Common Intermediate Format
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Common Intermediate Format
CIF (''Common Intermediate Format'' or ''Common Interchange Format''), also known as FCIF (''Full Common Intermediate Format''), is a standardized format for the picture resolution, frame rate, color space, and color subsampling of digital video sequences used in video teleconferencing systems. It was first defined in the H.261 standard in 1988. As the word "common" in its name implies, CIF was designed as a common compromise format to be relatively easy to convert for use either with PAL or NTSC standard displays and cameras. CIF defines a video sequence with a resolution of 352 × 288, which has a simple relationship to the PAL picture size, but with a frame rate of 30000/1001 (roughly 29.97) frames per second like NTSC, with color encoded using a YCbCr representation with 4:2:0 color sampling. It was designed as a compromise between PAL and NTSC schemes, since it uses a picture size that corresponds most easily to PAL, but uses the frame rate of NTSC. The compromise was esta ...
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Picture Resolution
Image resolution is the detail an image holds. The term applies to digital images, film images, and other types of images. "Higher resolution" means more image detail. Image resolution can be measured in various ways. Resolution quantifies how close lines can be to each other and still be visual perception, visibly ''resolved''. Resolution units can be tied to physical sizes (e.g. lines per mm, lines per inch), to the overall size of a picture (lines per picture height, also known simply as lines, TV lines, or TVL), or to angular subtense. Instead of single lines, line pairs are often used, composed of a dark line and an adjacent light line; for example, a resolution of 10 lines per millimeter means 5 dark lines alternating with 5 light lines, or 5 line pairs per millimeter (5 LP/mm). Photographic lens and photographic film, film resolution are most often quoted in line pairs per millimeter. Types The resolution of digital cameras can be described in many different ways. Pixel c ...
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Deinterlacing
Deinterlacing is the process of converting interlaced video into a non-interlaced or Progressive scan, progressive form. Interlaced video signals are commonly found in analog television, digital television (HDTV) when in the 1080i format, some DVD titles, and a smaller number of Blu-ray discs. An interlaced video frame consists of two Video field, fields taken in sequence: the first containing all the odd lines of the image, and the second all the even lines. Analog television employed this technique because it allowed for less transmission bandwidth while keeping a high frame rate for smoother and more life-like motion. A non-interlaced (or progressive scan) signal that uses the same bandwidth only updates the display half as often and was found to create a perceived flicker or stutter. CRT-based displays were able to display interlaced video correctly due to their complete analog nature, blending in the alternating lines seamlessly. However, since the early 2000s, displays such ...
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High-definition Television
High-definition television (HD or HDTV) describes a television system which provides a substantially higher image resolution than the previous generation of technologies. The term has been used since 1936; in more recent times, it refers to the generation following standard-definition television (SDTV), often abbreviated to HDTV or HD-TV. It is the current de facto standard video format used in most broadcasts: terrestrial broadcast television, cable television, satellite television and Blu-ray Discs. Formats HDTV may be transmitted in various formats: * 720p (1280 horizontal pixels × 720 lines): 921,600 pixels * 1080i (1920×1080) interlaced scan: 1,036,800 pixels (~1.04 MP). * 1080p (1920×1080) progressive scan: 2,073,600 pixels (~2.07 MP). ** Some countries also use a non-standard CEA resolution, such as 1440×1080i: 777,600 pixels (~0.78 MP) per field or 1,555,200 pixels (~1.56 MP) per frame When transmitted at two megapixels per frame, HDTV provides about five times ...
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Digital Video Broadcasting
Digital Video Broadcasting (DVB) is a set of international open standards for digital television. DVB standards are maintained by the DVB Project, an international industry consortium, and are published by a Joint Technical Committee (JTC) of the European Telecommunications Standards Institute (ETSI), European Committee for Electrotechnical Standardization (CENELEC) and European Broadcasting Union (EBU). Transmission DVB systems distribute data using a variety of approaches, including: * Satellite: DVB-S, DVB-S2, and DVB-SH ** DVB-SMATV for distribution via SMATV * Cable: DVB-C, DVB-C2 * Terrestrial television: DVB-T, DVB-T2 ** Digital terrestrial television for handhelds: DVB-H, DVB-SH * Microwave: using DTT ( DVB-MT), the MMDS ( DVB-MC), and/or MVDS standards (DVB-MS) These standards define the physical layer and data link layer of the distribution system. Devices interact with the physical layer via a synchronous parallel interface (SPI), synchronous serial i ...
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List Of Common Resolutions
This article lists computer monitor screen resolutions that are defined by standards or in common use. Most of them use certain preferred numbers. Computer graphics ; Pixel aspect ratio (PAR): The horizontal to vertical ratio of each pixel. ; Storage aspect ratio (SAR): The horizontal to vertical ratio of solely the number of pixels in each direction.LCD panels' resolutions are often quoted in terms of raw subpixels, misnamed "pixels" in manufacturer's specifications. Each real pixel includes one subpixel for each of three colors, so calling subpixels "pixels" inflates the claimed resolution by a factor of three. This bit of marketing obfuscation is calculated as horizontal resolution × vertical resolution × 3. For example: 640 × 480 VGA is subpixels, or pixels, 800 × 600 SVGA is subpixels, or pixels, and 1024 × 768 XGA is subpixels, but only full-color pixels. ; Display aspect ratio (DAR): The combination (which occurs by multipli ...
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MPEG-4 Part 2
MPEG-4 Part 2, MPEG-4 Visual (formally ISO/IEC 14496-2) is a video compression format developed by the Moving Picture Experts Group (MPEG). It belongs to the MPEG-4 ISO/IEC standards. It uses block-wise motion compensation and a discrete cosine transform (DCT), similar to previous standards such as MPEG-1 Part 2 and H.262/MPEG-2 Part 2. Several popular codecs including DivX, Xvid, and Nero Digital implement this standard. Note that MPEG-4 Part 10 defines a different format from MPEG-4 Part 2 and should not be confused with it. MPEG-4 Part 10 is commonly referred to as H.264 or AVC, and was jointly developed by ITU-T and MPEG. MPEG-4 Part 2 is H.263 compatible in the sense that a basic H.263 bitstream is correctly decoded by an MPEG-4 Video decoder. (MPEG-4 Video decoder is natively capable of decoding a basic form of H.263.) In MPEG-4 Visual, there are two types of video object layers: the video object layer that provides full MPEG-4 functionality, and a reduced functionality ...
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Macroblock
The macroblock is a processing unit in image and video compression formats based on linear block transforms, typically the discrete cosine transform (DCT). A macroblock typically consists of 16×16 samples, and is further subdivided into transform blocks, and may be further subdivided into prediction blocks. Formats which are based on macroblocks include JPEG, where they are called MCU blocks, H.261, MPEG-1 Part 2, H.262/MPEG-2 Part 2, H.263, MPEG-4 Part 2, and H.264/MPEG-4 AVC. In H.265/HEVC, the macroblock as a basic processing unit has been replaced by the coding tree unit. Technical details Transform blocks A macroblock is divided into transform blocks, which serve as input to the linear block transform, e.g. the DCT. In H.261, the first video codec to use macroblocks, transform blocks have a fixed size of 8×8 samples. In the YCbCr color space with 4:2:0 chroma subsampling, a 16×16 macroblock consists of 16×16 luma (Y) samples and 8×8 chroma (Cb and Cr) samples. These ...
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Pixel
In digital imaging, a pixel (abbreviated px), pel, or picture element is the smallest addressable element in a raster image, or the smallest point in an all points addressable display device. In most digital display devices, pixels are the smallest element that can be manipulated through software. Each pixel is a sample of an original image; more samples typically provide more accurate representations of the original. The intensity of each pixel is variable. In color imaging systems, a color is typically represented by three or four component intensities such as red, green, and blue, or cyan, magenta, yellow, and black. In some contexts (such as descriptions of camera sensors), ''pixel'' refers to a single scalar element of a multi-component representation (called a ''photosite'' in the camera sensor context, although ''sensel'' is sometimes used), while in yet other contexts (like MRI) it may refer to a set of component intensities for a spatial position. Etymology The w ...
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CCIR 601
ITU-R Recommendation BT.601, more commonly known by the abbreviations Rec. 601 or BT.601 (or its former name CCIR 601) is a standard originally issued in 1982 by the CCIR (an organization, which has since been renamed as the International Telecommunication Union Radiocommunication sector) for encoding interlaced analog video signals in digital video form. It includes methods of encoding 525-line 60  Hz and 625-line 50 Hz signals, both with an active region covering 720 luminance samples and 360 chrominance samples per line. The color encoding system is known as YCbCr 4:2:2. The Rec. 601 video raster format has been re-used in a number of later standards, including the ISO/IEC MPEG and ITU-T H.26x compressed formats, although compressed formats for consumer applications usually use chroma subsampling reduced from the 4:2:2 sampling specified in Rec. 601 to 4:2:0. The standard has been revised several times in its history. Its seventh edition, ...
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MPEG-1
MPEG-1 is a standard for lossy compression of video and audio. It is designed to compress VHS-quality raw digital video and CD audio down to about 1.5 Mbit/s (26:1 and 6:1 compression ratios respectively) without excessive quality loss, making video CDs, digital cable/satellite TV and digital audio broadcasting (DAB) practical. Today, MPEG-1 has become the most widely compatible lossy audio/video format in the world, and is used in a large number of products and technologies. Perhaps the best-known part of the MPEG-1 standard is the first version of the MP3 audio format it introduced. The MPEG-1 standard is published as ISO/IEC 11172 – Information technology—Coding of moving pictures and associated audio for digital storage media at up to about 1.5 Mbit/s. The standard consists of the following five ''Parts'': #Systems (storage and synchronization of video, audio, and other data together) #Video (compressed video content) #Audio (compressed audio content) #Conformance tes ...
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Source Input Format
Source Input Format (SIF) defined in MPEG-1, is a video format that was developed to allow the storage and transmission of digital video. * 625/50 SIF format (PAL/SECAM) has a resolution of (360 or) 352 x 288 active pixels and a refresh rate of 25 frames per second. * 525/59.94 SIF Format (NTSC) has a resolution of (360 or) 352 x 240 active pixels and a refresh rate of 29.97 frames per second. When compared to the CCIR 601 specifications, which defines the appropriate parameters for digital encoding of TV signals, SIF can be seen as being reduced by half in all of height, width, frame-rate, and chrominance. SIF video is known as a constrained parameters bitstream.What are Constrained Parameters Bitstreams ?
The computer industry has defined square-pixel SIF ...
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