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Clarinet Trio (Brahms)
The Clarinet Trio in A minor, Op. 114, is one of four chamber works composed by Johannes Brahms featuring the clarinet as a primary instrument. It was written in the summer of 1891 in Bad Ischl for the clarinettist Richard Mühlfeld and first performed privately on 24 November 1891 in Meiningen and publicly in Berlin on 12 December that year. It is considered by scholars as part of a rebirth for the composer who in 1890 declared his String Quintet in G major to be his final work. General The work calls for clarinet, piano, and cello, and is one of the very few in that genre to have entered the standard repertoire. It was written for clarinet in A, which can also be substituted by a viola. The overall mood of the piece is sombre but includes both romantic and introspective qualities. Music historians and scholars have admitted that the trio is "not among the most interesting of his compositions" The work incorporates a considerable amount of arpeggio patterns in its theme ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johannes Brahms
Johannes Brahms (; 7 May 1833 – 3 April 1897) was a German composer, pianist, and conductor of the mid- Romantic period. Born in Hamburg into a Lutheran family, he spent much of his professional life in Vienna. He is sometimes grouped with Johann Sebastian Bach and Ludwig van Beethoven as one of the "Three Bs" of music, a comment originally made by the nineteenth-century conductor Hans von Bülow. Brahms composed for symphony orchestra, chamber ensembles, piano, organ, violin, voice, and chorus. A virtuoso pianist, he premiered many of his own works. He worked with leading performers of his time, including the pianist Clara Schumann and the violinist Joseph Joachim (the three were close friends). Many of his works have become staples of the modern concert repertoire. Brahms has been considered both a traditionalist and an innovator, by his contemporaries and by later writers. His music is rooted in the structures and compositional techniques of the Classical masters. Emb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adolph Menzel
Adolph Friedrich Erdmann von Menzel (8 December 18159 February 1905) was a German Realist artist noted for drawings, etchings, and paintings. Along with Caspar David Friedrich, he is considered one of the two most prominent German painters of the 19th century,Fried, 11 and was the most successful artist of his era in Germany.Eisler, 559–565 First known as Adolph Menzel, he was knighted in 1898 and changed his name to Adolph von Menzel. His popularity in his native country, owing especially to his history paintings, was such that few of his major paintings left Germany, as many were quickly acquired by museums in Berlin.Eisler, 559 Menzel's graphic work (and especially his drawings) were more widely disseminated; these, along with informal paintings not initially intended for display, have largely accounted for his posthumous reputation.Eisler, 559–565 Although he traveled in order to find subjects for his art, to visit exhibitions, and to meet with other artists, Menzel spen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adagio (music)
In musical terminology, tempo (Italian language, Italian, 'time'; plural ''tempos'', or ''tempi'' from the Italian plural) is the speed or pace of a given musical composition, piece. In classical music, tempo is typically indicated with an instruction at the start of a piece (often using conventional Italian terms) and is usually measured in beat (music), beats per minute (or bpm). In modern classical compositions, a "metronome mark" in beats per minute may supplement or replace the normal tempo marking, while in modern genres like electronic dance music, tempo will typically simply be stated in BPM. Tempo may be separated from articulation (music), articulation and meter (music), meter, or these aspects may be indicated along with tempo, all contributing to the overall texture (music), texture. While the ability to hold a steady tempo is a vital skill for a musical performer, tempo is changeable. Depending on the genre of a piece of music and the performers' interpretation, a p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cadence
In Western musical theory, a cadence (Latin ''cadentia'', "a falling") is the end of a phrase in which the melody or harmony creates a sense of full or partial resolution, especially in music of the 16th century onwards.Don Michael Randel (1999). ''The Harvard Concise Dictionary of Music and Musicians'', pp. 105-106. . A harmonic cadence is a progression of two or more chords that concludes a phrase In syntax and grammar, a phrase is a group of words or singular word acting as a grammatical unit. For instance, the English expression "the very happy squirrel" is a noun phrase which contains the adjective phrase "very happy". Phrases can consi ..., section (music), section, or composition (music), piece of music. A rhythmic cadence is a characteristic rhythmic pattern that indicates the end of a phrase. A cadence can be labeled "weak" or "strong" depending on the impression of finality it gives. While cadences are usually classified by specific chord or melodic progressions, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
E Minor
E minor is a minor scale based on E, consisting of the pitches E, F, G, A, B, C, and D. Its key signature has one sharp. Its relative major is G major and its parallel major is E major. The E natural minor scale is: : Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The E harmonic minor and melodic minor scales are: : : Much of the classical guitar repertoire is in E minor, as this is a very natural key for the instrument. In standard tuning (E A D G B E), four of the instrument's six open (un fretted) strings are part of the tonic chord. The key of E minor is also popular in heavy metal music, as its tonic is the lowest note on a standard-tuned guitar. Notable compositions *Joseph Haydn ** Symphony No. 44 (''Trauer'') *Wolfgang Amadeus Mozart ** Violin Sonata No. 21 *Ludwig van Beethoven ** String Quartet No. 8 ** Piano Sonata No. 27 *Niccolò Paganini ** Caprice No. 3 ** Caprice No. 15 *Feli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Modulation (music)
In music, modulation is the change from one tonality ( tonic, or tonal center) to another. This may or may not be accompanied by a change in key signature (a key change). Modulations articulate or create the structure or form of many pieces, as well as add interest. Treatment of a chord as the tonic for less than a phrase is considered tonicization. Requirements * Harmonic: quasi- tonic, modulating dominant, pivot chordForte (1979), p. 267. *Melodic: recognizable segment of the scale of the quasi-tonic or strategically placed leading-tone *Metric and rhythmic: quasi-tonic and modulating dominant on metrically accented beats, prominent pivot chord The quasi-tonic is the tonic of the new key established by the modulation was semi. The modulating dominant is the dominant of the quasi-tonic. The pivot chord is a predominant to the modulating dominant and a chord common to both the keys of the tonic and the quasi-tonic. For example, in a modulation to the dominant, ii/V–V/V– ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Exposition (music)
In musical form and analysis, exposition is the initial presentation of the thematic material of a musical composition, movement, or section. The use of the term generally implies that the material will be developed or varied. *In sonata form, the exposition is "the first major section, incorporating at least one important modulation to the dominant or other secondary key and presenting the principal thematic material." *In a fugue, the exposition is "the statement of the subject in imitation by the several voices; especially the first such statement, with which the fugue begins." In sonata form The term is most widely used as an analytical convenience to denote a portion of a movement identified as an example of classical tonal sonata form. The exposition typically establishes the music's tonic key, and then modulates to, and ends in, the dominant. If the exposition starts in a minor key, it typically modulates to the relative major key. There are many exceptions, e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pedal Point
In music, a pedal point (also pedal note, organ point, pedal tone, or pedal) is a sustained tone, typically in the bass, during which at least one foreign (i.e. dissonant) harmony is sounded in the other parts. A pedal point sometimes functions as a "non-chord tone", placing it in the categories alongside suspensions, retardations, and passing tones. However, the pedal point is unique among non-chord tones, "in that it begins on a consonance, sustains (or repeats) through another chord as a dissonance until the harmony", not the non-chord tone, "resolves back to a consonance".Frank, Robert J. (2000)"Non-Chord Tones" , ''Theory on the Web'', Southern Methodist University. Pedal points "have a strong tonal effect, 'pulling' the harmony back to its root". Pedal points can also build drama or intensity and expectation. When a pedal point occurs in a voice other than the bass, it is usually referred to as an inverted pedal pointBenward & Saker (2003). ''Music: In Theory and Prac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
C♯ (musical Note)
C (C-sharp) is a musical note lying a chromatic semitone above C and a diatonic semitone below D; it is the second semitone of the solfège. C-sharp is thus enharmonic to D. It is the second semitone in the French solfège and is known there as ''do dièse''. In some European notations, it is known as Cis. In equal temperament it is also enharmonic with B (B-double sharp/Hisis). When calculated in equal temperament with a reference of A above middle C as 440 Hz, the frequency of C4 (the C above middle C) is about 277.183 Hz. See pitch (music) for a discussion of historical variations in frequency. Designation by octave Scales Common scales beginning on C * C major: C D E F G A B C * C natural minor: C D E F G A B C * C harmonic minor: C D E F G A B C * C melodic minor ascending: C D E F G A B C * C melodic minor descending: C B A G F E D C Diatonic scales * C Ionian: C D E F G A B C * C Dorian: C D E F G A B C * C Phrygian: C D E F G A B C * C Lydian: C D E F G A B C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clarinet Family
The clarinet family is a musical instrument family of various sizes and types of clarinets, including the well-known B clarinet, the bass clarinet, and the slightly less familiar E and A clarinets among others. Clarinets other than the standard B and A clarinets are sometimes known as harmony clarinets. There are many differently-pitched clarinet types, some of which are very rare. They may be grouped into sub-families, but grouping and terminology vary; the list below reflects popular usage and compares it with systems advocated by a few influential authors. List of instruments * Octave clarinets — Very rare. Pitched around an octave higher than the B clarinet. ** A piccolo clarinet. *** Rendall uses the term ''octave clarinet'' and includes also obsolete instruments in C, B, and G.F. Geoffrey Rendall. ''The Clarinet.'' Third Edition. London: Ernest Benn Limited, 1971, pp. 3-4. *** Shackleton lists also rare instruments in C, B, and A.Nicholas Shackleton. " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Movement (music)
A movement is a self-contained part of a musical composition or musical form. While individual or selected movements from a composition are sometimes performed separately as stand-alone pieces, a performance of the complete work requires all the movements to be performed in succession. A movement is a section Section, Sectioning or Sectioned may refer to: Arts, entertainment and media * Section (music), a complete, but not independent, musical idea * Section (typography), a subdivision, especially of a chapter, in books and documents ** Section sig ..., "a major structural unit perceived as the result of the coincidence of relatively large numbers of structural phenomena". Sources Formal sections in music analysis {{music-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Major
A major (or the key of A) is a major scale based on A, with the pitches A, B, C, D, E, F, and G. Its key signature has three sharps. Its relative minor is F-sharp minor and its parallel minor is A minor. The key of A major is the only key where the Neapolitan sixth chord on (''i.e.'' the flattened supertonic) requires both a flat and a natural accidental. The A major scale is: : In the treble, alto, and bass clefs, the G in the key signature is placed higher than C. However, in the tenor clef, it would require a ledger line and so G is placed lower than C. History Although not as rare in the symphonic literature as sharper keys (those containing more than three sharps), symphonies in A major are less common than in keys with fewer sharps such as D major or G major. Beethoven's Symphony No. 7, Bruckner's Symphony No. 6 and Mendelssohn's Symphony No. 4 comprise a nearly complete list of symphonies in this key in the Romantic era. Mozart's Clarinet Concerto ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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