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Korai
Kore (Greek: κόρη "maiden"; plural korai) is the modern term given to a type of free-standing ancient Greek sculpture of the Archaic period depicting female figures, always of a young age. Kouroi are the youthful male equivalent of kore statues. Korai show the restrained " archaic smile", which did not demonstrate emotion. It was the symbol of the ideal, transcending above the hardships of the world. Unlike the nude kouroi, korai are depicted in thick and sometimes elaborate drapery. As fashions changed, so did the type of clothing they wore. Over time, korai went from the heavy peplos to lighter garments such as the chiton. Their posture is rigid and column-like, sometimes with an extended arm. Some korai were painted colorfully to enhance the visual impact of the garments and for narrative purposes. There are multiple theories on whether the korai represent mortals or deities. Korai also functioned as offerings to the deities or the dead ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Korai 01
Kore (Greek: κόρη "maiden"; plural korai) is the modern term given to a type of free-standing ancient Greek sculpture of the Archaic period depicting female figures, always of a young age. Kouroi are the youthful male equivalent of kore statues. Korai show the restrained " archaic smile", which did not demonstrate emotion. It was the symbol of the ideal, transcending above the hardships of the world. Unlike the nude kouroi, korai are depicted in thick and sometimes elaborate drapery. As fashions changed, so did the type of clothing they wore. Over time, korai went from the heavy peplos to lighter garments such as the chiton. Their posture is rigid and column-like, sometimes with an extended arm. Some korai were painted colorfully to enhance the visual impact of the garments and for narrative purposes. There are multiple theories on whether the korai represent mortals or deities. Korai also functioned as offerings to the deities or the dead ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phrasikleia Kore
The Phrasikleia Kore is an Archaic Greek funerary statue by the artist Aristion of Paros, created between 550 and 540 BCE. It was found carefully buried in the ancient city of Myrrhinous (modern Merenta) in Attica and excavated in 1972. The exceptional preservation of the statue and the intact nature of the polychromy elements makes the Phrasikleia Kore one of the most important works of Archaic art.Stieber, Mary C. The Poetics of Appearance in the Attic Korai. 1st ed. Austin: University of Texas Press, 2004. p. 1. History The Phrasikleia and the Attic ''korai'' are the most well-preserved statues in existence from the 6th century BCE. They represent a type of Archaic female statue intended specifically for funerary use.Stieber, Mary C. The Poetics of Appearance in the Attic Korai. 1st ed. Austin: University of Texas Press, 2004. p. 141. The Phrasikleia Kore is a Parian marble statue that features prominent polychromy as seen in the hair and the dress. It is thought that the skin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peplos Kore
The Peplos Kore is one of the most well-known examples of Archaic Greek art. Kore is a type of archaic Greek statue that portray a young woman with a stiff posture looking straight forward. Although this statue is one of the most famous examples of a kore, it is actually not considered as typical one. The statue is not completely straight, her face is leaned slightly to the side, and she is standing with her weight shifted to one leg. The other part of the statues name, peplos, is based on the popular archaic Greek gown for women. When the statue was found it was initially thought that she was wearing a peplos, although it is now known that she is not. The high white marble statue was made around 530 BC and originally was colourfully painted. The statue was found, in three pieces, in an 1886 excavation north-west of the Erechtheion on the Acropolis of Athens and is now in the Acropolis Museum in Athens. The statue stands at approximately high. It is carved from fine grained P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ancient Greek Sculpture
The sculpture of ancient Greece is the main surviving type of fine ancient Greek art as, with the exception of painted ancient Greek pottery, almost no ancient Greek painting survives. Modern scholarship identifies three major stages in monumental sculpture in bronze and stone: the Archaic (from about 650 to 480 BC), Classical (480–323) and Hellenistic. At all periods there were great numbers of Greek terracotta figurines and small sculptures in metal and other materials. The Greeks decided very early on that the human form was the most important subject for artistic endeavour. Seeing their gods as having human form, there was little distinction between the sacred and the secular in art—the human body was both secular and sacred. A male nude of Apollo or Heracles had only slight differences in treatment to one of that year's Olympic boxing champion. The statue, originally single but by the Hellenistic period often in groups was the dominant form, though reliefs, often so ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Athens
Athens ( ; el, Αθήνα, Athína ; grc, Ἀθῆναι, Athênai (pl.) ) is both the capital and largest city of Greece. With a population close to four million, it is also the seventh largest city in the European Union. Athens dominates and is the capital of the Attica region and is one of the world's oldest cities, with its recorded history spanning over 3,400 years and its earliest human presence beginning somewhere between the 11th and 7th millennia BC. Classical Athens was a powerful city-state. It was a centre for the arts, learning and philosophy, and the home of Plato's Academy and Aristotle's Lyceum. It is widely referred to as the cradle of Western civilization and the birthplace of democracy, largely because of its cultural and political influence on the European continent—particularly Ancient Rome. In modern times, Athens is a large cosmopolitan metropolis and central to economic, financial, industrial, maritime, political and cultural life in Gre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Perserschutt
The Perserschutt, a German term meaning "Persian debris" or "Persian rubble", refers to the bulk of architectural and votive sculptures that were damaged by the invading Persian army of Xerxes I on the Acropolis of Athens in 480 BC, in the Destruction of Athens during the Second Persian invasion of Greece. History The Athenians had fled the city, returning only upon the departure of the Persians. The city had been sacked and burned and most of the temples had been looted, vandalized, or razed to the ground. The desecrated items were buried ceremoniously by the Athenians. Later, the citizens of Athens cleared the top of their acropolis, rebuilt their temples, and created new works of sculpture to be dedicated for the new temples. The remains were preserved by the respectful action and sculptures from the burial were first excavated in 1863–66 by the French archaeologist Charles Ernest Beulé. The remainder was discovered in 1885–1890 by archaeologist Panagiotis Kavvadias and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vinzenz Brinkmann
Vinzenz Brinkmann (born 1958 in Göttingen) is a German classical archaeologist. Life Brinkmann grew up in Gauting, southwest of Munich, and studied Classical Archeology in Munich and Athens. In 1987 he earned his doctorate under Volkmar von Graeve at Ludwig Maximilian University of Munich with his work "Observations to the Formal Structure and the Meaning of the Friezes of Siphnierschatzhauses". He worked as a curator at the State Collection of Antiquities and the Glyptothek in Munich, and finished his habilitation in Bochum in 2001. Since 2007 he has headed the antiquities collection of the Liebieghaus sculpture collection in Frankfurt and continues to teach at the Institute of Archaeological Sciences at the University of Bochum. He was a board member of the Archaeology Foundation in Munich. He co-developed the archaeological database project Projekt Dyabola with Ralf Biering. The results of the research work on ancient polychromy, which he is working on together with h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Joachim Winckelmann
Johann Joachim Winckelmann (; ; 9 December 17178 June 1768) was a German art historian and archaeologist. He was a pioneering Hellenist who first articulated the differences between Greek, Greco-Roman and Roman art. "The prophet and founding hero of modern archaeology", Boorstin, 584 Winckelmann was one of the founders of scientific archaeology and first applied the categories of style on a large, systematic basis to the history of art. Many consider him the father of the discipline of art history. He was one of the first to separate Greek Art into periods, and time classifications. He had a decisive influence on the rise of the Neoclassical movement during the late 18th century. His writings influenced not only a new science of archaeology and art history but Western painting, sculpture, literature and even philosophy. Winckelmann's ''History of Ancient Art'' (1764) was one of the first books written in German to become a classic of European literature. His subsequent influe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nearchos (painter)
Nearchos (Greek language, Greek: Νέαρχος) was an Attica, Attic potter and vase painter of the black-figure pottery, black figure style, active in Athens c. 570 to 555 BC. In some stylistic terms, particularly his fine drawings, Nearchos seems closely connected to the Painter of Acropolis 606. Unlike his contemporaries, he achieved figures with a striking sense of dignity, comparable to those painted much later by Exekias. Especially striking is a ''kantharos'', probably both shaped and painted by Nearchos, which depicts Achilles harnessing his horses. ''Kantharoi'' were one of his favourite shapes, and he signed them as both potter and painter. He also introduced some innovations, such as the attempt to render a horse's body in white paint. Not all his experiments can be considered successful. A further vessel that exemplifies his artistic mastery is an ''aryballos'' in the Corinthian vase painting, Corinthian style, decorated with a frieze of pygmy, pygmies and common cra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Polychrome
Polychrome is the "practice of decorating architectural elements, sculpture, etc., in a variety of colors." The term is used to refer to certain styles of architecture, pottery or sculpture in multiple colors. Ancient Egypt Colossal statue of Tutankhamun Paris 2019 A.jpg, Polychrome quartzite colossal statue of Tutankhamun, 1355-1315 BC Nofretete Neues Museum.jpg, Polychrome limestone and plaster ''Bust of Nefertiti'', 1352–1336 BC Composite Papyrus Capital MET 10.177.2 EGDP018080.jpg, Polychrome sandstone Composite papyrus capital, 380–343 BC Medinet Habu 2016-03-23g.jpg, Polychrome winged sun on a cavetto from the Medinet Habu temple complex, unknown date Classical world Some very early polychrome pottery has been excavated on Minoan Crete such as at the Bronze Age site of Phaistos. In ancient Greece sculptures were painted in strong colors. The paint was frequently limited to parts depicting clothing, hair, and so on, with the skin left in the natural co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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