Cyparissus (Vignali)
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Cyparissus (Vignali)
''Cyparissus'' is a 1620s Baroque painting on a mythological subject from Ovid's ''Metamorphoses'' by the Italian painter Jacopo Vignali. It is on display in the Musée des Beaux-Arts of Strasbourg, France, to which it had been donated by the collectors Othon Kaufmann and François Schlageter in 1994. Its inventory number is 994-1-8, or 44.994.1.8. The painting depicts the young Cyparissus, mourning his pet deer, that he had mistakenly killed with his own bow and arrow The bow and arrow is a ranged weapon system consisting of an elastic launching device (bow) and long-shafted projectiles ( arrows). Humans used bows and arrows for hunting and aggression long before recorded history, and the practice was comm .... The young boy's pain is amplified beyond the description given by Ovid, and possibly inspired by a 1624 Venetian edition of Giovanni Andrea dell' Anguillara's ''Metamorfosi ridotte in ottava rima'', in which the tearful aspect of the story is emphasized. It is o ...
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Jacopo Vignali
Jacopo Vignali (September 5, 1592 – August 3, 1664) was an Italian painter of the early Baroque period. Biography Vignali was born in Pratovecchio, near Arezzo, and initially trained under Matteo Rosselli. He painted the ceiling fresco of the ''Love of the Fatherland'' and ''Jacob's dream'' for the Casa Buonarroti in Florence. In 1616 he entered the Accademia del Disegno in Florence. In the 1620s, he painted the ''Investiture of St Benedict'' for the ''Confraternità di San Benedetto Bianco''. In 1622–23 he also contributed to fresco cycles for the Medici at the ''Casino Mediceo di San Marco'' in Florence, and at the Villa di Poggio Imperiale. Among his pupils were Domenico Bettini, Romolo Panfi, Alessandro Rosi, and Carlo Dolci. File:Cyparissus mg 0159.jpg, ''Cyparissus In Greek mythology, Cyparissus or Kyparissos (Ancient Greek: Κυπάρισσος, "cypress") was a boy beloved by Apollo or in some versions by other deities. In the best-known version of the story, t ...
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Venice
Venice ( ; it, Venezia ; vec, Venesia or ) is a city in northeastern Italy and the capital of the Veneto Regions of Italy, region. It is built on a group of 118 small islands that are separated by canals and linked by over 400 bridges. The islands are in the shallow Venetian Lagoon, an enclosed bay lying between the mouths of the Po River, Po and the Piave River, Piave rivers (more exactly between the Brenta (river), Brenta and the Sile (river), Sile). In 2020, around 258,685 people resided in greater Venice or the ''Comune di Venezia'', of whom around 55,000 live in the historical island city of Venice (''centro storico'') and the rest on the mainland (''terraferma''). Together with the cities of Padua, Italy, Padua and Treviso, Italy, Treviso, Venice is included in the Padua-Treviso-Venice Metropolitan Area (PATREVE), which is considered a statistical metropolitan area, with a total population of 2.6 million. The name is derived from the ancient Adri ...
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Animals And Humans
Animals are multicellular, eukaryotic organisms in the biological kingdom Animalia. With few exceptions, animals consume organic material, breathe oxygen, are able to move, can reproduce sexually, and go through an ontogenetic stage in which their body consists of a hollow sphere of cells, the blastula, during embryonic development. Over 1.5 million living animal species have been described—of which around 1 million are insects—but it has been estimated there are over 7 million animal species in total. Animals range in length from to . They have complex interactions with each other and their environments, forming intricate food webs. The scientific study of animals is known as zoology. Most living animal species are in Bilateria, a clade whose members have a bilaterally symmetric body plan. The Bilateria include the protostomes, containing animals such as nematodes, arthropods, flatworms, annelids and molluscs, and the deuterostomes, containing the echino ...
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Paintings About Death
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, s ...
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Italian Paintings
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marinade * Italian or Italian-A, alternative names for the Ping-Pong virus, an extinct computer virus See also * * * Italia (other) * Italic (other) * Italo (other) * The Italian (other) The Italian may refer to: * ''The Italian'' (1915 film), a silent film by Reginald Barker * ''The Italian'' (2005 film), a Russian f ...
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Baroque Paintings
Baroque painting is the painting associated with the Baroque cultural movement. The movement is often identified with Absolutism, the Counter Reformation and Catholic Revival,Counter Reformation
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but the existence of important Baroque art and in non-absolutist and states throughout Western Europe underscores its w ...
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Mythological Paintings
Myth is a folklore genre consisting of narratives that play a fundamental role in a society, such as foundational tales or origin myths. Since "myth" is widely used to imply that a story is not objectively true, the identification of a narrative as a myth can be highly controversial. Many adherents of religions view their own religions' stories as truth and so object to their characterization as myth, the way they see the stories of other religions. As such, some scholars label all religious narratives "myths" for practical reasons, such as to avoid depreciating any one tradition because cultures interpret each other differently relative to one another. Other scholars avoid using the term "myth" altogether and instead use different terms like "sacred history", "holy story", or simply "history" to avoid placing pejorative overtones on any sacred narrative. Myths are often endorsed by secular and religious authorities and are closely linked to religion or spirituality. Many socie ...
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1620s Paintings
Sixteen or 16 may refer to: *16 (number), the natural number following 15 and preceding 17 *one of the years 16 BC, AD 16, 1916, 2016 Films * ''Pathinaaru'' or ''Sixteen'', a 2010 Tamil film * ''Sixteen'' (1943 film), a 1943 Argentine film directed by Carlos Hugo Christensen * ''Sixteen'' (2013 Indian film), a 2013 Hindi film * ''Sixteen'' (2013 British film), a 2013 British film by director Rob Brown Music * The Sixteen, an English choir *16 (band), a sludge metal band *Sixteen (Polish band), a Polish band Albums * ''16'' (Robin album), a 2014 album by Robin * 16 (Madhouse album), a 1987 album by Madhouse * ''Sixteen'' (album), a 1983 album by Stacy Lattisaw *''Sixteen'' , a 2005 album by Shook Ones * ''16'', a 2020 album by Wejdene Songs * "16" (Sneaky Sound System song), 2009 * "Sixteen" (Thomas Rhett song), 2017 * "Sixteen" (Ellie Goulding song), 2019 *"16", by Craig David from '' Following My Intuition'', 2016 *"16", by Green Day from ''39/Smooth'', 1990 *"16", by H ...
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Paintings In The Musée Des Beaux-Arts De Strasbourg
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, sy ...
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Sacred–profane Dichotomy
''Profanum'' is the Latin word for "profane". The state of being profane, or "profanity," refers to a lack of respect for things that are held to be sacred, which implies anything inspiring or deserving of reverence, as well as behaviour showing similar disrespect or causing religious offense. The distinction between the sacred and the profane was considered by Émile Durkheim to be central to the social reality of human religion. Etymology The term ''profane'' originates from classical Latin ''profanus'', literally "before (outside) the temple", "pro" being outside and "fanum" being temple or sanctuary. It carried the meaning of either "desecrating what is holy" or "with a secular purpose" as early as the 1450s. Profanity represented secular indifference to religion or religious figures, while blasphemy was a more offensive attack on religion and religious figures, considered sinful, and a direct violation of The Ten Commandments. Moreover, many Bible verses speak against ...
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Giovanni Andrea Dell' Anguillara
Giovanni Andrea dell'Anguillara ( – ) was an Italian poet. His verse translation of Ovid's '' Metamorphoses'' (the complete version was published in 1561) was often reprinted and has been highly praised by italian critics; a partial translation of Virgil's '' Aeneid'' enjoyed less success. Anguillara also wrote the comedy ''Anfitrione'', and the tragedy ''Edippo'', based on Seneca's ''Oedipus'' and on Sophocles' ''Oedipus Rex''. Biography Giovanni Andrea dell'Anguillara was born in Sutri, in the Papal States, about the year 1517, into an impoverished branch of the provincial nobility. He was educated in Rome, where he found himself drawn away from his studies in law to the literary culture surrounding the Accademia dello Sdegno and the bookshops of Antonio Blado and Antonio Martínez (called "Il Salamanca"). Poverty plagued these early years, even though Anguillara won intermittent support from two powerful cardinals, Alessandro Farnese and Cristoforo Madruzzo. With th ...
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