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Claudio Coello
Claudio Coello (2 March 1642 – 20 April 1693) was a Spanish Baroque painter. Coello is considered the last great Spanish painter of the 17th century. The son of Faustino Coello, a famous Portuguese sculptor, he was a court painter for Charles II. He worked on many churches and public buildings in Madrid, with his most famous work being in the sacristy of El Escorial, which is filled with portraits of priests and courtiers. Life and work Claudio Coello was of Portuguese parents, but was born at Madrid in 1642. He was there instructed in the art by Francisco Rizi, and executed while yet in that school an altar-piece for San Plácido at Madrid. His acquaintance with the court painter, Juan Carreño de Miranda, procured him the permission to visit the royal collection, where he made his greatest advance by studying the works of Titian, Rubens, and van Dyck. His friendship with José Jiménez Donoso, under whom he studied at Rome, was not less advantageous for him. In conjun ...
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Claudio Coello - Self-portrait 1680s
Claudio is an Italian and Spanish first name. In Portuguese it is accented Cláudio. In Catalan and Occitan it is Claudi, while in Romanian it is Claudiu. Origin and history Claudius was the name of an eminent Roman gens, the most important members of which were: * Claudius, Emperor Tiberius Claudius Caesar Augustus Germanicus * Appius Claudius Sabinus Regillensis ( fl. 486 BC), founder of the family, originally a Sabine known as Attius Clausus. * Appius Claudius Crassus ( fl.450BC), public official, decemvir in 451 BC, appointed to codify the laws. * Appius Claudius Caecus ( fl.300BC), official orator, best known for the highway named after him, the Appian Way. Consul in 307 & 296. * Claudius Gothicus (210–270), officer in the Roman army and a provincial governor First name: Claudio Claudio became a popular first name due to the spread of Christianity during the Middle Ages. Claudio is also used in Spanish and in Portuguese, accented as Cláudio. Notable people with the ...
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José Jiménez Donoso
José Jiménez Donoso (c.1632, Consuegra - 14 September 1690, Madrid) was a Spanish Baroque architect and painter. He decorated many of his own buildings, using the Italian technique of quadratura. Life and work He learned the rudiments of art from his father, the painter Antonio Jiménez Donoso, and continued his studies in Madrid with Francisco Fernández, who was a follower of Vicente Carducho. Around 1649, he moved to Rome, where he remained for seven years, learning how to paint frescoes. He also studied architecture, apparently coming under the influence of Francesco Borromini. When he returned to Madrid, he completed his studies at the school operated by Juan Carreño de Miranda. After that, he attempted to obtain a position as court painter to King Charles II, but was unsuccessful. He remained bitter over this failure, although he later became an official painter at Toledo Cathedral. His mastery of Italian techniques also served to provide him with numerous commi ...
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Antonio Palomino
Acislo Antonio Palomino de Castro y Velasco (165513 April 1726) was a Spanish painter of the Baroque period, and a writer on art, author of ''El Museo pictórico y escala óptica'', which contains a large amount of important biographical material on Spanish artists. Life Antonio Palomino was born to a respectable family at Bujalance, near Córdoba in 1655. He studied philosophy, theology and law at Córdoba, and had lessons in painting from Juan de Valdés Leal, who visited there in 1672, and afterwards from Juan de Alfaro y Gamez in 1675. After taking minor orders Palomino moved to Madrid in 1678, where he associated with Alfaro, Claudio Coello, and Juan Carreño de Miranda, and executed some indifferent frescoes. He soon afterwards married a lady of rank, and, having been appointed ''alcalde'' of the ''mesta'', was himself ennobled; in 1688 he was appointed painter to King Charles II. The artist visited Valencia in 1697, and remained there for three or four years, agai ...
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Modello
A modello (plural modelli), from Italian, is a preparatory study or model, usually at a smaller scale, for a work of art or architecture, especially one produced for the approval of the commissioning patron. The term gained currency in art circles in Tuscany in the fourteenth century. Modern definitions in reference works vary somewhat. Alternative and overlapping terms are "oil sketch" (''schizzo'') and "cartoon" for paintings, tapestry, or stained glass, maquette, plastico or bozzetto for sculpture or architecture, or architectural model. Background Though in Gothic figural arts bishops and abbots are often represented carrying small simulacra of buildings they had constructed – "models" in the familiar modern sense – ''modello'' is only used of pieces which pre-date the finished work, and were at least in part produced by the main artist involved. The less frequently found term ricordo (Italian for "record" or "memory") means a similar piece produced as a small copy ''a ...
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Royal Palace Of Madrid
The Royal Palace of Madrid ( es, Palacio Real de Madrid) is the official residence of the Spanish royal family at the city of Madrid, although now used only for state ceremonies. The palace has of floor space and contains 3,418 rooms. It is the largest royal palace in Europe. The palace is now open to the public, except during state functions, although it is so large that only a selection of rooms are on the visitor route at any one time, the route being changed every few months. An admission fee of €13 is charged; however, at some times it is free. The palace is owned by the Spanish state and administered by the Patrimonio Nacional, a public agency of the Ministry of the Presidency. The palace is on Calle de Bailén ("Bailén Street") in the western part of downtown Madrid, east of the Manzanares River, and is accessible from the Ópera metro station. Felipe VI and the royal family do not reside in the palace, choosing instead the Palace of Zarzuela in El Pardo. The palace ...
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Museum Of Fine Arts (Budapest)
The Museum of Fine Arts ( hu, Szépművészeti Múzeum seːpmyveːsɛti ˈmuːzɛum is a museum in Heroes' Square, Budapest, Hungary, facing the Palace of Art. It was built by the plans of Albert Schickedanz and Fülöp Herzog in an eclectic- neoclassical style , between 1900 and 1906. The museum's collection is made up of international art (other than Hungarian), including all periods of European art, and comprises more than 100,000 pieces. The collection is made up of older additions such as those from Buda Castle, the Esterházy and Zichy estates, as well as donations from individual collectors. The Museum's collection is made up of six departments: Egyptian, Antique, Old sculpture gallery, Old master paintings gallery, Modern collection, Graphics collection. The institution celebrated its centenary in 2006. Collection and exhibits Ancient Egyptian art The gallery holds the second largest collection of Egyptian art in central Europe. It comprises a number of collection ...
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Teodoro Ardemans
Teodoro de Ardemans or Ardmans (ca. 1661–1726) was a Spanish architect and painter. Ardemans was born in Madrid to a German father. He was a disciple of the painter Claudio Coello, although he mainly practiced architecture; the municipality of Toledo named him master of the Cathedral of Toledo. In 1702, King Philip V of Spain named him to succeed José del Olmo as the master for Royal works, and in 1704 as their chamber painter. He worked on the extensive renovations of the Palace of Aranjuez The Royal Palace of Aranjuez ( es, Palacio Real de Aranjuez) is one of the official residences of the Spanish royal family. It is located in the town of Aranjuez (Madrid), Spain. Established in the 16th century as a royal hunting lodge, the pala ..., including completing the facade to a design of Francisco Herrera. He also helped in the decoration of the Palace of la Granja de San Ildefonso, including the chapel. Bibliography *''Noticias de los arquitectos y arquitectura d ...
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Sebastián Muñoz (painter)
Sebastián Muñoz (c.1654, Casarrubios del Monte - 20 March 1690, Madrid) was a Spanish Baroque painter. Life and work In 1670, he became an apprentice in the workshop of . By January 1680, he was in Madrid, assisting Claudio Coello with decorations to celebrate the arrival of Marie Louise d'Orléans, the new wife of King Charles II. He used the money that he earned to go to Italy.Antonio Palomino, ''El museo pictórico y escala óptica III. El parnaso español pintoresco laureado''. Madrid : Aguilar S.A. de Ediciones. . Later that year, he joined with expatriate Spanish painters in petitioning the King to establish a Spanish painting academy in Rome. While there, he apparently studied with Carlo Maratta. On his return to Spain, he stopped in Zaragoza, where he once again served as an assistant to Coello, painting frescoes in the . Back in Madrid, in 1686, he worked at the Royal Alcázar, where he painted the ceiling of the Queen's room with a scene from Orlando Furioso. O ...
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Mariana Of Austria
Mariana of Austria ( es, Mariana de Austria) or Maria Anna (24 December 163416 May 1696) was List of Spanish royal consorts, Queen of Spain as the second wife of her uncle Philip IV of Spain from their marriage in 1649 until Philip died in 1665. She was then appointed regent for their three-year-old son Charles II of Spain, Charles II, and due to his ill health remained an influential figure until her own death in 1696. Her regency was overshadowed by the need to manage Spain's post-1648 decline as the dominant global power, internal political divisions and the European economic crisis of the second half of the 17th century. The inability of her son Charles II of Spain, Charles to produce an heir led to constant manoeuvring by other European powers, which ultimately ended in the 1701 to 1714 War of the Spanish Succession. The Mariana Islands consisting of 14 islands in the northwestern Pacific Ocean, and through them the Mariana Trench, are named after her. Early life Maria Ann ...
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Salamanca
Salamanca () is a city in western Spain and is the capital of the Province of Salamanca in the autonomous community of Castile and León. The city lies on several rolling hills by the Tormes River. Its Old City was declared a UNESCO World Heritage Site in 1988. As of 2018, the municipality has a population of 143,978. It is one of the most important university cities in Spain and supplies 16% of Spain's market for the teaching of the Spanish language. Salamanca attracts thousands of international students. The University of Salamanca, founded in 1218, is the oldest university in Spain and the third oldest western university. Pope Alexander IV gave universal validity to its degrees. With 30,000 students, the university is, together with tourism, a primary source of income in Salamanca. It is on the Vía de la Plata path of the Camino de Santiago. History Remains of a house at the archeological site of the Cerro de San Vicente (c. 800–400 BC), a hamlet assigned to the Early ...
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Zaragoza
Zaragoza, also known in English as Saragossa,''Encyclopædia Britannica'"Zaragoza (conventional Saragossa)" is the capital city of the Zaragoza Province and of the autonomous community of Aragon, Spain. It lies by the Ebro river and its tributaries, the Huerva and the Gállego, roughly in the center of both Aragon and the Ebro basin. On 1 January 2021 the population of the municipality of Zaragoza was 675,301, (the fifth most populated in Spain) on a land area of . The population of the metropolitan area was estimated in 2006 at 783,763 inhabitants. The municipality is home to more than 50 percent of the Aragonese population. The city lies at an elevation of about above sea level. Zaragoza hosted Expo 2008 in the summer of 2008, a world's fair on water and sustainable development. It was also a candidate for the European Capital of Culture in 2012. The city is famous for its folklore, local cuisine, and landmarks such as the Basílica del Pilar, La Seo Cathedral and the A ...
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Luca Giordano
Luca Giordano (18 October 1634 – 3 January 1705) was an Italian late-Baroque painter and printmaker in etching. Fluent and decorative, he worked successfully in Naples and Rome, Florence, and Venice, before spending a decade in Spain. Early life and training Born in Naples, Giordano was the son of the painter Antonio Giordano. In around 1650 he was apprenticed to Ribera on the recommendation of the viceroy of Naples and his early work was heavily influenced by his teacher. Like Ribera, he painted many half-length figures of philosophers, either imaginary portraits of specific figures, or generic types. He acquired the nickname ''Luca fa presto'', which translates into "Luca paints quickly." His speed, in design as well as handiwork, and his versatility, which enabled him to imitate other painters deceptively, earned for him two other epithets, "The Thunderbolt" (''Fulmine'') and "The Proteus" of painting. Following a period studying in Rome, Parma and Venice, Gior ...
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