Cornelis Mahu
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Cornelis Mahu
Cornelis Mahu (1613 – 16 November 1689) was a Flemish painter of still lifes, genre paintings and seascapes who showed a very high level of craftsmanship in his compositions. Life Mahu was born in Antwerp. Nothing is known about his training before he became master of the Guild of St. Luke in 1638.Cornelis Mahu
at the
In 1633 he married Brigitta Wolfvoet, who was the daughter of the painter and art dealer Victor Wolfvoet I and brother of the painter
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Cornelis Mahu - Still Life With Game Birds
Cornelis is a Dutch form of the male given name Cornelius. Some common shortened versions of Cornelis in Dutch are Cees, Cor, Corné, Corneel, Crelis, Kees, Neel and Nelis. Cornelis (Kees) and Johannes (Jan) used to be the most common given names in the Low Countries, and the origin of the term Yankees is commonly thought to derive from the term Jan-Kees for the Dutch settlers in New Netherland. Among the notable persons named Cornelis are: * Cornelis Engebrechtsz (c. 1462–1527), painter from Leiden * Cornelis Massijs (c. 1508–1556), painter from Flanders, Belgium * Cornelis Floris de Vriendt (1513/14-1575), architect and sculptor * Cornelis Cort (c. 1533–1578), engraver and draughtsman * Cornelis Corneliszoon (c. 1550–1607), inventor of the wind powered sawmill * Cor Dillen (c. 1920–2009), director of Philips and their CEO in South America * Cornelis van Haarlem (1562–1638), leading Northern Mannerist painter * Cornelis de Houtman (1565–1599), explorer who ...
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Vanitas
A ''vanitas'' (Latin for 'vanity') is a symbolic work of art showing the transience of life, the futility of pleasure, and the certainty of death, often contrasting symbols of wealth and symbols of ephemerality and death. Best-known are ''vanitas'' still lifes, a common genre in the Low Countries of the 16th and 17th centuries; they have also been created at other times and in other media and genres. Etymology The Latin noun ''vanitas'' (from the Latin adjective ''vanus'' 'empty') means "emptiness", "futility", or "worthlessness", the traditional Christian view being that earthly goods and pursuits are transient and worthless. It alludes to Ecclesiastes , where ''vanitas'' translates the Hebrew word ''hevel'', which also includes the concept of transitoriness. Themes Vanitas themes were common in medieval funerary art, with most surviving examples in sculpture. By the 15th century, these could be extremely morbid and explicit, reflecting an increased obsession with de ...
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Pieter Aertsen
Pieter Aertsen (1508 – 2 June 1575), called ''Lange Piet'' ("Tall Pete") because of his height, was a Dutch painter in the style of Northern Mannerism. He is credited with the invention of the monumental genre scene, which combines still life and genre painting and often also includes a biblical scene in the background. He was active in his native city Amsterdam but also worked for a long period in Antwerp, then the centre of artistic life in the Netherlands. His genre scenes were influential on later Flemish Baroque painting, Dutch still life painting and also in Italy. His peasant scenes preceded by a few years the much better-known paintings produced in Antwerp by Pieter Bruegel the Elder. Career Aertsen was born in Amsterdam, and was apprenticed to Allaert Claesz. He later travelled to the Southern Netherlands and took up residence in Antwerp, first with his compatriot Jan Mandijn. Aertsen became a member of Antwerp's Guild of Saint Luke. In the official books of the G ...
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Staatliche Kunstsammlungen Dresden
Staatliche Kunstsammlungen Dresden (, ''Dresden State Art Collections'') is a cultural institution in Dresden, Germany, owned by the State of Saxony. It is one of the most renowned and oldest museum institutions in the world, originating from the collections of the Saxon electors in the 16th century. Today, the Dresden State Art Collections consists of fifteen museums. Most of them are located in the Dresden Castle, the Zwinger and the Albertinum. History The museums belonging to the Staatliche Kunstsammlungen Dresden originated from the collections of the Saxon electors, several of whom were also Kings of Poland. Historical sources show that August I, Elector of Saxony, founded the electoral Kunstkammer (literally “art chamber”) in 1560, a collection of art located in the Dresden Castle. August the Strong and his son, August III, Kings of Poland, were important patrons and remarkable connoisseurs of the arts. They developed their art collections in a systematic fashion; ...
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