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Célestine Galli-Marié
Célestine Galli-Marié (; November 1840 – 22 September 1905) was a French mezzo-soprano, who is most famous for creating the title role in Georges Bizet's ''Carmen''.Wright, L. A. "Galli-Marié". In: ''The New Grove Dictionary of Opera.'' Macmillan, London & New York, 1992. Early life She was born Marie-Célestine Laurence Marié de l'Isle in November 1840 in Paris. She was taught singing by her father, Mécène Marié de l'Isle, who also had a successful opera career. Her début came in 1859 in Strasbourg, and she sang in Italian in Lisbon.Curtiss, M. ''Bizet and his World.'' New York: Vienna House, 1974. At the age of fifteen she had married a sculptor named Galli (who died in 1861) and thus took her stage name, Galli-Marié. Career Émile Perrin, the director of the Opéra-Comique, heard her performing Balfe's ''The Bohemian Girl'' at Rouen and brought her to Paris. She sang at the Opéra-Comique until 1885, premiering in Pergolesi's ''La serva padrona''. Her most f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carmen
''Carmen'' () is an opera in four acts by the French composer Georges Bizet. The libretto was written by Henri Meilhac and Ludovic Halévy, based on the novella of the same title by Prosper Mérimée. The opera was first performed by the Opéra-Comique in Paris on 3 March 1875, where its breaking of conventions shocked and scandalised its first audiences. Bizet died suddenly after the 33rd performance, unaware that the work would achieve international acclaim within the following ten years. ''Carmen'' has since become one of the most popular and frequently performed operas in the classical canon; the " Habanera" and "Seguidilla" from act 1 and the " Toreador Song" from act 2 are among the best known of all operatic arias. The opera is written in the genre of ''opéra comique'' with musical numbers separated by dialogue. It is set in southern Spain and tells the story of the downfall of Don José, a naïve soldier who is seduced by the wiles of the fiery gypsy Carmen. Jos� ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marmoset
The marmosets (), also known as zaris or sagoin, are twenty-two New World monkey species of the genera '' Callithrix'', '' Cebuella'', '' Callibella'', and ''Mico''. All four genera are part of the biological family Callitrichidae. The term "marmoset" is also used in reference to Goeldi's marmoset, ''Callimico goeldii'', which is closely related. Most marmosets are about long. Relative to other monkeys, they show some apparently primitive features; they have claws rather than nails, and tactile hairs on their wrists. They lack wisdom teeth, and their brain layout seems to be relatively primitive. Their body temperature is unusually variable, changing by up to in a day. Marmosets are native to South America and have been found in Bolivia, Brazil, Colombia, Ecuador, Paraguay, and Peru. They have also been occasionally spotted in Central America and southern Mexico. They are sometimes kept as pets, though they have specific dietary and habitat needs that require considerati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Émile Paladilhe
Émile Paladilhe (3 June 1844 – 6 January 1926) was a French composer of the late romantic period. Biography Émile Paladilhe was born in Montpellier. He was a musical child prodigy, and moved from his home in the south of France to Paris to begin his studies at the Conservatoire de Paris at age 10. He became an accomplished pianist, and was the youngest winner of the Prix de Rome, three years after Bizet, in 1860. For a time Galli-Marié was his lover, and she helped create some of his works. Paladilhe married the daughter of the librettist Ernest Legouvé. He formed a friendship with the elderly Charles Gounod. Works He wrote a number of compositions for the stage, a symphony, over a hundred mélodies, piano works, and a wide range of sacred music, including cantatas, motets, masses, chorales, and a noted oratorio, ''Les Saintes-Marie de la mer''. His opera ''Patrie!'' of 1886 was his greatest success, and was one of the last grand operas to premiere at the Paris Opéra. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mireille (opera)
''Mireille'' is an 1864 opera in five acts by Charles Gounod to a French language, French libretto by Michel Carré after Frédéric Mistral's poem Mirèio. The vocal score is dedicated to George V of Hanover. Composition history Mistral had become well known in Paris with the publication of the French prose translation of ''Mireio'' in 1859, and Gounod probably knew the work by 1861.Huebner 1992. He was charmed by its originality, the story being much less contrived than many of those on the operatic stage at the time.Condé G. Mireille (notes for the 1979 EMI recording). The action of the opera is quite faithful to Mistral, although the sequence of events of the Val d’Enfer (Act 3, Scene 1) and Mireille's avowal of her love of Vincent to her father (Act 2 finale) are reversed in the opera. Gounod's biographer James Harding has argued that "what matters in this extended lyric poem is not the story but the rich tapestry of Provençal traditions, beliefs and customs that Mistral ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ernest Guiraud
Ernest Guiraud (; 23 June 18376 May 1892) was an American-born French composer and music teacher. He is best known for writing the traditional orchestral recitatives used for Bizet's opera '' Carmen'' and for Offenbach's opera '' Les contes d'Hoffmann'' (''The Tales of Hoffmann''). Biography Guiraud was born in New Orleans, Louisiana. He began his schooling in Louisiana under the tutelage of his father, Jean-Baptiste-Louis Guiraud, who had won the Prix de Rome in 1827. At age 15, he set to music a full-length libretto about King David, which he and his father had found on a trip to Paris. The result was ''David'', an opera in three-acts, which had a resounding success at the Théâtre d'Orléans in New Orleans in 1853, sealing his future. In December of the same year, Guiraud sailed back to France to continue his musical education. He studied piano under Marmontel and composition under Halévy at the Paris Conservatoire. Remarkably gifted as a student, he was awarde ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Victor Massé
Victor Massé (; born Félix Marie Massé; 7 March 1822 – 5 July 1884) was a French composer. Biography Massé was born in Lorient (Morbihan) and studied at the Paris Conservatoire, winning the Prix de Rome in 1844 for his cantata ''Le Rénégat de Tanger'' before turning his attention to opera. While at the Conservatoire, Massé studied with Jaques Halévy. He wrote some twenty operas, including ''La Chanteuse voilée'' (1850), followed by the more ambitious ''Galathée'' (1852) and ''Paul et Virginie'' (1876). His best-known and most successful work was the ''opéra comique'' '' Les Noces de Jeannette'' (1853). His last work, ''Une Nuit de Cléopâtre'', was performed posthumously in April 1885. Massé died in Paris and is buried in Montmartre Cemetery. in the 9th arrondissement of Paris is named after him. Operas * ''La Chambre gothique'', opéra (1849) * ''La Chanteuse voilée'' (1850, text by Eugène Scribe and Adolphe de Leuven) * ''Galathée'' (1852, text by Jules Ba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Musik In Geschichte Und Gegenwart
''Die Musik in Geschichte und Gegenwart'' (''MGG''; "Music in the Past and Present") is a German music encyclopedia. It is among the world's most comprehensive encyclopedias of music history and musicology, on account of its scope, content, wealth of research areas, and reference to related subjects. It has appeared in two self-contained printed editions and a continuously updated and expanding digital edition, titled ''MGG Online''. Created by Karl Vötterle, the founder of Bärenreiter-Verlag, and Friedrich Blume, professor of musicology at Kiel University, the first edition was published by Bärenreiter-Verlag in Kassel from 1949 through 1986, comprising a total of 17 volumes (''MGG1''; numbered in columns) and reprinted in paperback in 1989. As early as 1989, its new editor Ludwig Finscher Ludwig Finscher (14 March 193030 June 2020) was a German musicologist. He was a professor of music history at the University of Heidelberg from 1981 to 1995 and editor of the encyclopedi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
François-Auguste Gevaert
François-Auguste Gevaert (31 July 1828 – 24 December 1908) was a Belgian musicologist and composer. Nicolas Slonimsky, ed., '' Baker's Biographical Dictionary of Musicians'', 8th ed., Schirmer Books, New York Life Gevaert was born in Huise, near Oudenaarde. His father was a baker, and he was intended for the same profession, but better counsels prevailed and he was permitted to study music. He was sent in 1841 to the Ghent Conservatory, where he studied under Édouard de Sommere and Martin-Joseph Mengal. Then he was appointed organist of the Jesuit church in that city. Soon Gevaert's compositions attracted attention, and he won the Belgian Prix de Rome which entitled him to two years' travel. The journey was postponed during the production of his first opera and other works. He finally embarked on it in 1849. After a short stay in Paris he went to Spain, and subsequently to Italy. In 1867 Gevaert, having returned to Paris, became at the Academie de Musique there, in s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aimé Maillart
Louis-Aimé Maillart (24 March 1817 – 26 May 1871) was a French composer, best known for his operas, particularly '' Les Dragons de Villars'' and ''Lara''. Biography Maillart was born in Montpellier."Maillart, Aimé" ''Grove Music Online'', Oxford University Press, 2001. Retrieved 28 June 2021 He studied at the from 1833, learning composition from Aimé-Ambroise-Simon Leborne and |
