concert operas whose representation was hampered by censorship. In 1824 it became an official institution of the Papal States with the aim of "training students to the exercise of the vocal and instrumental music."Gaetano Moroni. "Accademie di Roma e Pontificie". ''Dizionario di erudizione storico-ecclesiastica, Vol. I''. Dalla Tipografia Emiliana, 1840. The Academy suspended its activities between 1849 and 1856 for economic difficulties, and in 1860 it was disbanded by the papal government, as many of its members were accused of having liberal ideas. It resumed its activities in 1870. Gaetano Donizetti collaborated with the institution by composing a part of a cantata which was commissi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lazio
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