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Gujarati Theatre
Gujarati theatre refers to theatre performed in the Gujarati language, including its dialects. Gujarati theatre is produced mainly in Gujarat and Maharashtra, in cities like Mumbai, Ahmedabad and Baroda, Surat and else where Gujarati diaspora exists, especially North America. ''Rustam Sohrab'', performed by ''Parsee Natak Mandali'' on 29 October 1853 in Mumbai, marked the beginning of Gujarati theatre. History Pre-British Raj The region of Gujarat has a long tradition of folk-theatre, Bhavai, which originated in the 14th-century. Thereafter, in early 16th century, a new element was introduced by Portuguese missionaries, who performed ''Yesu Mashiha Ka Tamasha'', based on the life of Jesus Christ, using the Tamasha folk tradition of Maharashtra, which they imbibed during their work in Goa or Maharashtra. Sanskrit drama was performed in royal courts and temples of Gujarat, it did not influence the local theatre tradition for the masses. European Influence During British Ra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatre
Theatre or theater is a collaborative form of performing art that uses live performers, usually actors or actresses, to present the experience of a real or imagined event before a live audience in a specific place, often a stage. The performers may communicate this experience to the audience through combinations of gesture, speech, song, music, and dance. Elements of art, such as painted scenery and stagecraft such as lighting are used to enhance the physicality, presence and immediacy of the experience. The specific place of the performance is also named by the word "theatre" as derived from the Ancient Greek θέατρον (théatron, "a place for viewing"), itself from θεάομαι (theáomai, "to see", "to watch", "to observe"). Modern Western theatre comes, in large measure, from the theatre of ancient Greece, from which it borrows technical terminology, classification into genres, and many of its themes, stock characters, and plot elements. Theatre artist Patrice ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Plutus (play)
''Plutus'' ( grc, Πλοῦτος, ''Ploutos'', "Wealth") is an Ancient Greek comedy by the playwright Aristophanes, which was first produced in 388 BCE. A political satire on contemporary Athens, it features the personified god of wealth Plutus. Reflecting the development of Old Comedy towards New Comedy, it uses such familiar character types as the stupid master and the insubordinate slave to attack the morals of the time. Plot The play features an elderly Athenian citizen, Chremylos, and his slave Cario or Carion. Chremylos presents himself and his family as virtuous but poor, and has accordingly gone to seek advice from an oracle. The play begins as he returns to Athens from Delphi, having been instructed by Apollo to follow the first man he meets and persuade him to come home with him. That man turns out to be the god Plutus — who is, contrary to all expectations, a blind beggar. After much argument, Plutus is convinced to enter Chremylos's house, where he will have his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatre In India
Theatre of India is one of the most ancient forms of theatre and it features a detailed textual, sculptural, and dramatic effects which emerged in mid 1st millennium BC, first millennium BC. Like in the areas of music and dance, the Indian theatre is also defined by the dramatic Performance art, performance based on the concept of ''Indian classical dance, Nritya'', which is a Sanskrit word for drama but encompasses dramatic narrative, virtuosic dance, and music. Historically, Indian theatre has exerted influence beyond its borders, reaching ancient China and other countries in the Far East. With the Muslim conquests in the Indian subcontinent, Islamic conquests that began in the 10th and 11th centuries, theatre was discouraged or forbidden entirely.Brandon (1997, 72) and Richmond (1998, 516). Later, in an attempt to re-assert indigenous values and ideas, village theatre was encouraged across the subcontinent, developing in a large number of regional languages from the 15th to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Proscenium
A proscenium ( grc-gre, προσκήνιον, ) is the metaphorical vertical plane of space in a theatre, usually surrounded on the top and sides by a physical proscenium arch (whether or not truly "arched") and on the bottom by the stage floor itself, which serves as the frame into which the audience observes from a more or less unified angle the events taking place upon the stage during a theatrical performance. The concept of the fourth wall of the theatre stage space that faces the audience is essentially the same. It can be considered as a social construct which divides the actors and their stage-world from the audience which has come to witness it. But since the curtain usually comes down just behind the proscenium arch, it has a physical reality when the curtain is down, hiding the stage from view. The same plane also includes the drop, in traditional theatres of modern times, from the stage level to the "stalls" level of the audience, which was the original meaning of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Farce
Farce is a comedy that seeks to entertain an audience through situations that are highly exaggerated, extravagant, ridiculous, absurd, and improbable. Farce is also characterized by heavy use of physical humor; the use of deliberate absurdity or nonsense; satire, parody, and mockery of real-life situations, people, events, and interactions; unlikely and humorous instances of miscommunication; ludicrous, improbable, and exaggerated characters; and broadly stylized performances. Genre Despite involving absurd situations and characters, the genre generally maintains at least a slight degree of realism and narrative continuity within the context of the irrational or ludicrous situations, often distinguishing it from completely absurdist or fantastical genres. Farces are often episodic or short in duration, often being set in one specific location where all events occur. Farces have historically been performed for the stage and film. Historical context The term ''farce'' is deri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grant Road
Grant Road (named after Sir Robert Grant, the Governor of Bombay between 1835 and 1839, formally Maulana Shaukatali Road) is a locality in South Mumbai. Grant Road railway station serves this area. Grant Road along with Tardeo and Mumbai Central have been a neighbourhood of Mumbai City dominated by the Jains, Muslims and the Parsi & Irani Zoroastrians. It is considered as the place of ancestral roots of the originating Zoroastrians of the city mainly being the areas of Balaram Street and Sleater Road. It has 4 Fire temples and The Cama Baug is an important place for the Wedding Ceremonies and other functions of the Parsis of Mumbai. Grant Road is the fourth station on the Western local line preceded by Churchgate, Marine Lines, Charni Road, and followed by a main junction, Mumbai Central. Most slow trains halt at this station, which is useful for people who want to reach Opera House, Nana Chowk, Lamington Road and the Roxy theatre. The Gilder Tank is one of the oldest tanks ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ferdowsi
Abul-Qâsem Ferdowsi Tusi ( fa, ; 940 – 1019/1025 CE), also Firdawsi or Ferdowsi (), was a Persians, Persian poet and the author of ''Shahnameh'' ("Book of Kings"), which is one of the world's longest epic poetry, epic poems created by a single poet, and the greatest epic of Persian-speaking people, Persian-speaking countries. Ferdowsi is celebrated as one of the most influential figures of Persian literature and one of the greatest in the history of literature. Name Except for his kunya (Arabic), kunya ( – ) and his laqab ( – ''Ferdowsī'', meaning 'Paradise, paradisic'), nothing is known with any certainty about his full name. From an early period on, he has been referred to by different additional names and titles, the most common one being / ("philosopher"). Based on this, his full name is given in Persian language, Persian sources as / . Due to the non-standardized transliteration from Persian alphabet, Persian into English language, English, different spellings ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shahnameh
The ''Shahnameh'' or ''Shahnama'' ( fa, شاهنامه, Šāhnāme, lit=The Book of Kings, ) is a long epic poem written by the Persian poet Ferdowsi between c. 977 and 1010 CE and is the national epic of Greater Iran. Consisting of some 50,000 "distichs" or couplets (two-line verses), the ''Shahnameh'' is one of the world's longest epic poems. It tells mainly the mythical and to some extent the historical past of the Persian Empire from the creation of the world until the Muslim conquest in the seventh century. Iran, Azerbaijan, Afghanistan, Tajikistan and the greater region influenced by Persian culture such as Armenia, Dagestan, Georgia, Turkey, Turkmenistan and Uzbekistan celebrate this national epic. The work is of central importance in Persian culture and Persian language, regarded as a literary masterpiece, and definitive of the ethno-national cultural identity of Iran. It is also important to the contemporary adherents of Zoroastrianism, in that it traces the historical ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rostam And Sohrab
The tragedy of Rostam and Sohrab forms part of the 10th-century Persian epic ''Shahnameh'' by the Persian poet Ferdowsi. It tells the tragic story of the heroes Rostam and his son, Sohrab.Ebrahimi, Mokhtar & Taheri, Abdollah. (2017). The Tragedy in the Story of Rostam and Sohrab in Ferdowsi's Shahnameh. Journal of History Culture and Art Research. 6. 96. 10.7596/taksad.v6i1.707. Plot Rostam lived in Zabulistan, hero and one of the favorites of King Kaykavous. Once, following the traces of his lost horse, he enters the kingdom of Samangan where he becomes the guest of the king during the search for his horse. There, Rostam meets princess Tahmina. She admires Rostam and knows of his reputation. She goes into his room at night and asks if he will give her a child and in return, she will bring his horse. Rostam leaves after he impregnates Tahmina and his horse is returned. Before he leaves, he gives her two tokens. If she has a girl, she is to take the jewel and plait it in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Surat
Surat is a city in the western Indian state of Gujarat. The word Surat literally means ''face'' in Gujarati and Hindi. Located on the banks of the river Tapti near its confluence with the Arabian Sea, it used to be a large seaport. It is now the commercial and economic center in South Gujarat, and one of the largest urban areas of western India. It has well-established diamond and textile industry, and is a major supply centre for apparels and accessories. About 90% of the world's diamonds supply are cut and polished in the city. It is the second largest city in Gujarat after Ahmedabad and the eighth largest city by population and ninth largest urban agglomeration in India. It is the administrative capital of the Surat district. The city is located south of the state capital, Gandhinagar; south of Ahmedabad; and north of Mumbai. The city centre is located on the Tapti River, close to Arabian Sea. Surat will be the world's fastest growing city from 2019 to 2035, acco ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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