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Clearlight Symphony
''Clearlight Symphony'' is a progressive rock album released in 1975 on Virgin Records in the UK. It is the first in a series of albums by a project led by pianist Cyrille Verdeaux with the participation of other musicians, including in this case three members of Gong on one side, and two other French musicians, (of and later Urban Sax) and Christian Boulé (formerly with Verdeaux in the band Babylone, and a later Steve Hillage sideman) on the other. Primarily psychedelic, but also serving as a forerunner of new-age music, the album's musical style manages to blend seemingly contrary elements: the symphonic rock concept is flexible enough to permit extensive jamming in both rock and jazz fusion styles. Recording and release The album was recorded for Virgin Records in 1973Cyrille Verdeaux'Clearlight 888 Music website/ref> and completed in 1974, after the label's first and highly successful release, ''Tubular Bells'' (1973) by Mike Oldfield, and was one of several subsequent Vi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clearlight (French Band)
Clearlight is a French progressive rock band formed in 1973, although their best known work was produced in England and released by a major British record company. While progressive rock is an appropriate overall genre for the band, much of their work delves into other genres including psychedelic music, jam band music, symphonic rock, space rock, jazz fusion, and new-age music. "Clearlight" consists of pianist and composer Cyrille Verdeaux alongside other musicians, who are usually guest participants with no compositional input, except on a couple of occasions, like the second album '' Forever Blowing Bubbles'', where bassist Joël Dugrenot had virtual co-leader status, composing two of the tracks, or '' Visions'', which prominently featured Didier Malherbe (formerly of Gong) and Didier Lockwood (formerly of Magma and Zao) as soloists. History In the mid to late 1970s the band was managed by Jacques Reland, now a lecturer at the London Metropolitan University and Head of Eur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz Fusion
Jazz fusion (also known as fusion and progressive jazz) is a music genre that developed in the late 1960s when musicians combined jazz harmony and jazz improvisation, improvisation with rock music, funk, and rhythm and blues. Electric guitars, amplifiers, and keyboards that were popular in rock and roll started to be used by jazz musicians, particularly those who had grown up listening to rock and roll. Jazz fusion arrangements vary in complexity. Some employ groove-based vamps fixed to a single key or a single chord with a simple, repeated melody. Others use elaborate chord progressions, unconventional time signatures, or melodies with counter-melodies. These arrangements, whether simple or complex, typically include improvised sections that can vary in length, much like in other forms of jazz. As with jazz, jazz fusion can employ brass and woodwind instruments such as trumpet and saxophone, but other instruments often substitute for these. A jazz fusion band is less likely to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Steve Hillage
Stephen Simpson Hillage (born 2 August 1951) is an English musician, best known as a guitarist. He is associated with the Canterbury scene and has worked in experimental domains since the late 1960s. Besides his solo sound recording and reproduction, recordings he has been a member of Khan (band), Khan, Gong (band), Gong and System 7 (band), System 7. History Bands 1968–75 Hillage was born in Chingford, which was then in Essex but is now part of Greater London. Whilst still at school, he joined his first band, a blues rock band called Uriel (band), Uriel, with Dave Stewart (keyboardist), Dave Stewart, Mont Campbell and Clive Brooks. The band split up in 1968 with the other members going on to form Egg (band), Egg, but they briefly re-united under assumed names to record the album ''Arzachel (band), Arzachel'' in 1969. Hillage also guested on Egg's 1974 album ''The Civil Surface''. In 1969, Hillage began studies at the University of Kent in Canterbury, befriending local bands ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Percussion Instruments
A percussion instrument is a musical instrument that is sounded by being struck or scraped by a beater including attached or enclosed beaters or rattles struck, scraped or rubbed by hand or struck against another similar instrument. Excluding zoomusicological instruments and the human voice, the percussion family is believed to include the oldest musical instruments.''The Oxford Companion to Music'', 10th edition, p.775, In spite of being a very common term to designate instruments, and to relate them to their players, the percussionists, percussion is not a systematic classificatory category of instruments, as described by the scientific field of organology. It is shown below that percussion instruments may belong to the organological classes of ideophone, membranophone, aerophone and cordophone. The percussion section of an orchestra most commonly contains instruments such as the timpani, snare drum, bass drum, tambourine, belonging to the membranophones, and cymbal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
EMS VCS 3
The VCS 3 (or VCS3; an initialism for ''Voltage Controlled Studio, version #3'') is a portable analog synthesizer with a flexible modular voice architecture introduced by Electronic Music Studios (London) Limited (EMS) in 1969. EMS released the product under various names. Logos printed at the console's front left (see photos) say "V.C.S. 3" on the most widely sold version; "The Putney (VCS 3)" on the earlier version; and "The Synthi (VCS 3) II" on the later version (Synthi VCS 3 II). History The VCS 3 was created in 1969 by Peter Zinovieff's EMS company. The electronics were designed largely by David Cockerell, and its distinctive appearance was the work of electronic composer Tristram Cary. It was one of the first ''portable'' commercially available synthesizers, in the sense that it was housed entirely in a small wooden case, unlike synths from American manufacturers such as Moog Music, ARP and Buchla, which had large cabinets and could take up ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gong
A gongFrom Indonesian and ms, gong; jv, ꦒꦺꦴꦁ ; zh, c=鑼, p=luó; ja, , dora; km, គង ; th, ฆ้อง ; vi, cồng chiêng; as, কাঁহ is a percussion instrument originating in East Asia and Southeast Asia. Gongs are a flat, circular metal disc that is typically struck with a mallet. They can be small or large in size, and tuned or can require tuning. The earliest mention of gongs can be found in sixth century Chinese records, which mentioned the instrument to have come from a country between Tibet and Burma. The term ''gong'' ( jv, ꦒꦺꦴꦁ) originated in the Indonesian island of Java. Scientific and archaeological research has established that Burma, China, Java and Annam were the four main gong manufacturing centres of the ancient world. The gong found its way into the Western World in the 18th century, when it was also used in the percussion section of a Western-style symphony orchestra. A form of bronze cauldron gong known as a resting ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Analog Synthesizer
An analog (or analogue) synthesizer is a synthesizer that uses analog circuits and analog signals to generate sound electronically. The earliest analog synthesizers in the 1920s and 1930s, such as the Trautonium, were built with a variety of vacuum-tube (thermionic valve) and electro-mechanical technologies. After the 1960s, analog synthesizers were built using operational amplifier (op-amp) integrated circuits, and used potentiometers (pots, or variable resistors) to adjust the sound parameters. Analog synthesizers also use low-pass filters and high-pass filters to modify the sound. While 1960s-era analog synthesizers such as the Moog used a number of independent electronic modules connected by patch cables, later analog synthesizers such as the Minimoog integrated them into single units, eliminating patch cords in favour of integrated signal routing systems. History 1900–1920 The earliest mention of a "synthetic harmoniser" using electricity appears to be in 1906, cre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mellotron
The Mellotron is an electro-mechanical musical instrument developed in Birmingham, England, in 1963. It is played by pressing its keys, each of which pushes a length of magnetic tape against a capstan, which pulls it across a playback head. As the key is released, the tape is retracted by a spring to its initial position. Different portions of the tape can be played to access different sounds. The Mellotron evolved from the similar Chamberlin, but could be mass-produced more efficiently. The first models were designed for the home and contained a variety of sounds, including automatic accompaniments. Bandleader Eric Robinson and television personality David Nixon helped promote the first instruments, and celebrities such as Princess Margaret were early adopters. It was adopted by rock and pop groups in the mid to late 1960s. One of the first pop songs featuring the Mellotron was Manfred Mann's " Semi-Detached, Suburban Mr. James" (1966). The Beatles used it on tracks includ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Organ (music)
Carol Williams performing at the United States Military Academy West Point Cadet Chapel.">West_Point_Cadet_Chapel.html" ;"title="United States Military Academy West Point Cadet Chapel">United States Military Academy West Point Cadet Chapel. In music, the organ is a keyboard instrument of one or more Pipe organ, pipe divisions or other means for producing tones, each played from its own Manual (music), manual, with the hands, or pedalboard, with the feet. Overview Overview includes: * Pipe organs, which use air moving through pipes to produce sounds. Since the 16th century, pipe organs have used various materials for pipes, which can vary widely in timbre and volume. Increasingly hybrid organs are appearing in which pipes are augmented with electric additions. Great economies of space and cost are possible especially when the lowest (and largest) of the pipes can be replaced; * Non-piped organs, which include: ** pump organs, also known as reed organs or harmoniums, which ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cadence (music)
In Western musical theory, a cadence (Latin ''cadentia'', "a falling") is the end of a phrase in which the melody or harmony creates a sense of full or partial resolution, especially in music of the 16th century onwards.Don Michael Randel (1999). ''The Harvard Concise Dictionary of Music and Musicians'', pp. 105-106. . A harmonic cadence is a progression of two or more chords that concludes a phrase, section, or piece of music. A rhythmic cadence is a characteristic rhythmic pattern that indicates the end of a phrase. A cadence can be labeled "weak" or "strong" depending on the impression of finality it gives. While cadences are usually classified by specific chord or melodic progressions, the use of such progressions does not necessarily constitute a cadence—there must be a sense of closure, as at the end of a phrase. Harmonic rhythm plays an important part in determining where a cadence occurs. Cadences are strong indicators of the tonic or central pitch of a passage or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Manor Studio
The Manor Studio (a.k.a. The Manor) was a recording studio in the manor house at the village of Shipton-on-Cherwell in Oxfordshire, England, north of the city of Oxford. Overview The Manor and its outbuildings are Listed building#England and Wales, listed Grade II on the National Heritage List for England. The Manor was the third residential recording studio in the United Kingdom. The first being Ascot Sound Studios built between 1970 and 1971 by John Lennon in an addition to his Tittenhurst Park mansion, where he recorded his ''Imagine (John Lennon album), Imagine'' album. The second being Rockfield Studios in Monmouthshire. The concept was pioneered in 1969 by French musician Michel Magne in the Château d'Hérouville. The manor house was owned by Richard Branson and used as a recording studio for Virgin Records, although artists signed to other labels also used the studios. Tom Newman (musician), Tom Newman and Simon Heyworth assisted in its construction and worked on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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