Horned Deities
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Horned Deities
Deities depicted with horns or antlers are found in many religions across the world. In religions that venerate animal deities, horned bulls, goats, and rams may be worshiped as deities or serve as the inspiration for a deity's appearance. Many pagan religions include horned gods in their pantheons, such as Pan in Greek mythology and Ikenga in Odinala. Some neopagan religions have constructed these deities as the Horned God, representing the male part of their duotheistic theological system. In Abrahamic religions, horned deities are closely associated with demonology. Christian demons are described as having horns in the Book of Revelation, and other demons such as Satan, Baphomet, and Beelzebub are typically portrayed with horns. Horned goddess Hathor Hathor is commonly depicted as a cow goddess with head horns in which is set a sun disk with Uraeus. Twin feathers are also sometimes shown in later periods as well as a necklace. Hathor may be the cow goddess who is ...
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Satan
Satan,, ; grc, ὁ σατανᾶς or , ; ar, شيطانالخَنَّاس , also known as the Devil, and sometimes also called Lucifer in Christianity, is an entity in the Abrahamic religions that seduces humans into sin or falsehood. In Judaism, Satan is seen as an agent subservient to God, typically regarded as a metaphor for the '' yetzer hara'', or "evil inclination." In Christianity and Islam, he is usually seen as a fallen angel or jinn who has rebelled against God, who nevertheless allows him temporary power over the fallen world and a host of demons. In the Quran, Shaitan, also known as Iblis, is an entity made of fire who was cast out of Heaven because he refused to bow before the newly created Adam and incites humans to sin by infecting their minds with ''waswās'' ("evil suggestions"). A figure known as ''ha-satan'' ("the satan") first appears in the Hebrew Bible as a heavenly prosecutor, subordinate to Yahweh (God), who prosecutes the nation of Jud ...
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Auguste Mariette
François Auguste Ferdinand Mariette (11 February 182118 January 1881) was a French scholar, archaeologist and Egyptologist, and the founder of the Egyptian Department of Antiquities, the forerunner of the Supreme Council of Antiquities. Early career Auguste Mariette was born in Boulogne-sur-Mer, where his father was town clerk. Educated at the Boulogne municipal college, where he distinguished himself and showed much artistic talent, he went to England in 1839 when eighteen as professor of French and drawing at a boys' school at Stratford-upon-Avon. In 1840 he became pattern-designer to a ribbon manufacturer in Coventry, but he returned the same year to Boulogne, and in 1841 took a degree at the University of Douai. Mariette proved to be a talented draftsman and designer, and he supplemented his salary as a teacher at Douai by giving private lessons and writing on historical and archaeological subjects for local periodicals. Meanwhile, his cousin Nestor L'Hôte, the friend a ...
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Serapeum Of Saqqara
The Serapeum of Saqqara was the ancient Egyptian burial place for sacred bulls of the Apis cult at Memphis. It was believed that the bulls were incarnations of the god Ptah, which would become immortal after death as ''Osiris-Apis''. a name which evolved to ''Userhapi'' () in Coptic, and ''Serapis (''), in the Hellenistic period. Over a timespan of approximately 1400 years, from the New Kingdom of Egypt to the Ptolemaic Period, at least sixty Apis are attested to have been interred at the Serapeum. The earliest burials are found in isolated tombs, as the cult gained importance underground galleries were dug that connected subsequent burial chambers. One of the cult practices involved the dedication of commemorative stone tablets with dates relating to the life and death of the Apis. This data was crucial for the establishment of an Egyptian chronology in the 19th century. It is part of the Saqqara necropolis, which includes several animal catacombs, notably the burial vault ...
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Sarcophagus
A sarcophagus (plural sarcophagi or sarcophaguses) is a box-like funeral receptacle for a corpse, most commonly carved in stone, and usually displayed above ground, though it may also be buried. The word ''sarcophagus'' comes from the Greek σάρξ ' meaning "flesh", and φαγεῖν ' meaning "to eat"; hence ''sarcophagus'' means "flesh-eating", from the phrase ''lithos sarkophagos'' ( λίθος σαρκοφάγος), "flesh-eating stone". The word also came to refer to a particular kind of limestone that was thought to rapidly facilitate the decomposition of the flesh of corpses contained within it due to the chemical properties of the limestone itself. History of the sarcophagus Sarcophagi were most often designed to remain above ground. The earliest stone sarcophagi were used by Egyptian pharaohs of the 3rd dynasty, which reigned from about 2686 to 2613 B.C. The Hagia Triada sarcophagus is a stone sarcophagus elaborately painted in fresco; one style of late ...
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Osiris
Osiris (, from Egyptian ''wsjr'', cop, ⲟⲩⲥⲓⲣⲉ , ; Phoenician: 𐤀𐤎𐤓, romanized: ʾsr) is the god of fertility, agriculture, the afterlife, the dead, resurrection, life, and vegetation in ancient Egyptian religion. He was classically depicted as a green-skinned deity with a pharaoh's beard, partially mummy-wrapped at the legs, wearing a distinctive atef crown, and holding a symbolic crook and flail. He was one of the first to be associated with the mummy wrap. When his brother, Set cut him up into pieces after killing him, Osiris' wife Isis found all the pieces and wrapped his body up, enabling him to return to life. Osiris was widely worshipped until the decline of ancient Egyptian religion during the rise of Christianity in the Roman Empire. Osiris was at times considered the eldest son of the earth god Geb and the sky goddess Nut, as well as being brother and husband of Isis, and brother of Set, Nephthys, and Horus the Elder, with Horus ...
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Ptah
Ptah ( egy, ptḥ, reconstructed ; grc, Φθά; cop, ⲡⲧⲁϩ; Phoenician: 𐤐𐤕𐤇, romanized: ptḥ) is an ancient Egyptian deity, a creator god and patron deity of craftsmen and architects. In the triad of Memphis, he is the husband of Sekhmet and the father of Nefertem. He was also regarded as the father of the sage Imhotep. Origin and symbolism Ptah is an Egyptian creator god who conceived the world and brought it into being through the creative power of speech. A hymn to Ptah dating to the Twenty-second Dynasty of Egypt says Ptah "crafted the world in the design of his heart," and the Shabaka Stone, from the Twenty-Fifth Dynasty, says Ptah "gave life to all the gods and their '' ka''s as well, through this heart and this tongue." He bears many epithets that describe his role in ancient Egyptian religion and its importance in society at the time: * ''Ptah the begetter of the first beginning'' * ''Ptah lord of truth'' * ''Ptah lord of eternity'' * '' ...
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Apis (Egyptian Mythology)
In ancient Egyptian religion, Apis or Hapis ( egy, ḥjpw, reconstructed as Old Egyptian with unknown final vowel > Medio-Late Egyptian , cop, ϩⲁⲡⲉ ''ḥapə''), alternatively spelled Hapi-ankh, was a sacred bull worshiped in the Memphis region, identified as the son of Hathor, a primary deity in the pantheon of ancient Egypt. Initially, he was assigned a significant role in her worship, being sacrificed and reborn. Later, Apis also served as an intermediary between humans and other powerful deities (originally Ptah, later Osiris, then Atum). The Apis bull was an important sacred animal to the ancient Egyptians. As with the other sacred beasts, Apis' importance increased over the centuries. During colonization of the conquered Egypt, Greek and Roman authors had much to say about Apis, the markings by which the black calf was recognized, the manner of his conception by a ray from heaven, his house at Memphis (with a court for his deportment), the mode of prognosti ...
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Egyptian Mythology
Egyptian mythology is the collection of myths from ancient Egypt, which describe the actions of the Egyptian gods as a means of understanding the world around them. The beliefs that these myths express are an important part of ancient Egyptian religion. Myths appear frequently in Egyptian writings and art, particularly in short stories and in religious material such as hymns, ritual texts, funerary texts, and temple decoration. These sources rarely contain a complete account of a myth and often describe only brief fragments. Inspired by the cycles of nature, the Egyptians saw time in the present as a series of recurring patterns, whereas the earliest periods of time were linear. Myths are set in these earliest times, and myth sets the pattern for the cycles of the present. Present events repeat the events of myth, and in doing so renew '' maat'', the fundamental order of the universe. Amongst the most important episodes from the mythic past are the creation myths, in wh ...
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Eye Of Ra
The Eye of Ra or Eye of Re is a being in ancient Egyptian mythology that functions as a feminine counterpart to the sun god Ra and a violent force that subdues his enemies. The eye is an extension of Ra's power, equated with the disk of the sun, but it often behaves as an independent goddess. This goddess can be equated with several particular deities, including Hathor, Sekhmet, Bastet, Raet-Tawy, and Mut. The eye goddess acts as mother, sibling, consort, and daughter of the sun god. She is his partner in the creative cycle in which he begets the renewed form of himself that is born at dawn. The eye's violent aspect defends Ra against the agents of disorder that threaten his rule. This dangerous aspect of the eye goddess is often represented by a lioness or by the uraeus, or cobra, a symbol of protection and royal authority. The Eye of Ra is similar to the Eye of Horus, which belongs to a different god, Horus, but represents many of the same concepts. The disastrous effects whe ...
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Narmer Palette
The Narmer Palette, also known as the Great Hierakonpolis Palette or the Palette of Narmer, is a significant Egyptian archeological find, dating from about the 31st century BC, belonging, at least nominally, to the category of cosmetic palettes. It contains some of the earliest hieroglyphic inscriptions ever found. The tablet is thought by some to depict the unification of Upper and Lower Egypt under the king Narmer. Along with the Scorpion Macehead and the Narmer Maceheads, also found together in the main deposit at Nekhen, the Narmer Palette provides one of the earliest known depictions of an Egyptian king. On one side, the king is depicted with the bulbed White Crown of Upper (southern) Egypt, and the other side depicts the king wearing the level Red Crown of Lower (northern) Egypt, which also makes it the earliest known example of a king wearing both types of headdress. The Palette shows many of the classic conventions of Ancient Egyptian art, which must already have been form ...
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Uraeus
The Uraeus (), or Ouraeus (Ancient Greek: , ; Egyptian: ', "rearing cobra"), ''(plural: Uraei)'' is the stylized, upright form of an Egyptian cobra, used as a symbol of sovereignty, royalty, deity and divine authority in ancient Egypt. Symbolism The Uraeus is a symbol for the goddess Wadjet.Egyptian-Gods She was one of the earliest Egyptian deities and was often depicted as a cobra, as she is the serpent goddess. The center of her cult was in Per-Wadjet, later called Buto by the Greeks. She became the patroness of the Nile Delta and the protector of all of Lower Egypt. The pharaohs wore the uraeus as a head ornament: either with the body of Wadjet atop the head, or as a crown encircling the head; this indicated Wadjet's protection and reinforced the pharaoh's claim over the land. In whatever manner that the Uraeus was displayed upon the pharaoh's head, it was, in effect, part of the pharaoh's crown. The pharaoh was recognized only by wearing the Uraeus, which conveyed legit ...
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