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Codex Magliabechiano
The Codex Magliabechiano is a pictorial Aztec codex created during the mid-16th century, in the early Spanish colonial period. It is representative of a set of codices known collectively as the ''Magliabechiano Group (others in the group include the Codex Tudela and the Codex Ixtlilxochitl).'' The Codex Magliabechiano is based on an earlier unknown codex, which is assumed to have been the prototype for the Magliabechiano Group. It is named after Antonio Magliabechi, a 17th-century Italian manuscript collector, and is held in the Biblioteca Nazionale Centrale, Florence, Italy. It was created on European paper, with drawings and Spanish language text on both sides of each page. The Codex Magliabechiano is primarily a religious document. Various deities, indigenous religious rites, costumes, and cosmological beliefs are depicted. Its 92 pages are almost a glossary of cosmological and religious elements. The 52-year cycle is depicted, as well as the 20 day-names of the '' tonalpohuall ...
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Codex Magliabechiano (folio 30)
The Codex Magliabechiano is a pictorial Aztec codex created during the mid-16th century, in the early Spanish colonial period. It is representative of a set of codices known collectively as the ''Magliabechiano Group (others in the group include the Codex Tudela and the Codex Ixtlilxochitl).'' The Codex Magliabechiano is based on an earlier unknown codex, which is assumed to have been the prototype for the Magliabechiano Group. It is named after Antonio Magliabechi, a 17th-century Italian manuscript collector, and is held in the Biblioteca Nazionale Centrale, Florence, Italy. It was created on European paper, with drawings and Spanish language text on both sides of each page. The Codex Magliabechiano is primarily a religious document. Various deities, indigenous religious rites, costumes, and cosmological beliefs are depicted. Its 92 pages are almost a glossary of cosmological and religious elements. The 52-year cycle is depicted, as well as the 20 day-names of the '' tonalpohuall ...
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Codex Magliabechiano 11R
The codex (plural codices ) was the historical ancestor of the modern book. Instead of being composed of sheets of paper, it used sheets of vellum, papyrus, or other materials. The term ''codex'' is often used for ancient manuscript books, with handwritten contents. A codex, much like the modern book, is bound by stacking the pages and securing one set of edges by a variety of methods over the centuries, yet in a form analogous to modern bookbinding. Modern books are divided into paperback or softback and those bound with stiff boards, called hardbacks. Elaborate historical bindings are called treasure bindings. At least in the Western world, the main alternative to the paged codex format for a long document was the continuous scroll, which was the dominant form of document in the ancient world. Some codices are continuously folded like a concertina, in particular the Maya codices and Aztec codices, which are actually long sheets of paper or animal skin folded into pages. The ...
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Aztec Codex
Aztec codices ( nah, Mēxihcatl āmoxtli , sing. ''codex'') are Mesoamerican manuscripts made by the pre-Columbian Aztec, and their Nahuatl-speaking descendants during the colonial period in Mexico. History Before the start of the Spanish colonization of the Americas, the Mexica and their neighbors in and around the Valley of Mexico relied on painted books and records to document many aspects of their lives. Painted manuscripts contained information about their history, science, land tenure, tribute, and sacred rituals. According to the testimony of Bernal Díaz del Castillo, Moctezuma had a library full of such books, known as ''amatl'', or ''amoxtli,'' kept by a ''calpixqui'' or nobleman in his palace, some of them dealing with tribute. After the conquest of Tenochtitlan, indigenous nations continued to produce painted manuscripts, and the Spaniards came to accept and rely on them as valid and potentially important records. The native tradition of pictorial document ...
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Codex Tudela
The Codex Tudela is a 16th-century pictorial Aztec codex. It is based on the same prototype as the Codex Magliabechiano, the Codex Ixtlilxochitl, and other documents of the Magliabechiano Group. Little is known about the codex's history. The Spanish government bought the manuscript when it was rediscovered in 1940, and it is now held by the Museo de América in Madrid. Sr José Tudela de la Orden, after whom it was named, worked at the Museo de America and made the codex known to scholars. In Spanish it is sometimes called the ''Códice del Museo de América''. The Tudela Codex is a document written in mid 16th century in Mexico during the early colonial stage over European laid paper. It has three parts, ''Libro Indígena'', ''Libro Pintado Europeo'' and ''Libro Escrito Europeo''. The first part occupies pages 11 to 125 and was painted by the Indian scribes in a Pre-Hispanic style near 1540, containing iconography and hieroglyphic writing information regarding Mexican or Aztec ...
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Codex Ixtlilxochitl
Aztec codices ( nah, Mēxihcatl āmoxtli , sing. ''codex'') are Mesoamerican manuscripts made by the pre-Columbian Aztec, and their Nahuatl-speaking descendants during the colonial period in Mexico. History Before the start of the Spanish colonization of the Americas, the Mexica and their neighbors in and around the Valley of Mexico relied on painted books and records to document many aspects of their lives. Painted manuscripts contained information about their history, science, land tenure, tribute, and sacred rituals. According to the testimony of Bernal Díaz del Castillo, Moctezuma had a library full of such books, known as ''amatl'', or ''amoxtli,'' kept by a ''calpixqui'' or nobleman in his palace, some of them dealing with tribute. After the conquest of Tenochtitlan, indigenous nations continued to produce painted manuscripts, and the Spaniards came to accept and rely on them as valid and potentially important records. The native tradition of pictorial document ...
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Antonio Magliabechi
Antonio di Marco Magliabechi (or Magliabecchi; 29 October 1633 - 4 July 1714) was an Italian librarian, scholar and bibliophile. Biography He was born at Florence, the son of a burgher named Marco Magliabechi, and Ginevra Baldorietta. Although Magliabechi was apprenticed to a goldsmith, and worked in this capacity until his fortieth year, Michele Ermini, librarian to Cardinal de' Medici, recognized his academic ability and taught him Latin, Greek, and Hebrew. In 1673 he became librarian to Cosimo III de' Medici, Grand Duke of Tuscany. Magliabechi became the central figure of literary life in Florence, and scholars of every nation sought his acquaintance and corresponded with him. Whilst this eminent post gave him considerable prominence, he is remembered more for his personal characteristics and his vast store of self-acquired learning. He has been described as a literary glutton, and the most rational of bibliomaniacs, inasmuch as he read everything he bought. His own library ...
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National Central Library (Florence)
The National Central Library of Florence ( it, Biblioteca Nazionale Centrale di Firenze, BNCF) is a public national library in Florence, the largest in Italy and one of the most important in Europe, one of the two central libraries of Italy, along with the Biblioteca Nazionale Centrale di Roma. History The library was founded in 1714 when scholar Antonio Magliabechi bequeathed his entire collection of books, encompassing approximately 30,000 volumes, to the city of Florence. By 1743, it was required that a copy of every work published in Tuscany be submitted to the library. Originally known as the Magliabechiana, the library was opened to the public in 1747. Its holdings were combined with those of the in 1861, and by 1885, the library had been renamed as the National Central Library of Florence, or the BNCF. Since 1870, the library has collected copies of all Italian publications. Since 1935, the collections have been housed in a building designed by Cesare Bazzani and V. Maz ...
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Florence
Florence ( ; it, Firenze ) is a city in Central Italy and the capital city of the Tuscany region. It is the most populated city in Tuscany, with 383,083 inhabitants in 2016, and over 1,520,000 in its metropolitan area.Bilancio demografico anno 2013, datISTAT/ref> Florence was a centre of medieval European trade and finance and one of the wealthiest cities of that era. It is considered by many academics to have been the birthplace of the Renaissance, becoming a major artistic, cultural, commercial, political, economic and financial center. During this time, Florence rose to a position of enormous influence in Italy, Europe, and beyond. Its turbulent political history includes periods of rule by the powerful Medici family and numerous religious and republican revolutions. From 1865 to 1871 the city served as the capital of the Kingdom of Italy (established in 1861). The Florentine dialect forms the base of Standard Italian and it became the language of culture throughout Ital ...
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Italy
Italy ( it, Italia ), officially the Italian Republic, ) or the Republic of Italy, is a country in Southern Europe. It is located in the middle of the Mediterranean Sea, and its territory largely coincides with the homonymous geographical region. Italy is also considered part of Western Europe, and shares land borders with France, Switzerland, Austria, Slovenia and the enclaved microstates of Vatican City and San Marino. It has a territorial exclave in Switzerland, Campione. Italy covers an area of , with a population of over 60 million. It is the third-most populous member state of the European Union, the sixth-most populous country in Europe, and the tenth-largest country in the continent by land area. Italy's capital and largest city is Rome. Italy was the native place of many civilizations such as the Italic peoples and the Etruscans, while due to its central geographic location in Southern Europe and the Mediterranean, the country has also historically been home ...
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Tlāloc
Tlaloc ( nci-IPA, Tlāloc, ˈtɬaːlok) is a deity in Aztec religion. The supreme god of the rain, Tlaloc is also a god of earthly fertility and of water. He was widely worshipped as a beneficent giver of life and sustenance, as well as feared for his ability to send hail, thunder, and lightning, and for being the lord of the powerful element of water. Tlaloc is also associated with caves, springs, and mountains, most specifically the sacred mountain where he was believed to reside. His animal forms include herons and water-dwelling creatures such as amphibians, snails, and some sea creatures, particularly shellfish. The Mexican marigold, ''Tagetes lucida'', known to the Aztecs as , was another important symbol of the god, and was burned as a ritual incense in native religious ceremonies. The cult of Tlaloc is one of the oldest and most universal in ancient Mexico. Although the name Tlaloc is specifically Aztec, worship of a storm god, associated with mountaintop shrines and wit ...
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Cannibalism In Pre-Columbian America
There is universal agreement that some Mesoamerican people practiced human sacrifice and cannibalism, but there is no scholarly consensus as to its extent. At one extreme, anthropologist Marvin Harris, author of '' Cannibals and Kings'', has suggested that the flesh of the victims was a part of an aristocratic diet as a reward, since the Aztec diet was lacking in proteins. According to Harris, the Aztec economy would not support feeding slaves (the captured in war) and the columns of prisoners were "marching meat". Bernard R. Ortiz de Montellano has proposed that Aztec cannibalism coincided with times of harvest and should be thought of as more of a Thanksgiving. Montellano rejects the theories of Harner and Harris saying that with evidence of so many tributes and intensive chinampa agriculture, the Aztecs did not need any other food sources. At the other extreme, William Arens doubts whether there was ever any systematic cannibalism. Aztec cannibalism The Mexica of the Azte ...
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