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City Of Glass (Stan Kenton Album)
''City of Glass'', an album originally issued as a 10" LP by Stan Kenton, consists entirely of the music of Bob Graettinger. The original album has been reconstituted in different LP re-issues, and the entire set of Kenton/Graettinger Capitol Records sessions is on the digital CD ''City of Glass''. Background There is a great deal written in music history books about the period of artistic experimentalism after World War II in Europe and the United States. Much like the period in France after the Franco-Prussian War (Impressionism) and in the late 19th century, the pre/post World War I period of (Expressionism), the post World War I period of Modernism was no different with composers trying to 'write music for the sake of music' and not attaching it to a social meaning or meant for a social cause (see Darmstadt School). The LP ''City of Glass'' and the whole body of work from the Stan Kenton orchestra and Robert Graettinger (1947–1953) is a direct product of the experimental A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stan Kenton
Stanley Newcomb Kenton (December 15, 1911 – August 25, 1979) was an American popular music and jazz artist. As a pianist, composer, arranger and band leader, he led an innovative and influential jazz orchestra for almost four decades. Though Kenton had several pop hits from the early 1940s into the 1960s, his music was always forward-looking. Kenton was also a pioneer in the field of jazz education, creating the Stan Kenton Jazz Camp in 1959 at Indiana University.Sparke, Michael. ''Stan Kenton: This is an Orchestra.'' UNT Press (2010). . Early life Stan Kenton was born on December 15, 1911, in Wichita, Kansas; he had two sisters (Beulah and Erma Mae) born three and eight years after him. His parents, Floyd and Stella Kenton, moved the family to Colorado, and in 1924, to the Greater Los Angeles Area, settling in suburban Bell, California. Kenton attended Bell High School; his high-school yearbook picture has the prophetic notation "Old Man Jazz". Kenton started learning pian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shorty Rogers
Milton "Shorty" Rogers (born Milton Rajonsky; April 14, 1924 – November 7, 1994) was an American jazz musician, one of the principal creators of West Coast jazz. He played trumpet and flugelhorn and was in demand for his skills as an arranger. Biography Rogers was born in Great Barrington, Massachusetts, United States. He worked first as a professional musician with Will Bradley and Red Norvo. From 1947 to 1949, he worked extensively with Woody Herman and in 1950 and 1951 he played with Stan Kenton. On June 7, 1953, Rogers and his orchestra, including Johnny "Guitar" Watson, performed for the famed ninth Cavalcade of Jazz concert at Wrigley Field in Los Angeles, produced by Leon Hefflin, Sr. Also featured that day were Roy Brown and his Orchestra, Don Tosti and His Mexican Jazzmen, Earl Bostic, Nat "King" Cole, and Louis Armstrong and his All Stars with Velma Middleton. From 1953 through 1962, Rogers recorded a series of albums for RCA Victor (later reissued on RCA's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Russo (musician)
William Joseph Russo (June 25, 1928 – January 11, 2003) was an American composer, arranger, and musician from Chicago, Illinois, United States. History A student of jazz pianist Lennie Tristano, Russo wrote orchestral scores for the Stan Kenton Orchestra in the 1950s, including ''23 Degrees N 82 Degrees W'', ''Frank Speaking'', and ''Portrait of a Count''. He composed ''Halls of Brass'' for the brass section, without woodwinds or percussion. The section recording this piece included Buddy Childers, Maynard Ferguson and Milt Bernhart. In 1954, Russo left the Kenton Orchestra and continued private composition and conducting studies, then moved to New York City in 1958, where he led the 22-piece Bill Russo Orchestra. In 1962, Russo moved to England and worked for the British Broadcasting Corporation (BBC). While working in London he founded the London Jazz Orchestra. He was a contributor to the third stream movement which sought to combine jazz and classical music. In 1965 he re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manny Albam
Manny Albam (June 24, 1922 – October 2, 2001) was an American jazz saxophonist, composer, arranger, record producer, and educator. Early life A native of the Dominican Republic, Albam grew up in New York City. He was attracted to jazz at an early age when heard the music of Bix Beiderbecke. Career He left school in his teens and played saxophone in a Dixieland band led by Muggsy Spanier. When he was with the Georgie Auld band, he learned about arranging with Budd Johnson. By 1950 Albam was concentrating less on performing and more on writing and arranging. Within a few years, he became known for a bebop style that emphasized taut and witty writing with a flair for distinctive shadings; flute-led reed sections became something of an Albam trademark. One of his most popular works from that era was "Samana", an Afro-Latin composition he did for the Stan Kenton Innovations Orchestra, named after his birthplace Samaná in the Dominican Republic. He worked with bandleaders Charli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Third Stream
Third stream is a music genre that is a fusion of jazz and classical music. The term was coined in 1957 by composer Gunther Schuller in a lecture at Brandeis University. Improvisation is generally seen as a vital component of third stream. Schuller's definition In 1961, Schuller defined third stream as "a new genre of music located about halfway between jazz and classical music". He insisted that "by definition there is no such thing as 'third stream jazz'". He noted that while critics on both sides of third stream objected to tainting their favorite music with the other, more strenuous objections were typically made by jazz musicians who felt such efforts were "an assault on their traditions". He wrote that "by designating the music as a 'separate, third stream', the other two mainstreams could go about their way unaffected by the attempts at fusion". Critics have argued that third stream—by drawing on two very different styles—dilutes the power of each in combining them. Oth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lennie Tristano
Leonard Joseph Tristano (March 19, 1919 – November 18, 1978) was an American jazz pianist, composer, arranger, and teacher of jazz improvisation. Tristano studied for bachelor's and master's degrees in music in Chicago before moving to New York City in 1946. He played with leading bebop musicians and formed his own small bands, which soon displayed some of his early interests – contrapuntal interaction of instruments, harmonic flexibility, and rhythmic complexity. His quintet in 1949 recorded the first free group improvisations. Tristano's innovations continued in 1951, with the first overdubbed, improvised jazz recordings, and two years later, when he recorded an atonal improvised solo piano piece that was based on the development of motifs rather than on harmonies. He developed further via polyrhythms and chromaticism into the 1960s, but was infrequently recorded. Tristano started teaching music, especially improvisation, in the early 1940s, and by the mid-1950s was conc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neal Hefti
Neal Paul Hefti (October 29, 1922 – October 11, 2008) was an American jazz trumpeter, composer, and arranger. He wrote music for ''The Odd Couple'' movie and TV series and for the ''Batman'' TV series. He began arranging professionally in his teens, when he wrote charts for Nat Towles. He composed and arranged while working as a trumpeter for Woody Herman providing the bandleader with versions of "Woodchopper's Ball" and "Blowin' Up a Storm" and composing "The Good Earth" and "Wild Root". He left Herman's band in 1946. Now concentrating on writing music only, he began an association with Count Basie in 1950. Hefti occasionally led his own bands. Beginnings Neal Paul Hefti was born October 29, 1922, to an impoverished family in Hastings, Nebraska, United States. As a young child, he remembered his family relying on charity during the holidays. He started playing the trumpet in school at the age of eleven, and by high school was spending his summer vacations playing in local terr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Russell (composer)
George Allen Russell (June 23, 1923 – July 27, 2009) was an American jazz pianist, composer, arranger and theorist. He is considered one of the first jazz musicians to contribute to general music theory with a theory of harmony based on jazz rather than European music, in his book ''Lydian Chromatic Concept of Tonal Organization'' (1953). Early life Russell was born in Cincinnati, Ohio, on June 23, 1923, to a white father and a black mother. He was adopted by a nurse and a chef on the B & O Railroad, Bessie and Joseph Russell. Young Russell sang in the choir of the African Methodist Episcopal Church and listened to the Kentucky Riverboat music of Fate Marable. He made his stage debut at age seven, singing "Moon Over Miami" with Fats Waller. Surrounded by the music of the black church and the big bands which played on the Ohio Riverboats, and with a father who was a music educator at Oberlin College, he began playing drums with the Boy Scouts and Bugle Corps, receiving a schol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of The United States
The music of the United States reflects the country's multi-ethnic population through a diverse array of styles. It is a mixture of music influenced by the music of Europe, Indigenous peoples, West Africa, Latin America, Middle East, North Africa, amongst many other places. The country's most internationally renowned genres are traditional pop, jazz, blues, country, bluegrass, rock, rock and roll, R&B, pop, hip hop, soul, funk, gospel, disco, house, techno, ragtime, doo-wop, folk music, americana, boogaloo, tejano, reggaeton, surf, and salsa. American music is heard around the world. Since the beginning of the 20th century, some forms of American popular music have gained a near global audience. Native Americans were the earliest inhabitants of the land that is today known as the United States and played its first music. Beginning in the 17th century, settlers from the United Kingdom, Ireland, Spain, Germany, and France began arriving in large numbers, bringing wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Darmstadt School
Darmstadt School refers to a group of composers who were associated with the Darmstadt International Summer Courses for New Music (Darmstädter Ferienkurse) from the early 1950s to the early 1960s in Darmstadt, Germany, and who shared some aesthetic attitudes. Initially, this included only Pierre Boulez, Bruno Maderna, Luigi Nono, and Karlheinz Stockhausen, but others came to be added, in various ways. The term does not refer to an educational institution. Initiated in 1946 by Wolfgang Steinecke, the Darmstädter Ferienkurse, held annually until 1970 and subsequently every two years, encompass the teaching of both composition and interpretation and also include premières of new works. After Steinecke's death in 1961, the courses were run by (1962–81), Friedrich Ferdinand Hommel (1981–94), Solf Schaefer (1995–2009), and Thomas Schäfer (2009– ). Thanks to these courses, Darmstadt is now a major centre of modern music, particularly for German composers, and has been ref ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Modernism
Modernism is both a philosophy, philosophical and arts movement that arose from broad transformations in Western world, Western society during the late 19th and early 20th centuries. The movement reflected a desire for the creation of new forms of art, philosophy, and social organization which reflected the newly emerging industrial society, industrial world, including features such as urbanization, architecture, new technologies, and war. Artists attempted to depart from traditional forms of art, which they considered outdated or obsolete. The poet Ezra Pound's 1934 injunction to "Make it New" was the touchstone of the movement's approach. Modernist innovations included abstract art, the stream-of-consciousness novel, montage (filmmaking), montage cinema, atonal and twelve-tone music, divisionist painting and modern architecture. Modernism explicitly rejected the ideology of Realism (arts), realism and made use of the works of the past by the employment of reprise, incorpor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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