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Codex Vigilanus
The ''Codex Vigilanus'' or ''Codex Albeldensis'' (Spanish: ''Códice Vigilano'' or ''Albeldense'') is an illuminated compilation of various historical documents accounting for a period extending from antiquity to the 10th century in Hispania. Among the many texts brought together by the compilers are the canons of the Visigothic Councils of Toledo, the '' Liber Iudiciorum'', the decrees of some early popes and other patristic writings, historical narratives (such as the ''Crónica Albeldense'' and the '' Life of Mohammed''), various other pieces of civil and canon law, and a calendar. It is now in the library of El Escorial monastery, with the shelfmark D.I.2. The compilers were three monks of the Riojan monastery of San Martín de Albelda: Vigila, after whom it was named and who was the illustrator; Serracino, his friend; and García, his disciple. The first compilation was finished in 881, but was updated up to 976. The original manuscript is preserved in the library ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scribes Codex Vigilanus
A scribe is a person who serves as a professional copyist, especially one who made copies of manuscripts before the invention of Printing press, automatic printing. The work of scribes can involve copying manuscripts and other texts as well as secretarial and administrative duties such as the taking of dictation and keeping of business, judicial, and historical records for kings, nobility, nobles, temples, and City, cities. The profession of scribe first appears in Mesopotamia. Scribes contributed in fundamental ways to ancient and medieval cultures, including Ancient Egyptian literature, Egypt, Chinese culture#Calligraphy, China, Sanskrit#Writing system, India, Persian literature, Persia, the Roman Empire#Literacy, books, and education, Roman Empire, and Illuminated manuscript, medieval Europe. #Judaism, Judaism, Buddhism, and Islamic manuscripts, Islam have important scribal traditions. Scribes have been essential in these cultures for the preservation of legal codes, religiou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reccesuinth
Recceswinth (died 1 September 672) was the Visigothic King of Hispania and Septimania in 649–672. He ruled jointly with his father Chindaswinth until his father's death in 653. Name His Gothic name is believed to have been *𐍂𐌰𐌹𐌺𐌰𐍃𐍅𐌹𐌽𐌸𐍃 (*''Raikaswinþs''), from the roots ''reiks'' ("king") and ''swinþs'' ("strong"). His votive crown used the Latin spelling . Other Latin spellings include ''Recceswinthus'', ''Recesvindus''. In English his name is also spelled ''Reccesuinth'', ''Recceswint'', ''Reccaswinth''; Spanish ''Recesvinto''; Portuguese ''Recesvindo''; German ''Rekkeswint''; French ''Réceswinthe''. Reign Under Recceswinth, the Visigothic Kingdom enjoyed an unbroken peace for 19 years (653–672) — except for a brief rebellion of the Vascons, led by a noble named " Froya," an exiled Goth, who fleeing the monarch’s persecutions had settled, like many others, in Basque territory. Froya and the Vascons ravaged the lands of the Ebro Va ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italo-Byzantine
Italo-Byzantine is a style term in art history, mostly used for medieval paintings produced in Italy under heavy influence from Byzantine art. It initially covers religious paintings copying or imitating the standard Byzantine icon types, but painted by artists without a training in Byzantine techniques. These are versions of Byzantine icons, most of the Madonna and Child, but also of other subjects; essentially they introduced the relatively small portable painting with a frame to Western Europe. Very often they are on a gold ground. It was the dominant style in Italian painting until the end of the 13th century, when Cimabue and Giotto began to take Italian, or at least Florentine, painting into new territory. But the style continued until the 15th century and beyond in some areas and contexts. ''Maniera greca'' ("Greek style/manner") was the Italian term used at the time, and by Vasari and others; it is one of the first post-classical European terms for style in art. Vas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carolingian Art
Carolingian art comes from the Frankish Empire in the period of roughly 120 years from about 780 to 900—during the reign of Charlemagne and his immediate heirs—popularly known as the Carolingian Renaissance. The art was produced by and for the court circle and a group of important monasteries under Imperial patronage; survivals from outside this charmed circle show a considerable drop in quality of workmanship and sophistication of design. The art was produced in several centres in what are now France, Germany, Austria, northern Italy and the Low Countries, and received considerable influence, via continental mission centres, from the Insular art of the British Isles, as well as a number of Byzantine artists who appear to have been resident in Carolingian centres. There was for the first time a thoroughgoing attempt in Northern Europe to revive and emulate classical Mediterranean art forms and styles, that resulted in a blending of classical and Northern elements in a sumptuou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mozarabic Art
Mozarabic art is an early Middle Ages, medieval artistic style that is part of the Pre-Romanesque art and architecture, pre-Romanesque style and emerged in al-Andalus and in the kingdom of León. It's named after the Mozarabs (from ''musta'rab'' meaning "Arabized"), the Christians of al-Andalus. It was developed by the Hispanic Christians who lived in Arab-Muslim territory and in the expansion territories of the León crown, in the period from the Arab-Islamic Conquest of the Iberian Peninsula (711) to the end of the 11th century. During this period, disciplines such as painting, goldsmithing and architecture with marked Caliphate influences were cultivated in a context of medieval coexistence - Christian, Hebrew and Muslim - in which the territories were constantly changing in size and status. Other names for this artistic style are ''Leonese art'' or Repoblación art and architecture, repopulation art. Description Mozarabic art is a diverse and hybrid artistic expression that fl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Visigothic Art
The Visigoths entered Hispania (modern Spain and Portugal) in 415 and they rose to be the dominant people there until the Umayyad conquest of Hispania of 711 brought their kingdom to an end. This period in Iberian art is dominated by their style. Visigothic art is generally considered in the English-speaking world to be a strain of Migration art, while the Portuguese- and Spanish-speaking worlds generally classify it as Pre-Romanesque. Branches of Visigothic art include their architecture, crafts (especially jewellery), and their script. Visigothic architecture Visigothic architecture reflects the roots of late antiquity and early Christian architecture. The Visigoths gradually occupied Gaul and the Iberian Peninsula from the 5th to the 6th century. During the 6th century, they created a stable state entity, which reached its peak in the second half of the 7th century. The brief Byzantine occupation between 554 and 626 of the southeastern region (Provincia ''Spaniae'') ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arabs
Arabs (, , ; , , ) are an ethnic group mainly inhabiting the Arab world in West Asia and North Africa. A significant Arab diaspora is present in various parts of the world. Arabs have been in the Fertile Crescent for thousands of years. In the 9th century BCE, the Assyrians made written references to Arabs as inhabitants of the Levant, Mesopotamia, and Arabia. Throughout the Ancient Near East, Arabs established influential civilizations starting from 3000 BCE onwards, such as Dilmun, Gerrha, and Magan, playing a vital role in trade between Mesopotamia, and the Mediterranean. Other prominent tribes include Midian, ʿĀd, and Thamud mentioned in the Bible and Quran. Later, in 900 BCE, the Qedarites enjoyed close relations with the nearby Canaanite and Aramaean states, and their territory extended from Lower Egypt to the Southern Levant. From 1200 BCE to 110 BCE, powerful kingdoms emerged such as Saba, Lihyan, Minaean, Qataban, Hadhramaut, Awsan, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Western Europe
Western Europe is the western region of Europe. The region's extent varies depending on context. The concept of "the West" appeared in Europe in juxtaposition to "the East" and originally applied to the Western half of the ancient Mediterranean world, the Latin West of the Roman Empire, and "Western Christendom". Beginning with the Renaissance and the Age of Discovery, roughly from the 15th century, the concept of ''Europe'' as "the Western world, West" slowly became distinguished from and eventually replaced the dominant use of "Christendom" as the preferred endonym within the area. By the Age of Enlightenment and the Industrial Revolution, the concepts of "Eastern Europe" and "Western Europe" were more regularly used. The distinctiveness of Western Europe became most apparent during the Cold War, when Europe was divided for 40 years by the Iron Curtain into the Western Bloc and Eastern Bloc, each characterised by distinct political and economical systems. Historical divisions ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arabic Numerals
The ten Arabic numerals (0, 1, 2, 3, 4, 5, 6, 7, 8, and 9) are the most commonly used symbols for writing numbers. The term often also implies a positional notation number with a decimal base, in particular when contrasted with Roman numerals. However the symbols are also used to write numbers in other bases, such as octal, as well as non-numerical information such as trademarks or license plate identifiers. They are also called Western Arabic numerals, Western digits, European digits, Ghubār numerals, or Hindu–Arabic numerals due to positional notation (but not these digits) originating in India. The ''Oxford English Dictionary'' uses lowercase ''Arabic numerals'' while using the fully capitalized term ''Arabic Numerals'' for Eastern Arabic numerals. In contemporary society, the terms ''digits'', ''numbers'', and ''numerals'' often implies only these symbols, although it can only be inferred from context. Europeans first learned of Arabic numerals , though their spread ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
King Of Viguera
The Kingdom of Viguera (Basque: ''Viguerako Erresuma'') was a small ephemeral subsidiary kingdom centered on the town of Viguera from 970 into the early 11th century. The kingdom was created by King García Sánchez I of Pamplona for the eldest son of his second marriage, Ramiro Garcés, who became the first king of Viguera. He was succeeded by two sons who ruled jointly, but on the death of the survivor of the two, sometime between 1005 and 1030, Viguera was reabsorbed into the main Pamplona kingdom. The kingdom was carved out of the south of the Kingdom of Pamplona. Its territory encompassed the valleys of the Iregua and Leza rivers in the heartland of the present-day Rioja. It probably also included Meltria. It was an artificial creation, lacking ethnic or geographical distinctness. The kings of Viguera were always subject to their superiors ruling in Pamplona. After 1005, the territory ceased to be a separate kingdom and became just another tenancy of the crown. In the y ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ramiro Garcés Of Viguera
Ramiro is a Spanish and Portuguese name from the latinisation of the Gothic given name *𐍂𐌰𐌽𐌰𐌼𐌹𐍂 (*Ranamir). Notable people with the name include: Given name * Ramiro I of Asturias (c. 790–850), king of Asturias * Ramiro II of León (c. 900–951), king of Leon * Ramiro III of León (961–985), king of Leon * Ramiro I of Aragon (before 1007–1063), king of Aragon * Ramiro II of Aragon (c. 1075–1157), king of Aragon A-C * Ramiro Arias (born 1993), Argentine football defender * Ramiro Arrue (1892–1971), Basque painter, illustrator, and ceramist * Ramiro Benavides (born 1947), Bolivian tennis player * Ramiro Benavides (swimmer) (born 1954), Guatemalan former swimmer * Ramiro Benetti (born 1993), Brazilian footballer * Ramiro Blacut (1944-2024), Bolivian footballer * Ramiro Borja (born 1961), Ecudorean-American soccer player * Ramiro Bravo (born 1962), Spanish foil fencer * Ramiro Bruschi (born 1981), Uruguayan football forward * Ramiro Cabrer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Urraca Fernández
Urraca Fernández (died 1007) was queen of León and Navarre as the wife of two kings of León and one king of Navarre between 951 and 994. She acted as regent for her son Gonzalo in the County of Aragon in 996–997, and served as co-regent of the Kingdom of Navarre, along with her daughter-in-law Jimena Fernández and the bishops of Navarre, during the minor regency of her grandson Sancho III 1004–1010. Life She was '' infanta'' of Castile and daughter of Count Fernán González and queen Sancha Sánchez of Pamplona. She was first married by her father to Ordoño III of León in 951. By him she had one child: *Bermudo II of León, whose maternity is subject to scholarly debateAlfonso Ceballos-Escalera (p. 159 de su obra Reyes de León: Ordoño III (951–956), Sancho I (956–966), Ordoño IV (958–959), Ramiro III (966–985), Vermudo II (982–999), editorial La Olmeda, Burgos, 2000 ) In 958, after Ordoño's death, she was remarried to Ordoño IV. He died in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
