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Corneille Estates, New York
Pierre Corneille (; 6 June 1606 – 1 October 1684) was a French tragedian. He is generally considered one of the three great seventeenth-century French dramatists, along with Molière and Racine. As a young man, he earned the valuable patronage of Cardinal Richelieu, who was trying to promote classical tragedy along formal lines, but later quarrelled with him, especially over his best-known play, ''Le Cid'', about a medieval Spanish warrior, which was denounced by the newly formed ''Académie française'' for breaching the unities. He continued to write well-received tragedies for nearly forty years. Biography Early years Corneille was born in Rouen, Normandy, France, to Marthe Le Pesant and Pierre Corneille, a distinguished lawyer. His younger brother, Thomas Corneille, also became a noted playwright. He was given a rigorous Jesuit education at the ''Collège de Bourbon'' (Lycée Pierre-Corneille since 1873), where acting on the stage was part of the training. At 18 he be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Le Brun
Charles Le Brun (baptised 24 February 1619 – 12 February 1690) was a French painter, physiognomist, art theorist, and a director of several art schools of his time. As court painter to Louis XIV, who declared him "the greatest French artist of all time", he was a dominant figure in 17th-century French art and much influenced by Nicolas Poussin. Biography Early life and training Born in Paris, Le Brun attracted the notice of Chancellor Séguier, who placed him at the age of eleven in the studio of Simon Vouet. He was also a pupil of François Perrier. At fifteen he received commissions from Cardinal Richelieu, in the execution of which he displayed an ability which obtained the generous commendations of Nicolas Poussin, in whose company Le Brun started for Rome in 1642. In Rome, he remained four years in the receipt of a pension due to the liberality of the chancellor. There he worked under Poussin, adapting the latter's theories of art. While in Rome, Le Brun studied anc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kingdom Of France
The Kingdom of France ( fro, Reaume de France; frm, Royaulme de France; french: link=yes, Royaume de France) is the historiographical name or umbrella term given to various political entities of France in the medieval and early modern period. It was one of the most powerful states in Europe since the High Middle Ages. It was also an early colonial power, with possessions around the world. France originated as West Francia (''Francia Occidentalis''), the western half of the Carolingian Empire, with the Treaty of Verdun (843). A branch of the Carolingian dynasty continued to rule until 987, when Hugh Capet was elected king and founded the Capetian dynasty. The territory remained known as ''Francia'' and its ruler as ''rex Francorum'' ("king of the Franks") well into the High Middle Ages. The first king calling himself ''rex Francie'' ("King of France") was Philip II, in 1190, and officially from 1204. From then, France was continuously ruled by the Capetians and their cadet lin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Corneille Cour Napoleon Louvre
Pierre Corneille (; 6 June 1606 – 1 October 1684) was a French tragedian. He is generally considered one of the three great seventeenth-century French dramatists, along with Molière and Racine. As a young man, he earned the valuable patronage of Cardinal Richelieu, who was trying to promote classical tragedy along formal lines, but later quarrelled with him, especially over his best-known play, ''Le Cid'', about a medieval Spanish warrior, which was denounced by the newly formed ''Académie française'' for breaching the unities. He continued to write well-received tragedies for nearly forty years. Biography Early years Corneille was born in Rouen, Normandy, France, to Marthe Le Pesant and Pierre Corneille, a distinguished lawyer. His younger brother, Thomas Corneille, also became a noted playwright. He was given a rigorous Jesuit education at the ''Collège de Bourbon'' (Lycée Pierre-Corneille since 1873), where acting on the stage was part of the training. At 18 he be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Medieval Spain
Spain in the Middle Ages is a period in the History of Spain that began in the 5th Century following the Fall of the Western Roman Empire and ended with the beginning of the Early modern period in 1492. The history of Spain is marked by waves of conquerors who brought their distinct cultures to the peninsula. After the migration of the Vandals and Alans down the Mediterranean coast of Hispania from 408, the history of medieval Spain begins with the Iberian kingdom of the Arianist Visigoths (507–711), who were converted to Catholicism along with their king Reccared in 587. Visigothic culture in Spain can be seen as a phenomenon of Late Antiquity as much as part of the Age of Migrations. From Northern Africa in 711, the Muslim Umayyad Caliphate crossed into Spain, at the invitation of a Visigothic clan to assist it in rising against King Roderic. Over the period 711–788, the Umayyads conquered most of the lands of the Visigothic kingdom of Hispania and established the ter ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rodrigo Díaz De Vivar
Rodrigo Díaz de Vivar (c. 1043 – 10 July 1099) was a Castilian knight and warlord in medieval Spain. Fighting with both Christian and Muslim armies during his lifetime, he earned the Arabic honorific ''al-sīd'', which would evolve into El Cid ("the lord"), and the Spanish moniker El Campeador ("the valiant"). He was born in Vivar, a village near the city of Burgos. As the head of his loyal knights, he came to dominate the Levante of the Iberian Peninsula at the end of the 11th century. He reclaimed the Taifa of Valencia from Moorish control for a brief period during the ''Reconquista'', ruling the principality as its Prince () from 17 June 1094 until his death in 1099. His wife, Jimena Díaz, inherited the city and maintained it until 1102 when it was reconquered by the Moors. Díaz de Vivar became well known for his service in the armies of both Christian and Muslim rulers. After his death, El Cid became Spain's celebrated national hero and the protagonist of the most si ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guillén De Castro Y Bellvis
Guillén de Castro y Mateo (1569 – 28 July 1631) was a Spanish dramatist of the Spanish Golden Age. He was distinguished member of the "Nocturnos", a Spain, Spanish version of the "Academies" in Italy. Life A Valencia (city in Spain), Valencian by birth, he soon achieved a literary reputation. In 1591 he joined a local literary academy called the ''Nocturnos''. At one time a captain of the coast guard, at another the protégé of Benavente, viceroy of Naples, who appointed him governor of Scigliano, patronized by Pedro Téllez-Girón, 3rd Duke of Osuna and Gaspar de Guzmán, Count-Duke of Olivares, Castro was nominated a knight of the order of Santiago in 1623. He settled at Madrid in 1626, but died there in such poverty that his funeral expenses were defrayed by charity. Career He probably made the acquaintance of Lope de Vega at the festivals (1620–1622) held to commemorate the beatification and canonization of Isidore the Laborer, St Isidore, the patron saint of Madri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Claude De L'Estoile
Claude de L'Estoile (1602, Paris – May 1652) was a French playwright and poet. He was a founder member of the Académie française. Biography Third son of Pierre de L'Estoile he inherited fortune, he devoted himself entirely to poetry and belles-lettres and became one of the first members of the French Academy in 1634 . He is the author of odes and stanzas and two plays, the beautiful slave, tragicomedy published in 1643, and Intrigue tricksters, comedy released in 1644 . A third part, Secretary of St. Innocent, remained unfinished. It also produces two ballets, The Ballet happy shipwreck and Maistre Galimathias represented before the king in 1626, and has also collaborated with François le Métel de Boisrobert, Pierre Corneille, Jean Rotrou and Guillaume Colletet the said parts "of five authors, "The Blind Smyrna and La Comédie des Tuileries, played in 1638. Paul Pellisson Paul Pellisson (30 October 1624 – 7 February 1693) was a French author. Pellisson was born in B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Rotrou
Jean Rotrou (21 August 1609 – 28 June 1650) was a French poet and tragedian. Life Rotrou was born at Dreux, city of the current department of Eure-et-Loir, in Centre-Val de Loire region. He studied at Dreux and at Paris, and, though three years younger than Pierre Corneille, began writing before him. In 1632, he became playwright to the actors of the Hôtel de Bourgogne. (This hall is the setting for the first act of Rostand's play ''Cyrano de Bergerac'', and Rotrou's name is mentioned - as is Corneille's) With few exceptions, the only events recorded of Rotrou's life are the successive appearances of his plays, and his enrolment in 1635 in the band of five poets who had the duty of turning Richelieu's dramatic ideas into shape. Rotrou's own first piece, ''L'Hypocondriaque'' (first published in 1631, probably staged in 1628; critical edition by JC Vuillemin roz, 1999, dedicated to the Comte de Soissons, seigneur of Dreux, appeared when he was only eighteen. In the same year h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guillaume Colletet
Guillaume Colletet (12 March 1598 – 11 February 1659) was a French poet and a founder member of the Académie française. His son was François Colletet. Biography Colletet was born and died in Paris. He had a great reputation among his contemporaries and enjoyed the patronage of several important people, including Cardinal Richelieu, which whom he sometimes collaborated and who once gave him 600 livres for six verses. Colletet married, in succession, three female servants, one of whom, ''Claudine Le Nain'', he attempted to pass off as a poet in her own right, himself composing works which she then signed. When he realised he was dying, he produced a poem stating that she was giving up poetry following her husband's death; but no one was fooled. Jean de La Fontaine wrote an epigram on the subject. Works *'' Divertissements '' ; *poems (tragedies, pastorals, etc.), including '' le Banquet des Poètes '' (1646) ; *'' Epigramme '' (1653) ; *'' Histoire des poètes français '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Médée
''Médée'' is a dramatic tragedy in five acts written in alexandrine verse by Pierre Corneille in 1635. Summary The heroine of the play is the sorceress Médée. After Médée gives Jason twin boys, Jason leaves her for Creusa. Médée exacts her revenge on her husband by burning his new spouse and slitting the throats of her two children. The final act of the play ends with Médée's escape in a chariot pulled by two dragons, and Jason's suicide. ''Médée'' (1635) in Pierre Corneille's career ''Médée'' was Corneille's first tragedy. This tragedy was performed for the first time in 1635 by the Marais troupe, the rival of the hôtel de Bourgogne. During its installation at the Théâtre du Marais, the play's reception was lukewarm. Furthermore, the performances of ''Médée'' followed Corneille's expulsion from the prestigious group of five authors. The playwright no longer had the protection of Richelieu, who, resentful, greeted Corneille's first tragedy with di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mélite
''Mélite'', or ''The False Letters'', is a comedy in five acts by Pierre Corneille. Written in 1625, it is Corneille's first play and debuted on stage in December 1629 in Berthaud’s Jeu de paume court, and was performed by the acting troupe of Montdory. ''Mélite'' represents Corneille’s creation of a new genre, the comedy of manners, which was a departure from the coarse or buffoonish farce in vogue at the time. Plot It is said Corneille based his play on an actual event he witnessed.Charles Henry Conrad Wright, ''A history of French literature'' (Oxford university press, American branch, 1912), 310. The plot turns on “the misunderstandings of lovers misled by false letters.” Éraste is in love with Mélite. When Éraste introduces Mélite to his friend Tircis, Mélite falls in love with Tircis. As a result, Éraste forges some love letter A love letter is an expression of love in written form. However delivered, the letter may be anything from a short and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
