Continental-Kunstfilm
123 Chauseestraße, Berlin, Continental-Kunstfilm's first studioThe inscription ERBAUT MDCCCXCVI (built 1906) appears on the building. Remarkably it survived East_Berlin.html"_;"title="World_War_II,_and_ended_up_on_the_East_Berlin">World_War_II,_and_ended_up_on_the_East_Berlin_side_of_the_Berlin_Wall_not_far_from_the_Chausseestraße_Berlin_border_crossings.html" ;"title="Berlin_Wall.html" ;"title="East_Berlin.html" ;"title="World War II, and ended up on the World_War_II,_and_ended_up_on_the_East_Berlin_side_of_the_Berlin_Wall">East_Berlin.html"_;"title="World_War_II,_and_ended_up_on_the_East_Berlin">World_War_II,_and_ended_up_on_the_East_Berlin_side_of_the_Berlin_Wall_not_far_from_the_Chausseestraße_Berlin_border_crossings">Berlin_border_crossing_after_1961._Chauseestraße_features_towards_the_end_of_the_2015_film_Bridge_of_Spies_(film).html" ;"title="East Berlin">World War II, and ended up on the East Berlin side of the Berlin Wall">East_Berlin.html" ;"title="World War II, and ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Joe May
Joe May (born Joseph Otto Mandl; 7 November 1880 – 29 April 1954) was an Austrian film director and film producer and one of the pioneers of German cinema. Biography After studying in Berlin and a variety of odd jobs, he began his career as a stage director of operettas in Hamburg. In 1902 he had married the actress Mia May (born Hermine Pfleger) and took his stage name from hers. Continental-Kunstfilm As Joe May, he made ten films for Continental-Kunstfilm GmbH in Berlin; the first, ''In der Tiefe des Schachtes (In the Depths of the Pit)'' was released in November 1912, followed by ''Vorglühen des Balkanbrandes (The Balkan Traitors)'' (starring Ernst Reicher). In the spring of 1914 May directed the first three of the ' Stuart Webbs' films, a popular series in which Reicher played a gentleman detective modelled on Sherlock Holmes: ''Die geheimnisvolle Villa (The Black Triangle)''; ''Der Mann im Keller (The Man in the Cellar)''; and ''Der Spuk im Haus des Professors (T ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Weissensee Studios
The Weissensee Studios (german: Filmstadt Weißensee) was a collection of separate film production studios located in the Berlin suburb of Weissensee (Berlin), Weißensee during the silent era. History The two main studios comprising the complex were almost next-door neighbours, and this has given rise to confusion as to the identity of the film companies involved and which premises they leased or owned. The studio buildings discussed in this article retained completely separate identities throughout their existence although they were occupied by several different film production companies. No films were ever made or released by "The Weissensee Studios" or "Filmstadt Weißensee", and there was never at any time any sort of joint or corporate entity with such a name. The two main locations were: *5-7 Franz Josef-Straße. Associated companies and directors: Deutsche Vitascope, Greenbaum-Film (Jules Greenbaum); PAGU (Paul Davidson (producer), Paul Davidson); Fema-Film Atelier Gmb ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Jules Greenbaum
Jules Greenbaum (5 January 1867 – 1 November 1924) was a German pioneering film producer. He founded the production companies Deutsche Bioscope, Deutsche Vitascope and Greenbaum-Film and was a dominant figure in German cinema in the years before the First World War. He is also known for his early experiments with sound films around twenty years before the success of ''The Jazz Singer'' made them a more established feature of cinema. Early career and Deutsche Bioscope Greenbaum was born in Berlin in 1867 as Julius Grünbaum. He married Emma Karstein in c1887 and moved to Chicago in the United States, where his first son Georg was born 1 November 1889. He originally worked in the textile industry, but on his return to Berlin in 1895 aged around 42 Greenbaum moved into the newly established film business and founded Deutsche Bioscope (german: Deutsche Bioskop) in 1899. This name has various contemporary spellings, including Bioscope, Bioskope and Bioskop. Greenbaum acquired a camer ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Otto Rippert
Otto Rippert (22 October 1869 – 15 January 1940) was a German film director during the silent film era. Biography Rippert was born in Offenbach am Main, Germany, and began his career as a stage actor, working in theatres in Baden-Baden, Forst (Lausitz), Bamberg and in Berlin. In 1906, he acted his first film in Baden-Baden for the French Gaumont Film Company. In 1912 he appeared (complete with stick-on beard) as the millionaire Isidor Straus in ''In Nacht und Eis'', one of the first films about the sinking of the ''Titanic''. The film was made by Continental-Kunstfilm of Berlin, where Rippert continued to work as a director, making some ten motion pictures between 1912 and 1914. However, his reputation as one of the pioneers of German silent film rests on some of his later achievements, for example ''Homunculus (film), Homunculus'' and ''The Plague of Florence''. ''Homunculus (film), Homunculus'', produced by Deutsche Bioskop in 1916, is a six-part serial science fiction film ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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In Nacht Und Eis
''In Nacht und Eis'' (English: "In Night and Ice"), also called ''Der Untergang der Titanic'' ("The Sinking of the ''Titanic''") and ''Shipwrecked in Icebergs'' in the US, is a 1912 German adventure-disaster drama film about the sinking of RMS ''Titanic''. The filming began in May 1912, and the film premiered in August 1912. Plot The film starts out with the passengers boarding at Southampton. The lives of the passengers on board the ill-fated ocean liner are depicted. On 14 April, ''Titanic'' strikes an iceberg, throwing the diners in the Café Parisien to the side. Panic strikes the passengers. The crew ready the lifeboats, despite the fact that there are not enough of them. Women and children are loaded, while the men are held back. The radio operators (who take up most of the sinking part of the film) send out an SOS. Fire blows out of the funnels during the sinking and then the boilers explode. The radio room floods, and finally the operators and captain jump ship and ''Tit ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Mime Misu
Mime Misu (21 January 1888 – 1953)"Mime Misu" KinoTV.com. Accessed 21 February 2016. (born Mișu Rosescu) was a n ballet dancer, pantomime artist, film actor and director. In 1912 he wrote and directed the first feature film about the sinking of the , '''', released in August 1912 four months after the disaster. Early acting life Mime MisuHis name is pronounced 'Meema Mischu' in Romanian. was born in the market town of Botoșani,[...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Ernst Reicher
Ernst Reicher (19 September 1885 – 1 May 1936) was a German-Jewish actor, screenwriter, film producer and film director of the silent era. Biography His father was the actor Emanuel Reicher, born in Galicia, then part of the Kingdom of Austria. Emanuel married firstly the opera singer Hedwig Reicher-Kindermann (15 July 1853 – 2 June 1883): their son was the actor Frank Reicher. After Hedwig's death, he married the actress Lina Harf and the couple had three children: Hedwiga Reicher, Ernst, and Elly (b. Berlin 1893), who all worked as actors. At Continental-Kunstfilm's studios Ernst Reicher acted, wrote scripts and directed films from 1912 to 1918. In December 1912 he starred in ''Vorglühen des Balkanbrandes'', directed by Joe May. He wrote, directed and starred in two films: ''Das Werk'' in February 1913, and ''Die Statue'' in 1914, which was banned by the Berlin police censor until 1919. Starting in winter 1913/14, he wrote and starred in the first three of the ' S ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Stuart Webbs
Stuart Webbs was a fictional detective who appeared in a series of German films and serials during the silent era. Webbs was one of a number of detectives with English-sounding names to appear in German cinema of the era. Like his contemporaries such as Joe Deebs he was modeled on Sherlock Holmes. Webbs was the most popular of the group. His original film series ran from 1914 to 1926Abel p.426 and he continued to appear in other later films such as ''The Green Monocle'' (1929). Webbs was played by Ernst Reicher until 1926. A number of figures directed entries in the series including Joe May, Johannes Guter and Robert Wiene. The series was originally made by Continental-Kunstfilm 123 Chauseestraße, Berlin, Continental-Kunstfilm's first studioThe inscription ERBAUT MDCCCXCVI (built 1906) appears on the building. Remarkably it survived East_Berlin.html"_;"title="World_War_II,_and_ended_up_on_the_East_Berlin">World_War_II, ..., but following a dispute May and Reicher left to form ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Meiningen Court Theatre
The Staatstheater Meiningen (State Theatre Meiningen), also called the Meiningen Theatre, is a four-division theater in the Thuringian town of Meiningen, Germany. The theater was founded in 1831 and was called ″Meininger Hoftheater″ (Meiningen Court Theatre) until 1920. The theatre offers music theatre (opera, operetta, musicals), drama, concerts and puppet theatre. The programme is further enhanced by the inclusion of ballet performances produced and performed by Landestheater Eisenach. The orchestra affiliated with the theatre is the Meininger Hofkapelle (Meiningen Court Orchestra). Until 2017, the theatre operated as "Südthüringisches Staatstheater" (South Thuringian State Theatre) before changing its name to "Meininger Staatstheater" (Meiningen State Theatre) and 2021 to ″Staatstheater Meiningen″ (State Theatre Meiningen). It is jointly funded by the state, city and county of Schmalkalden-Meiningen under the umbrella of the Cultural Foundation Meiningen-Eisenach, Thur ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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German Gold Mark
The German mark (german: Goldmark ; sign: ℳ) was the currency of the German Empire, which spanned from 1871 to 1918. The mark was paired with the minor unit of the pfennig (₰); 100 pfennigs were equivalent to 1 mark. The mark was on the gold standard from 1871–1914, but like most nations during World War I, the German Empire removed the gold backing in August 1914, and gold and silver coins ceased to circulate. After the fall of the Empire due to the November Revolution of 1918, the mark was succeeded by the Weimar Republic's mark, derisively referred to as the Papiermark ("Paper mark") due to hyperinflation in the Weimar Republic from 1918–1923. History The introduction of the German mark in 1873 was the culmination of decades-long efforts to unify the various currencies used by the German Confederation.pp 205-218 https://books.google.com/books?id=GrJCAAAAIAAJ&pg=PA205#v=onepage&q&f=false The Zollverein unified in 1838 the Prussian and South German currenc ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Jugendstil
''Jugendstil'' ("Youth Style") was an artistic movement, particularly in the decorative arts, that was influential primarily in Germany and elsewhere in Europe to a lesser extent from about 1895 until about 1910. It was the German counterpart of Art Nouveau. The members of the movement were reacting against the historicism and neo-classicism of the official art and architecture academies. It took its name from the art journal '' Jugend'', founded by the German artist Georg Hirth. It was especially active in the graphic arts and interior decoration. Its major centers of activity were Munich and Weimar and the Darmstadt Artists' Colony founded in Darmstadt in 1901. Important figures of the movement included the Swiss graphic artist Hermann Obrist, Otto Eckmann, and the Belgian architect and decorator Henry van de Velde. In its earlier years, the style was influenced by Modern Style (British Art Nouveau style). It was also influenced by Japanese prints. Later, under the Secessio ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |