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Come On Over (All I Want Is You)
"Come On Over Baby (All I Want Is You)" is a song recorded by American singer Christina Aguilera for her 1999 self-titled debut studio album. Released as the album's fourth and final single on July 11, 2000, by RCA Records, it was the first song over which Aguilera was given significant creative control. "Come On Over Baby (All I Want Is You)" was written by Johan Åberg and Paul Rein, with Aguilera, Ron Fair, Chaka Blackmon, Raymond Cham, Eric Dawkins, Shelly Peiken and Guy Roche contributing to a re-recorded version. The album version of the song was produced by Aaron Zigman, Åberg and Rein, while the re-recorded version was produced by Fair and Celebrity Status. Upon its release, "Come On Over Baby (All I Want Is You)" achieved international commercial success and critical acclaim. In the United States, it became Aguilera's third number-one hit on the ''Billboard'' Hot 100. The single also reached top-ten positions in several countries including Australia and the United Kin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christina Aguilera
Christina María Aguilera (; ; born December 18, 1980) is an American singer, songwriter, actress, and television personality. Known for her four-octave vocal range and ability to sustain high notes, she has been referred to as the " Voice of a Generation". Aguilera rose to stardom with her eponymous debut album, for which she is credited with influencing the revival of teen pop during the late 1990s and early 2000s. Her works, which incorporate feminism, sexuality, and domestic violence, have generated both critical praise and controversy, for which she is often cited as an influence by other artists. After appearing in television programs, Aguilera signed with RCA Records in 1998. Her debut album spawned three ''Billboard'' Hot 100 number-one singles — " Genie in a Bottle", " What a Girl Wants" and " Come On Over Baby (All I Want Is You)" — and earned her the Grammy Award for Best New Artist. Established as a bubblegum pop artist, she released her first Spanish recor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rudy Pérez
Rudy Amado Pérez (born May 14, 1958) is a Cuban-born American musician, songwriter, composer, producer, arranger, sound engineer, musical director and singer, as well as entertainment entrepreneur, and philanthropist. His area of specialty is ballads, although he has also worked in a variety of other genres. Pérez has produced more than 70 albums,People en Español (People in Spanish). September 1989. Page 63. composed over 1,000 songs (over 300 of which have been #1 or have reached the Top 10 Charts), and written and produced music for popular international artists such as Westlife, Natalie Cole, José Feliciano, Julio Iglesias, Luis Miguel, Raúl di Blasio, Jaci Velasquez, Cristian Castro, Christina Aguilera, Michael Bolton, Luis Fonsi, Marc Anthony, Jennifer Lopez, Il Divo, and Beyoncé. He has won many music awards throughout his career, including being voted the most important Latin composer four times (four years), and winning the title of Producer of the Decade in 2010 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tempo
In musical terminology, tempo (Italian, 'time'; plural ''tempos'', or ''tempi'' from the Italian plural) is the speed or pace of a given piece. In classical music, tempo is typically indicated with an instruction at the start of a piece (often using conventional Italian terms) and is usually measured in beats per minute (or bpm). In modern classical compositions, a "metronome mark" in beats per minute may supplement or replace the normal tempo marking, while in modern genres like electronic dance music, tempo will typically simply be stated in BPM. Tempo may be separated from articulation and meter, or these aspects may be indicated along with tempo, all contributing to the overall texture. While the ability to hold a steady tempo is a vital skill for a musical performer, tempo is changeable. Depending on the genre of a piece of music and the performers' interpretation, a piece may be played with slight tempo rubato or drastic variances. In ensembles, the tempo is often ind ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
E-flat Major
E-flat major (or the key of E-flat) is a major scale based on E, consisting of the pitches E, F, G, A, B, C, and D. Its key signature has three flats. Its relative minor is C minor, and its parallel minor is E minor, (or enharmonically D minor). The E-flat major scale is: : Characteristics The key of E-flat major is often associated with bold, heroic music, in part because of Beethoven's usage. His ''Eroica Symphony'', ''Emperor Concerto'' and ''Grand Sonata'' are all in this key. Beethoven's (hypothetical) 10th Symphony is also in E-flat. But even before Beethoven, Francesco Galeazzi identified E-flat major as "a heroic key, extremely majestic, grave and serious: in all these features it is superior to that of C." Three of Mozart's completed Horn Concertos and Joseph Haydn's Trumpet Concerto are in E-flat major, and so is Anton Bruckner's Fourth Symphony with its prominent horn theme in the first movement. Another notable heroic piece in the key of E-flat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Key (music)
In music theory, the key of a piece is the group of pitches, or scale, that forms the basis of a musical composition in classical, Western art, and Western pop music. The group features a '' tonic note'' and its corresponding ''chords'', also called a ''tonic'' or ''tonic chord'', which provides a subjective sense of arrival and rest, and also has a unique relationship to the other pitches of the same group, their corresponding chords, and pitches and chords outside the group. Notes and chords other than the tonic in a piece create varying degrees of tension, resolved when the tonic note or chord returns. The key may be in the major or minor mode, though musicians assume major when this is not specified, e.g., "This piece is in C" implies that the key of the song is C major. Popular songs are usually in a key, and so is classical music during the common practice period, around 1650–1900. Longer pieces in the classical repertoire may have sections in contrasting keys. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Genie In A Bottle
"Genie in a Bottle" is a song by American singer Christina Aguilera from her self-titled debut studio album (1999). It was written by Pam Sheyne, Steve Kipner and David Frank, and produced by Kipner and Frank. The song was released on May 11, 1999, by RCA Records as the album's lead single. It is a teen pop and dance-pop song which incorporates elements from R&B. Lyrically, "Genie in a Bottle" uses sexual references to talk about the theme of self-respect. "Genie in a Bottle" received generally favorable reviews from contemporary music critics, most of whom praised the song's lyrics and Aguilera's vocals on the track. It was nominated for Best Female Pop Vocal Performance at the 42nd Annual Grammy Awards. The single achieved commercial success, peaking atop the record charts of 21 countries. In the United States, the song peaked atop the ''Billboard'' Hot 100 and was certified double platinum by the Recording Industry Association of America (RIAA), having sold more than 2 mil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Radio Disney
Radio Disney was an American radio network operated by the Disney Radio Networks unit of Disney Branded Television within the Disney General Entertainment Content, headquartered in Burbank, California. The network broadcast music programming oriented towards children, pre-teens and teenagers, focusing mainly on current hit music and a heavy emphasis on teen idols (particularly those signed with Disney Music Group record labels, such as Hollywood and Walt Disney); compared to most CHR stations, Radio Disney was far more aggressive in playing only current hits and eschews recurrent rotation. For many years Radio Disney affiliated with stations in markets of varying size, mainly large and mid-sized markets; however, by the early 2010s, Disney had begun to phase out the network's affiliations with terrestrial radio stations, and sold its owned-and-operated Radio Disney stations (with the exception of KDIS in Los Angeles) to third-parties, in order to focus more on its programm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cheryl Lynn
Cheryl Lynn (born Lynda Cheryl Smith; March 11, 1957) is an American singer. She is best known for her songs during the late 1970s through the mid-1980s, including the 1978 R&B/disco song "Got to Be Real". Lynn's singing career began with her church choir when she was a girl. Her professional singing career started in 1976 when she obtained a job as a backing vocalist for the national touring company of the musical drama ''The Wiz''. Eventually, she obtained the role of Evillene, the Wicked Witch of the West, during the six-month national tour. Prior to her appearance in ''The Wiz'', Lynn appeared in an episode of ''The Gong Show'', a daytime entertainment show during June 1976, performing Joe Cocker's "You Are So Beautiful". Career 1976–85: Columbia Records years After her performance on ''The Gong Show'', Ahmed Ertegun of Atlantic Records company could not come to an initial meeting with Lynn, with the result that she was contracted with Columbia Records. She released her ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Got To Be Real
"Got to Be Real" is a song by American singer Cheryl Lynn from her 1978 self-titled debut studio album. The song, which was Lynn's debut single, was written by Lynn, David Paich and David Foster. Recording For the recording, David Shields played bass, David Paich played keyboards, James Gadson played drums and Ray Parker Jr. was the session guitarist. Chart performance In the United States, "Got to Be Real" hit number 12 on the ''Billboard'' Hot 100 and hit number one on the Hot Soul Singles chart in early 1979. Along with the album tracks "Star Love" and "You Saved My Day", "Got to Be Real" peaked at number eleven on the National Disco Action Top 40 chart. In the UK the song did not chart upon its original release - in 2010 it was used for a TV advertising campaign for Marks & Spencer, a department store, and it entered the main charts for the first time at number 78 for the week ending April 4, the next week peaking at number 70. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Disco
Disco is a genre of dance music and a subculture that emerged in the 1970s from the United States' urban nightlife scene. Its sound is typified by four-on-the-floor beats, syncopated basslines, string sections, brass and horns, electric piano, synthesizers, and electric rhythm guitars. Disco started as a mixture of music from venues popular with Italian Americans, Hispanic and Latino Americans and Black Americans "'Broadly speaking, the typical New York discothèque DJ is young (between 18 and 30) and Italian,' journalist Vince Lettie declared in 1975. ..Remarkably, almost all of the important early DJs were of Italian extraction .. Italian Americans have played a significant role in America's dance music culture .. While Italian Americans mostly from Brooklyn largely created disco from scratch .." in Philadelphia and New York City during the late 1960s and early 1970s. Disco can be seen as a reaction by the 1960s counterculture to both the dominance of rock music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bridge (music)
In music, especially Western popular music, a bridge is a contrasting section that prepares for the return of the original material section. In a piece in which the original material or melody is referred to as the "A" section, the bridge may be the third eight-bar phrase in a thirty-two-bar form (the B in AABA), or may be used more loosely in verse-chorus form, or, in a compound AABA form, used as a contrast to a full AABA section. The bridge is often used to contrast with and prepare for the return of the verse and the chorus. "The b section of the popular song chorus is often called the ''bridge'' or ''release''." Etymology The term comes from a German word for bridge, ''Steg'', used by the Meistersingers of the 15th to the 18th century to describe a transitional section in medieval bar form. The German term became widely known in 1920s Germany through musicologist Alfred Lorenz and his exhaustive studies of Richard Wagner's adaptations of bar form in his popular 19th-cent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chord Progression
In a musical composition, a chord progression or harmonic progression (informally chord changes, used as a plural) is a succession of chords. Chord progressions are the foundation of harmony in Western musical tradition from the common practice era of Classical music to the 21st century. Chord progressions are the foundation of Western popular music styles (e.g., pop music, rock music), traditional music, as well as genres such as blues and jazz. In these genres, chord progressions are the defining feature on which melody and rhythm are built. In tonal music, chord progressions have the function of either establishing or otherwise contradicting a tonality, the technical name for what is commonly understood as the "key" of a song or piece. Chord progressions, such as the common chord progression I–vi–ii–V, are usually expressed by Roman numerals in Classical music theory. In many styles of popular and traditional music, chord progressions are expressed using the name and " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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