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Cynthia Harvey
Cynthia Harvey (born May 17, 1957) is an American former ballet dancer, ballet mistress and educator. She joined the American Ballet Theatre (ABT) in 1974 and was promoted to principal dancer in 1982. In 1986, she joined The Royal Ballet, becoming the company's first American principal dancer. She returned to ABT two years later, and retired in 1996. She then started teaching and staging ballets across the world. In 2016, she was named artistic director of the Jacqueline Kennedy Onassis School, the affiliated school of ABT. She stepped down from the position in May 2022. Early life and training Harvey was born on May 17, 1957, in San Rafael, California, and raised in Novato. Her parents are divorced. Her mother, who is of Mexican descent, was an office manager. When she was ten, she attended a summer ballet class at a local YMCA. Recognising her talents, the teacher suggested Harvey's mother to have her train for ballet seriously. Harvey then trained with a local teacher, while ...
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San Rafael, California
San Rafael ( ; Spanish language, Spanish for "Raphael (archangel), St. Raphael", ) is a city and the county seat of Marin County, California, Marin County, California, United States. The city is located in the North Bay (San Francisco Bay Area), North Bay region of the San Francisco Bay Area. As of the 2020 United States census, 2020 U.S. census, the city's population was 61,271, up from 57,713 in 2010. San Rafael was founded by the Spanish in 1817, when Vicente Francisco de Sarría established Mission San Rafael Arcángel, initially as an Asistencias, ''asistencia'' (sub-mission). San Rafael Arcángel was upgraded to full Spanish missions in California, mission status in 1822, a month before Alta California declared independence from Spain as part of First Mexican Empire, Mexico. Following the American Conquest of California, the community of San Rafael incorporated as a city in 1874. History San Rafael was once the site of several Coast Miwok villages: ''Awani-wi'', near downt ...
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Giselle
''Giselle'' (; ), originally titled ''Giselle, ou les Wilis'' (, ''Giselle, or The Wilis''), is a romantic ballet (" ballet-pantomime") in two acts with music by Adolphe Adam. Considered a masterwork in the classical ballet performance canon, it was first performed by the Ballet du Théâtre de l'Académie Royale de Musique at the Salle Le Peletier in Paris on 28 June 1841, with Italian ballerina Carlotta Grisi as Giselle. It was an unqualified triumph. It became hugely popular and was staged at once across Europe, Russia, and the United States. The ghost-filled ballet tells the tragic, romantic story of a beautiful young peasant girl named Giselle and a disguised nobleman named Albrecht, who fall in love, but when his true identity is revealed by his rival, Hilarion, Giselle goes mad and dies of heartbreak. After her death, she is summoned from her grave into the vengeful, deadly sisterhood of the Wilis, the ghosts of unmarried women who died after being betrayed by their lo ...
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San Francisco Opera
San Francisco Opera (SFO) is an American opera company founded in 1923 by Gaetano Merola (1881–1953) based in San Francisco, California. History Gaetano Merola (1923–1953) Merola's road to prominence in the Bay Area began in 1906 when he first visited the city. In 1909, he returned as the conductor of the International Opera Company of Montreal, one of the many visiting troupes that frequented the bustling city. Continued visits for the next decade convinced him that a San Francisco company was viable. In 1921, Merola returned to live in the city under the patronage of Mrs. Oliver Stine. During this time, Merola conceived of branching away from the area's reliance on visiting troupes for entertainment that had been common place since the Gold Rush era. By the fall, he was planning his first season, and the very next year, Merola organized a trial season at Stanford University. The first performance occurred in the Stanford Cardinal's football stadium on June 3rd, 1922 wi ...
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Sadler's Wells Royal Ballet
Birmingham Royal Ballet (BRB) is one of the five major ballet companies of the United Kingdom, alongside The Royal Ballet, the English National Ballet, Northern Ballet and Scottish Ballet. Founded as the Sadler's Wells Theatre Ballet, the company was established in 1946 as a sister company to the earlier Sadler's Wells company, which moved to the Royal Opera House that same year, subsequently becoming known as The Royal Ballet. The new company was formed under the direction of John Field and remained at Sadler's Wells for many years, becoming known as the Sadler's Wells Royal Ballet in 1977. It also toured the UK and abroad, before relocating to Birmingham in 1990, where it uses the Birmingham Hippodrome stage when performing in the city. Birmingham Royal Ballet has extensive custom-built facilities, including a suite of dance studios, the ''Jerwood Centre for the Prevention and Treatment of Dance Injuries'' and a studio theatre known as the '' Patrick Centre''. In 1997, the Birm ...
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Northern Ballet Theatre
Northern Ballet, formerly Northern Ballet Theatre, is a dance company based in Leeds, West Yorkshire, England, with a strong repertoire in theatrical dance productions where the emphasis is on story telling as well as classical ballet. The company tours widely across the United Kingdom. History Northern Dance Theatre, the name by which the company was originally known, was founded in 1969 by Canadian-born Laverne Meyer; a dramatic dancer whose formative years were spent with Bristol-based, Western Theatre Ballet, the first ever British dance company to be based outside London. The company's first performance was on 28 November 1969 at the University Theatre, Manchester, with the orchestra being supplied by musicians of the Royal Northern College of Music. In the first six years, the repertory included significant revivals, Kurt Jooss's ''The Green Table'' and Andrée Howard's ''Death and the Maiden'', alongside new works by Peter Wright, John Chesworth, Charles Czarny, and Clo ...
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Rudolf Nureyev
Rudolf Khametovich Nureyev ( ; Tatar/ Bashkir: Рудольф Хәмит улы Нуриев; rus, Рудо́льф Хаме́тович Нуре́ев, p=rʊˈdolʲf xɐˈmʲetəvʲɪtɕ nʊˈrʲejɪf; 17 March 19386 January 1993) was a Soviet-born ballet dancer and choreographer. Nureyev is regarded by some as the greatest male ballet dancer of his generation.Lord of the dance – Rudolf Nureyev at the National Film Theatre, London, 1–31 January 2003
, by John Percival, '''', 26 December 2002.

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Frederick Ashton
Sir Frederick William Mallandaine Ashton (17 September 190418 August 1988) was a British ballet dancer and choreographer. He also worked as a director and choreographer in opera, film and revue. Determined to be a dancer despite the opposition of his conventional middle-class family, Ashton was accepted as a pupil by Léonide Massine and then by Marie Rambert. In 1926 Rambert encouraged him to try his hand at choreography, and though he continued to dance professionally, with success, it was as a choreographer that he became famous. Ashton was chief choreographer to Ninette de Valois, from 1935 until her retirement in 1963, in the company known successively as the Vic-Wells Ballet, the Sadler's Wells Ballet and the Royal Ballet. He succeeded de Valois as director of the company, serving until his own retirement in 1970. Ashton is widely credited with the creation of a specifically English genre of ballet. Among his best-known works are ''Façade'' (1931), '' Symphonic Varia ...
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Anthony Dowell
Sir Anthony James Dowell (born 16 February 1943) is a retired British ballet dancer and a former artistic director of the Royal Ballet. He is widely recognized as one of the great ''danseurs nobles'' of the twentieth century. Early life and training Born in London, Dowell began his dance training there in 1948, at the age of five. His first ballet teacher was June Hampshire, who nurtured her young pupil and instilled in him the discipline necessary for serious students of ballet. When he was ten years old, he enrolled in the Sadler's Wells Ballet School, then located in Barons Court, and embarked on a course of training for young people interested in pursuing a career in dance. In 1955, the school moved to White Lodge, Richmond Park, and became residential, combining general education and vocational ballet training. In 1956, when a royal charter was granted to the Sadler's Wells Ballet, the school was renamed the Royal Ballet School. Dowell continued his training there, moving ...
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Les Sylphides
''Les Sylphides'' () is a short, non-narrative ''ballet blanc'' to piano music by Frédéric Chopin, selected and orchestrated by Alexander Glazunov. The ballet, described as a "romantic reverie","Ballet Theater", until 1955. A compact disk of ABT's production, with Mikhail Baryshnikov as the dreamer, is available from Kultor, entitled "American Ballet Theatre at the Met – Mixed Bill (1985)". See Olga Maynard's definitive account, based on information from Fokine's son Vitale Fokine: "Les Sylphides", ''Dance Magazine'' Portfolio: December 1971, advertised separately by some online booksellers. is frequently cited as the first ballet to be simply about mood and dance. ''Les Sylphides'' has no plot but instead consists of several white-clad sylphs dancing in the moonlight with the "poet" or "young man" dressed in white tights and a black tunic. Its original choreography was by Michel Fokine, with Chopin's music orchestrated by Alexander Glazunov. Glazunov had already set som ...
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Paquita
''Paquita'' is a ballet in two acts and three scenes originally choreographed by Joseph Mazilier to music by Édouard Deldevez and Ludwig Minkus. Paul Foucher received royalties as librettist. History ''Paquita'' is the creation of French composer Édouard Deldevez and Paris Opéra Ballet Master Joseph Mazilier. It was first presented at the Salle Le Peletier by the Paris Opera Ballet on 1 April 1846 and was retained in the repertory of the Opéra until 1851. In 1847, ''Paquita'' was staged for the first time in Russia for the Imperial Ballet of St. Petersburg by Marius Petipa and Pierre-Frédéric Malavergne, being the first work ever staged by Petipa in Russia. In 1881, Petipa produced a revival of the ballet for which he added new pieces specially composed by Ludwig Minkus. This included the ''Paquita pas de trois'' for the first act and the ''Paquita grand pas classique'' and the ''Mazurka des enfants'' for the last act. Petipa's version of ''Paquita'' was retained in the r ...
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Cinderella (Prokofiev)
''Cinderella'' (russian: Золушка, Romanization of Russian, tr. ''Zolushka''; french: Cendrillon) Op. 87, is a ballet composed by Sergei Prokofiev to a scenario by Nikolai Volkov. It is one of his most popular and melodious compositions, and has inspired a great many choreographers since its inception. The piece was composed between 1940 and 1944. Part way through writing it Prokofiev broke off to write his opera ''War and Peace (opera), War and Peace''. The premiere of ''Cinderella'' was conducted by Yuri Fayer on 21 November, List of 1945 ballet premieres, 1945, at the Bolshoi Theatre, with choreography by Rostislav Zakharov and Galina Ulanova in the title role. ''Cinderella'' is notable for its jubilant music, lush scenery, and for the comic double-roles of the stepmother and the two stepsisters (which can be performed in Travesti (theatre), travesti), more mad than bad in this treatment. Story Act I Cinderella, a young woman whose domineering stepmother forces he ...
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Romeo And Juliet (MacMillan)
Choreographer Sir Kenneth MacMillan's Royal Ballet production of Sergei Prokofiev's ''Romeo and Juliet'' premiered at the Royal Opera House, Covent Garden on 9 February 1965. Background Kenneth MacMillan had previously choreographed the balcony scene for Lynn Seymour and Christopher Gable to dance in September 1964 for Canadian Television. This scene provided an essential part of the ballet's overall structure. Seymour stated that the balcony scene pas de deux only took three rehearsals to fully choreograph. This experience made him seem a good candidate to choreograph the entire ballet for Covent Garden, when the Soviet Union refused to allow Leonid Lavrovsky's classic production to tour to London. MacMillan prepared his version with the blessing of Frederick Ashton. MacMillan only had five months to choreograph the full ballet as The Royal Ballet hoped to perform Romeo and Juliet in its upcoming American tour. He, Seymour, and Gable planned the ballet around the characters ...
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