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Counterproof
In printmaking, a counterproof is a print taken off from another just printed, which, by being passed through the press, gives a copy in reverse, and of course in the same position as that of the plate from which the first was printed, the object being to enable the printmaker to inspect the state of the plate. Counterproofing was used to produce the finest quality copperplate printing; the second print consisted of delicate lines, and lacked the beveled impressions seen in the original print. To ''counter-prove'' is also to pass a drawn design in black lead or red chalk through the press, after having moistened with a sponge both that and the paper Paper is a thin sheet material produced by mechanically or chemically processing cellulose fibres derived from wood, Textile, rags, poaceae, grasses, Feces#Other uses, herbivore dung, or other vegetable sources in water. Once the water is dra ... on which the counterproof is to be taken. References Engraving Printmaking< ...
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Printmaking
Printmaking is the process of creating work of art, artworks by printing, normally on paper, but also on fabric, wood, metal, and other surfaces. "Traditional printmaking" normally covers only the process of creating prints using a hand processed technique, rather than a photographic reproduction of a visual artwork which would be printed using an electronic machine (Printer (computing), a printer); however, there is some cross-over between traditional and digital printmaking, including risograph. Prints are created by transferring ink from a Matrix (printing), matrix to a sheet of paper or other material, by a variety of techniques. Common types of matrices include: metal plates for engraving, etching and related intaglio printing techniques; stone, aluminum, or polymer for lithography; blocks of wood for woodcuts and wood engravings; and linoleum for linocuts. Screens made of silk or synthetic fabrics are used for the screen printing process. Other types of matrix substrates ...
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Printing Press
A printing press is a mechanical device for applying pressure to an inked surface resting upon a printing, print medium (such as paper or cloth), thereby transferring the ink. It marked a dramatic improvement on earlier printing methods in which the cloth, paper, or other medium was brushed or rubbed repeatedly to achieve the transfer of ink and accelerated the process. Typically used for texts, the invention and global spread of the printing press was one of the most influential events in the second millennium. In Germany, around 1440, the goldsmith Johannes Gutenberg invented the movable type, movable-type printing press, which started the Printing Revolution. Modelled on the design of existing screw presses, a single Renaissance movable-type printing press could produce up to 3,600 pages per workday, compared to forty by History of typography in East Asia, hand-printing and a few by scribe, hand-copying. Gutenberg's newly devised hand mould made possible the precise and rapi ...
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Offset Printing
Offset printing is a common printing technique in which the inked image is transferred (or "offset") from a plate to a rubber blanket and then to the printing surface. When used in combination with the lithography, lithographic process, which is based on the repulsion of oil and water, the offset technique employs a flat (planographic printing, planographic) image carrier. Ink rollers transfer ink to the image areas of the image carrier, while a water roller applies a water-based film to the non-image areas. The modern "web" process feeds a large reel of paper through a large press machine in several parts, typically for several meters, which then prints continuously as the paper is fed through. Development of the offset press came in two versions: in 1875 by Robert Barclay of England for printing on tinplate, tin and in 1904 by Ira Washington Rubel of the United States for printing on paper. Rubel's contemporary in Continental Europe was Kašpar Hermann, the author of the off ...
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Intaglio Printing
Intaglio ( ; ) is the family of printing and printmaking techniques in which the image is incised into a surface and the incised line or sunken area holds the ink. It is the direct opposite of a relief print where the parts of the matrix that make the image stand ''above'' the main surface. Normally copper, or in recent times zinc, sheets called plates are used as a surface or matrix, and the incisions are created by etching, engraving, drypoint, aquatint or mezzotint, often in combination. Collography, Collagraphs may also be printed as intaglio plates. After the decline of the main relief technique of woodcut around 1550, the intaglio techniques dominated both old master print, artistic printmaking as well as most types of illustration and popular prints until the mid 19th century. The word "intaglio" describes prints created from plates where the ink-bearing regions are recessed beneath the plate's surface. Though brass, zinc, and other materials are occasionally utilized, ...
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Beveled
A bevelled edge (UK) or beveled edge (US) is an edge of a structure that is not perpendicular to the faces of the piece. The words bevel and chamfer overlap in usage; in general usage, they are often interchanged, while in technical usage, they may be differentiated as shown in the image on the right. A bevel is typically used to soften the edge of a piece for the sake of safety, wear resistance, aesthetics; or to facilitate mating with another piece. Applications Cutting tools Most cutting tools have a bevelled edge which is apparent when one examines the grind. Bevel angles can be duplicated using a sliding T bevel. Graphic design Typographic bevels are shading and artificial shadows that emulate the appearance of a 3-dimensional letter. The bevel is a relatively common effect in graphic editors such as Photoshop. As such, it is in widespread use in mainstream logos and other design elements. Glass and mirrors Bevelled edges are a common aesthetic nicety added to window pa ...
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Graphite
Graphite () is a Crystallinity, crystalline allotrope (form) of the element carbon. It consists of many stacked Layered materials, layers of graphene, typically in excess of hundreds of layers. Graphite occurs naturally and is the most stable form of carbon under standard conditions. Synthetic and natural graphite are consumed on a large scale (1.3million metric tons per year in 2022) for uses in many critical industries including refractories (50%), lithium-ion batteries (18%), foundries (10%), and lubricants (5%), among others (17%). Graphite converts to diamond under extremely high pressure and temperature. Graphite's low cost, thermal and chemical inertness and characteristic conductivity of heat and electricity finds numerous applications in high energy and high temperature processes. Types and varieties Graphite can occur naturally or be produced synthetically. Natural graphite is obtained from naturally occurring geologic deposits and synthetic graphite is produced t ...
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Sanguine
Sanguine () or red chalk is chalk of a reddish-brown color, so called because it resembles the color of dried blood. It has been popular for centuries for drawing. The word comes via French from the Italian ''sanguigna'' and originally from the Latin "sanguis". Technique Sanguine lends itself naturally to sketches, life drawings, and rustic scenes. It is ideal for rendering modeling and volume, and human flesh. In the form of wood-cased pencils and manufactured sticks, sanguine may be used similarly to charcoal and pastel. As with pastel, a mid-toned paper may be put to good use. A fixative may be applied to preserve the finished state of the drawing. The pigment used in sanguine sticks comes from red earths such as red ochre.Chalk drawing
. www.britannica.com. Retrieved August 20, 2016. Sanguines are also available in several other tones such ...
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Paper
Paper is a thin sheet material produced by mechanically or chemically processing cellulose fibres derived from wood, Textile, rags, poaceae, grasses, Feces#Other uses, herbivore dung, or other vegetable sources in water. Once the water is drained through a fine mesh leaving the fibre evenly distributed on the surface, it can be pressed and dried. The papermaking process developed in east Asia, probably China, at least as early as 105 Common Era, CE, by the Han Dynasty, Han court eunuch Cai Lun, although the earliest archaeological fragments of paper derive from the 2nd century BCE in China. Although paper was originally made in single sheets by hand, today it is mass-produced on large machines—some making reels 10 metres wide, running at 2,000 metres per minute and up to 600,000 tonnes a year. It is a versatile material with many uses, including printing, painting, graphics, signage, design, packaging, decorating, writing, and Housekeeping, cleaning. It may also be used a ...
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Engraving
Engraving is the practice of incising a design on a hard, usually flat surface by cutting grooves into it with a Burin (engraving), burin. The result may be a decorated object in itself, as when silver, gold, steel, or Glass engraving, glass are engraved, or may provide an Intaglio (printmaking), intaglio printing plate, of copper or another metal, for printing images on paper as prints or illustrations; these images are also called "engravings". Engraving is one of the oldest and most important techniques in printmaking. Wood engravings, a form of relief printing and stone engravings, such as petroglyphs, are not covered in this article. Engraving was a historically important method of producing images on paper in artistic printmaking, in mapmaking, and also for commercial reproductions and illustrations for books and magazines. It has long been replaced by various photographic processes in its commercial applications and, partly because of the difficulty of learning the techni ...
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