Cufic
Kufic script () is a style of Arabic script that gained prominence early on as a preferred script for Quran transcription and architectural decoration, and it has since become a reference and an archetype for a number of other Arabic scripts. It developed from the Arabic alphabet in the city of Kufa, from which its name is derived. Kufic script is characterized by angular, rectilinear letterforms and its horizontal orientation. There are many different versions of Kufic script, such as square Kufic, floriated Kufic, knotted Kufic, and others. History Origin of the Kufic script Calligraphers in the early Islamic period used a variety of methods to transcribe Qur’an manuscripts. Arabic calligraphy became one of the most important branches of Islamic Art. Calligraphers came out with the new style of writing called Kufic. Kufic is the oldest calligraphic form of the various Arabic scripts. The name of the script derives from Kufa, a city in southern Iraq which was considered ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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The Blue Qur'an - Qur'anic Manuscript
''The'' () is a grammatical Article (grammar), article in English language, English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the Most common words in English, most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant s ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Ottoman Empire
The Ottoman Empire, * ; is an archaic version. The definite article forms and were synonymous * and el, Оθωμανική Αυτοκρατορία, Othōmanikē Avtokratoria, label=none * info page on book at Martin Luther University) // CITED: p. 36 (PDF p. 38/338) also known as the Turkish Empire, was an empire that controlled much of Southeast Europe, Western Asia, and Northern Africa between the 14th and early 20th centuries. It was founded at the end of the 13th century in northwestern Anatolia in the town of Söğüt (modern-day Bilecik Province) by the Turkoman tribal leader Osman I. After 1354, the Ottomans crossed into Europe and, with the conquest of the Balkans, the Ottoman beylik was transformed into a transcontinental empire. The Ottomans ended the Byzantine Empire with the conquest of Constantinople in 1453 by Mehmed the Conqueror. Under the reign of Suleiman the Magnificent, the Ottoman Empire marked the peak of its power and prosperity, as well a ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Pixel
In digital imaging, a pixel (abbreviated px), pel, or picture element is the smallest addressable element in a raster image, or the smallest point in an all points addressable display device. In most digital display devices, pixels are the smallest element that can be manipulated through software. Each pixel is a sample of an original image; more samples typically provide more accurate representations of the original. The intensity of each pixel is variable. In color imaging systems, a color is typically represented by three or four component intensities such as red, green, and blue, or cyan, magenta, yellow, and black. In some contexts (such as descriptions of camera sensors), ''pixel'' refers to a single scalar element of a multi-component representation (called a ''photosite'' in the camera sensor context, although ''sensel'' is sometimes used), while in yet other contexts (like MRI) it may refer to a set of component intensities for a spatial position. Etymology The w ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Mamoun Sakkal
Mamoun Sakkal ( ar, مأمون صقال) is a Syrian type designer, artist and calligrapher. Awards *Art Directors Club of New York, ADC Typography Bronze Cube 2018 for Sakkal Kitab Font. *Third International Calligraphy Competition: First Award in Kufi style, [Research Centre for Islamic History, Art and Culture, Istanbul, Turkey - 1993. *First place award in the Arab Human Development Report cover design competition, United Nations Development Programme, New York City - 2003. *Two Awards of Excellence for Sakkal Seta and Arabic Typesetting typefaces, Type Directors Club of New York International typeface design competition, 2003, and for Microsoft Uighur typeface in 2004. *First Prize in Letter Arts Review Magazine International Competition in 2005. References External links * Syrian calligraphers People from Aleppo Living people Syrian artists 20th-century calligraphers 21st-century calligraphers Year of birth missing (living people) Typographers and type designers T ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Bannai Script
Bannai is a script form of the Islamic calligraphy. It was used primarily in Iran in the building inscriptions. It is a kind of angular Kufic script, which has geometric forms like square, rhombus, rectangular, parallel and crossed lines. The foundation of Bannai script is the horizontal and vertical Vertical is a geometric term of location which may refer to: * Vertical direction, the direction aligned with the direction of the force of gravity, up or down * Vertical (angles), a pair of angles opposite each other, formed by two intersecting s ... directions of the lines, which have always equal thickness and fill completely the geometrical form. References Islamic calligraphy {{calligraphy-stub ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Renaissance
The Renaissance ( , ) , from , with the same meanings. is a period in European history marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass ideas and achievements of classical antiquity. It occurred after the Crisis of the Late Middle Ages and was associated with great social change. In addition to the standard periodization, proponents of a "long Renaissance" may put its beginning in the 14th century and its end in the 17th century. The traditional view focuses more on the early modern aspects of the Renaissance and argues that it was a break from the past, but many historians today focus more on its medieval aspects and argue that it was an extension of the Middle Ages. However, the beginnings of the period – the early Renaissance of the 15th century and the Italian Proto-Renaissance from around 1250 or 1300 – overlap considerably with the Late Middle Ages, conventionally da ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Middle Ages
In the history of Europe, the Middle Ages or medieval period lasted approximately from the late 5th to the late 15th centuries, similar to the post-classical period of global history. It began with the fall of the Western Roman Empire and transitioned into the Renaissance and the Age of Discovery. The Middle Ages is the middle period of the three traditional divisions of Western history: classical antiquity, the medieval period, and the modern period. The medieval period is itself subdivided into the Early, High, and Late Middle Ages. Population decline, counterurbanisation, the collapse of centralized authority, invasions, and mass migrations of tribes, which had begun in late antiquity, continued into the Early Middle Ages. The large-scale movements of the Migration Period, including various Germanic peoples, formed new kingdoms in what remained of the Western Roman Empire. In the 7th century, North Africa and the Middle East—most recently part of the Eastern Ro ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Pseudo-Kufic
Pseudo-Kufic, or Kufesque, also sometimes Pseudo-Arabic, is a style of decoration used during the Middle Ages and the Renaissance,Encyclopaedia BritannicaBeautiful Gibberish: Fake Arabic in Medieval and Renaissance Art/ref> consisting of imitations of the Arabic Kufic script, or sometimes Arabic cursive script, made in a non-Arabic context: "Imitations of Arabic in European art are often described as pseudo-Kufic, borrowing the term for an Arabic script that emphasizes straight and angular strokes, and is most commonly used in Islamic architectural decoration".Mack, p.51 Pseudo-Kufic appears especially often in Renaissance art in depictions of people from the Holy Land, particularly the Virgin Mary. It is an example of Islamic influences on Western art. Early examples Some of the first imitations of the Kufic script go back to the 8th century when the English King Offa (r. 757–796) produced gold coins imitating Islamic dinars. These coins were copies of an Abbasid dinar struck ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Banna'i
In Iranian architecture, banna'i ( fa, بنائی, "builder's technique" in Persian) is an architectural decorative art in which glazed tiles are alternated with plain bricks to create geometric patterns over the surface of a wall or to spell out sacred names or pious phrases. This technique originated in Syria and Iraq in the 8th century, and matured in the Seljuq and Timurid era, as it spread to Iran, Anatolia and Central Asia. If the brickwork design is in relief then it is referred to as hazarbaf ( fa, هزارباف, compound of ''hazar'' "thousand" and ''baf'' "weavings", referring to the woven appearance of the bricks). History The earliest surviving example of decorative brick work with colored bricks is found in the city gate of Raqqa (c. 772). The earliest known example of ''hazārbāf'' is found in the Ukhaydir Palace near Baghdad, built around 762. The technique appeared in Iran and central Asia more than a century later but with more sophisticated designs. The to ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Flag Of Iran
The national flag of the Iran, Islamic Republic of Iran ( fa, پرچم ایران, Parčam-e Irân, ), also known as the Tricolour, tricolor ( fa, پرچم سهرنگ ایران, Parčam-e se rang-e Irân, link=no, ), is a tricolour (flag), tricolour comprising equal horizontal bands of green, white and red with the emblem of Iran, national emblem ("Allah") in red centred on the white band and the takbir written 11 times each in the Kufic script in white, at the bottom of the green and the top of the red band. After the Iranian Revolution of 1979, the present-day flag was adopted on 29 July 1980. Many Iranian diaspora, Iranian exiles opposed to the Iranian government use alternate flags, including the tricolor flag with the Lion and Sun at the center, or the tricolor without additional emblems. Flag description Emblem The parliament of Iran, per the 1980 constitution, changed the flag and seal of state insofar as the Lion and Sun were replaced by the red Emblem of Iran ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Hafsids Bougie Algeria 1249 1276 Ornemental Kufic
The Hafsids ( ar, الحفصيون ) were a Sunni Muslim dynasty of Berber descentC. Magbaily Fyle, ''Introduction to the History of African Civilization: Precolonial Africa'', (University Press of America, 1999), 84. who ruled Ifriqiya (western Libya, Tunisia, and eastern Algeria) from 1229 to 1574. History Almohad Ifriqiya The Hafsids were of Berber descent, although to further legitimize their rule, they claimed Arab ancestry from the second Rashidun Caliph Omar. The ancestor of the dynasty and from whom their name is derived was Abu Hafs Umar ibn Yahya al-Hintati, a Berber from the Hintata tribal confederation, which belonged to the greater Masmuda confederation of Morocco. He was a member of the council of ten and a close companion of Ibn Tumart. His original Berber name was "Faskat u-Mzal Inti", which later was changed to "Abu Hafs Umar ibn Yahya al-Hintati" (also known as "Umar Inti") since it was a tradition of Ibn Tumart to rename his close companions once they had adhe ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Takbir
The Takbir ( ar, تَكْبِير, , "magnification f God) is the name for the Arabic phrase ' (, ), meaning "God is the greatest". It is a common Arabic expression, used in various contexts by Muslims and Arabs around the world: in formal Salah (prayer), in the Adhan (Islamic call to prayer), in Hajj, as an informal expression of faith, in times of distress or joy, or to express resolute determination or defiance. The phrase is also used by Arab Christians. Exegesis The Arabic word () means ''great'' from the Semitic root '. The Arabic word () is the elative form (''greatest'') of the adjective ''kabīr''. When used in the it is usually translated as ''greatest'', but some authors translate it as ''greater''. The term ' itself is the stem II verbal noun of the triliteral root ', meaning "great", from which ''akbar'' "greater" is derived. The form ' is the nominative of ''Allah'', meaning 'God'.Böwering, Gerhard, ''God and His Attributes'', Encyclopaedia of the Qurʼān, Bril ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |