Conservation Techniques For Cultural Properties
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Conservation Techniques For Cultural Properties
In 1975 the Japanese government added a new chapter to the Law for the Protection of Cultural Properties (1950) to provide for "traditional techniques or craftsmanship that are indispensable to the preservation of cultural property and for which preservation measures shall be taken". Preservation techniques are selected in relation to both tangible and intangible cultural properties and a holder or preservation body is recognized for each technique. In support of the , the government provides funding for and conducts programmes relating to documentation, training, development, promotion and public education. Recognition is thus made and measures taken to combat some of the most serious conservation issues, namely the lack of specialist craftsmen, the loss of knowledge of traditional techniques, and the availability of suitable tools and materials. These issues are of particular relevance in Japan due to the sophistication and inherent susceptibility of much of its art and architectur ...
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Tangible Cultural Properties Of Japan
A as defined by the Japanese government's Law for the Protection of Cultural Properties is a part of the Cultural Properties of Japan, Cultural PropertiesIn this article, capitals indicate an official designation as opposed to a simple definition, e.g "Cultural Properties" as opposed to "cultural properties". of high historical or artistic value such as structures, paintings, sculptures, handicrafts, calligraphic works, ancient books, historic documents, archeological artifacts and other such items created in Japan.Despite the official definition, some Cultural Properties of Japan were created in China, Korea or other countries. See for example the Letter from Duarte de Menezez to Toyotomi Hideyoshi, a National Treasures of Japan, National Treasure, pictured below and made in India. All objects which are not structures are called "works of fine arts and crafts. Considered by the Japanese government to be, like all Cultural Properties, a precious legacy of the Japanese people, they ...
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Tatami
A is a type of mat used as a flooring material in traditional Japanese-style rooms. Tatamis are made in standard sizes, twice as long as wide, about 0.9 m by 1.8 m depending on the region. In martial arts, tatami are the floor used for training in a dojo and for competition. Tatami are covered with a weft-faced weave of (common rush), on a warp of hemp or weaker cotton. There are four warps per weft shed, two at each end (or sometimes two per shed, one at each end, to cut costs). The (core) is traditionally made from sewn-together rice straw, but contemporary tatami sometimes have compressed wood chip boards or extruded polystyrene foam in their cores, instead or as well. The long sides are usually with brocade or plain cloth, although some tatami have no edging. History The term ''tatami'' is derived from the verb , meaning 'to fold' or 'to pile'. This indicates that the early tatami were thin and could be folded up when not used or piled in layers.Kodansha Encyclope ...
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Zushi (shrines)
is a city located in Kanagawa Prefecture, Japan. As of June 2012, the city has an estimated population of 58,087, and a population density of 3,350 per km². The total area is . Geography Zushi is located at the head of Miura Peninsula, facing Sagami Bay on the Pacific Ocean. The city is built on an alluvial plain formed by the and surrounded by low, steep hills. Surrounding municipalities *Kamakura *Yokosuka *Kanazawa-ku, Yokohama *Hayama History The area of Zushi has been inhabited since prehistoric times, and numerous Kofun period and Yayoi period remains have been discovered. During the Heian period, it came under the control of the Miura clan, and during the Kamakura period formed part of the outer fortifications for Kamakura. The port of Kotsubo is mentioned frequently in the ''Azuma Kagami''. The name 'Zushi' has been written in many different ways, including . The term "zushi" itself means a street, an alley or an intersection and came to the Kantō region from Kyoto ...
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Mikoshi
A is a sacred religious palanquin (also translated as portable Shinto shrine). Shinto followers believe that it serves as the vehicle to transport a deity in Japan while moving between main shrine and temporary shrine during a festival or when moving to a new shrine. Often, the ''mikoshi'' resembles a miniature building, with pillars, walls, a roof, a veranda and a railing. Often the Japanese honorific prefix is added, making . Traditional rituals of East Asia Shapes Typical shapes are rectangles, hexagons, and octagons. The body, which stands on two or four poles (for carrying), is usually lavishly decorated, and the roof might hold a carving of a phoenix. Festival and flow During a ''matsuri'' (Japanese festival) involving a ''mikoshi'', people bear the ''mikoshi'' on their shoulders by means of two, four (or sometimes, rarely, six) poles. They bring the ''mikoshi'' from the shrine, carry it around the neighborhoods that worship at the shrine, and in many cases l ...
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Getty Conservation Institute
The Getty Conservation Institute (GCI), located in Los Angeles, California, is a program of the J. Paul Getty Trust. It is headquartered at the Getty Center but also has facilities at the Getty Villa, and commenced operation in 1985.J. Paul Getty TrustAbout the Conservation Institute.Retrieved May 2, 2011. The GCI is a private international research institution dedicated to advancing conservation practice through the creation and delivery of knowledge. It "serves the conservation community through scientific research, education and training, model field projects, and the dissemination of the results of both its own work and the work of others in the field" and "adheres to the principles that guide the work of the Getty Trust: service, philanthropy, teaching, and access." GCI has activities in both art conservation and architectural conservation.Adams, Eric. The Getty's conservation mission. ''Architecture'', December 1997, vol. 86, issue 12. GCI conducts scientific research related ...
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Lacquerware
Lacquerware are objects decoratively covered with lacquer. Lacquerware includes small or large containers, tableware, a variety of small objects carried by people, and larger objects such as furniture and even coffins painted with lacquer. Before lacquering, the surface is sometimes painted with pictures, inlaid with shell and other materials, or carved. The lacquer can be dusted with gold or silver and given further decorative treatments. East Asian countries have long traditions of lacquer work, going back several thousand years in the cases of China, Japan and Korea. The best known lacquer, an urushiol-based lacquer common in East Asia, is derived from the dried sap of ''Toxicodendron vernicifluum''. Other types of lacquers are processed from a variety of plants and insects. The traditions of lacquer work in Southeast Asia, South Asia and the Americas are also ancient and originated independently. True lacquer is not made outside Asia, but some imitations, such as Japanning ...
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Lime (material)
Lime is a calcium-containing inorganic material composed primarily of oxides and hydroxide, usually calcium oxide and/or calcium hydroxide. It is also the name for calcium oxide which occurs as a product of coal-seam fires and in altered limestone xenoliths in volcanic ejecta. The International Mineralogical Association recognizes lime as a mineral with the chemical formula of CaO. The word ''lime'' originates with its earliest use as building mortar and has the sense of ''sticking or adhering''. These materials are still used in large quantities as building and engineering materials (including limestone products, cement, concrete, and mortar), as chemical feedstocks, and for sugar refining, among other uses. Lime industries and the use of many of the resulting products date from prehistoric times in both the Old World and the New World. Lime is used extensively for wastewater treatment with ferrous sulfate. The rocks and minerals from which these materials are derived, typ ...
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Omotesenke
Omotesenke (表千家) is one of the schools of Japanese tea ceremony. Along with Urasenke and Mushakōjisenke, it is one of the three lines of the Sen family descending from Sen no Rikyū, which together are known as the san-Senke or "three Sen houses/families" (三千家). The name "Omotesenke", literally meaning "front Sen house/family," came into being as a natural occurrence, because of the location of the homestead of this line of the family in relation to that of the line of the family at what originally was the rear (ura) of the Sen estate. The name "Mushakōjisenke" for the other of the three lines of the family derives from the fact that the family's homestead is located along Mushakōji street. History The Omotesenke estate, known by the name of its representative tea room, the "Fushin-an" (不審庵), was where Sen no Rikyū's son-in-law, Sen Shōan, reestablished the Kyoto Sen household after Rikyū's death. It is located on Ogawa street in the Kamigyō ward of K ...
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Wall Of Kyoto Imperial Palace
A wall is a structure and a surface that defines an area; carries a load; provides security, shelter, or soundproofing; or, is decorative. There are many kinds of walls, including: * Walls in buildings that form a fundamental part of the superstructure or separate interior rooms, sometimes for fire safety *Glass walls (a wall in which the primary structure is made of glass; does not include openings within walls that have glass coverings: these are windows) * Border barriers between countries * Brick walls * Defensive walls in fortifications * Permanent, solid fences * Retaining walls, which hold back dirt, stone, water, or noise sound * Stone walls * Walls that protect from oceans (seawalls) or rivers (levees) Etymology The term ''wall'' comes from Latin ''vallum'' meaning "...an earthen wall or rampart set with palisades, a row or line of stakes, a wall, a rampart, fortification..." while the Latin word ''murus'' means a defensive stone wall. English uses the same word to ...
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