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Célestine Galli-Marié
Célestine Galli-Marié (15 March 1837 – 22 September 1905) was a French mezzo-soprano who is most famous for creating the title role in the opera ''Carmen''.Wright, L. A. "Galli-Marié". In: ''The New Grove Dictionary of Opera.'' Macmillan, London & New York, 1992. Career She was born Marie-Célestine Laurence Marié de l'Isle in Paris. She was taught singing by her father, Mécène Marié de l'Isle, who also had a successful opera career. Her début came in 1859 in Strasbourg, and she sang in Italian in Lisbon.Curtiss, M. ''Bizet and his World.'' New York: Vienna House, 1974. At the age of fifteen she had married a sculptor named Galli (who died in 1861) and thus took her stage name, Galli-Marié. Émile Perrin, the director of the Opéra-Comique, heard her performing Michael William Balfe, Balfe's ''The Bohemian Girl'' at Rouen and brought her to Paris. She sang at the Opéra-Comique until 1885, premiering in Giovanni Battista Pergolesi, Pergolesi's ''La serva padrona'' ...
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Atelier Nadar - Galli-Marié In Bizet's Carmen
An atelier () is the private workshop or studio of a professional artist in the fine art, fine or decorative arts or an architect, where a principal Master craftsman, master and a number of assistants, students, and apprentices can work together producing fine art or visual arts, visual art released under the master's name or supervision. Ateliers were the standard vocational practice for European artists from the Middle Ages to the 19th century, and common elsewhere in the world. In medieval Europe this way of working and teaching was often enforced by local guild regulations, such as those of the painters' Guild of Saint Luke, and of other craft guilds. Apprentices usually began working on simple tasks when young, and after some years with increasing knowledge and expertise became journeyman, journeymen, before possibly becoming masters themselves. This master-apprentice system was gradually replaced as the once powerful guilds declined, and the academy became a favored meth ...
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Don César De Bazan
''Don César de Bazan'' is an opéra comique in four acts by Jules Massenet to a French libretto by Adolphe d'Ennery, Philippe-François Pinel "Dumanoir" and Jules Chantepie, based on the play by d'Ennery and Dumanoir, which was first performed at Théâtre de la Porte Saint-Martin in 1844. This in turn drew on the popular character of Don César de Bazan, in the 1838 drama ''Ruy Blas'' by Victor Hugo, though it has little connection with the plot of Hugo's drama. Massenet's opera was first performed at the Opéra-Comique in Paris on 30 November 1872. It was the first full-length opera by Massenet to be produced, the one-act ''La grand'tante'' having been mounted five years earlier by the same company. ''Don César de Bazan'' was not a success and it would be another five years, with the premiere of ''Le roi de Lahore'' in 1877, before Massenet rose to his place among the most prominent composers of his time. ''Don César de Bazan'' was initially performed 13 times at the O ...
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Charles Lecocq
Alexandre Charles Lecocq (3 June 183224 October 1918) was a French composer, known for his opérettes and opéra comique, opéras comiques. He became the most prominent successor to Jacques Offenbach in this sphere, and enjoyed considerable success in the 1870s and early 1880s, before the changing musical fashions of the late 19th century made his style of composition less popular. His few serious works include the opera ''Plutus (opera), Plutus'' (1886), which was not a success, and the ballet ''Le Cygne (ballet), Le cygne'' (1899). His only piece to survive in the regular modern operatic repertory is his 1872 opéra comique ''La fille de Madame Angot'' (Mme Angot's Daughter). Others of his more than forty stage works receive occasional revivals. After study at the Conservatoire de Paris, Paris Conservatoire, Lecocq shared the first prize with Georges Bizet in an operetta-writing contest organised in 1856 by Offenbach. Lecocq's next successful composition was an opéra-bouffe, ...
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Les Bergers
''Les bergers'' is a three-act opéra comique of 1865 with music by Jacques Offenbach. The French libretto was by Hector-Jonathan Crémieux, Hector Crémieux and Philippe Gille.Andrew Lamb (writer), Lamb A., Jacques Offenbach (List of stage works). In: ''The New Grove Dictionary of Opera''. Macmillan, London and New York, 1997. It belongs to the group of more serious works, such as ''Barkouf'', ''Robinson Crusoé'', ''Vert-Vert'' and above all ''Fantasio (opera), Fantasio'' which became neglected as his contemporaries pigeon-holed Offenbach as simply an amusing composer of opéra bouffe. Performance history The premiere of ''Les bergers'' took place on 11 December 1865 at the Bouffes-Parisiens, Paris. It was generally well received by critics but did not run to great success, having to bear comparison with ''La belle Hélène'', Offenbach's most recent hit.. ''Jacques Offenbach.'' Éditions Gallimard, Paris, 2000, pp. 193–4. The work was staged, in German, in Vienna in 1866. B ...
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Irma Marié De L'Isle
Irma may refer to: People * Irma (name), a female given name * Irma (singer), full name Irma Pany, a Cameroonian female singer-songwriter Places * Irma, Alberta, Canada, a village * Irma, Lombardy, Italy, a ''comune'' * Irma, Wisconsin, USA, an unincorporated community * 177 Irma, a fairly large and dark main belt asteroid Brands and enterprises * Irma (supermarket), a Danish supermarket chain * IRMA board, an early interface card for PCs and Macs * Irma Hotel, a landmark built in Cody, Wyoming by "Buffalo Bill" Cody (it is still open for business as both a hotel and restaurant) * Irma Records, an Italian record label Other uses * Irma (dog), a Dickin Medal-winning dog * Operation Irma, a series of airlifts of civilians during the Siege of Sarajevo * SS ''Irma'' (1905), a Norwegian merchant ship sunk in controversial circumstances in 1944 * Tropical Storm Irma, various storms named Irma ** Hurricane Irma, the 9th named storm of the 2017 Atlantic hurricane season * Institu ...
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Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261  Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano"
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Nice
Nice ( , ; Niçard: , classical norm, or , nonstandard, ; it, Nizza ; lij, Nissa; grc, Νίκαια; la, Nicaea) is the prefecture of the Alpes-Maritimes department in France. The Nice agglomeration extends far beyond the administrative city limits, with a population of nearly 1 millionDemographia: World Urban Areas
, Demographia.com, April 2016
on an area of . Located on the , the southeastern coast of France on the , at the foot of the

Vence
Vence (; oc, Vença) is a commune set in the hills of the Alpes Maritimes department in the Provence-Alpes-Côte d'Azur region in southeastern France, north of Nice and Antibes. Ecclesiastical history The first known Bishop of Vence is Severus, bishop in 439 and perhaps as early as 419. Among others are: Veranus, son of St. Eucherius, Archbishop of Lyon and a monk of Lérins, bishop before 451 and at least until 465; St. Lambert, first a Benedictine monk (died 1154); Cardinal Alessandro Farnese (1505–11). Antoine Godeau, Bishop of Grasse, was named Bishop of Vence in 1638; the Holy See wished to unite the two dioceses. Meeting with opposition from the chapter and the clergy of Vence Godeau left Grasse in 1653, to remain Bishop of Vence, which see he held until 1672. The diocese of Nice now unites the three former Dioceses of Nice, Grasse and Vence. Population Sights Within the historic village, a medieval walled village, there are numerous interesting sights and mo ...
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Marmoset
The marmosets (), also known as zaris or sagoin, are 22 New World monkey species of the genera ''Callithrix'', ''Cebuella'', ''Callibella'', and ''Mico''. All four genera are part of the biological family Callitrichidae. The term "marmoset" is also used in reference to Goeldi's marmoset, ''Callimico goeldii'', which is closely related. Most marmosets are about long. Relative to other monkeys, they show some apparently primitive features; they have claws rather than nails, and tactile hairs on their wrists. They lack wisdom teeth, and their brain layout seems to be relatively primitive. Their body temperature is unusually variable, changing by up to 4°C (7°F) in a day. Marmosets are native to South America and have been found in Bolivia, Brazil, Colombia, Ecuador, Paraguay, and Peru. They have also been occasionally spotted in Central America and southern Mexico. They are sometimes kept as pets, though they have specific dietary and habitat needs that require consideration. A ...
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Émile Paladilhe
Émile Paladilhe (3 June 1844 – 6 January 1926) was a French composer of the late romantic period. Biography Émile Paladilhe was born in Montpellier. He was a musical child prodigy, and moved from his home in the south of France to Paris to begin his studies at the Conservatoire de Paris at age 10. He became an accomplished pianist, and was the youngest winner of the Prix de Rome, three years after Bizet, in 1860. For a time Galli-Marié was his lover, and she helped create some of his works. Paladilhe married the daughter of the librettist Ernest Legouvé. He formed a friendship with the elderly Charles Gounod. Works He wrote a number of compositions for the stage, a symphony, over a hundred mélodies, piano works, and a wide range of sacred music, including cantatas, motets, masses, chorales, and a noted oratorio, ''Les Saintes-Marie de la mer''. His opera ''Patrie!'' of 1886 was his greatest success, and was one of the last grand operas to premiere at the Paris Opéra. I ...
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Les Dragons De Villars
''Les dragons de Villars'' (''The Dragoons of Villars'') is an opéra-comique in three acts by Aimé Maillart to a libretto by Lockroy and Eugène Cormon. The story of the opera was said to have been borrowed from ''La Petite Fadette'' by George Sand, updated by the librettists to the time of Louis XIV. It was premiered by the Théâtre Lyrique in Paris on 19 September 1856."Maillart, Aimé" in Sadie 1992, vol. 3, p. 156. It is also known by the English title ''The Hermit's Bell'' Background The piece was first offered to the director of the Opéra-Comique, Émile Perrin, who found it too dark, even after having the composer play some of it to him. It was next offered to one of the Seveste brothers at the Théâtre-Lyrique. They also rejected it, as did their successor Pierre Pellegrin. Some years later, the authors met Léon Carvalho, who had just taken over the direction of the Théâtre-Lyrique, and who accepted the completed piece without reading a word or hearing a note. P ...
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