Continental Type Founders Association
Continental Type Founders Association was founded by Melbert Brinckerhoff Cary Jr. in 1925 to distribute foundry type imported from European foundries. The influence of more modern European type design was thus felt in the United States for the first time, and American foundries responded by imitating many of the more popular faces. A.T.F.'s ''Paramount'' and Monotype's ''Sans Serif'' series are two examples of this. Foundries represented The following foundries were represented:''Specimen Book of Continental Types,'' Continental Type Founders Association, N.Y.C., 1929. Beginning in 1927 Continental also distributed faces cast by Frederic Goudy, and two faces for Doug McMurtrie. At first Goudy's type was cast at his own Village Letter Foundry, but after 1929 these were cast by the New England Foundry. Despite imports being virtually cut-off during the war years, Continental was still issuing Goudy's types as late as 1944 and may have continued functioning even later. ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Melbert Cary
Melbert Brinckerhoff Cary Jr. (1892–1941) was a graphic artist who imported numerous typefaces from Europe. He married Mary Flagler Cary, an heiress of one of the founders of Standard Oil. Mr Cary founded the Press of the Woolly Whale, a private press dedicated to producing fine editions of works Cary believed to be of interest and overlooked—a rejection of the private press tradition of producing only new editions of classic works. In his own words: Our intention sto publish only those text which appeal strongly to us, excluding those accepted classics, so completely accepted that they are never opened. Our interest lies only with those who read their books, cherishing them because of the enjoyment gained from using them. (Preface, ''The Vision of Sir Launfal'' (Press of the Woolly Whale, 1929)) He was also director of Continental Type Founders Association, [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Netherlands
) , anthem = ( en, "William of Nassau") , image_map = , map_caption = , subdivision_type = Sovereign state , subdivision_name = Kingdom of the Netherlands , established_title = Before independence , established_date = Spanish Netherlands , established_title2 = Act of Abjuration , established_date2 = 26 July 1581 , established_title3 = Peace of Münster , established_date3 = 30 January 1648 , established_title4 = Kingdom established , established_date4 = 16 March 1815 , established_title5 = Liberation Day (Netherlands), Liberation Day , established_date5 = 5 May 1945 , established_title6 = Charter for the Kingdom of the Netherlands, Kingdom Charter , established_date6 = 15 December 1954 , established_title7 = Dissolution of the Netherlands Antilles, Caribbean reorganisation , established_date7 = 10 October 2010 , official_languages = Dutch language, Dutch , languages_type = Regional languages , languages_sub = yes , languages = , languages2_type = Reco ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Rudolf Wolf
Johann Rudolf Wolf (7 July 1816 – 6 December 1893) was a Swiss astronomer and mathematician best known for his research on sunspots. Wolf was born in Fällanden, near Zurich. He studied at the universities of Zurich, Vienna, and Berlin. Encke was one of his teachers. Wolf became professor of astronomy at the University of Bern in 1844 and director of the Bern Observatory in 1847. In 1855 he accepted a chair of astronomy at both the University of Zurich and the Federal Institute of Technology in Zurich. Wolf was greatly impressed by the discovery of the sunspot cycle by Heinrich Schwabe and he not only carried out his own observations, but he collected all the available data on sunspot activity back as far as 1610 and calculated a period for the cycle of 11.1 years. In 1848 he devised a way of quantifying sunspot activity. The Wolf number, as it is now called, remains in use. In 1852 Wolf was one of four people who discovered the link between the cycle and geomagnetic activity ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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D Stempel AG
D. Stempel AG was a German typographic foundry founded by David Stempel (1869–1927), in Frankfurt am Main, Germany. Many important font designers worked for the Stempel foundry, including Hans Bohn, Warren Chappell, F. H. Ehmcke, Friedrich Heinrichsen, Hanns Th. Hoyer, F. W. Kleukens, Erich Meyer, Hans Möhring, Hiero Rhode, Wilhelm Schwerdtner, Herbert Thannhaeuser, Martin Wilke, Rudolf Wolf, Victor Hammer, Hermann Zapf, and Gudrun Zapf von Hesse. With the introduction of ''Memphis'' in 1929, the foundry was the first to cast modern slab serif typefaces. From 1900 to 1983, Stempel had an exclusive relationship with Mergenthaler Linotype Company, as one of just a few producers of matrices for the Linotype machine worldwide and the only one in Europe. Starting in 1925, Stempel types were distributed in the United States by Continental Type Founders Association. Linotype AG became the majority stockholder in 1941. In 1977, Stempel began manufacturing Phototypes ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Jakob Erbar
Jakob Erbar (8 February 1878 – 7 January 1935) was a German professor of graphic design and a type designer. Erbar trained as a typesetter for the Dumont-Schauberg Printing Works before studying under Fritz Helmut Ehmcke and Anna Simons. Erbar went on to teach in 1908 at the ''Städtischen Berufsschule'' and from 1919 to his death at the '' Kölner Werkschule''. His seminal '' Erbar series'' was one of the first geometric sans-serif In typography and lettering, a sans-serif, sans serif, gothic, or simply sans letterform is one that does not have extending features called "serifs" at the end of strokes. Sans-serif typefaces tend to have less stroke width variation than seri ... typefaces, predating both Paul Renner's '' Futura'' and Rudolf Koch's '' Kabel'' by some five years. Typefaces Foundry types produced by Jakob Erbar:Jaspert, W. Pincus, W. Turner Berry and A.F. Johnson. ''The Encyclopedia of Type Faces.'' Blandford Press Lts.: 1953, 1983, , p. 2408-249 External ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Erbar (typeface)
In typography, Erbar or Erbar-Grotesk is a sans-serif typeface in the geometric style, one of the first designs of this kind released as type. Designer Jakob Erbar's aim was to design a printing type which would be free of all individual characteristics, possess thoroughly legible letter forms, and be a purely typographic creation. His conclusion was that this could only work if the type form was developed from a fundamental element, the circle. Erbar-Grotesk was developed in stages; Erbar wrote that he had originally sketched out the design in 1914 but had been prevented from working on it due to the war. The original version of Erbar was released in 1926, following Erbar's "Phosphor" titling capitals of 1922 which are very similar in design. Font ''Erbar'' was originally cast by the Ludwig & Mayer foundry of Frankfurt, Germany, with machine composition matrices later being offered by German and then American Linotype.Jaspert, Pincus, Berry and Johnson.''The Encyclopedia of T ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Ludwig & Mayer
Ludwig & Mayer was a German type foundry in Frankfurt am Main, Germany. Many important designers worked for the Ludwig and Mayer type foundry, including Heinrich Jost, Karlgeorg Hoefer, Helmut Matheis, and most notably Jakob Erbar, whose '' Erbar Book'' was one of the first geometric sans-serif typefaces, predating both Paul Renner's Futura and Rudolf Koch's Kabel by some five years. Starting in 1925, Ludwig & Mayer types were distributed in the United States by Continental Type Founders Association. When the foundry ceased operations in 1984, rights to the typefaces was transmitted to the Neufville Typefoundry. Typefaces These foundry types were produced by Ludwig & Mayer:Except where noted, this list is compiled from : House Faces Designer Faces Licensed Faces The following faces were originally faces cut for line-casting by Simoncini SA. References External linksLudwig + Mayerat MyFonts MyFonts is a digital fonts distributor, based in Woburn, Massachusetts. It ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Rudolf Koch
Rudolf Koch (20 November 1876 – 9 April 1934) was a German type designer, professor, and a master of lettering, calligraphy, typography and illustration. Commonly known for his typefaces created for the Klingspor Type Foundry, his most widely used typefaces include Neuland and Kabel. Overview Koch spent his teenage years working in Hanau as an apprentice in a metal goods workshop, whilst also attending art school, where he learned to draw, and soon after went to the Academy of Fine Arts, Nuremberg. Between 1897 and 1906 he worked for various businesses in the book trade in Leipzig, illustrating and designing book covers in the Art Nouveau style that was popular at the time. In 1906 Koch began working for the Rudhard Type foundry in Offenbach, later known as the Klingspor Type foundry. Other notable designers who worked for the foundry include Otto Eckmann and Peter Behrens. Koch was deeply spiritual and a devout Lutheran, spending much of his time working on religious ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Kabel (typeface)
Kabel is a geometric sans-serif typeface designed by German designer Rudolf Koch, and released by the Klingspor foundry from 1927 onwards. Kabel belongs to the "geometric" style of sans-serifs, which was becoming popular in Germany at the time of Kabel's creation. Based loosely on the structure of the circle and straight lines, it nonetheless applies a number of unusual design decisions, such as a delicately low x-height (although larger in the bold weight), a tilted 'e' and irregularly angled terminals, to add delicacy and an irregularity suggesting stylish calligraphy, of which Koch was an expert. A variety of rereleases and digitisations have been created. Design Kabel shows influence from Expressionism as much as from Modernism, and may be considered as a monoline sans-serif companion of Koch's Koch-Antiqua, sharing many of its character shapes and proportions. This is visible in its low x-height and its two-storey 'g' with a large, partly open lower loop, similar to Willi ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Germany
Germany,, officially the Federal Republic of Germany, is a country in Central Europe. It is the second most populous country in Europe after Russia, and the most populous member state of the European Union. Germany is situated between the Baltic and North seas to the north, and the Alps to the south; it covers an area of , with a population of almost 84 million within its 16 constituent states. Germany borders Denmark to the north, Poland and the Czech Republic to the east, Austria and Switzerland to the south, and France, Luxembourg, Belgium, and the Netherlands to the west. The nation's capital and most populous city is Berlin and its financial centre is Frankfurt; the largest urban area is the Ruhr. Various Germanic tribes have inhabited the northern parts of modern Germany since classical antiquity. A region named Germania was documented before AD 100. In 962, the Kingdom of Germany formed the bulk of the Holy Roman Empire. During the 16th ce ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |