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Constanze Backes
Constanze Backes is a classically trained German soprano in opera and concert. She has toured throughout Europe and performed in many classical genres but over the last few years has focused primarily on Early music. In addition she teaches children music technique and has translated musical works. Career Constanze Backes was born in Bochum, North Rhine-Westphalia, Germany. She began her music studies at the Folkwang-Hochschule in Essen. Later, she studied privately with Jessica Cash in London and Hea-Soon Park. In 1993, performing with John Eliot Gardiner, Backes appeared as Barbarina in Mozart's ''Le nozze di Figaro'' at the Théâtre du Châtelet of Paris, at the Royal Concertgebouw in Amsterdam, and recorded it for Deutsche Grammophon Archiv. She recorded with Gardiner also for Deutsche Grammophon Valetto in Monteverdi's ''L'incoronazione di Poppea'' and Papagena in Mozart's ''Zauberflöte''. Backes won the 1996 Lady-Nixon-Förderpreis for young singers and joined the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brackets
A bracket is either of two tall fore- or back-facing punctuation marks commonly used to isolate a segment of text or data from its surroundings. Typically deployed in symmetric pairs, an individual bracket may be identified as a 'left' or 'right' bracket or, alternatively, an "opening bracket" or "closing bracket", respectively, depending on the Writing system#Directionality, directionality of the context. Specific forms of the mark include parentheses (also called "rounded brackets"), square brackets, curly brackets (also called 'braces'), and angle brackets (also called 'chevrons'), as well as various less common pairs of symbols. As well as signifying the overall class of punctuation, the word "bracket" is commonly used to refer to a specific form of bracket, which varies from region to region. In most English-speaking countries, an unqualified word "bracket" refers to the parenthesis (round bracket); in the United States, the square bracket. Glossary of mathematical sym ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vihuela
The vihuela () is a 15th-century fretted plucked Spanish string instrument, shaped like a guitar (figure-of-eight form offering strength and portability) but tuned like a lute. It was used in 15th- and 16th-century Spain as the equivalent of the lute in Italy and has a large resultant repertory. There were usually five or six doubled strings. A bowed version, the vihuela de arco (arco meaning bow), was conceived in Spain and made in Italy from 1480. One consequence was the phrase vihuela de mano being thereafter applied to the original plucked instrument. The term ''vihuela'' became "viola" in Italian ("viole" in Fr.; "viol" in Eng.), and the bowed vihuela de arco was to serve as a prototype in the hands of the Italian craftsmen for the " da gamba" family of fretted bowed string instruments, as developed starting in 1480. Their vihuela-inherited frets made these easier to play in tune than the rebec family (precursors of the " da braccio" family), and so they became popular for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carlo Gesualdo
Carlo Gesualdo da Venosa ( – 8 September 1613) was Prince of Venosa and Count of Conza. As a composer he is known for writing madrigals and pieces of sacred music that use a chromatic language not heard again until the late 19th century. He is also known for killing his first wife and her aristocratic lover upon finding them ''in flagrante delicto''. Biography Early life Gesualdo's family had acquired the principality of Venosa in what is now the Province of Potenza, Southern Italy, in 1560. He was probably born on March 30, 1566, three years after his older brother Luigi, though some sources have stated that he was born on March 8. Older ones give the year of birth as 1560 or 1561, but this is no longer accepted. A letter from Gesualdo's mother, Geronima Borromeo, indicates that the year is most likely 1566. Gesualdo's uncle was Carlo Borromeo, later Saint Charles Borromeo. His mother was the niece of Pope Pius IV. Most likely Carlo was born at Venosa, then par ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Festspielhaus Baden-Baden
The Festspielhaus Baden-Baden is Germany’s largest opera and concert house, with a 2,500 seat capacity. The building was originally built in 1904 as Baden-Baden central railway station. This building replaced the original railway station which was constructed in 1845 as a part of branchline which connecting Baden-Baden station in the western outskirt and the city center. The building served as a railway station for several decades until the closure of the branchline in 1977. The new construction was architecturally integrated with the former Baden-Baden railway station - today encompassing the box office, Festspielhaus restaurant “Aida” and Children's Music World “Toccarion” by the Sigmund Kiener Foundation - and was opened on 18 April 1998. Wilhelm Holzbauer of Vienna was the architect of the new construction. Following initial public start-up funding, the Festspielhaus successfully converted to become the first privately financed European opera and concert company ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
L'Orfeo
''L'Orfeo'' ( SV 318) (), sometimes called ''La favola d'Orfeo'' , is a late Renaissance/early Baroque ''favola in musica'', or opera, by Claudio Monteverdi, with a libretto by Alessandro Striggio. It is based on the Greek legend of Orpheus, and tells the story of his descent to Hades and his fruitless attempt to bring his dead bride Eurydice back to the living world. It was written in 1607 for a court performance during the annual Carnival at Mantua. While Jacopo Peri's ''Dafne'' is generally recognised as the first work in the opera genre, and the earliest surviving opera is Peri's '' Euridice'', ''L'Orfeo'' is the earliest that is still regularly performed. By the early 17th century the traditional intermedio—a musical sequence between the acts of a straight play—was evolving into the form of a complete musical drama or "opera". Monteverdi's ''L'Orfeo'' moved this process out of its experimental era and provided the first fully developed example of the new genre. After i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ruhrtriennale
The Ruhrtriennale (compound of ''Ruhr'' and ''triennale'' "lasting 3 years"), also known as Ruhr Triennale, was founded in 2002 and is a music and arts festival in the Ruhr-area of Germany which runs between mid-August and mid-October, and happens in three-year cycles. The topics of the festival focus on contemporary social and global upheavals. History It was founded in 2002 by the government of North Rhine-Westphalia with Gerard Mortier, the impresario and former artistic director of the Salzburg Festival, as its founding director. The festival is organized into three-year cycles, each with its own theme and under different artistic directors. Each yearly festival comprises 80 performances of 30 productions. Its central feature are the ''Kreationen'' (creations) – interdisciplinary productions uniting contemporary developments in fine art, pop, jazz and concert music. Another continuous element is the concert series, ''Century of Song'', dedicated to the art of songwriting. Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
King Arthur (opera)
''King Arthur, or The British Worthy'' (Z. 628), is a semi-opera in five acts with music by Henry Purcell and a libretto by John Dryden. It was first performed at the Queen's Theatre, Dorset Garden, London, in late May or early June 1691. The plot is based on the battles between King Arthur's Britons and the Saxons, rather than the legends of Camelot (although Merlin does make an appearance). It is a Restoration spectacular, including such supernatural characters as Cupid and Venus plus references to the Germanic gods of the Saxons, Woden, Thor, and Freya. The tale centres on Arthur's endeavours to recover his fiancée, the blind Cornish Princess Emmeline, who has been abducted by his arch-enemy, the Saxon King Oswald of Kent. ''King Arthur'' is a "dramatick opera" or semi-opera: the principal characters do not sing, except if they are supernatural, pastoral or, in the case of Comus and the popular ''Your hay it is mow'd'', drunk. Secondary characters sing to them, usually as d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Margravial Opera House
The Margravial Opera House (german: Markgräfliches Opernhaus) is a Baroque opera house in the town of Bayreuth, Germany. Built between 1745 and 1750, it is one of Europe's few surviving theatres of the period and has been extensively restored. On 30 June 2012, the opera house was inscribed in the UNESCO World Heritage List because of its exceptional Baroque architecture. Description Located in a widened part of the street so that carriages could pull up in front, the opera house is 71.5 meters long, 31 meters wide, and 26 meters tall. The building was constructed according to plans designed by the French architect (ca. 1709 – 1754), court builder of the Hohenzollern margrave Frederick of Brandenburg-Bayreuth and his wife Princess Wilhelmine of Prussia. The sandstone façade was designed to blend with the surrounding buildings and to reference the Place Vendôme in Paris, with large Corinthian columns. A balustrade stretched across the entire façade, with sculptures of Miner ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Adolph Hasse
Johann Adolph Hasse (baptised 25 March 1699 – 16 December 1783) was an 18th-century German composer, singer and teacher of music. Immensely popular in his time, Hasse was best known for his prolific operatic output, though he also composed a considerable quantity of sacred music. Married to soprano Faustina Bordoni and a friend of librettist Pietro Metastasio, whose libretti he frequently set, Hasse was a pivotal figure in the development of '' opera seria'' and 18th-century music. Early career Hasse was baptised in Bergedorf near Hamburg where his family had been church organists for three generations. His career began in singing when he joined the Hamburg Oper am Gänsemarkt in 1718 as a tenor. In 1719 he obtained a singing post at the court of Brunswick, where in 1721 his first opera, ''Antioco'', was performed; Hasse himself sang in the production. He is thought to have left Germany during 1722. During the 1720s he lived mostly in Naples, dwelling there for six or seven ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hebbel Am Ufer
The Hebbel am Ufer (HAU) is a theater and international performance center based in Berlin. It was founded by combining three theaters in Kreuzberg, Berlin: Hebbel Theater (now called HAU1), Theater am Halleschen Ufer (theater at Hallesches Ufer) (now called HAU2) and Theater am Ufer (now called HAU3). Annemie Vanackere has been its artistic director since 2012. Its founding director was Matthias Lilienthal, who also invented the international best-selling theater project " X Homes" (also known as " X Apartments"). The Hebbel am Ufer is funded with 4 million euros by the State of Berlin and various foundations and organizations in Berlin as well as in the rest of Germany. Its mission is to protect and support the tradition of the Hebbel Theater, which is to provide space and infrastructure for different international and national theater, dance and performance events. The HAU is known for international productions in various performing arts. Especially for younger generations of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reinhard Keiser
Reinhard Keiser (9 January 1674 – 12 September 1739) was a German opera composer based in Hamburg. He wrote over a hundred operas. Johann Adolf Scheibe (writing in 1745) considered him an equal to Johann Kuhnau, George Frideric Handel and Georg Philipp Telemann, but his work was largely forgotten for many decades. Biography Keiser was born in Teuchern (in present-day Saxony-Anhalt), son of the organist and teacher Gottfried Keiser (born about 1650), and educated by other organists in the town and then from age eleven at the Thomasschule in Leipzig, where his teachers included Johann Schelle and Johann Kuhnau, direct predecessors of Johann Sebastian Bach. In 1694, he became court-composer to the duke of Brunswick-Wolfenbüttel, though he had probably come to the court already as early as 1692 to study its renowned operas, which had been going on since 1691, when the city had built a 1,200-seat opera house. Keiser put on his first opera ''Procris und Cephalus'' there and, the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tamerlano
''Tamerlano'' (Tamerlane, HWV 18) is an opera seria in three acts by George Frideric Handel. The Italian libretto was by Nicola Francesco Haym, adapted from Agostin Piovene's ''Tamerlano'' together with another libretto entitled ''Bajazet'' after Nicolas Pradon's ''Tamerlan, ou La Mort de Bajazet''. The opera was staged by the Royal Academy of Music in the King's Theatre at the Haymarket, London. History and context The German-born Handel, after spending some of his early career composing operas and other pieces in Italy, settled in London, where in 1711 he had brought Italian opera for the first time with his opera ''Rinaldo''. A tremendous success, ''Rinaldo'' created a craze in London for Italian opera seria, a form focused overwhelmingly on solo arias for the star virtuoso singers. In 1719, Handel was appointed music director of an organisation called the Royal Academy of Music (unconnected with the present day London conservatoire), a company under royal charter to prod ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
