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Cishou Temple Pagoda
The Pagoda of Cishou Temple (), originally known as Yong'anwanshou Pagoda (), is a 16th-century stone and brick Chinese pagoda located in the Buddhist Cishou Temple of Balizhuang, a suburb of Beijing. Description This octagonal-shaped pagoda is roughly 50 m (164 ft) tall, with elaborate ornamental carvings, thirteen tiers of eaves, and a small steeple. The Cishou Pagoda was built in 1576 during the Ming dynasty (1368–1644), commissioned by Empress Dowager Li during the reign of the Wanli Emperor (1572–1620). The Cishou Pagoda was modelled upon a similar pagoda at Tianning Temple outside Guang'anmen in Beijing. The style of eaves on the pagoda is similar to older Liao dynasty and Jin dynasty pagodas. Although the surrounding Cishou Temple has been destroyed, the original Ming pagoda of Cishou has remained unharmed except for noticeable weathering damage to the carved reliefs on its exterior facade. The brick base of the pagoda is shaped as a sumeru pedestal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chinese Pagoda
A pagoda is an Asian tiered tower with multiple eaves common to Nepal, India, China, Japan, Korea, Myanmar, Vietnam, and other parts of Asia. Most pagodas were built to have a religious function, most often Buddhist but sometimes Taoist, and were often located in or near viharas. The pagoda traces its origins to the stupa of ancient India. Chinese pagodas () are a traditional part of Chinese architecture. In addition to religious use, since ancient times Chinese pagodas have been praised for the spectacular views they offer, and many classical poems attest to the joy of scaling pagodas. Chinese sources credit the Nepalese architect Araniko with introducing the pagoda to China. The oldest and tallest pagodas were built of wood, but most that survived were built of brick or stone. Some pagodas are solid with no interior. Hollow pagodas have no higher floors or rooms, but the interior often contains an altar or a smaller pagoda, as well as a series of staircases for the vis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pagodas In China
A pagoda is an Asian tiered tower with multiple eaves common to Nepal, India, China, Japan, Korea, Myanmar, Vietnam, and other parts of Asia. Most pagodas were built to have a religious function, most often Buddhist but sometimes Taoist, and were often located in or near viharas. The pagoda traces its origins to the stupa of ancient India. Chinese pagodas () are a traditional part of Chinese architecture. In addition to religious use, since ancient times Chinese pagodas have been praised for the spectacular views they offer, and many classical poems attest to the joy of scaling pagodas. Chinese sources credit the Nepalese architect Araniko with introducing the pagoda to China. The oldest and tallest pagodas were built of wood, but most that survived were built of brick or stone. Some pagodas are solid with no interior. Hollow pagodas have no higher floors or rooms, but the interior often contains an altar or a smaller pagoda, as well as a series of staircases for the vis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pagoda
A pagoda is an Asian tiered tower with multiple eaves common to Nepal, India, China, Japan, Korea, Myanmar, Vietnam, and other parts of Asia. Most pagodas were built to have a religious function, most often Buddhist but sometimes Taoist, and were often located in or near viharas. The pagoda traces its origins to the stupa of ancient India. Chinese pagodas () are a traditional part of Chinese architecture. In addition to religious use, since ancient times Chinese pagodas have been praised for the spectacular views they offer, and many classical poems attest to the joy of scaling pagodas. Chinese sources credit the Nepalese architect Araniko with introducing the pagoda to China. The oldest and tallest pagodas were built of wood, but most that survived were built of brick or stone. Some pagodas are solid with no interior. Hollow pagodas have no higher floors or rooms, but the interior often contains an altar or a smaller pagoda, as well as a series of staircases for the vis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cishou Temple Pagoda
The Pagoda of Cishou Temple (), originally known as Yong'anwanshou Pagoda (), is a 16th-century stone and brick Chinese pagoda located in the Buddhist Cishou Temple of Balizhuang, a suburb of Beijing. Description This octagonal-shaped pagoda is roughly 50 m (164 ft) tall, with elaborate ornamental carvings, thirteen tiers of eaves, and a small steeple. The Cishou Pagoda was built in 1576 during the Ming dynasty (1368–1644), commissioned by Empress Dowager Li during the reign of the Wanli Emperor (1572–1620). The Cishou Pagoda was modelled upon a similar pagoda at Tianning Temple outside Guang'anmen in Beijing. The style of eaves on the pagoda is similar to older Liao dynasty and Jin dynasty pagodas. Although the surrounding Cishou Temple has been destroyed, the original Ming pagoda of Cishou has remained unharmed except for noticeable weathering damage to the carved reliefs on its exterior facade. The brick base of the pagoda is shaped as a sumeru pedestal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ming Dynasty Architecture
The Ming dynasty (), officially the Great Ming, was an imperial dynasty of China, ruling from 1368 to 1644 following the collapse of the Mongol-led Yuan dynasty. The Ming dynasty was the last orthodox dynasty of China ruled by the Han people, the majority ethnic group in China. Although the primary capital of Beijing fell in 1644 to a rebellion led by Li Zicheng (who established the short-lived Shun dynasty), numerous rump regimes ruled by remnants of the Ming imperial family—collectively called the Southern Ming—survived until 1662. The Ming dynasty's founder, the Hongwu Emperor (r. 1368–1398), attempted to create a society of self-sufficient rural communities ordered in a rigid, immobile system that would guarantee and support a permanent class of soldiers for his dynasty: the empire's standing army exceeded one million troops and the navy's dockyards in Nanjing were the largest in the world. He also took great care breaking the power of the court eunuchs a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chinese Architectural History
Chinese can refer to: * Something related to China * Chinese people, people of Chinese nationality, citizenship, and/or ethnicity **''Zhonghua minzu'', the supra-ethnic concept of the Chinese nation ** List of ethnic groups in China, people of various ethnicities in contemporary China ** Han Chinese, the largest ethnic group in the world and the majority ethnic group in Mainland China, Hong Kong, Macau, Taiwan, and Singapore ** Ethnic minorities in China, people of non-Han Chinese ethnicities in modern China ** Ethnic groups in Chinese history, people of various ethnicities in historical China ** Nationals of the People's Republic of China ** Nationals of the Republic of China ** Overseas Chinese, Chinese people residing outside the territories of Mainland China, Hong Kong, Macau, and Taiwan * Sinitic languages, the major branch of the Sino-Tibetan language family ** Chinese language, a group of related languages spoken predominantly in China, sharing a written script (Chinese c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buddhist Temples In Beijing
Buddhism ( , ), also known as Buddha Dharma and Dharmavinaya (), is an Indian religion or philosophical tradition based on teachings attributed to the Buddha. It originated in northern India as a -movement in the 5th century BCE, and gradually spread throughout much of Asia via the Silk Road. It is the world's fourth-largest religion, with over 520 million followers (Buddhists) who comprise seven percent of the global population. The Buddha taught the Middle Way, a path of spiritual development that avoids both extreme asceticism and hedonism. It aims at liberation from clinging and craving to things which are impermanent (), incapable of satisfying ('), and without a lasting essence (), ending the cycle of death and rebirth (). A summary of this path is expressed in the Noble Eightfold Path, a training of the mind with observance of Buddhist ethics and meditation. Other widely observed practices include: monasticism; " taking refuge" in the Buddha, the , and the ; and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chinese Architecture
Chinese architecture (Chinese:中國建築) is the embodiment of an architectural style that has developed over millennia in China and it has influenced architecture throughout Eastern Asia. Since its emergence during the early ancient era, the structural principles of its architecture have remained largely unchanged. The main changes involved diverse decorative details. Starting with the Tang dynasty, Chinese architecture has had a major influence on the architectural styles of Japan, Korea, Mongolia, and Vietnam, and minor influences on the architecture of Southeast and South Asia including the countries of Malaysia, Singapore, Indonesia, Sri Lanka, Thailand, Laos, Cambodia and the Philippines. Chinese architecture is characterized by bilateral symmetry, use of enclosed open spaces, feng shui (e.g. directional hierarchies), a horizontal emphasis, and an allusion to various cosmological, mythological or in general symbolic elements. Chinese architecture traditionally classifies ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ancient Chinese Wooden Architecture
Ancient Chinese wooden architecture is a style of Chinese architecture. In the West it has been studied less than other architectural styles. Although Chinese architectural history reaches far back in time, descriptions of Chinese architecture are often confined to the well known Forbidden City with little else explored by the West. Although common features of Chinese architecture have been unified into a vocabulary illustrating uniquely Chinese forms and methods, until recently data has not been available. Because of the lack of knowledge of the roots of Chinese architecture, the descriptions of its elements are often translated into Western terms and architectural theory, losing their unique Chinese meanings. A cause of this deficiency is that the two most important Chinese government architecture manuals, the Song Dynasty '' Yingzao Fashi'' and Qing Architecture Standards have never been translated into any western language. Historical records Ancient Chinese architecture has nu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dougong
''Dougong'' () is a structural element of interlocking wooden brackets, one of the most important in traditional Chinese architecture. The use of dougong first appeared in buildings of the late centuries BC and evolved into a structural network that joined pillars and columns to the frame of the roof. ''Dougong'' was widely used by the ancient Chinese during the Spring and Autumn period (770–476 BC) and developed into a complex set of interlocking parts by its peak in the Tang and Song periods. The pieces are fitted together by joinery alone without glue or fasteners, requiring precise carpentry. After the Song Dynasty, brackets and bracket sets used in palatial structures and important religious buildings became more ornamental than structural, no longer fitting the description of traditional ''dougong''. Function Dougong is part of the network of wooden supports essential to the timber frame structure of traditional Chinese building. Because the walls in these st ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guqin
The ''guqin'' (; ) is a plucked seven-string Chinese musical instrument. It has been played since ancient times, and has traditionally been favoured by scholars and literati as an instrument of great subtlety and refinement, as highlighted by the quote "a gentleman does not part with his ''qin'' or '' se'' without good reason," as well as being associated with the ancient Chinese philosopher Confucius. It is sometimes referred to by the Chinese as "the father of Chinese music" or "the instrument of the sages". The ''guqin'' is not to be confused with the '' guzheng'', another Chinese long stringed instrument also without frets, but with moveable bridges under each string. Traditionally, the instrument was simply referred to as the "''qin''" (琴) but by the twentieth century the term had come to be applied to many other musical instruments as well: the ''yangqin'' hammered dulcimer, the ''huqin'' family of bowed string instruments, and the Western piano (''gangqin'' (钢琴) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of China
Music of China refers to the music of the Chinese people, which may be the music of the Han Chinese in the course of Chinese history as well as ethnic minorities in today's China. It also includes music produced by people of Chinese origin in some territories outside mainland China using traditional Chinese instruments or in the Chinese language. It includes forms from the traditional and modern, Western inspired, commercial popular music, folk, art, and classical forms, and innovative combinations of them. Documents and archaeological artifacts from early Chinese civilization show a well-developed musical culture as early as the Zhou dynasty (1122 BC – 256 BC) that set the tone for the continual development of Chinese musicology in following dynasties. These developed into a wide variety of forms through succeeding dynasties, producing the heritage that is part of the Chinese cultural landscape today. Traditional forms continued to evolve in the modern times, and over the cour ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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