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Comedy Of Humours
The comedy of humours is a genre of dramatic comedy that focuses on a character or range of characters, each of whom exhibits overriding traits or ' humours' that dominate their personality, desires and conduct. This comic technique may be found in Aristophanes, but the English playwrights Ben Jonson and George Chapman popularised the genre in the closing years of the sixteenth century. In the later half of the seventeenth century, it was combined with the comedy of manners in Restoration comedy. In Jonson’s ''Every Man in His Humour'' (acted 1598), which made this type of play popular, all the words and acts of Kitely are controlled by an overpowering suspicion that his wife is unfaithful; George Downright, a country squire, must be "frank" above all things; the country gull in town determines his every decision by his desire to "catch on" to the manners of the city gallant. In his Induction to ''Every Man out of His Humour'' (1599). Jonson explains this character formula: ...
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Genre
Genre () is any style or form of communication in any mode (written, spoken, digital, artistic, etc.) with socially agreed-upon conventions developed over time. In popular usage, it normally describes a category of literature, music, or other forms of art or entertainment, based on some set of stylistic criteria, as in literary genres, film genres, music genres, comics genres, etc. Often, works fit into multiple genres by way of borrowing and recombining these conventions. Stand-alone texts, works, or pieces of communication may have individual styles, but genres are amalgams of these texts based on agreed-upon or socially inferred conventions. Some genres may have rigid, strictly adhered-to guidelines, while others may show great flexibility. The proper use of a specific genre is important for a successful transfer of information ( media-adequacy). Critical discussion of genre perhaps began with a classification system for ancient Greek literature, as set out in Aristotle' ...
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Humourism
Humorism, the humoral theory, or humoralism, was a system of medicine detailing a supposed makeup and workings of the human body, adopted by Ancient Greek medicine, Ancient Greek and Medicine in ancient Rome, Roman physicians and Greek philosophy, philosophers. Humorism began to fall out of favor in the 17th century and it was definitively disproved with the discovery of microbes. Origin The concept of "humors" may have origins in Ancient Egyptian medicine, or Mesopotamia, though it was not systemized until ancient Greek thinkers. The word ''humor'' is a translation of Greek , (literally 'juice' or 'sap', metaphorically 'flavor'). Early texts on Indian Ayurveda medicine presented a theory of three or four humors (doṣas), which they sometimes linked with the five elements (): earth, water, fire, air, and space. The concept of "humors" (chemical systems regulating human behaviour) became more prominent from the writing of medical theorist Alcmaeon of Croton (c. 540–500 BC). ...
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The Alchemist (play)
''The Alchemist'' is a comedy by English playwright Ben Jonson. First performed in 1610 by the King's Men, it is generally considered Jonson's best and most characteristic comedy; Samuel Taylor Coleridge believed that it had one of the three most perfect plots in literature. The play cleverly fulfills the classical unities and vividly depicts human folly, making it one of the handful of Renaissance plays that sees continued life on the modern stage. Background ''The Alchemist'' premiered 34 years after the first permanent public theatre (The Theatre) opened in London; it is, then, a product of the early maturity of commercial drama in London. Only one of the University Wits who had transformed drama in the Elizabethan period remained alive (this was Thomas Lodge); in the other direction, the last great playwright to flourish before the Interregnum, James Shirley, was already a teenager. The theatres had survived the challenge mounted by the city and religious authorities; pl ...
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William Shakespeare
William Shakespeare ( 23 April 1564 – 23 April 1616) was an English playwright, poet and actor. He is widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's national poet and the "Bard of River Avon, Warwickshire, Avon" or simply "the Bard". His extant works, including William Shakespeare's collaborations, collaborations, consist of some Shakespeare's plays, 39 plays, Shakespeare's sonnets, 154 sonnets, three long narrative poems and a few other verses, some of uncertain authorship. His plays List of translations of works by William Shakespeare, have been translated into every major modern language, living language and are performed more often than those of any other playwright. Shakespeare remains arguably the most influential writer in the English language, and his works continue to be studied and reinterpreted. Shakespeare was born and raised in Stratford-upon-Avon, Warwickshire. At the age of 18 ...
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Shakespearean Comedy
In the First Folio, the Play (theatre), plays of William Shakespeare were grouped into three categories: comedies, Shakespearean history, histories, and Shakespearean tragedy, tragedies; and modern scholars recognise a fourth category, ''romance'', to describe the specific types of comedy that appear in Shakespeare's later works. Plays This alphabetical list includes everything listed as a comedy in the First Folio of 1623, in addition to the two quarto plays (''The Two Noble Kinsmen'' and ''Pericles, Prince of Tyre'') which are not included in the Folio but generally recognised to be Shakespeare's Easton own. Plays marked with an asterisk (*) are now commonly referred to as the ''Shakespeare's late romances, romances''. Plays marked with two asterisks (**) are sometimes referred to as the ''Shakespearean problem play, problem plays''. * ''All's Well That Ends Well**'' * ''As You Like It'' * ''The Comedy of Errors'' * ''Love's Labour's Lost'' * ''Measure for Measure**'' * ''The M ...
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Terence
Publius Terentius Afer (; – ), better known in English as Terence (), was a playwright during the Roman Republic. He was the author of six Roman comedy, comedies based on Greek comedy, Greek originals by Menander or Apollodorus of Carystus. All six of Terence's plays survive complete and were originally produced between 166–160 BC. According to ancient authors, Terence was born in Carthage and was brought to Rome as a slave, where he gained an education and his freedom; around the age of 25, Terence is said to have made a voyage to the east in search of inspiration for his plays, where he died either of disease in Greece, or by shipwreck on the return voyage. However, Terence's traditional biography is often thought to consist of speculation by ancient scholars who lived too long after Terence to have access to reliable facts about his life. Terence's plays quickly became standard school texts. He ultimately secured a place as one of the four authors taught to all grammar p ...
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Plautus
Titus Maccius Plautus ( ; 254 – 184 BC) was a Roman playwright of the Old Latin period. His comedies are the earliest Latin literary works to have survived in their entirety. He wrote Palliata comoedia, the genre devised by Livius Andronicus, the innovator of Latin literature. The word Plautine () refers to both Plautus's own works and works similar to or influenced by his. Biography Not much is known about Titus Maccius Plautus's early life. It is believed that he was born in Sarsina, a small town in Emilia Romagna in northern Italy, around 254 BC.''The Concise Oxford Companion to Classical Literature'' (1996) Ed. M.C. Howatson and Ian Chilvers, Oxford University Press, Oxford Reference Online According to Morris Marples, Plautus worked as a stage-carpenter or scene-shifter in his early years. It is from this work, perhaps, that his love of the theater originated. His acting talent was eventually discovered; and he adopted the nomen "Maccius" (from Maccus, a clownis ...
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Every Man Out Of His Humour
''Every Man out of His Humour'' (also spelled ''Humor'' in some early editions) is a satirical comedy play written by English playwright Ben Jonson, acted in 1599 by the Lord Chamberlain's Men. The play The play is a conceptual sequel to his 1598 comedy ''Every Man in His Humour''. It was much less successful on stage than its predecessor, though it was published in book size, quarto three times in 1600 alone; it was also performed at Court on 8 January 1605. The play was entered into the Stationers' Register, Register of the Worshipful Company of Stationers and Newspaper Makers, Stationers' Company on 8 April 1600 by the bookseller William Holme, who published the first book size, quarto of the play soon after. Holmes issued a second quarto later that year, with the printing done by Peter Short. Yet a third quarto appeared in 1600, published by Nicholas Ling, the stationer who would issue the "bad quarto" of ''Hamlet'' three years later. Walter Wilson Greg, W. W. Greg character ...
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Induction (play)
An induction in a play is an explanatory scene, summary or other text that stands outside or apart from the main play with the intent to comment on it, moralize about it or in the case of dumb show—to summarize the plot or underscore what is afoot. Typically, an induction precedes the main text of a play. Inductions are a common feature of plays written and performed in the Renaissance period, including those of Shakespeare. While Shakespeare plays do not typically have inductions, they are sometimes depicted as part of the device of the play within the play. Examples include the dumb show in ''Hamlet'' and the address to the audience by Puck in ''A Midsummer Night's Dream''. Another example, in ''The Spanish Tragedy'' by Thomas Kyd, is the introduction to that play by the ghost of Andrea who preps the audience by laying out the story to come. Likewise, Shakespeare's ''The Taming of the Shrew'' opens with induction scenes which involve characters watching the play proper. Refere ...
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Every Man In His Humour
''Every Man in His Humour'' is a 1598 play by the English playwright Ben Jonson. The play belongs to the subgenre of "humours comedy", in which each major character is dominated by an over-riding humour or obsession. First performance All the available evidence indicates that the play was performed by the Lord Chamberlain's Men in 1598 at the Curtain Theatre in Shoreditch, London. That date is given in the play's reprint in Jonson's 1616 folio collection of his works; the text of the play (IV,iv,15) contains an allusion to John Barrose, a Duchy of Burgundy, Burgundian fencing, fencer who challenged all comers that year and was hanged for murder on 10 July 1598. The play was also acted at Court on 2 February 1605. Shakespearean connection A theatre legend first recorded in 1709 by Nicholas Rowe (dramatist), Nicholas Rowe has it that Shakespeare advocated production of the play at a point when the company was about to reject it. While this legend is unverifiable, there is no r ...
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