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Comus Class Corvette Diagrams Brasseys 1888
In Greek mythology, Comus (; grc, Κῶμος, ''Kōmos'') is the god of festivity, revels and nocturnal dalliances. He is a son and a cup-bearer of the god Dionysus. He was represented as a winged youth or a child-like satyr and represents anarchy and chaos. His mythology occurs in the later times of antiquity. During his festivals in Ancient Greece, men and women exchanged clothes. He was depicted as a young man on the point of unconsciousness from drink. He had a wreath of flowers on his head and carried a torch that was in the process of being dropped. Unlike the purely carnal Pan or purely intoxicated Dionysos, Comus was a god of excess. Comus in art A description of Comus as he appeared in painting is found in '' Imagines'' (Greek Εἰκόνες, translit. Eikones) by Philostratus the Elder, a Greek writer and sophist of the 3rd century AD. Comus appears at the start of the masque ''Pleasure Reconciled to Virtue'' by Ben Jonson and in ''Les fêtes de Paphos'' (''T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les Fêtes De Paphos
''Les fêtes de Paphos'' (''The Festivals of Paphos'') is an ''opéra-ballet'' in three acts (or ''entrées'') by the French composer Jean-Joseph Cassanéa de Mondonville. The work was described as a ''ballet héroïque'' on the title page of the printed score. Each act had a different libretto, librettist. ''Les fêtes de Paphos'' was first performed at the Académie royale de musique in Paris on 9 May 1758 and was a popular success. Mondonville recycled material from two of his previous operas for the first two acts, namely ''Erigone'' (1747) and ''Vénus et Adonis'' (1752), both originally composed for Madame de Pompadour's Théâtre des Petits Cabinets. The title of the work is explained in the preface to the printed score. Paphos was a city in Cyprus sacred to Venus (goddess), Venus, the goddess of love. "Reunited on the island of Paphos, Venus, Bacchus and Cupid decide to enliven their leisure in such a pleasant location by celebrating their first loves, and this gives rise ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Arne
Thomas Augustine Arne (; 12 March 17105 March 1778) was an English composer. He is best known for his patriotic song "Rule, Britannia!" and the song "A-Hunting We Will Go", the latter composed for a 1777 production of ''The Beggar's Opera'', which has since become popular as a folk song and a nursery rhyme. Arne was a leading British theatre composer of the 18th century, working at the West End's Drury Lane and Covent Garden. He wrote many operatic entertainments for the London theatres and pleasure gardens, as well as concertos, sinfonias, and sonatas. Early life Arne was born on March 12th, 1710 in Covent Garden and baptised at St Paul's, Covent Garden. Arne's father and grandfather were both upholsterers and both held office in the Worshipful Company of Upholders of the City of London. His grandfather fell on hard times and died in the debtors' prison of Marshalsea. His father earned enough money not only to rent 31 King Street, a large house in Covent Garden, but also t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Comus (Arne)
''Comus'' is a masque in three acts by English composer Thomas Arne. The work uses a libretto by John Dalton (1709-1763) that is based on John Milton's 1634 masque of the same name. The work was first performed at the Theatre Royal, Drury Lane, London, on 4 March 1738.John A. Parkinson: "Comus (ii)", ''Grove Music Online'' ed. L. Macy (Accessed February 16, 2009)(subscription access)/ref> History ''Comus'' was Arne's first major success, and the masque enjoyed regular revivals throughout his lifetime. The work boasts some of his finest music with songs like "Now Phoebus sinketh in the West" and "Would you taste the noontide air" displaying a fresh lyrical style. The work was published in 1740 but without the recitatives and choruses. The original score containing the additional music is now lost, but a copy of that score, made around 1785, does exist with all of the original music and some additional pieces taken from Handel’s ''L'Allegro, il Penseroso ed il Moderato ("The C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Dryden
'' John Dryden (; – ) was an English poet, literary critic, translator, and playwright who in 1668 was appointed England's first Poet Laureate. He is seen as dominating the literary life of Restoration England to such a point that the period came to be known in literary circles as the Age of Dryden. Romanticist writer Sir Walter Scott called him "Glorious John". Early life Dryden was born in the village rectory of Aldwincle near Thrapston in Northamptonshire, where his maternal grandfather was the rector of All Saints. He was the eldest of fourteen children born to Erasmus Dryden and wife Mary Pickering, paternal grandson of Sir Erasmus Dryden, 1st Barone t (1553–1632), and wife Frances Wilkes, Puritan landowning gentry who supported the Puritan cause and Parliament. He was a second cousin once removed of Jonathan Swift. As a boy, Dryden lived in the nearby village of Titchmarsh, where it is likely that he received his first education. In 1644 he was sent to Westminst ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry Purcell
Henry Purcell (, rare: September 1659 – 21 November 1695) was an English composer. Purcell's style of Baroque music was uniquely English, although it incorporated Italian and French elements. Generally considered among the greatest English opera composers, Purcell is often linked with John Dunstaple and William Byrd as England's most important early music composers. No later native-born English composer approached his fame until Edward Elgar, Ralph Vaughan Williams, Gustav Holst, William Walton and Benjamin Britten in the 20th century. Life and work Early life Purcell was born in St Ann's Lane, Old Pye Street, Westminster – the area of London later known as Devil's Acre, a notorious slum – in 1659. Henry Purcell Senior, whose older brother Thomas Purcell was a musician, was a gentleman of the Chapel Royal and sang at the coronation of King Charles II of England. Henry the elder had three sons: Edward, Henry and Daniel. Daniel Purcell, the youngest of the b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
King Arthur (opera)
''King Arthur, or The British Worthy'' (Z. 628), is a semi-opera in five acts with music by Henry Purcell and a libretto by John Dryden. It was first performed at the Queen's Theatre, Dorset Garden, London, in late May or early June 1691. The plot is based on the battles between King Arthur's Britons and the Saxons, rather than the legends of Camelot (although Merlin does make an appearance). It is a Restoration spectacular, including such supernatural characters as Cupid and Venus plus references to the Germanic gods of the Saxons, Woden, Thor, and Freya. The tale centres on Arthur's endeavours to recover his fiancée, the blind Cornish Princess Emmeline, who has been abducted by his arch-enemy, the Saxon King Oswald of Kent. ''King Arthur'' is a "dramatick opera" or semi-opera: the principal characters do not sing, except if they are supernatural, pastoral or, in the case of Comus and the popular ''Your hay it is mow'd'', drunk. Secondary characters sing to them, usually as d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marc-Antoine Charpentier
Marc-Antoine Charpentier (; 1643 – 24 February 1704) was a French Baroque composer during the reign of Louis XIV. One of his most famous works is the main theme from the prelude of his ''Te Deum'', ''Marche en rondeau''. This theme is still used today as a fanfare during television broadcasts of the Eurovision Network, the European Broadcasting Union. Marc-Antoine Charpentier dominated the Baroque musical scene in seventeenth century France because of the quality of his prolific output. He mastered all genres, and his skill in writing sacred vocal music was especially hailed by his contemporaries. He began his career by going to Italy, there he fell under the influence of Giacomo Carissimi as well as other Italian composers, perhaps Domenico Mazzocchi. He would remain marked by the Italian style and become the only one with Jean-Joseph Cassanéa de Mondonville in France to approach the oratorio. In 1670, he became a master of music (composer and singer) in the service of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les Plaisirs De Versailles
''Les plaisirs de Versailles'' H.480 (English: ''The Pleasures of Versailles'') is a short opera (or ''divertissement'') by the French composer Marc-Antoine Charpentier. It was intended for performance at the new courtly entertainment known as ''les appartements du roi'' ("the king's receptions") devised by King Louis XIV and held in his own apartments at the palace of Versailles in 1682. At the time, Charpentier was composer for Louis, ''le Grand Dauphin'', the king's son. The librettist is unknown. Roles and synopsis Most of the characters represent the pleasures enjoyed at Versailles: ''La Musique'' (Music), ''La Conversation'' (Conversation), ''Le Jeu'' (Gambling), Comus and ''Un plaisir'' (A Pleasure). The cast of the first performance is unknown but Charpentier himself may have sung ''Le Jeu''. ''La Musique'' sings until she is interrupted by the babble of ''la Conversation''. Comus arrives and tries to reconcile the two by offering chocolate, wines and confectionery. ''Le J ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque
The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including the Iberian Peninsula it continued, together with new styles, until the first decade of the 19th century. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep colour, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to France, northern Italy, Spain, and Portugal, then to Austria, southern Germany, and Russia. B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Circe
Circe (; grc, , ) is an Magician (paranormal), enchantress and a minor goddess in ancient Greek mythology and Ancient Greek religion, religion. She is either a daughter of the Titans, Titan Helios and the Oceanid nymph Perse (mythology), Perse or the goddess Hecate and Aeëtes. Circe was renowned for her vast knowledge of potions and herbs. Through the use of these and a magic wand or staff, she would Shapeshifting, transform her enemies, or those who offended her, into animals. The best known of her legends is told in Homer's ''Odyssey'' when Odysseus visits her island of Aeaea on the way back from the Trojan War and she changes most of his crew into swine. He manages to persuade her to return them to human shape, lives with her for a year and has sons by her, including Latinus and Telegonus (son of Odysseus), Telegonus. Her ability to change others into animals is further highlighted by the story of Picus, an Italian king whom she turns into a woodpecker for resisting her adv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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