Concerto Teatro Uomo
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Concerto Teatro Uomo
''Concerto Teatro Uomo'' is a live album by Italian Jazz fusion band Area released in 1996 and recorded in 1977 in Milan, while the band was supporting their fifth album ''Maledetti (Maudits)''. The album was criticized for its sound quality (it was not professionally recorded, unlike their 1975 live album ''Are(A)zione'') and for some packaging errors (the CD split between "Evaporazione" and "Arbeit Macht Frei" is wrong, there is an uncredited performance of "Diforisma Urbano" on "Il Massacro Di Brandeburgo Numero Tre in Sol Maggiore", "Improvvisazione" is "Are(a)zione" and the cover credits include Paul Lytton and Steve Lacy but they are absent in the recording "Area - Concerto Teatro Uomo - Area discography - Maclen's archive
. Retrieved 2012-8-12.), but was also praised for its musical conten ...
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Live Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at  revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ...
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Area (band)
Area – International POPular Group, most commonly known as Area or AreA, is an Italian progressive rock, jazz fusion, electronic, experimental group formed in 1972 by singer Demetrio Stratos and drummer Giulio Capiozzo. They are considered one of the most respected, innovative and important bands of the blooming 1970s Italian progressive rock scene. History Demetrio Stratos' years: 1972–1979 Area were formed in Milan in 1972. They were originally composed of Demetrio Stratos (vocals), Giulio Capiozzo (drums and percussion), Victor Edouard "Eddie" Busnello (saxophone and flutes), Leandro Gaetano (piano), and Johnny Lambizzi (guitar), soon followed by Patrick Djivas (bass) and Patrizio Fariselli (keyboards). The band was led by Stratos, who was originally from Egypt, having been born in Alexandria to Greek parents. In 1973, Lambizzi left the band and was replaced by Paolo Tofani (guitar and synthesizer). That year, they recorded their first studio album ''Arbeit macht fre ...
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Jazz Fusion
Jazz fusion (also known as fusion and progressive jazz) is a music genre that developed in the late 1960s when musicians combined jazz harmony and jazz improvisation, improvisation with rock music, funk, and rhythm and blues. Electric guitars, amplifiers, and keyboards that were popular in rock and roll started to be used by jazz musicians, particularly those who had grown up listening to rock and roll. Jazz fusion arrangements vary in complexity. Some employ groove-based vamps fixed to a single key or a single chord with a simple, repeated melody. Others use elaborate chord progressions, unconventional time signatures, or melodies with counter-melodies. These arrangements, whether simple or complex, typically include improvised sections that can vary in length, much like in other forms of jazz. As with jazz, jazz fusion can employ brass and woodwind instruments such as trumpet and saxophone, but other instruments often substitute for these. A jazz fusion band is less likely to ...
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Progressive Rock
Progressive rock (shortened as prog rock or simply prog; sometimes conflated with art rock) is a broad genre of rock music that developed in the United Kingdom and United States through the mid- to late 1960s, peaking in the early 1970s. Initially termed "progressive pop", the style was an outgrowth of psychedelic bands who abandoned standard pop traditions in favour of instrumentation and compositional techniques more frequently associated with jazz, folk, or classical music. Additional elements contributed to its " progressive" label: lyrics were more poetic, technology was harnessed for new sounds, music approached the condition of "art", and the studio, rather than the stage, became the focus of musical activity, which often involved creating music for listening rather than dancing. Progressive rock is based on fusions of styles, approaches and genres, involving a continuous move between formalism and eclecticism. Due to its historical reception, the scope of progressiv ...
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Area '70
''Area '70'' is the second compilation of the jazz fusion band Area and was released in 1980. Unlike the other compilation "Anto/Logicamente", this one was never reprinted on CD. It's noticeable for featuring the studio version of "L'Internazionale" which was only released as a single (and never on CD). Track listing Side one # "Luglio, Agosto, Settembre (nero)" (1973) – 4:27 # "Cometa rossa" (1974) – 4:00 # "Gioia e Rivoluzione" (1975) – 4:40 # "L'elefante Bianco" (1975) – 4:33 # "L'Internazionale" (1974) – 3:04 Side two # "La Mela di Odessa (1920)" (1975) – 6:27 # "Gerontocrazia" (1976) – 7:30 # "SCUM" (1976) – 6:30 Personnel *Giulio Capiozzo - drums, percussion *Patrizio Fariselli - electric piano, piano, clarinet, synthesizer *Demetrio Stratos Efstratios Dimitriou ( el, Ευστράτιος Δημητρίου; 22 April 1945 – 13 June 1979), known professionally as Demetrio Stratos, was a Greek lyricist, multi-instrumentalist, music researcher, and co ...
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Parigi-Lisbona
''Parigi-Lisbona'' is a live album by Italian jazz fusion band Area, released in 1996 and recorded in 1976 in Paris and Lisbon, while the band was supporting their third album ''Crac!''. In the Paris section of the album, Demetrio Stratos announces the songs in French and sings "La Mela di Odessa" as "La Pomme de Odessa". Just like the other phostmous release " Concerto Teatro Uomo", "Parigi-Lisbona" received criticism due to the sound quality of the recordings, and because some tracks contain edits. This album in 2002 was repackaged with other phostomous live album ''Concerto Teatro Uomo'' on the boxset ''Live Concerts Box''. This second version contains two bonus tracks (not taken from either concert). Track listing # "L'Elefante Bianco" – 5:23 # "Megalopoli" – 8:09 # "La Mela di Odessa" – 8:59 # "Lobotomia" – 4:13 # "Presentation Concerts Lisboa" – 3:27 # "Arbeit Macht Frei" – 8:28 # "Cometa Rossa" - 7:17 # "Luglio, Agosto, Settembre (Nero)" – 6:52 # "L'Intern ...
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Maledetti (Maudits)
''Maledetti (Maudits)'' is the fifth album of the jazz fusion band Area and was released in 1976. It can be considered a concept album: during the 20th century, an imaginary bank in which history is stored, loses data from the 15th century ("Evaporazione"), causing people forgetting how to govern the world. Some new hypothesis are formulated: power to old people (''"Gerontocrazia"''), power to women (''"SCUM"'', which uses as lyrics a reading of a writing by Valerie Solanas, the chief of the feminist party SCUM, which stands for "Society for Cutting Up Men"), and power to children (''"Giro, giro, tondo"'' and ''"Caos (parte seconda)"''). "Il Massacro di Brandeburgo numero tre in Sol Maggiore" is a fragment of Johann Sebastian Bach's third Brandenburg concerto. During the recording sessions of the album, Capiozzo and Tavolazzi left the band temporarily (noticeably they are absent on "Diforisma Urbano", "Giro, giro, tondo" and "Caos (parte seconda)") only to come back some months l ...
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Are(A)zione
''Are(A)zione'' is the fourth album of the Jazz fusion band Area. It is Area's first live album. It was recorded during their 1975 Italian tour, with dates in Milan, Naples, Rimini and Reggio Emilia, and released later the same year. The first of the album concentrates on live versions of some of the band's classics, the flip side features the title-track and a lengthy instrumental which introduces the drum pattern of the song "Giro, Giro, Tondo" (later to be included in the band's following studio album Maledetti (Maudits)), and closes with the Socialist anthem "L'internazionale" as covered by the band in a 1974 single. The track timings listed on the back cover are slightly incorrect. The actual running time for each track is reported below. Track listing All tracks by Patrizio Fariselli, Ares Tavolazzi & Giampaolo Tofani Side one # "Luglio, Agosto, Settembre (nero)" – 5:41 # "La Mela di Odessa" – 11:05 # "Cometa Rossa" – 6:00 Side two # "Are(A)zione" – 15:0 ...
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Boom Boom (John Lee Hooker Song)
"Boom Boom" is a song written by American blues singer and guitarist John Lee Hooker and recorded in 1961. Although it became a blues standard, music critic Charles Shaar Murray calls it "the greatest pop song he ever wrote". "Boom Boom" was both an American R&B and pop chart success in 1962 and a UK top-twenty hit in 1992. The song is one of Hooker's most identifiable and enduring songs and "among the tunes that every band on the arly 1960s UKR&B circuit simply ''had'' to play". It has been recorded by numerous blues and other artists, including a 1965 North American hit by the Animals. Recording and composition Prior to recording for Vee-Jay Records, John Lee Hooker was primarily a solo performer or accompanied by a second guitarist, such as early collaborators Eddie Burns or Eddie Kirkland. However, with Vee-Jay, he usually recorded with a small backing band, as heard on the singles "Dimples", "I Love You Honey", and "No Shoes". Detroit keyboardist Joe Hunter, who had pre ...
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John Lee Hooker
John Lee Hooker (August 22, 1912 or 1917 – June 21, 2001) was an American blues singer, songwriter, and guitarist. The son of a sharecropper, he rose to prominence performing an electric guitar-style adaptation of Delta blues. Hooker often incorporated other elements, including talking blues and early North Mississippi hill country blues. He developed his own driving-rhythm boogie style, distinct from the 1930s–1940s piano-derived boogie-woogie. Hooker was ranked 35 in ''Rolling Stone''s 2015 list of 100 greatest guitarists. Some of his best known songs include "Boogie Chillen'" (1948), "Crawling King Snake" (1949), "Dimples" (1956), " Boom Boom" (1962), and "One Bourbon, One Scotch, One Beer" (1966). Several of his later albums, including '' The Healer'' (1989), '' Mr. Lucky'' (1991), ''Chill Out'' (1995), and '' Don't Look Back'' (1997), were album chart successes in the U.S. and UK. ''The Healer'' (for the song "I'm In The Mood") and ''Chill Out'' (for the album) both e ...
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Demetrio Stratos
Efstratios Dimitriou ( el, Ευστράτιος Δημητρίου; 22 April 1945 – 13 June 1979), known professionally as Demetrio Stratos, was a Greek lyricist, multi-instrumentalist, music researcher, and co-founder, frontman and lead singer of the Italian progressive rock band Area – International POPular Group. Born and raised in Alexandria, Egypt, of Greek parents, he studied piano and accordion at the " National Conservatoire". In 1957 he was sent to Nicosia, Cyprus, and, at the age of 17, moved to Milan, Italy, to attend the Politecnico di Milano University at the Architecture Faculty, where he formed his first musical group. In 1967, Demetrio Stratos joined the Italian beat band I Ribelli, and in 1972, founded Area. Stratos recorded many records, and toured festivals in Italy, France, Portugal, Switzerland, Netherlands, Cuba, and the United States with Area, as well as a solo artist and in collaboration with other artists. He worked with Mogol, Lucio Battisti, ...
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Area (band) Albums
Area is the measure of a region's size on a surface. The area of a plane region or ''plane area'' refers to the area of a shape or planar lamina, while ''surface area'' refers to the area of an open surface or the boundary of a three-dimensional object. Area can be understood as the amount of material with a given thickness that would be necessary to fashion a model of the shape, or the amount of paint necessary to cover the surface with a single coat. It is the two-dimensional analogue of the length of a curve (a one-dimensional concept) or the volume of a solid (a three-dimensional concept). Two different regions may have the same area (as in squaring the circle); by synecdoche, "area" sometimes is used to refer to the region, as in a " polygonal area". The area of a shape can be measured by comparing the shape to squares of a fixed size. In the International System of Units (SI), the standard unit of area is the square metre (written as m2), which is the area of a square whos ...
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