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Cornelis Mahu (1613 – 16 November 1689) was a
Flemish Flemish (''Vlaams'') is a Low Franconian dialect cluster of the Dutch language. It is sometimes referred to as Flemish Dutch (), Belgian Dutch ( ), or Southern Dutch (). Flemish is native to Flanders, a historical region in northern Belgium; ...
painter Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and ai ...
of
still life A still life (plural: still lifes) is a work of art depicting mostly wikt:inanimate, inanimate subject matter, typically commonplace objects which are either natural (food, flowers, dead animals, plants, rocks, shells, etc.) or artificiality, m ...
s,
genre paintings Genre painting (or petit genre), a form of genre art, depicts aspects of everyday life by portraying ordinary people engaged in common activities. One common definition of a genre scene is that it shows figures to whom no identity can be attached ...
and seascapes who showed a very high level of craftsmanship in his compositions.


Life

Mahu was born in
Antwerp Antwerp (; nl, Antwerpen ; french: Anvers ; es, Amberes) is the largest city in Belgium by area at and the capital of Antwerp Province in the Flemish Region. With a population of 520,504,
. Nothing is known about his training before he became master of the
Guild of St. Luke The Guild of Saint Luke was the most common name for a city guild for painters and other artists in early modern Europe, especially in the Low Countries. They were named in honor of the Four Evangelists, Evangelist Saint Luke, Luke, the patron sa ...
in 1638.Cornelis Mahu
at the
Netherlands Institute for Art History The Netherlands Institute for Art History or RKD (Dutch: RKD-Nederlands Instituut voor Kunstgeschiedenis), previously Rijksbureau voor Kunsthistorische Documentatie (RKD), is located in The Hague and is home to the largest art history center i ...
In 1633 he married Brigitta Wolfvoet, who was the daughter of the painter and art dealer Victor Wolfvoet I and brother of the painter Victor Wolfvoet II. It is possible that his father-in-law was his master.Cornelis Mahu
at Jean Moust
In addition to his son
Victor The name Victor or Viktor may refer to: * Victor (name), including a list of people with the given name, mononym, or surname Arts and entertainment Film * ''Victor'' (1951 film), a French drama film * ''Victor'' (1993 film), a French shor ...
, he had three pupils of whom
Gaspar Peeter Verbruggen the Elder Gaspar Peeter Verbruggen the Elder (Antwerp, 1635 – Antwerp, 16 April 1681) was a Flemish painter of flowers and garland paintings.Pieter Claesz Pieter Claesz (c. 1597 – 1 January 1660) was a Dutch Golden Age painter of still lifes. Biography He was born in Berchem, Belgium, near Antwerp, where he became a member of the Guild of St. Luke in 1620. He moved to Haarlem in 1620, where his ...
and
Willem Claeszoon Heda Willem Claesz. Heda (December 14, 1593/1594c. 1680/1682) was a Dutch Golden Age artist from the city of Haarlem devoted exclusively to the painting of still life. He is known for his innovation of the late breakfast genre of still life painti ...
.Vlieghe, pp. 218–219. He stressed realism in his still lifes. He also painted Flemish style still lifes more in the style of Jan Pauwel Gillemans the Elder. A good example of his still lifes is the '' Still life with an orange on a pewter plate, a porcelain pitcher, a glass, bread and a box of tobacco on a table'' (sold at the De Jonckheer Master Paintings). It shows in its arrangement of the various elements an influence of the Haarlem style. The work captures the spectator's eye with its vibrant contrasts of light and dark (chiaroscuro). The still life conveys the implicit message of
vanitas A ''vanitas'' (Latin for 'vanity') is a symbolic work of art showing the transience of life, the futility of pleasure, and the certainty of death, often contrasting symbols of wealth and symbols of ephemerality and death. Best-known are ''van ...
so typical for northern European still lifes of the time. This message is conveyed through the usual symbols of the genre: the cut orange, which evokes the passing of life that is bitter in essence, and meaningless if not combined with a higher spiritual reality, and the burning candle, which inexorably measures time and the limits of our material and sensual aspirations.Cornelis Mahu
at De Jonckheere Gallery


Genre scenes

Cornelis Mahu was a skilled painter of genre scenes depicted in an interior or outside setting. He was inspired by the various subjects developed by
David Teniers the Younger David Teniers the Younger or David Teniers II (bapt. 15 December 1610 – 25 April 1690) was a Flemish Baroque painter, printmaker, draughtsman, miniaturist painter, staffage painter, copyist and art curator. He was an extremely versatile arti ...
,
Adriaen van Ostade Adriaen van Ostade (baptized as Adriaen Jansz Hendricx 10 December 1610 – buried 2 May 1685) was a Dutch Golden Age painter of genre works, showing everyday life of ordinary men and women. Life According to Arnold Houbraken, he and his brot ...
and
Jan Miense Molenaer Jan Miense Molenaer (1610 – buried 19 September 1668), was a Dutch Golden Age genre painter whose style was a precursor to Jan Steen's work during Dutch Golden Age painting. He shared a studio with his wife, Judith Leyster, also a genre p ...
such as barn interiors, guardroom scenes and tavern interiors. These lively paintings are full of figures with exaggerated and rough features. Cornelis Manu was one of a few Flemish artists who painted 'guardroom scenes'. Guardroom scenes are a type of genre scene that had become popular in the mid-17th century, particularly in the Dutch Republic. In Flanders there were also a few practitioners of the genre including David Teniers the Younger,
Abraham Teniers Abraham Teniers (1 March 1629 – 26 September 1670) was a Flemish painter and engraver who specialized in genre paintings of villages, inns and monkey scenes. He was a member of artist family Teniers which came to prominence in the 17th century ...
,
Anton Goubau Anton Goubau or Anton Goebouw (1616 in Antwerp – 1698 in Antwerp) was a Flemish Baroque painter. He spent time in Rome where he moved in the circle of the Bamboccianti, Dutch and Flemish genre painters who created small cabinet paintings of th ...
,
Gillis van Tilborch Gillis van Tilborgh or Gillis van Tilborch (''c''. 1625 – ''c''. 1678) was a Flemish painter who worked in various genres including portraits, 'low-life' and elegant genre paintings and paintings of picture galleries. He became the keeper of ...
and
Jan Baptist Tijssens the Younger Jan Baptist Tijssens the Younger (1660–1723) was a Flemish painter mainly known for his 'guardroom scenes' and still lifes.Guardroom with the Release of St. Peter'' (Sold at Agraa Art on 17 October 2004), which is freely inspired by two compositions of David Teniers the Younger in the
Wallace Collection The Wallace Collection is a museum in London occupying Hertford House in Manchester Square, the former townhouse of the Seymour family, Marquesses of Hertford. It is named after Sir Richard Wallace, who built the extensive collection, along w ...
and the Staatliche Kunstsammlungen in Dresden. Cornelis Mahu's work depicts soldiers and officers on three different planes engaging in various activities such as gambling, smoking and talking. At the front left there is a pile of weapons and a drum. The armour depicted in the picture was already out of date at the time it was painted since metal armours, breast plates and helmets fell out of use from the 1620s. It is possible that in line with the moralizing intent of the genre, the armour is a reference to the
vanitas A ''vanitas'' (Latin for 'vanity') is a symbolic work of art showing the transience of life, the futility of pleasure, and the certainty of death, often contrasting symbols of wealth and symbols of ephemerality and death. Best-known are ''van ...
motif of the transience of power and fame. The composition also includes a religious scene of the 'Release of St. Peter', which is visible through a gate in the background of the painting. This inclusion of a religious scene in a larger composition is reminiscent of the work of 16th century painters in Antwerp such as
Pieter Aertsen Pieter Aertsen (1508 – 2 June 1575), called ''Lange Piet'' ("Tall Pete") because of his height, was a Dutch painter in the style of Northern Mannerism. He is credited with the invention of the monumental genre scene, which combines still life ...
and
Joachim Beuckelaer Joachim Beuckelaer (c. 1533 – c. 1570/4) was a Flemish painter specialising in market and kitchen scenes with elaborate displays of food and household equipment. He also painted still lifes with no figures in the central scene.
who placed small religious scenes in the background of lush scenes of markets.Kordegarda (Uwolnienie Św. Piotra), 1645


Marine paintings

Although better known for his still lifes and genre scenes, Mahu produced a number of seascapes that show his originality. The seascapes usually depict ships on a wild sea occasionally with a harbour scene or ships in distress. His palette uses a mixture of greens and browns.Rupert Preston, ''The seventeenth century marine painters of the Netherlands'', F. Lewis, 1974, p. 26. Mahu's marine scenes with their heavy clouds and raging seas are similar to those of
Bonaventura Peeters Bonaventura Peeters (I) or Bonaventura Peeters the Elder (23 July 1614 – 25 July 1652) was a Flemish painter, draughtsman and etcher. He became one of the leading marine artists in the Low Countries in the first half of the 17th century wi ...
, the leading representative of the "monochrome" movement in marine painting. Other marine paintings show a similarity with those of the painter
Jan Porcellis Jan Porcellis (1580/84 Ghent – 29 January 1632 Zoeterwoude) was a Dutch marine artist in the seventeenth century. His works initiated a "decisive transition from early realism to the tonal phase", fostering a new style and subject in mari ...
.


References


External links

* {{DEFAULTSORT:Mahu, Cornelis 1613 births 1689 deaths Flemish Baroque painters Flemish still life painters Flemish genre painters Flemish marine artists Flemish landscape painters Artists from Antwerp Painters from Antwerp