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Concert For Kampuchea
''The Concert for Kampuchea (subtitled "Rock for Kampuchea")'' is a musical film from the best of the Concerts for the People of Kampuchea. The film was directed by Keith McMillan and was 4 nights of concerts in Hammersmith Odeon to raise money for Cambodia. The event was organized by Paul McCartney and Kurt Waldheim (who was then Secretary-General of the U.N.), and it involved well-established artists such as McCartney, The Who and Queen as well as younger punk and new wave acts like The Clash and The Pretenders. The film finishes with the presentation of Wings' Rockestra (more of 25 musicians playing together). Filmed in 1979, ''Concert for Kampuchea'' did not receive American theatrical distribution until it was picked up by Miramax in 1988. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wings (band)
Wings were a British-American Rock music, rock band formed in 1971 by former The Beatles, Beatle bassist Paul McCartney, his wife Linda McCartney on keyboards, session drummer Denny Seiwell, and former Moody Blues guitarist Denny Laine. Wings were noted for their commercial successes, musical eclecticism and frequent personnel changes; going through three lead guitarists and four drummers. However, the core trio of the McCartneys and Laine remained intact throughout the group's existence. Created following the McCartneys' 1971 album ''Ram (album), Ram'', the band's first two albums, ''Wild Life (Wings album), Wild Life'' (1971) and ''Red Rose Speedway'' (1973) (the latter featuring guitarist Henry McCullough), were viewed as artistic disappointments beside Paul's work with the Beatles. After the release of Live and Let Die (song), the title track of the James Bond film ''Live and Let Die (film), Live and Let Die'', McCullough and Seiwell resigned from the band. The McCartneys a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miramax
Miramax, LLC, also known as Miramax Films, is an American film and television production and distribution company founded on December 19, 1979, by brothers Harvey and Bob Weinstein, and based in Los Angeles, California. It was initially a leading producer and distributor of independent films until it became the first company to be acquired by The Walt Disney Company on June 30, 1993. In 2010, the leadership of Disney saw Miramax to be redundant in their directions and on December 3 sold it to Filmyard Holdings, a joint venture of Colony NorthStar, Tutor-Saliba Corporation and Qatar Investment Authority. On March 2, 2016, the company was in turn sold to the beIN Media Group, who then agreed to sell a 49% stake in the company to ViacomCBS (now Paramount Global) on December 20, 2019. It was completed on April 3, 2020, and its stake in Miramax got placed under the umbrella of its film division, Paramount Pictures. History Independent era (1979–1993) The company was founded by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
See Me, Feel Me
"See Me, Feel Me" (aka Listening To You/See Me, Feel Me and See Me, Feel Me/Listening To You) is a song from the Who's 1969 album ''Tommy''. It consists of two overture parts from ''Tommy'', the second and third parts of the album's final song "We're Not Gonna Take It": "See Me, Feel Me" and "Listening To You". It was released as a single in September 1970. The song is not identified as a separate track on the 1969 studio version of the album. The Who performed "See Me, Feel Me", followed by the refrain of "Listening To You", at the 1969 Woodstock Festival. This was captured on film in ''Woodstock'' (1970) and '' The Kids Are Alright'' (1979). "See Me, Feel Me" was also released as a single in the United States to capitalise on its appearance in the Woodstock film. Entering the charts on 23 September 1970, it reached number 12 on the Pop Singles Chart. It was also released in the United Kingdom but did not chart there. The band performed this song at the Closing Ceremony of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Behind Blue Eyes
"Behind Blue Eyes" is a song by English rock band the Who. It is the second single from the band's fifth album, ''Who's Next'' (1971), and was originally written by Pete Townshend for his '' Lifehouse'' project. The song is one of the Who's best-known recordings and has been covered by many artists, including Limp Bizkit. Background "Behind Blue Eyes" originated after a Who concert in Denver on 9 June 1970. Following the performance, Townshend became tempted by a female groupie, but he instead went back to his room alone, possibly as a result of the teachings of his spiritual leader, Meher Baba. Upon reaching his room, he began writing a prayer, the first words being "When my fist clenches, crack it open..." These words later appeared as lyrics in the "climactic rocking section" of "Behind Blue Eyes." When "Behind Blue Eyes" was to be released as part of the aborted ''Lifehouse'' project, the song was sung from the point of view of the main villain, Jumbo. The lyrics are a first- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sister Disco
A sister is a woman or a girl who shares one or more parents with another individual; a female sibling. The male counterpart is a brother. Although the term typically refers to a family, familial relationship, it is sometimes used endearingly to refer to non-familial relationships. A full sister is a first degree relative. Overview The English word ''sister'' comes from Old Norse systir which itself derives from Proto-Germanic *swestēr, both of which have the same meaning, i.e. sister. Some studies have found that sisters display more traits indicating jealousy around their siblings than their male counterparts, brothers. In some cultures, sisters are afforded a role of being under the protection by male siblings, especially older brothers from issues ranging from bullies or sexual advances by womanizers. In some quarters the term ''sister'' has gradually broadened its colloquial meaning to include individuals stipulating kinship. In response, in order to avoid equivocation, s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Blockheads
The Blockheads are an English rock band formed in London in 1977. Originally fronted by lead singer Ian Dury as Ian Dury and the Blockheads or Ian and the Blockheads, the band has continued to perform since Dury's death in 2000. Current members include Chaz Jankel (guitar and keyboards), Norman Watt-Roy (bass), Mick Gallagher (keyboards and piano), John Turnbull (vocals and guitar) John Roberts (drums). If Watt-Roy is unavailable, bass is often played by Nathan King. There is a rolling line-up of saxophonists that includes Gilad Atzmon, Terry Edwards or Dave Lewis and from time to time, the original sax player, Davey Payne. Between 2000 and 2022, the band's lead vocalist and main lyricist was Derek Hussey. The band are best known for their hit singles, recorded with Dury, " What a Waste", "Hit Me with Your Rhythm Stick", " Reasons to Be Cheerful, Part 3", and "Sex & Drugs & Rock & Roll". History Formation and early years In 1974, Radio Caroline's Ronan O'Rahilly set up the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coming Up (song)
"Coming Up" is a song written and performed by English musician Paul McCartney, released as the opening track on his 1980 solo album ''McCartney II''. Like other songs on the album, the song has a synthesised sound, featuring sped-up vocals created by using a vari-speed tape machine. McCartney played all instruments. The single was a hit in Britain, peaking at on the singles chart. In the United States and Canada, the live version of the song performed by Paul McCartney and Wings in Glasgow the year prior (released as the B-side to the single) saw greater success. Background In a ''Rolling Stone'' interview, McCartney explained how the song came about: John Lennon described "Coming Up" as "a good piece of work" and it prompted him to return to recording in 1980. After hearing it on the radio for the first time, Lennon reportedly stated “Fuck a pig! It’s Paul!” Lennon later stated his preference for the studio version over the live version that was released as a single: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arrow Through Me
"Arrow Through Me" is a song by the British–American rock band Wings, released on their 1979 album ''Back to the Egg''. Background "Arrow Through Me", unlike most songs on ''Back to the Egg'', is more pop-oriented than rock-oriented. ''Ultimate Classic Rock'' contributor Nick DeRiso compared the keyboard bass line to those of Stevie Wonder and also praised the "inventive undulating polyrhythm" played by drummer Steve Holley. DeRiso rated "Arrow Through Me" to be Wings' 8th greatest song. ''Billboard Magazine'' described it as "a light and bouncy midtempo tune with sparse orchestration." ''Cash Box'' called the song "a slightly quirky tune" and said that the instrumentation creates a "somber but light backing for the pleading vocals. Personnel *Paul McCartney – vocals, synth-bass, electric piano, clavinet *Steve Holley – drums, Flexatone *Howie Casey – horns *Tony Dorsey – horns *Steve Howard – horns *Thaddeus Richard – horns Release It was the A-side of the se ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Every Night (Paul McCartney Song)
"Every Night" is a song by English musician Paul McCartney, released on his debut solo album ''McCartney'' in April 1970. He wrote the song while he was on holiday in Greece, and recorded it at EMI Studios in London on February 22, 1970. McCartney first performed it live on 23 November 1979 in Liverpool. Lyrics and music The lyrics of "Every Night" reflect the difficult situation McCartney was dealing with at the time the song was written, which was in light of the imminent breakup of the Beatles; the words do, however, convey some optimism for the future. According to James McGrath, the last line, "But tonight I just wanna stay in / And be with you," is the key to the song, in that it "quietly challenges the uneasy relationship between rock and domesticity." McGrath points out that Bob Dylan's song from the previous year, "Tonight I'll Be Staying Here with You," ended on a similar note. The vocalized bridge begins with the same melody that begins McCartney's Beatles song, "You ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Getting Closer (song)
"Getting Closer" is a rock song from the British rock band Wings, Paul McCartney's post-Beatles band. The song was released on the album ''Back to the Egg''. Background Despite being released in 1979, Paul McCartney wrote "Getting Closer" in 1974, recording a piano demo for the song later that year. Upon being resurrected by the band for ''Back to the Egg'', the song, originally at a slower tempo, was transformed into a "driving rocker." Like most of the songs off of ''Back to the Egg'', "Getting Closer" bears an influence from punk and new wave music. Author and ''Mojo'' contributor Tom Doyle describes Wings' version as "power-popping" and reminiscent of the English band Squeeze.Doyle, p. 174 Juber said of the guitars used in the song: "I think I played my Martin D28 on the rhythm track and some Les Paul Custom (the one in the video) for the electric." Personnel *Paul McCartney – vocals, bass, Epiphone Casino electric guitar, Mellotron *Linda McCartney – keyboards, back ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Got To Get You Into My Life
"Got to Get You into My Life" is a song by the English rock band the Beatles, first released in 1966 on their album ''Revolver''. It was written by Paul McCartney and credited to Lennon–McCartney. The song is a homage to the Motown Sound, with colourful brass instrumentation and lyrics that suggest a psychedelic experience. "It's actually an ode to pot," McCartney explained. A cover version by Cliff Bennett and the Rebel Rousers, produced by McCartney, peaked at number six in 1966 in the UK. The song was issued in the United States as a single from the '' Rock 'n' Roll Music'' compilation album in 1976, six years after the Beatles disbanded. Another cover version by Earth, Wind & Fire from the ''Sgt. Pepper's Lonely Hearts Club Band'' film soundtrack peaked at number nine in the US in 1978. Composition and recording Though officially credited to Lennon–McCartney, McCartney was primarily responsible for the writing of the song, to which he also contributed lead vocals. It w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Wait (The Pretenders Song)
The Wait may refer to: * ''The Wait'' (ZOX album), a 2006 album by Zox * The Wait, a 2014 album by Phase * ''The Wait'' (Vika and Linda album), a 2021 album by Vika and Linda * ''The Wait'' (Tebey album), an album by Tebey *"The Wait", a song by Built to Spill from their album ''You in Reverse'' * "The Wait" (song), a song by Killing Joke *"The Wait", a song by The Pretenders from their album ''The Pretenders'' *"The Wait", a song by The American Analog Set from their 1999 album ''The Golden Band'' * "The Wait" (short story), a short story by Argentine writer Jorge Luis Borges * ''The Wait'' (2013 film), an American film by M. Blash * ''The Wait'' (2015 film), an Italian film * ''The Wait'' (2021 film), a Nigerian film See also * "The Weight "The Weight" is a song by the Canadian-American group the Band that was released as a single in 1968 and on the group's debut album ''Music from Big Pink''. It was their first release under this name, after their previous releases as Cana ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
