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Closure Of The London Theatres In 1642
On September 2, 1642, just after the First English Civil War had begun, the Long Parliament ordered the closure of all London theatres. The order cited the current "times of humiliation" and their incompatibility with "public stage-plays", representative of "lascivious Mirth and Levity". The closure was the culmination of the rising anti-theatrical sentiment among Puritans, and along with William Prynne's ''Histriomastix'' (1633), its text was the most notorious attack on theatre in English history. The ban, which was not completely effective, was reinforced by an Act of 11 February 1648, at the beginning of the Second Civil War. It provided for the treatment of actors as rogues, the demolition of theatre seating, and fines for spectators. On 24 January 1643, the actors pleaded with Parliament to reopen the theatres by writing a pamphlet called '''The Actors remonstrance or complaint for the silencing of their profession, and banishment from their severall play-houses, in whi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
First English Civil War
The First English Civil War took place in England and Wales from 1642 to 1646, and forms part of the 1639 to 1653 Wars of the Three Kingdoms. They include the Bishops' Wars, the Irish Confederate Wars, the Second English Civil War, the Anglo-Scottish war (1650–1652) and the 1649 to 1653 Cromwellian conquest of Ireland. Historians estimate that between 15% to 20% of all adult males in England and Wales served in the military between 1639 to 1653, while around 4% of the total population died from war-related causes. This compares to a figure of 2.23% for World War I, which illustrates the impact of the conflict on society in general and the bitterness it engendered. Conflict over the role of Parliament and religious practice dated from the accession of James VI and I in 1603. These tensions culminated in the imposition of Personal Rule in 1629 by his son, Charles I, who finally recalled Parliament in April and November 1640. He did so hoping to obtain funding that would en ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Duke's Company
The Duke's Company was a theatre company chartered by King Charles II at the start of the Restoration era, 1660. Sir William Davenant was manager of the company under the patronage of Prince James, Duke of York. During hats period, theatres began to flourish again after they had been closed from the restrictions throughout the English Civil War and the Interregnum. The Duke's Company existed from 1660 to 1682, when it merged with the King's Company to form the United Company. History The Duke's Company was one of the two theatre companies (the other being the King's Company) that were chartered by King Charles II at the start of the English Restoration era, when the London theatres re-opened after their eighteen-year closure (1642–60) during the English Civil War and the Interregnum. The Duke's Company had the patronage of the King's younger brother Prince James, Duke of York and of Albany (later King James II & VII). It was managed by Sir William Davenant. The co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatre In The United Kingdom
Theatre of United Kingdom plays an important part in British culture, and the countries that constitute the UK have had a vibrant tradition of theatre since the Renaissance with roots going back to the Roman occupation. Beginnings Theatre was introduced from Europe to what is now the United Kingdom by the Romans and auditoriums were constructed across the country for this purpose (an example has been excavated at Verulamium). By the medieval period, theatre had developed with the mummers' plays, a form of early street theatre associated with the Morris dance, concentrating on themes such as Saint George and the Dragon and Robin Hood. These were folk tales re-telling old stories, and the actors travelled from town to town performing these for their audiences in return for money and hospitality. Medieval theatre: 500–1500 The medieval mystery plays and morality plays, which dealt with Christian themes, were performed at religious festivals. The most important work of lite ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1642 In England
Events from the year 1642 in England, opening year of the English Civil War and Wars of the Three Kingdoms. Incumbents * Monarch – Charles I * Parliament – Royalist Long (until 21 August), Revolutionary Long (starting 22 August) Events * 4 January – Charles I attempts to arrest five leading members of the Long Parliament, but they escape. This is the last time any monarch enters the House of Commons. * January – Charles I agrees to parliament’s request to order that the last Wednesday in each month should be kept as a fast day. * 18 January–March – the Protestation of 1641, an oath of allegiance to the King and Church of England, is circulated around the country for signature by all adult males, the Protestation Returns of 1641–1642. * 13 February – Charles assents to the Bishops Exclusion Act thereby removing all bishops from the House of Lords. * 23 February–11 March – Queen Henrietta Maria and her eldest daughter Mary leave Falmouth, Cornwall, t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Cambridge History Of British Theatre
The Cambridge History of British Theatre is a non-fiction work consisting of three volumes in book form. It was originally published in 2004 by Cambridge University Press. It was later published online in 2008, also by Cambridge University Press. It is not an encyclopedia. Essay articles are in rough chronological order and have been compiled in the three volumes by various editors.Tollini, Frederick, et al. Renaissance Quarterly, vol. 58, no. 4, 2005, pp. 1430–1431. .Hornback, Robert B. The Sixteenth Century Journal, vol. 37, no. 2, 2006, pp. 488–489. . Retrieved December 27, 2019. About the books Volume 1 covers the British theater from its |
Antitheatricality
Antitheatricality is any form of opposition or hostility to theater. Such opposition is as old as theater itself, suggesting a deep-seated ambivalence in human nature about the dramatic arts. Jonas Barish's 1981 book, ''The Antitheatrical Prejudice'', was, according to one of his Berkeley colleagues, immediately recognized as having given intellectual and historical definition to a phenomenon which up to that point had been only dimly observed and understood. The book earned the American Theater Association's Barnard Hewitt Award for outstanding research in theater history. Barish and some more recent commentators treat the anti-theatrical, not as an enemy to be overcome, but rather as an inevitable and valuable part of the theatrical dynamic. Antitheatrical views have been based on philosophy, religion, morality, psychology, aesthetics and on simple prejudice. Opinions have focussed variously on the art form, the artistic content, the players, the lifestyle of theater people, and o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Robbins (actor)
William Robbins (died October 1645), also Robins, Robinson, or Robson, was a prominent comic actor in the Jacobean and Caroline eras. During the English Civil War he was a captain in the Royalist army and was killed during the Siege of Basing House. Biography Robbins career began by 1617, when he was with Queen Anne's Men; he remained with that company for the remainder of its existence. In 1625 Robbins joined the newly formed Queen Henrietta's Men, and worked with that company until 1636. His role as Rawbone in their production of James Shirley's '' The Wedding'' shows that he was a thin-man clown, what his own era called a "lean fool," like John Sinklo or John Shank. Robbins also played Carazie the eunuch in Philip Massinger's ''The Renegado'', Clem in Thomas Heywood's ''The Fair Maid of the West'', and the title character, the "changeling" Antonio, in Middleton and Rowley's '' The Changeling''. The Queen Henrietta's company was disrupted by a long theatre closure due to b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
King's Men (playing Company)
The King's Men is the acting company to which William Shakespeare (1564–1616) belonged for most of his career. Formerly known as the Lord Chamberlain's Men during the reign of Queen Elizabeth I, they became the King's Men in 1603 when King James I ascended the throne and became the company's patron. The royal patent of 19 May 1603 which authorised the King's Men company named the following players, in this order: Lawrence Fletcher, William Shakespeare, Richard Burbage, Augustine Phillips, John Heminges, Henry Condell, William Sly, Robert Armin, Richard Cowley, "and the rest of their associates...." The nine cited by name became Grooms of the Chamber. On 15 March 1604, each of the nine men named in the patent was supplied with four and a half yards of red cloth for the coronation procession. Chronologically typed To 1610 In their first winter season, between December 1603 and February 1604 the company performed eight times at Court and eleven times in their second, from N ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
King's Company
The King's Company was one of two enterprises granted the rights to mount theatrical productions in London, after the London theatre closure had been lifted at the start of the English Restoration. It existed from 1660 to 1682, when it merged with the Duke's Company to form the United Company. History On 21 August 1660, King Charles II granted Thomas Killigrew and Sir William Davenant each official permission in the form of a temporary "privilege" to form acting companies. Killigrew's King's Company fell under the sponsorship of Charles himself; Davenant's Duke's Company under that of Charles's brother, then the Duke of York, later James II of England. The temporary privileges would be followed later by letters patent, issued on 25 April 1662 in Killigrew's case, cementing a hereditary monopoly on theatre for the patent-holders.Milhous, p. 4. The first permanent venue for the King's Company was Gibbon's Tennis Court; in 1663, responding to competition from the Duke's Company's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Long Parliament
The Long Parliament was an English Parliament which lasted from 1640 until 1660. It followed the fiasco of the Short Parliament, which had convened for only three weeks during the spring of 1640 after an 11-year parliamentary absence. In September 1640, King Charles I issued writs summoning a parliament to convene on 3 November 1640.This article uses the Julian calendar with the start of year adjusted to 1 January – for a more detailed explanation, see old style and new style dates: differences between the start of the year. He intended it to pass financial bills, a step made necessary by the costs of the Bishops' Wars in Scotland. The Long Parliament received its name from the fact that, by Act of Parliament, it stipulated it could be dissolved only with agreement of the members; and those members did not agree to its dissolution until 16 March 1660, after the English Civil War and near the close of the Interregnum.. The parliament sat from 1640 until 1648, when it was p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles II Of Great Britain
Charles II (29 May 1630 – 6 February 1685) was King of Scotland from 1649 until 1651, and King of England, Scotland and Ireland from the 1660 Restoration of the monarchy until his death in 1685. Charles II was the eldest surviving child of Charles I of England, Scotland and Ireland and Henrietta Maria of France. After Charles I's execution at Whitehall on 30 January 1649, at the climax of the English Civil War, the Parliament of Scotland proclaimed Charles II king on 5 February 1649. But England entered the period known as the English Interregnum or the English Commonwealth, and the country was a de facto republic led by Oliver Cromwell. Cromwell defeated Charles II at the Battle of Worcester on 3 September 1651, and Charles fled to mainland Europe. Cromwell became virtual dictator of England, Scotland and Ireland. Charles spent the next nine years in exile in France, the Dutch Republic and the Spanish Netherlands. The political crisis that followed Cromwell's death in 16 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
English Restoration
The Restoration of the Stuart monarchy in the kingdoms of England, Scotland and Ireland took place in 1660 when King Charles II returned from exile in continental Europe. The preceding period of the Protectorate and the civil wars came to be known as the Interregnum (1649–1660). The term ''Restoration'' is also used to describe the period of several years after, in which a new political settlement was established. It is very often used to cover the whole reign of King Charles II (1660–1685) and often the brief reign of his younger brother King James II (1685–1688). In certain contexts it may be used to cover the whole period of the later Stuart monarchs as far as the death of Queen Anne and the accession of the Hanoverian King George I in 1714. For example, Restoration comedy typically encompasses works written as late as 1710. The Protectorate After Richard Cromwell, Lord Protector from 1658 to 1659, ceded power to the Rump Parliament, Charles Fleetwood and J ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
