C (C-sharp) is a musical note lying a
chromatic semitone
In modern Western tonal music theory an augmented unison or augmented prime is the interval between two notes on the same staff position, or denoted by the same note letter, whose alterations cause them, in ordinary equal temperament, to be one ...
above
C and a
diatonic semitone
A semitone, also called a half step or a half tone, is the smallest interval (music), musical interval commonly used in Western tonal music, and it is considered the most Consonance and dissonance#Dissonance, dissonant when sounded harmonically ...
below
D; it is the second
semitone
A semitone, also called a half step or a half tone, is the smallest musical interval commonly used in Western tonal music, and it is considered the most dissonant when sounded harmonically.
It is defined as the interval between two adjacent no ...
of the
solfège
In music, solfège (, ) or solfeggio (; ), also called sol-fa, solfa, solfeo, among many names, is a music education method used to teach aural skills, Pitch (music), pitch and sight-reading of Western classical music, Western music. Solfège is ...
. C-sharp is thus
enharmonic
In modern musical notation and tuning, an enharmonic equivalent is a note, interval, or key signature that is equivalent to some other note, interval, or key signature but "spelled", or named differently. The enharmonic spelling of a written n ...
to
D. It is the second semitone in the French
solfège
In music, solfège (, ) or solfeggio (; ), also called sol-fa, solfa, solfeo, among many names, is a music education method used to teach aural skills, Pitch (music), pitch and sight-reading of Western classical music, Western music. Solfège is ...
and is known there as ''do dièse''. In some European notations, it is known as Cis. In equal temperament it is also enharmonic with B (B-double sharp/Hisis).
When calculated in
equal temperament
An equal temperament is a musical temperament or tuning system, which approximates just intervals by dividing an octave (or other interval) into equal steps. This means the ratio of the frequencies of any adjacent pair of notes is the same, wh ...
with a reference of
A above
middle C as 440
Hz, the
frequency
Frequency is the number of occurrences of a repeating event per unit of time. It is also occasionally referred to as ''temporal frequency'' for clarity, and is distinct from ''angular frequency''. Frequency is measured in hertz (Hz) which is eq ...
of C
4 (the C above middle C) is about 277.183 Hz. See
pitch (music)
Pitch is a perceptual property of sounds that allows their ordering on a frequency-related scale,
or more commonly, pitch is the quality that makes it possible to judge sounds as "higher" and "lower" in the sense associated with musical melodie ...
for a discussion of historical variations in frequency.
Designation by octave
Scales
Common scales beginning on C
*
C major
C major (or the key of C) is a major scale based on C, consisting of the pitches C, D, E, F, G, A, and B. C major is one of the most common keys used in music. Its key signature has no flats or sharps. Its relative minor is A minor and ...
: C D E F G A B C
*
C natural minor: C D E F G A B C
* C
harmonic minor
In music theory, the minor scale is three scale patterns – the natural minor scale (or Aeolian mode), the harmonic minor scale, and the melodic minor scale (ascending or descending) – rather than just two as with the major scale, which also ...
: C D E F G A B C
* C
melodic minor
In music theory, the minor scale is three scale patterns – the natural minor scale (or Aeolian mode), the harmonic minor scale, and the melodic minor scale (ascending or descending) – rather than just two as with the major scale, which al ...
ascending: C D E F G A B C
* C melodic minor descending: C B A G F E D C
Diatonic scale
In music theory, a diatonic scale is any heptatonic scale that includes five whole steps (whole tones) and two half steps (semitones) in each octave, in which the two half steps are separated from each other by either two or three whole steps, ...
s
* C
Ionian: C D E F G A B C
* C
Dorian: C D E F G A B C
* C
Phrygian: C D E F G A B C
* C
Lydian: C D E F G A B C
* C
Mixolydian
Mixolydian mode may refer to one of three things: the name applied to one of the ancient Greek ''harmoniai'' or ''tonoi'', based on a particular octave species or scale; one of the medieval church modes; or a modern musical mode or diatonic scal ...
: C D E F G A B C
* C
Aeolian: C D E F G A B C
* C
Locrian: C D E F G A B C
Jazz melodic minor
* C
ascending melodic minor: C D E F G A B C
* C
Dorian ♭2: C D E F G A B C
* C
Lydian augmented: C D E F G A B C
* C
Lydian dominant
In music, the acoustic scale, overtone scale, Lydian dominant scale, Lydian 7 scale, or the Pontikonisian Scale is a Heptatonic scale, seven-note synthetic scale, synthetic Scale (music), scale.
:
This differs from the major scale in having an ...
: C D E F G A B C
* C
Mixolydian ♭6: C D E F G A B C
* C
Locrian ♮2: C D E F G A B C
* C
Altered: C D E F G A B C
See also
*
Piano key frequencies
This is a list of the fundamental frequencies in hertz (cycles per second) of the keys of a modern 88-key standard or 108-key extended piano in twelve-tone equal temperament, with the 49th key, the fifth A (called A4), tuned to 440 Hz (refe ...
*
Root (chord)
In music theory, the concept of root is the idea that a chord (music), chord can be represented and named by one of its Musical note, notes. It is linked to Harmony (music), harmonic thinking—the idea that vertical aggregates of notes can form ...
Musical notes
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