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D♭ (musical Note)
D (D-flat) is a musical note lying a diatonic semitone above C and a chromatic semitone below D. It is thus enharmonic to C. In the French solfège it is known as re bémol. When calculated in equal temperament with a reference of A above middle C as 440 Hz, the frequency of middle D (or D4) is approximately 277.183 Hz. See pitch (music) for a discussion of historical variations in frequency. Designation by octave Scales Common scales beginning on D * D major: D E F G A B C D * D natural minor: D E F G A B C D * D harmonic minor: D E F G A B C D * D melodic minor ascending: D E F G A B C D * D melodic minor descending: D C B A G F E D Diatonic scales * D Ionian: D E F G A B C D * D Dorian: D E F G A B C D * D Phrygian: D E F G A B C D * D Lydian: D E F G A B C D * D Mixolydian: D E F G A B C D * D Aeolian: D E F G A B C D * D Locrian: D E F G A B C D Jazz melodic minor * D ascending melodic minor: D E F G A B C D * D Dorian ♭2: D E F G A B C D * D Lydian augm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Diatonic Semitone
A semitone, also called a half step or a half tone, is the smallest musical interval commonly used in Western tonal music, and it is considered the most dissonant when sounded harmonically. It is defined as the interval between two adjacent notes in a 12-tone scale. For example, C is adjacent to C; the interval between them is a semitone. In a 12-note approximately equally divided scale, any interval can be defined in terms of an appropriate number of semitones (e.g. a whole tone or major second is 2 semitones wide, a major third 4 semitones, and a perfect fifth 7 semitones. In music theory, a distinction is made between a diatonic semitone, or minor second (an interval encompassing two different staff positions, e.g. from C to D) and a chromatic semitone or augmented unison (an interval between two notes at the same staff position, e.g. from C to C). These are enharmonically equivalent when twelve-tone equal temperament is used, but are not the same thing in meantone temper ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ionian Mode
Ionian mode is a musical mode or, in modern usage, a diatonic scale also called the major scale. It is the name assigned by Heinrich Glarean in 1547 to his new authentic mode on C (mode 11 in his numbering scheme), which uses the diatonic octave species from C to the C an octave higher, divided at G (as its dominant, reciting tone/reciting note or ''tenor'') into a fourth species of perfect fifth (tone–tone–semitone–tone) plus a third species of perfect fourth (tone–tone–semitone): C D E F G + G A B C. This octave species is essentially the same as the major mode of tonal music. Church music had been explained by theorists as being organised in eight musical modes: the scales on D, E, F, and G in the "greater perfect system" of "musica recta," each with their authentic and plagal counterparts. Glarean's twelfth mode was the plagal version of the Ionian mode, called Hypoionian (under Ionian), based on the same relative scale, but with the major third as its ''tenor' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Half Diminished Scale
The half diminished scale or Sisyphean Scale is a seven-note musical scale. It is more commonly known as the Locrian 2 scale, a name that avoids confusion with the diminished scale and the half-diminished seventh chord (minor seventh, diminished fifth). It is the sixth mode of the ascending form of the melodic minor scale (or jazz scale). : In the key of B, the half-diminished scale built on C is associated with C m75, which functions as a ii 7 chord in minor (see chord-scale system The chord-scale system is a method of matching, from a list of possible chords, a list of possible scales.Mervyn Cooke, David Horn (2003). '' The Cambridge companion to jazz'', p.266. . The system has been widely used since the 1970s and is "gen ...). References Heptatonic scales Modes (music) Hemitonic scales Tritonic scales {{music-theory-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aeolian Dominant Scale
The Hindu scale (also known as the Aeolian dominant scale, Olympian Scale, Mixolydian 6 r 13 Aeolian major, and melodic major) is the fifth mode of the melodic minor scale. It is named such because its sound derives from having a dominant seventh chord on the tonic in the context of what is otherwise the Aeolian mode. It corresponds to Raga Charukeshi in Indian Classical music. This scale can also be obtained by raising the third degree of the natural minor scale or lowering the sixth degree of the mixolydian scale. : The name ''melodic major'' also refers to the combined scale that proceeds as natural major ascending and as Aeolian dominant descending. : ''The Mask of Zorro'' song "I Want to Spend My Lifetime Loving You", was composed in the Aeolian dominant scale mode. It was written by film composer James Horner. The Aeolian dominant scale mode can also be heard in the song ''Valar Morghulis'' of the Game of Thrones: Season 2 soundtrack, composed by Ramin Djawadi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lydian Dominant Scale
In music, the acoustic scale, overtone scale, Lydian dominant scale, Lydian 7 scale, or the Pontikonisian Scale is a seven-note synthetic scale. : This differs from the major scale in having an augmented fourth and a minor seventh scale degree. It is the fourth mode of the melodic minor ascending scale. The term "acoustic scale" is sometimes used to describe a particular mode of this seven-note collection (e.g. the specific ordering C–D–E–F–G–A–B) and is sometimes used to describe the collection as a whole (e.g. including orderings such as E–F–G–A–B–C–D). History In traditional music, the overtone scale persists in the music of peoples of South Siberia, especially in Tuvan music. Overtone singing and the sound of the Jew's harp are naturally rich in overtones, but melodies performed on the igil (bowed instrument distantly related to the violin) and plucked string instruments such as the doshpuluur or the chanzy also often follow the overtone scale ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lydian Augmented Scale
Lydian may refer to: * Lydians, an ancient people of Anatolia * Lydian language, an ancient Anatolian language * Lydian alphabet ** Lydian (Unicode block) * Lydian (typeface), a decorative typeface * Lydian dominant scale or acoustic scale, a musical scale ** Lydian mode, a mode derived from ancient Greek music See also * Ludian (other) * Lydia (other) Lydia was an Iron Age kingdom of western Asia Minor. Lydia may also refer to: Arts and media Music * Lydia (band), an indie rock band * Lydia (singer) (born 1980), Spanish pop singer * "Lydia" (Fur Patrol song), 2000 * "Lydia" (Highly Suspect ... {{disambiguation Language and nationality disambiguation pages ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dorian ♭2 Scale
The Dorian 2 scale, also known as Phrygian 6, or the Cappadocian Scale is the second mode of the jazz minor scale (or the ascending melodic minor scale). It is on the second degree of the jazz minor scale. Without the minor second above the root, the scale would just be the Dorian mode. The reason it is also known as Phrygian 6 is because if the scale did not have the major 6th then it would be enharmonic with the Phrygian mode. This scale is commonly used in Assyrian music, most especially in the folk dance genre. Though to add color and to retain the Phrygian tradition of Assyrian music, the major sixth may at times be simultaneously altered to the minor sixth during the course of the composition. Rimmer, Joan, ''Ancient Musical Instruments of Western Asia in the British Museum'', London 1969, p. 39.f.pl.21, 17, 18, 199 See also * Jazz scale A jazz scale is any musical scale used in jazz. Many "jazz scales" are common scales drawn from Western European classical music, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz Minor Scale
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisational style), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz Scale
A jazz scale is any musical scale used in jazz. Many "jazz scales" are common scales drawn from Western European classical music, including the diatonic, whole-tone, octatonic (or diminished), and the modes of the ascending melodic minor. All of these scales were commonly used by late nineteenth and early twentieth-century composers such as Rimsky-Korsakov, Debussy, Ravel and Stravinsky, often in ways that directly anticipate jazz practice. Some jazz scales, such as the bebop scales, add additional chromatic passing tones to the familiar diatonic scales. Theory One important feature of jazz is what theorists call "the principles of chord-scale compatibility": the idea that a sequence of chords will generate a sequence of compatible scales. In classical major-mode harmony, chords typically belong to the same scale. For example, a ii–V–I progression in C major will typically use only the notes of the C diatonic collection. In jazz, a four-chord progression may use four di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Locrian Mode
The Locrian mode is the seventh mode of the major scale. It is either a musical mode or simply a diatonic scale. On the piano, it is the scale that starts with B and only uses the white keys from there. Its ascending form consists of the key note, then: half step, whole step, whole step, half step, whole step, whole step, whole step. :: History ''Locrian'' is the word used to describe the inhabitants of the ancient Greek regions of Locris. Although the term occurs in several classical authors on music theory, including Cleonides (as an octave species) and Athenaeus (as an obsolete ''harmonia''), there is no warrant for the modern usage of Locrian as equivalent to Glarean's Hyperaeolian mode, in either classical, Renaissance, or later phases of modal theory through the 18th century, or modern scholarship on ancient Greek musical theory and practice. The name first came to be applied to modal chant theory after the 18th century, when it was used to describe the mode newly-numbe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aeolian Mode
The Aeolian mode is a musical mode or, in modern usage, a diatonic scale also called the natural minor scale. On the white piano keys, it is the scale that starts with A. Its ascending interval form consists of a ''key note, whole step, half step, whole step, whole step, half step, whole step, whole step.'' That means that, in A aeolian (or A minor), you would play A, move up a whole step (two piano keys) to B, move up a half step (one piano key) to C, then up a whole step to D, a whole step to E, a half step to F, a whole step to G, and a final whole step to a high A. : History The word ''Aeolian'', like the names for the other ancient Greek ''tonoi'' and ''harmoniai'', is an ethnic designation: in this case, for the inhabitants of Aeolis (Αἰολίς)—the Aeolian Islands and adjacent coastal district of Asia Minor. In the music theory of ancient Greece, it was an alternative name (used by some later writers, such as Cleonides) for what Aristoxenus called the Low Lydian '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mixolydian Mode
Mixolydian mode may refer to one of three things: the name applied to one of the ancient Greek ''harmoniai'' or ''tonoi'', based on a particular octave species or scale; one of the medieval church modes; or a modern musical mode or diatonic scale, related to the medieval mode. (The Hypomixolydian mode of medieval music, by contrast, has no modern counterpart.) The modern diatonic mode is the scale forming the basis of both the rising and falling forms of Harikambhoji in Carnatic music, the classical music form of southern India. Greek Mixolydian The idea of a Mixolydian mode comes from the music theory of ancient Greece. The invention of the ancient Greek Mixolydian mode was attributed to Sappho, the poet and musician. However, what the ancient Greeks thought of as Mixolydian is very different from the modern interpretation of the mode. The prefix ''mixo''- (μιξο-) means "half", referring to its resemblance to the Lydian mode. In Greek theory, the Mixolydian ''tonos'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
