Culture Of The Ottoman Empire
The culture of the Ottoman Empire evolved over several centuries as the ruling administration of the Turkish peoples, Turks absorbed, adapted and modified the various native cultures of conquered lands and their peoples. There was influence from the customs and languages of nearby Islamic culture, Islamic societies such as Jordan, Egypt and Palestine, while Persian people, Persian culture had a significant contribution through the Great Seljuq Empire, Seljuq Turks, the Ottoman Turks, Ottomans' predecessors. Despite more recent amalgamations, the Ottoman dynasty, like their predecessors in the Sultanate of Rum and the Seljuk Empire were influenced by Persian culture, language, habits, customs and cuisines.Throughout its history, the Ottoman Empire had substantial subject populations of Rum Millet, Orthodox subjects, Armenians in the Ottoman Empire, Armenians, History of the Jews in Turkey#Ottoman era, Jews and Assyrians and Syriacs in Turkey, Assyrians, who were allowed a certain amo ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Turkish Peoples
Turkic peoples are a collection of diverse ethnic groups of West, Central, East, and North Asia as well as parts of Europe, who speak Turkic languages.. "Turkic peoples, any of various peoples whose members speak languages belonging to the Turkic subfamily...". "The Turkic peoples represent a diverse collection of ethnic groups defined by the Turkic languages." According to historians and linguists, the Proto-Turkic language originated in Central-East Asia, potentially in the Altai-Sayan region, Mongolia or Tuva.: "The ultimate Proto-Turkic homeland may have been located in a more compact area, most likely in Eastern Mongolia": "The best candidate for the Turkic Urheimat would then be northern and western Mongolia and Tuva, where all these haplogroups could have intermingled, rather than eastern and southern Mongolia..." Initially, Proto-Turkic speakers were potentially both hunter-gatherers and farmers; they later became nomadic pastoralists. Early and medieval Turkic grou ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Persian Poetry
Persian literature comprises oral compositions and written texts in the Persian language and is one of the world's oldest literatures. It spans over two-and-a-half millennia. Its sources have been within Greater Iran including present-day Iran, Iraq, Afghanistan, Pakistan, the Caucasus, and Turkey, regions of Central Asia (such as Tajikistan), South Asia and the Balkans where the Persian language has historically been either the native or official language. For example, Rumi, one of the best-loved Persian poets, born in Balkh (in modern-day Afghanistan) or Wakhsh (in modern-day Tajikistan), wrote in Persian and lived in Konya (in modern-day Turkey), at that time the capital of the Seljuks in Anatolia. The Ghaznavids conquered large territories in Central and South Asia and adopted Persian as their court language. There is thus Persian literature from Iran, Mesopotamia, Azerbaijan, the wider Caucasus, Turkey, Pakistan, Bangladesh, India, Tajikistan and other parts of Centra ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Non-fiction
Non-fiction (or nonfiction) is any document or content (media), media content that attempts, in good faith, to convey information only about the real life, real world, rather than being grounded in imagination. Non-fiction typically aims to present topics Objectivity (philosophy), objectively based on historical, scientific, and empirical information. However, some non-fiction ranges into more subjective territory, including sincerely held opinions on real-world topics. Often referring specifically to prose writing, non-fiction is one of the two fundamental approaches to narrative, story and storytelling, in contrast to narrative fiction, which is largely populated by imaginary characters and events. Non-fiction writers can show the reasons and consequences of events, they can compare, contrast, classify, categorise and summarise information, put the facts in a logical or chronological order, infer and reach conclusions about facts, etc. They can use graphic, structural and prin ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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BaÄŸlama
The baÄŸlama or saz is a family of plucked string instruments and long-necked lutes used in Europe, Balkans, Caucasus, Middle East, Khazar, Central Asia including Germany, France, Belgium, TRNC, Netherlands, Albania, Greece,Bosnia, Serbia, Croatia, Bulgaria, North Macedonia, Russia, Armenia, Azerbaijan, Turkmenistan, Uzbekistan, Kyrgyzstan, Iran, Iraq, Syria, Lebanon and Turkey. It is commonly used by Ashik, ashiks. Name According to ''The New Grove Dictionary of Music and Musicians'', "the terms 'baÄŸlama' and 'saz' are used somewhat interchangeably in Turkey. 'Saz' is generally used interchangeably with 'enstrüman' (instrument) and it is used to refer single or group of musical instruments like 'üflemeli sazlar' (Wind instrument, wind instruments). BaÄŸlama scale The scale (music), musical scale of the baÄŸlama differs from that of many western instruments – such as the guitar – in that it features ratios that are close to quarter tones. The traditional ratios for baÄŸla ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Komuz
The komuz or qomuz ( , , ) is an ancient fretless string instrument used in Central Asian music, related to certain other Turkic string instruments, the Mongolian tovshuur, and the lute. The instrument can be found in Turkic ethnic groups, from China to Turkey. Forms of this instrument are used in China by the Naxi people and are called Huobusi, Hebisi , and Hunbusi. It is the best-known national instrument and one of the better-known Kyrgyz national symbols. The komuz is generally made from a single piece of wood (usually apricot or juniper) and has three strings traditionally made out of gut, and often from fishing line in modern times. In the most common tunings the middle string is the highest in pitch. Virtuosos frequently play the komuz in a variety of different positions: over the shoulder, between the knees and upside down. An illustration of a komuz is featured on the reverse of the one-som note. Playing style The komuz can be used either as accomp ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Central Asia
Central Asia is a region of Asia consisting of Kazakhstan, Kyrgyzstan, Tajikistan, Turkmenistan, and Uzbekistan. The countries as a group are also colloquially referred to as the "-stans" as all have names ending with the Persian language, Persian suffix "-stan" (meaning ) in both respective native languages and most other languages. The region is bounded by the Caspian Sea to the southwest, European Russia to the northwest, China and Mongolia to the east, Afghanistan and Iran to the south, and Siberia to the north. Together, the five Central Asian countries have a total population of around million. In the pre-Islamic and early Islamic eras ( and earlier) Central Asia was inhabited predominantly by Iranian peoples, populated by Eastern Iranian-speaking Bactrians, Sogdians, Khwarezmian language, Chorasmians, and the semi-nomadic Scythians and Dahae. As the result of Turkic migration, Central Asia also became the homeland for the Kazakhs, Kyrgyzs, Volga Tatars, Tatars, Turkmens, ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Servet-i Fünun
''Servet-i Fünun'' (; ) was an avant-garde journal published in the Ottoman Empire and later in Turkey. Halit Ziya UÅŸaklıgil, Halit Ziya (UÅŸaklıgil) and the other writers of the "New Literature" () movement published it to inform their readers about European, particularly French, cultural and intellectual movements. In operation from 1891 until 1944, it was for its first year a supplement of the newspaper ''Servet (newspaper), Servet'', but became an independent publication from 1892. Its offices were in Stamboul, the central part of Ottoman Constantinople, Constantinople (now known in English as Istanbul). Today the region is known as the Fatih district. Evangelia Balta and AyÈ™e Kavak state that during the late Ottoman Empire it was "[t]he most influential literary journal" which had "a significant role in the intellectual life" of the country. Other titles of the magazine were ''Uyanış'', ''Resimli UyaniÅŸ'', and ''Terwet-i fünÅ«n''. History In 1890 20-year old Ahmet ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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İbrahim Şinasi
İbrahim Åžinasi Efendi (; 5 August 1826 – 13 September 1871) was a pioneering Ottoman Empire, Ottoman intellectual, founder of Turkish dramaturgy, author, journalist, translator, playwright, linguist and newspaper editor. He was the innovator of several fields: he wrote one of the earliest examples of an Ottoman play, he encouraged the trend of translating poetry from French into Turkish, he simplified the Ottoman Turkish script, script used for writing the Ottoman Turkish language, and he was one of the first of the Ottoman writers to write specifically for the broader public. Åžinasi used his newspapers, ''Tercüman-ı Ahvâl'' and ''Tasvîr-i Efkâr'', to promote the proliferation of European Age of Enlightenment, Enlightenment ideals during the Tanzimat, Tanzimat period, and he made the education of the literate Ottoman public his personal vocation. Though many of Åžinasi's projects were incomplete at the time of his death, "he was at the forefront of a number of fields an ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Recaizade Mahmud Ekrem
Recaizade Mahmud Ekrem (; 1 March 1847 – 31 January 1914) was a Turkish civil servant, writer, literary critic, and intellectual, who was known for his apolitical views. He wrote poems, dramas and novels, dealt extensively with European literary theories and was one of the most influential, authoritative writers of his time. Life His father worked at the Academy of Sciences, and at the age of fifteen he became an official in the Ministry of Foreign Affairs and later in various other branches. As a teacher, he wrote his own teaching material and did a systematic literary scientific work that benefited future generations. Like most writers of that time, Ekrem belonged to the circle of the Sultan's court. He became acquainted with Namık Kemal, Abdülhak Hâmid Tarhan and other famous personalities of the time and was close friends with most of them. It was he who, after Åžinasi and Namık Kemal, took over the "Young Turks" newspaper Tasvir-i Efkar (Writer of Ideas) and fo ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Tevfik Fikret
Tevfik Fikret () was the pseudonym of Mehmed Tevfik (December 24, 1867 – August 19, 1915), an Ottoman educator and poet, who is considered the founder of the modern school of Turkish poetry. Biography Family Mehmed Tevfik was born in Istanbul on December 24, 1867.AyÅŸegül Yaraman-BaÅŸbuÄŸu, ''Biyografya: Tevfik Fikret'', BaÄŸlam, 2006, p. 17. "Kökleri, baba tarafından Çankırı 'sancağı'nın ÇerkeÅŸ kazasına, anne tarafından ise Sakız adalı, Islâmiyeti benimseyen Rum asıllı bir aileye uzanan Mehmet Tevfik (sonradan Tevfik Fikret) 24 Aralık 1867 tarihinde İstanbul'da doÄŸmuÅŸ..." His father (Hüseyin Efendi), originally from the district of ÇerkeÅŸ in the sanjak of Çankırı, was mostly absent, as he was exiled for being a political foe of the ruling regime; while his mother (Hatice Refia Hanım), a Greek Muslim convert from the island of Chios, died when he was very young. Education He received his education at the prestigious Galatasaray High School ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Turkish Folk Literature
Turkish folk literature is an oral tradition deeply rooted, in its form, in Anatolian traditions. However, in its themes, Turkish folk literature reflects the problems peculiar to a settling (or settled) people who have abandoned the nomadic lifestyle. One example of this is the series of folktales surrounding the figure of KeloÄŸlan, a young boy beset with the difficulties of finding a wife, helping his mother to keep the family house intact, and dealing with the problems caused by his neighbors. Another example is the rather mysterious figure of Nasreddin, a trickster figure who often plays jokes, of a sort, on his neighbors. Nasreddin also reflects another significant change that had occurred between the days when the Turkish people were nomadic and the days when they had largely become settled in Anatolia; namely, Nasreddin is a Muslim imam. The Turkish people had first become an Islamic people sometime around the 9th or 10th century CE, and the religion henceforth came t ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |