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Curse Of Kehama
''The Curse of Kehama'' is an 1810 epic poem composed by Robert Southey. The origins of the poem can be traced to Southey's schoolboy days when he suffered from insomnia, along with his memories of a dark and mysterious schoolmate that later formed the basis for one of the poem's villains. The poem was started in 1802 following the publication of Southey's epic ''Thalaba the Destroyer''. After giving up on the poem for a few years, he returned to it after prompting by the poet Walter Savage Landor encouraged him to complete his work. When it was finally published, it sold more copies than his previous works. The poem is divided into twelve "books". Its first half describes how the evil priest Kehama is able to gain significant amounts of demonic power in a quest to become a god. This is interrupted when his son Arvalan is killed after attempting to have his way with Kailyal, a peasant girl. After the death of his son, Kehama begins to wage war upon Yamen, the god of death, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Curse Of Kehama
''The Curse of Kehama'' is an 1810 epic poem composed by Robert Southey. The origins of the poem can be traced to Southey's schoolboy days when he suffered from insomnia, along with his memories of a dark and mysterious schoolmate that later formed the basis for one of the poem's villains. The poem was started in 1802 following the publication of Southey's epic ''Thalaba the Destroyer''. After giving up on the poem for a few years, he returned to it after prompting by the poet Walter Savage Landor encouraged him to complete his work. When it was finally published, it sold more copies than his previous works. The poem is divided into twelve "books". Its first half describes how the evil priest Kehama is able to gain significant amounts of demonic power in a quest to become a god. This is interrupted when his son Arvalan is killed after attempting to have his way with Kailyal, a peasant girl. After the death of his son, Kehama begins to wage war upon Yamen, the god of death, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indra
Indra (; Sanskrit: इन्द्र) is the king of the devas (god-like deities) and Svarga (heaven) in Hindu mythology. He is associated with the sky, lightning, weather, thunder, storms, rains, river flows, and war. volumes/ref> Indra's myths and powers are similar to other Indo-European deities such as Jupiter, Perun, Perkūnas, Zalmoxis, Taranis, Zeus, and Thor, part of the greater Proto-Indo-European mythology. Indra is the most referred deity in the ''Rigveda''. He is celebrated for his powers, and as the one who killed the great evil (a malevolent type of asura) named Vritra, who obstructed human prosperity and happiness. Indra destroys Vritra and his "deceiving forces", and thereby brings rains and sunshine as the saviour of mankind. He is also an important deity worshipped by the Kalash people, indicating his prominence in ancient Hinduism. Indra's significance diminishes in the post-Vedic Indian literature, but he still plays an important role in various m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symphonic Poem
A symphonic poem or tone poem is a piece of orchestral music, usually in a single continuous movement, which illustrates or evokes the content of a poem, short story, novel, painting, landscape, or other (non-musical) source. The German term ''Tondichtung (tone poem)'' appears to have been first used by the composer Carl Loewe in 1828. The Hungarian composer Franz Liszt first applied the term ''Symphonische Dichtung'' to his 13 works in this vein. While many symphonic poems may compare in size and scale to symphonic movements (or even reach the length of an entire symphony), they are unlike traditional classical symphonic movements, in that their music is intended to inspire listeners to imagine or consider scenes, images, specific ideas or moods, and not (necessarily) to focus on following traditional patterns of musical form such as sonata form. This intention to inspire listeners was a direct consequence of Romanticism, which encouraged literary, pictorial and dramatic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sir Granville Bantock
Sir Granville Ransome Bantock (7 August 186816 October 1946) was a British composer of classical music. Biography Granville Ransome Bantock was born in London. His father was an eminent Scottish surgeon.Hadden, J. Cuthbert, 1913, ''Modern Musicians'', Boston: Le Roy Phillips; London & Edinburgh: T. N. Foulis, pp.42–46 His younger brother was the dramatist and film director Leedham Bantock. Granville Bantock was intended by his parents for the Indian Civil ServiceAnderson, Keith (2001)''Granville Bantock (1868–1946): Old English Suite; Russian Scenes; Hebridean Symphony (sleevenotes)'' Naxos. Retrieved 16 July 2011. but he suffered poor health and initially turned to chemical engineering. At the age of 20, when he began studying composers' manuscripts, at South Kensington Museum Library, he was drawn into the musical world. His first teacher was Dr Gordon Saunders at Trinity College of Music. In 1888, he entered the Royal Academy of Music where he studied harmony and com ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Foster (essayist)
John Foster (1770–1843) was an English Baptist minister and essayist. The son of a weaver, born in Halifax, Yorkshire, and educated for the ministry at the Baptist college in Bristol, Foster served as a minister for a number of years. Becoming a full-time writer, he contributed nearly 200 articles to the '' Eclectic Review''. His works include ''Essays, in a Series of Letters'' (1804), and ''Essay on the Evils of Popular Ignorance'' (1820), in which he urged the necessity of a national system of education. Life He was the eldest son of John Foster, a small farmer, weaver and Baptist, living at Wadsworth Lane in the parish of Halifax, Yorkshire, born 17 September 1770. From a young age he assisted his parents in spinning and weaving wool. At age 17 he became a member of the Baptist congregation at Hebden Bridge; and soon after was "set apart" as minister by a special religious service, and went to reside at Brearley Hall with John Fawcett, who was directing the studies of s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Critical Review
''The Critical Review'' was a British publication appearing from 1756 to 1817. It was first edited by Tobias Smollett, from 1756 to 1763. Contributors included Samuel Johnson, David Hume, John Hunter, and Oliver Goldsmith. Early years The Edinburgh printer Archibald Hamilton started publishing ''The Critical Review'' in 1756 with Tobias Smollett as its first editor. The content was mainly book reviews, which were often long and favourable, with copious verbatim quotations. The Tory and High Church perspectives of contributors came through clearly, however. Besides Smollett, the writers of the first two volumes have been identified as John Armstrong, Samuel Derrick, Thomas Francklin, and Patrick Murdoch. After a libel against Admiral Sir Charles Knowles in the ''Review'', Smollett was sentenced to a fine of £100 and three months in King's Bench Prison. In 1763 he retired from the ''Review'', but left it as an influential publication. Sources External links Full textsat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Monthly Mirror
''The Monthly Mirror'' was an English literary periodical, published from 1795 to 1811, founded by Thomas Bellamy, and later jointly owned by Thomas Hill and John Litchfield. It was published by Vernor & Hood from the second half of 1798. The ''Mirror'' concentrated on theatre, in London and the provinces. The first editor for Hill was Edward Du Bois. From 1812 it was merged into the ''Theatrical Inquisitor''. Contributors * Thomas Batchelor * Sir John Carr *Leigh Hunt *Capel Lofft *Eliza Kirkham Mathews * Thomas Park * Horatio Smith * James Smith * John Taylor, writing opera "memoirs and sketches" *Henry Kirke White * Samuel Whyte *Tate Wilkinson Tate Wilkinson (27 October 173916 November 1803) was an English actor and manager. Life He was the son of a clergyman and was sent to Harrow. His first attempts at acting were badly received, and it was to his wonderful gift of mimicry that h ... Notes {{DEFAULTSORT:Monthly Mirror 1795 establishments in Great Britain 1812 d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bhagavad Gita
The Bhagavad Gita (; sa, श्रीमद्भगवद्गीता, lit=The Song by God, translit=śrīmadbhagavadgītā;), often referred to as the Gita (), is a 700- verse Hindu scripture that is part of the epic ''Mahabharata'' (chapters 23–40 of book 6 of the Mahabharata called the Bhishma Parva), dated to the second half of the first millennium BCE and is typical of the Hindu synthesis. It is considered to be one of the holy scriptures for Hinduism. The Gita is set in a narrative framework of a dialogue between Pandava prince Arjuna and his guide and charioteer Krishna. At the start of the dharma yuddha (or the "righteous war") between the Pandavas and the Kauravas, Arjuna is preoccupied by a moral and emotional dilemma and despairs about the violence and death the war will cause in the battle against his kin. Wondering if he should renounce the war, he seeks Krishna's counsel, whose answers and discourse constitute the Gita. Krishna counsels Arjuna to "fu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mahabharata
The ''Mahābhārata'' ( ; sa, महाभारतम्, ', ) is one of the two major Sanskrit epics of ancient India in Hinduism, the other being the ''Rāmāyaṇa''. It narrates the struggle between two groups of cousins in the Kurukshetra War and the fates of the Kaurava and the Pāṇḍava princes and their successors. It also contains philosophical and devotional material, such as a discussion of the four "goals of life" or ''puruṣārtha'' (12.161). Among the principal works and stories in the ''Mahābhārata'' are the '' Bhagavad Gita'', the story of Damayanti, the story of Shakuntala, the story of Pururava and Urvashi, the story of Savitri and Satyavan, the story of Kacha and Devayani, the story of Rishyasringa and an abbreviated version of the ''Rāmāyaṇa'', often considered as works in their own right. Traditionally, the authorship of the ''Mahābhārata'' is attributed to Vyāsa. There have been many attempts to unravel its historical growth and c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shakuntala
Shakuntala (Sanskrit: ''Śakuntalā'') is the wife of Dushyanta and the mother of Emperor Bharata. Her story is told in the '' Adi Parva'' of the ancient Indian epic ''Mahabharata'' and dramatized by many writers, the most famous adaption being Kalidasa's play ''Abhijñānaśākuntala'' (''The Sign of Shakuntala''). Legends Birth Once, Vishvamitra started to meditate to earn the status of a Brahmarshi. The intensity of his penance frightened Indra. He feared that Vishvamitra might want his throne. To end his penance, Indra sent Menaka, an apsara, to lure him and bring him out of his penance. Menaka reached Vishwamitra's meditating spot and started to seduce him. Vishvamitra could not control his lust and desire and his penance was broken. Vishvamitra and Menaka lived together for a few years and a daughter was born to them. Later, Vishvamitra realized that all those things were Indra's tricks. He realized that he needed to control his emotions. Vishvamitra left Menaka and Me ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Jones (philologist)
Sir William Jones (28 September 1746 – 27 April 1794) was a British philologist, a puisne judge on the Supreme Court of Judicature at Fort William in Bengal, and a scholar of ancient India. He is particularly known for his proposition of the existence of a relationship among European and Indo-Aryan languages, which later came to be known as the Indo-European languages. Jones is also credited for establishing the Asiatic Society of Bengal in 1784. Early life William Jones was born in London; his father William Jones (1675–1749) was a mathematician from Anglesey in Wales, noted for introducing the use of the symbol π. The young William Jones was a linguistic prodigy, who in addition to his native languages English and Welsh, learned Greek, Latin, Persian, Arabic, Hebrew and the basics of Chinese writing at an early age. By the end of his life he knew eight languages with critical thoroughness, was fluent in a further eight, with a dictionary at hand, and had a fair c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zend Avesta
The Avesta () is the primary collection of religious texts of Zoroastrianism, composed in the Avestan language. The Avesta texts fall into several different categories, arranged either by dialect, or by usage. The principal text in the liturgical group is the ''Yasna'', which takes its name from the Yasna ceremony, Zoroastrianism's primary act of worship, and at which the ''Yasna'' text is recited. The most important portion of the ''Yasna'' texts are the five Gathas, consisting of seventeen hymns attributed to Zoroaster himself. These hymns, together with five other short Old Avestan texts that are also part of the ''Yasna'', are in the Old (or 'Gathic') Avestan language. The remainder of the ''Yasna'''s texts are in Younger Avestan, which is not only from a later stage of the language, but also from a different geographic region. Extensions to the Yasna ceremony include the texts of the '' Vendidad'' and the '' Visperad''. The ''Visperad'' extensions consist mainly of addi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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